Best known as a philosopher, one of the founders of existentialism, Kierkegaard also wrote books whose themes were primarily religious, psychological or literary. He was opposed to much in organised Christianity, stressing the necessity for individual choice against prescribed dogma and ritual. In this book, he concentrates his penetrating psychological observations on the theme of despair.

This chapter contains sections titled: The Sickness unto Death Three Discourses at the Communion on Fridays further reading.

The Sickness unto Death is commonly regarded as one of Kierkegaard's most important works – but also as one of his most difficult texts to understand. It is a meditation on Christian existentialist themes including sin, despair, religious faith and its redemptive power, and the relation and difference between physical and spiritual death. This volume of new essays guides readers through the philosophical and theological significance of the work, while clarifying the complicated ideas that Kierkegaard develops. (...) Some of the essays focus closely on particular themes, others attempt to elucidate the text as a whole, and yet others examine it in relation to other philosophical views. Bringing together these diverse approaches, the volume offers a comprehensive understanding of this pivotal work. It will be of interest to those studying Kierkegaard as well as existentialism, religious philosophy, and moral psychology. (shrink)

이 논문은 지금까지 규정되어온 절망에 관한 통속적이고 피상적인 고찰과 불충분한 이해에서 벗어나 인간이 왜 절망하는지 그 본질적 문제에 주목하고, 나아가 절망 끝에 숨어있는 새로운 삶의 시작이 어떻게 가능한지에 대해 논의한다. 현대를 ‘절망의 시대’로 선언한 키에르케고어가 그의 저서 『죽음에 이르는 병』에서 절망을 죽음의 병으로 규정하는 근거가 무엇인지, 절망이 현실적인 문제로 인한 일시적인 혼란의 감정이 아니라면 도대체 왜 인간은 절망하는지, 그에 대한 이론적 고찰을 수행한 뒤, 절망에 빠진 인간이 삶을 지탱해나갈 수 있는 근원을 오히려 절망에서 찾는 키에르케고어의 역설적 시도를 철학상담의 관점에서 재해석한다. (...) 키에르케고어에게 자기와의 참된 관계란 절망을 통하지 않고서는 자기기만에서 벗어날 수 없으며, 또한 자기의 한계를 인정하고 수용하는 진정한 ‘나’로 거듭날 수 없다. 이 점에 주목하는 이 논문은 ‘자기 자신’에 관한 논고라 할 수 있는 『죽음에 이르는 병』이 절망하는 사람을 도울 수 있는 매우 중요한 철학적 단초를 제공하고 있다고 보고, 이를 토대로 철학상담이 어떻게 그들을 도울 수 있는지에 대해 그 가능성을 모색하고 있다. (shrink)

A distrust of focus on subjectivity and the individual provoked by his meeting with Sartrean existentialism led György Lukács to turn his early but qualified admiration of Søren Kierkegaard into an accusation of fostering a bourgeois culture of the kind Kierkegaard is usually thought to have opposed. Not every Marxian thinker has been equally wary of subjectivity, but all have found in Kierkegaard a crucial absence of concern for human exploitation within a context of natural scarcity. However, a more measured (...) reading suggests a case for resolving the need to choose between Lukács’s insistence on “spirit” as a collective notion and Kierkegaard’s as cultivation of a trans-historically oriented, self-stabilizing social will. (shrink)

This chapter philosophically examines the transformation of “Walter White” into “Heisenberg,” as depicted in the television series Breaking Bad, in terms of Søren Kierkegaard’s “stages of life” and Carl Jung’s “process of individuation.” Though Walt’s transformation is an oft-discussed topic regarding Breaking Bad, there has yet to appear in the philosophical literature an examination of this transformation in terms of Kierkegaard and Jung. Such an examination is important since it also addresses a number of the questions regarding the shift in (...) Walt’s moral compass given his terminal prognosis. That is to say, Walt’s transformation into Heisenberg in terms of Kierkegaard and Jung provides a moral account of his decisions without sacrificing a notion of his free-will or accepting the imminence of death as justification for the perpetration of evil. (shrink)

For the first time in English the world community of scholars is systematically assembling and presenting the results of recent research in the vast literature of Soren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian.

The development of Vertigo’s main characters provides a detailed illustration of the dialectics of despair as analysed in Kierkegaard’s The Sickness unto Death, in particular of the so-called ‘masculine’ and ‘feminine’ types of failed selfhood. This article shows the relation of selfhood and despair to dizziness both in Kierkegaard’s work and in Hitchcock’s film, and it examines the religious subtext of Vertigo. The dramatis personae of Judy and Scottie are analysed by applying Kierkegaard’s phenomenology of despair. They (...) display a variety of failures to relate to their selves, like unconscious and conscious despair, possibility’s despair, despair over the earthly and despair of the eternal. Moreover, they epitomize the gendered types of despair as depicted in The Sickness unto Death: losing one’s self in relation to someone and obsessively striving for self-assertion at the cost of others. (shrink)

In The Sickness unto Death, Kierkegaard describes selfhood as an achievement, specifically claiming that the self’s task ‘is to become itself’ (SUD, 29/SKS 11, 143). But how can one can become who or what one already is, and what sort of achievement is it? This chapter draws on the work of Christine Korsgaard, another philosopher who sees selfhood as an achievement, using her notion of practical identity to explore Kierkegaard’s accounts of the structure of the self and (...) of selfhood as achievement. Kierkegaard’s treatment of selfhood—as aspirational and, if undertaken well, appropriately grounded in one’s facticity (i.e. the concrete facts of one’s situation)—suggests how consciously endorsed identities can guide (or fail to guide) our agency. Having a practical identity involves striving to inhabit adopted roles by aligning our actions with relevant normative demands, but also sometimes embracing and consciously adopting identities already tacitly guiding our engagement with the world. This framework also suggests several ways we can be alienated from desires, actions, or, more generally, our selves. Putting Kierkegaard in conversation with contemporary agency theory, this chapter has two guiding lines of inquiry. First, what does it mean to achieve selfhood and how can the notion of practical identity illuminate or be illuminated by this question? Second, how can this analysis clarify the experience of not being oneself, whether resulting from self-deception, self-ignorance, or the potentially frustrating gap between who one is and who one wants to be? (shrink)

The concepts of anxiety and despair together are central to Kierkegaard's conception of the self. He discusses these concepts principally in two works, The Concept of Anxiety and The Sickness Unto Death. Anxiety and despair each have a complex structure and are closely interrelated to one another. This thematic interconnection between anxiety and despair is doubled and made more difficult by the textual relationship between the two works and the fact that they have different pseudonymous "authors." Further, (...) both these works are very dense and bristle with problems of meaning and interpretation. Therefore, the dissertation is a careful articulation of the structure and relation between anxiety and despair through a close textual analysis of The Concept of Anxiety and The Sickness Unto Death. ;Kierkegaard understands anxiety to be both the attraction to and the repulsion from the nothingness of future possibilities. Thus, anxiety is not simply a psychological state, mood or feeling, but is an ontological structure essential to human being and is the mark of human freedom. Anxiety is that which psychology refers to in seeking an explanation to free human choices. Further, anxiety is an explanation of choice only in the sense that it explains the possibility of choice; it does not and can not explain the cause of this or that particular choice. ;Kierkegaard understands despair to be a not-willing-to-be-oneself. Like anxiety, despair is not simply a psychological state. Instead, it is the structure of one's being who has wrongfully used freedom. Since the self is capable of relating itself to itself in multiple ways, and since despair is the misrelation of oneself to oneself, despair has a multitude of forms. ;I argue that in Kierkegaard's writings, anxiety and despair are surely not different terms for the same mood or psychological state. Rather, anxiety is the mark of human freedom and the condition for the possibility of despair. Despair is the wrongful use of freedom through the failure to choose to be oneself. Finally, a cure for despair must include anxiety, that is, freedom's possibility. (shrink)

This article seeks to demonstrate the influence of J. G. Fichte's philosophy on Søren Kierkegaard's theory of the self as he develops it in The Sickness unto Death and to interpret his theory of the self as a religious critique of autonomy. Following Michelle Kosch, it argues that Kierkegaard's theory of the self was developed in part as a critique of idealist conceptions of agency. Moreover, Kierkegaard's view of agency provides a powerful way of understanding human freedom (...) and finitude that has implications for contemporary debates about autonomy, normativity, and agency. (shrink)

How are we to read and how translate the brief formulae with which ‟The Sickness unto Death” introduces two forms of ‛authentic despair’? In response to Michael Theunissen’s claim that, to conform with the actual drift of Kierkegaard’s thought, the first of the two forms of despair should be given priority, an alternative reading that conforms with the published ordering is defended on the strength of both the text itself and the development of Kierkegaard’s thought up to (...) the time of its writing. The further aim, shared with Theunissen, is to widen the basis for assessing the continuing relevance of Kierkegaard’s analysis of despair. (shrink)

In response to the claim that Kierkegaard's highly compressed definition of the self, given near the beginning of The Sickness unto Death, should be understood in Hegelian terms, I show that it can be better understood in terms of an earlier development in the history of German idealism, namely, Fichte's theory of self-consciousness. The notion that the self ?posits? itself found in this theory will be used to explain Kierkegaard's definition of the self, including his rejection of (...) the idea that the self posits itself absolutely. I go on to show how this conception of the self relates to certain features of the concept of despair described in The Sickness unto Death. This in turn allows me to indicate some implications of this conception of the self in relation to Kierkegaard's attitude towards the social and political forces shaping the modern world. (shrink)

Danish theologian and philosopher Søren Kierkegaard is often overlooked as an author in the Christian spiritual tradition. This paper answers Christopher Barnett's call to investigate themes of Christian spirituality in Kierkegaard's writing. In this paper, I argue that we can construct of vision of sanctification from Kierkegaard's The Sickness unto Death. While Kierkegaard does not directly deal with themes of sanctification in The Sickness unto Death, Kierkegaard's pseudonym Anti-Climacus does demonstrate the ‘spiritless’ life of (...) despair. The ‘spiritless’ life, as Anti-Climacus defines it, is a life that is not truly a ‘self’. Anti-Climacus systematically demonstrates four categories of despair, and all people not living in faith, whether they realise it or not, fit into one of these categories of ‘spiritless’ existence. I argue that by constructing the opposites of Kierkegaard's categories of despair I demonstrate that a ‘spirit-filled’ life exemplifies a vibrant Christian life of sanctification. (shrink)

In ____Selves in Discord and Resolve__, Edward Mooney examines the Wittgensteinian and deconstructive accounts of subjectivity to illuminate the rich legacy left by Kierkegaard's representation of the self in modes of self-understanding and self-articulation. Mooney situates Kierkegaard in the context of a post-Nietzschean crisis of individualism, and evokes the Socratric influences on Kierkegaard's thinking and shows how Kierkegaard's philsophy relies upon the Socratic care for the soul. He examines Kierkegaard's work on Judge Wilhelm, from _Either/Or,_ Socrates, in the _Postscript_ and (...) Abraham and Job in _Repetition_ and _Fear and Trembling_. (shrink)

Name der Zeitschrift: Kierkegaard Studies Yearbook Jahrgang: 23 Heft: 1 Seiten: 125-154.

This is a review of Walter Lowrie's early translations of these three works.

This chapter analyses the views of Soren Kierkegaard about the concept of death. It examines the historical reasons why death might have featured with especial prominence in the work of a writer concerned with the parlous state of post-Hegelian Christianity and explains that Kierkegaard saw more of death before his thirtieth birthday than most people see in a lifetime. The chapter also explains the meaning of death in the mention of death in some of his (...) works, including Either/Or, For Self-Examination, and The Sickness Unto Death. (shrink)

“Whoever does not love abides in death,” writes John in his first epistle (1Jn 3:10). This statement presents us with a paradox. Death, so we suppose, is precisely that in which one cannot 'abide.' Our first thought is to interpret this as metaphor. John is saying that a life devoid of love is a life somehow like death. But, having never died, how do we know what death is like? My paper explores these questions with the (...) aid of two philosophical interpretations of the meaning of death: Heidegger’s in Being and Time and Kierkegaard’s in The Sickness Unto Death. Having looked at these I then seek to grasp their relation to the Christian idea of agapic love as presented by John. (shrink)

There are certain things that can be explained and certain things that cannot be explained. This book is about the latter. It is a book about death: how death interrupts and influences the reflection on the self. It is a book about God: a detailed and critical discussion on how Kierkegaard and Derrida apply the concept of God in their philosophical reflections. The most ground-breaking analysis concerns the famous passage on the self in The Sickness unto (...) Death, where the author combines logical, rhetorical and dialectical means to establish a new perspective on Kierkegaard's thinking in general. The Cartesian doubt then constitutes a common trait for his detailed and rigorous analysis of Derrida and Kierkegaard on death, madness, faith, and rationality - showing how they both seek to break up the Hegelian Aufhebung from within, but still remain dependent on Hegel. After Kierkegaard and Derrida, the certainty and total uncertainty of death - and of God as infinite other - gives the self a basic, though non-foundational, responsibility. The significance of this responsibility, of this other, of this death, requires sustained and thorough consideration. Where others mark a conclusion, this book therefore marks a point of departure: reflecting on oneself at the graveside of a dead man - thus introducing an Autopsia. (shrink)

In Sickness unto Death Kierkegaard makes a fundamental distinction between two forms of conscious despair in terms of sexual categories: «feminine despair» or despair on weakness and «masculine despair» or despair on defiance. This paper aims to clarify the previous distinction and to establish if Kierkegaard´s authentic self is congruent with an androgynous selfhood.

In this article, I argue that, despite Kierkegaard’s seemingly harsh critique of temperance, it plays a crucial role in his ethics developed under the pseudonym of Anti-Climacus in The Sickness unto Death and Practice in Christianity. Anti-Climacus, following Socrates in the Philebus, thinks of the good life as ”mixed’, in which the different and opposed dimensions of human existence, peras and apeiron, are in due proportion. In Anti-Climacus’s ethics, the process of realizing the ”mixed’ life does not, (...) contra the Socratic conception, involve reason restricting desire but instead, the will grounding imagination in the facticity of human existence. It is through this process of perfection that we are able to imitate Christ, which is how Anti-Climacus ultimately understands the good life. Moreover, I suggest that we could understand this temperance as a virtue. In the conclusion, I show that Kierkegaard’s apparent critique of temperance is actually a critique of mediocrity. (shrink)

How does our conception of possibility contribute to our understanding of self and world? In what sense does the possible differ from the merely probable, and what would it mean to treat possibility as part of the real? This book is an opportunity to see Kierkegaard as contributing to a distinctive phenomenology, ontology, and psychology of possibility that addresses the question of our existential relationship to the possible. The term 'possibility' (Mulighed) and its variants occur with curious frequency across Kierkegaard's (...) writings. Key to Kierkegaard's understanding of the self, possibility is linked to a number of core concepts in his works: from imagination, anxiety, despair, and 'the moment' to the idea in The Sickness Unto Death that “God is that all things are possible”. Responding to what he sees as a Hegelian and Aristotelian misunderstanding of possibility, Kierkegaard offers a novel reading of the possible that, in turn, directly influences 20th-century philosophers such as Heidegger, Deleuze, and Derrida. Kierkegaard gives a rich account of how anxiety and despair, as lived experiences of possibility, not only show us the contingency and fragility of the systems and identities we presently inhabit but also reveal a more fundamental contingency that demands a new way of relating to the possible. For Kierkegaard, hope, faith, and love are attitudes in which meaning is forged by embracing contingency. In a time of political, social, and environmental uncertainty Kierkegaard's work on radical possibility seems more relevant than ever. (shrink)

Resumen En este artículo se reflexiona sobre la relación entre literatura y enfermedad, concentrando la atención en la perspectiva de Kierkegaard y de Kafka. Después de analizar la postura kierkegaardiana se pasa a la kafkiana y, finalmente, se comparan los resultados obtenidos. De este modo, se pueden apreciar las diferencias entre los dos planteamientos y, sucesivamente, utilizar los elementos en común para esbozar unas características interesantes sobre la relación entre literatura y enfermedad en los siglos XIX y XX en el (...) contexto de influencia alemana. Esto nos lleva a reflexionar sobre las conexiones causales entre la enfermedad y la literatura, y sobre el contexto social o íntimo en el cual estas se desarrollan.I analyze the topic of sickness in relation to 19th and 20th Century Literature in the Germanophile area. In particular, I examine Kierkegaard's and Kafka's perspectives. In the case of Kierkegaard, he principally wrote about sickness in his diaries, and in two important books: The Concept of Anxiety and The Sickness unto Death. However, Kafka wrote about the same theme in all his diaries. Therefore, in this study, I will compare the different perspectives of these two authors in relation to both sickness and literature. Through this, I will attempt to extract any key aspects that can be used for identifying a more general relation between sickness and literature in the 19th and 20th Centuries. To achieve this aim, I will firstly scrutinize Kierkegaard's posture, and then Kafka's posture. Following this, I will compare the findings to draw general conclusions. (shrink)

Sheds light on the meaning of human freedom by examining and making clear the relationship between the concepts of anxiety and despair in the writings of Soren Kierkegaard. Drawing on Kierkegaard's The Concept of Anxiety and The Sickness Unto Death, the author provides detailed accounts on Kierkegaard's concepts of anxiety and despair, and discusses much secondary literature on these topics. What follows is an examination of Kierkegaardian feelings and moods, and freedom and individuality. Annotation copyright by Book (...) News, Inc., Portland, OR. (shrink)