This paper is an attempt to develop a paradigm in problem solving where the notion of virtuality plays a central role. Following a brief discussion on virtual simulation, the paper attempts to identify a notion of virtuality based on the identification of the self (man or computer) with the problem solver. It is shown that such an identification/distinction possibly violates some general principle of the problem environment.To deal with this violation, a new problem is generated and a new virtualization act (...) is required, in order to attain a correspondence between virtuality and reality. A better understanding of this approach requires a combination of analog and digital reasoning: the analog being related to the environment in which the problem solving is required, and the digital to the problem solver's “mental” activities.We will briefly analyze the recursive approach to problem solving and suggest a possible problem solving methodology based on virtuality. The paper concludes with comments on the relation between etnology and virtual reality. (shrink)

The purpose of this study was to illuminate the ethically difficult situations experienced by care providers working in a nursing home. Individual interviews using a narrative approach were conducted. A phenomenological-hermeneutic method developed for researching life experience was applied in the analysis. The findings showed that care providers experience ethical challenges in their everyday work. The informants in this study found the balance between the ideal, autonomy and dignity to be a daily problem. They defined the culture they work in (...) as not supportive. They also thought they were not being seen and heard in situations where they disagree with the basic values of the organization. The results are discussed in terms of Habermas’s understanding of modern society. Care settings for elderly people obviously present ethical challenges, particularly in the case of those suffering from dementia. The care provider participants in this study expressed frustration and feelings of powerlessness. It is possible to understand their experiences in terms of Habermas’s theory of modern society and the concept of the system’s colonization of the life world. (shrink)

As reconstruções racionais da teoria do agir comunicativo exigem um procedimento que coaduna três tipos de ações: comunicativas, instrumentais e estratégicas. A desconfiança em torno das escolhas racionais recai sobre o tipo de agir estratégico. A perspectiva cognitivista alimenta um carácter lógico de tipo meio-fim. Existe o risco de o sujeito limitar-se simplesmente ao autointeresse individual, pois as escolhas podem obedecer a determinados cálculos egocêntricos. Em uma sociedade individualista, as motivações subjetivas freiam escolhas de tipo universal. No caso da educação, (...) os cálculos racionais supõem uma orientação que exclui conteúdos de caráter obrigatório. Isso acontece, por exemplo, com os temas de história e cultura afro-brasileira e indígena, exigência presente nas Leis de Diretrizes e Bases da Educação nacional. O modelo monolíngue contrasta com a perspectiva reconstrutiva de Habermas. Para entender essas questões, o texto retoma o modelo de Lakatos para, então, superar os riscos da racionalidade estratégica. (shrink)

What does it mean to get hooked by a work, whether a bestseller or a classic, a TV series or a painting in a museum? What is this aesthetic experience that makes us feel captivated? What do works of art do, and how, in particular, do they bind us to them? In "Hooked," Rita Felski builds an aesthetics premised on our attachments rather than our free agency and challenges the ethos of critical aloofness that is so much a part (...) of modern intellectuals' self-image. The result is sure to be as widely read, and as controversial, as Felski's 2015 book, "The Limits of Critique." Felski looks at several "attachment devices." One of these is "attunement"--those affinities and stirrings that often fall below the threshold of consciousness. Why, for example, are we drawn to a painting or piece of music in ways we struggle to explain, while being left cold by others whose merits we duly acknowledge? Another attachment device is "identification"--a widespread response to fiction that is often invoked by critics but usually treated as synonymous with either identity or empathy. But Felski shows that identifying has no neat fit with identity categories, and it can trigger ethical, political, or intellectual affinities that have little to do with co-feeling. What people most commonly identify with, Felski argues, are characters who are alluring, arresting, or alive, not in spite of their aesthetic qualities but because of them. This kind of identification is not limited to naïve readers or over-invested viewers, but is also a defining aspect of what scholars in the humanities do. Relatedly, academic "interpretation" emerges here as another circuit of connection: critics forge ties to the works they explicate, the methods they use, the disciplinary identities they inhabit. "Hooked" returns us to the fundamentals of aesthetic experience, showing that the social meanings of artworks do not lie encrypted in their depths, within reach only of expert critics, but are generated within the embrace of captivated audiences. (shrink)

Cet ouvrage se penche sur la question des transformations à l’œuvre dans les traditions rituelles des religions méditerranéennes antiques, avec une attention particulière portée aux acteurs à l’origine de ces changements ainsi qu’aux émotions suscitées. Plusieurs contributions sont issues de communications présentées dans le panel « agency » du colloque « Ritual Dynamics and the Science of Ritual », organisé à Heidelberg en 2008. Je résume ici les contributions portant sur le monde grec. L’an...

L’ouvrage de P. Ismard (P.I.) cherche à comprendre « le poids de l’événement que représente le procès de Socrate dans la mémoire occidentale » (p. 11). Cet objectif repose sur trois angles d’approche : il s’agit de saisir les enjeux du procès comme tel, d’utiliser cet « événement » comme clé d’analyse des institutions athéniennes contemporaines du procès, et d’étudier la réception du procès aux époques ultérieures. L’analyse est structurée autour de neuf chapitres, dans un langage fluide et a...

Derrière un titre assez sobre, la structure de l’ouvrage de R. Gagné (R.G.) permet d’entrevoir son originalité. Loin de se contenter d’une brève circonscription du concept de faute ancestrale dans l’introduction, l’A. consacre les deux premiers chapitres à la réception et à la réinterprétation de cette notion après l’Antiquité. Il cherche ainsi à montrer par quels filtres successifs a transité la notion avant d’arriver jusqu’à nous. Ce n’est qu’après un exposé assez érudit sur les nombreux au...

This book re-assesses the life and legacy of Swami Vivekananda from the vantage point of socially-engaged religion in a time of global dislocations and inequities. Due to the complexity of Vivekananda as a historical figure on the cusp of a new era, few works offer a nuanced, academic examination of his liberative vision and legacy.

Across two studies, a wide age range of participants was interviewed about the nature of death. All participants were living in rural Madagascar in a community where ancestral beliefs and practices are widespread. In Study 1, children (8–17 years) and adults (19–71 years) were asked whether bodily and mental processes continue after death. The death in question was presented in the context of a narrative that focused either on the corpse or on the ancestral practices associated with the afterlife. Participants (...) aged 8 years and older claimed that death brings an end to most bodily and mental processes. Nevertheless, particularly in the context of the religious narrative, they claimed that certain mental processes continue even after death. This assertion of an afterlife was more evident among adults than children, especially with respect to cognitive processes, such as knowing and remembering. In Study 2, 5‐ and 7‐year‐olds were asked similar questions in connection with the death of a bird and a person. Seven‐year‐olds consistently claimed that bodily and mental processes cease at death, whereas 5‐year‐olds were unsystematic in their replies. Together, the two studies replicate and extend findings obtained with Western children showing that, in the course of development, different conceptions of death are elaborated—a biological conception in which death terminates living processes and a religious conception in which death marks the beginning of a new form of spiritual existence. (shrink)

The presence of Neoplatonism in contemporary french phenomenology has a pregnance that crosses its most relevant points. Jean-Luc Marion's work does not escape this. In this work we approach the marionian appropriation of Nicholas of Cusa's thought, in the light of his writing Certitudes négatives, with the intention of understanding the cusanu´s ignorant doctrine as a way of negative certainty. La presencia del neoplatonismo en la fenomenología francesa contemporánea posee una pregnancia que atraviesa sus puntos más relevantes. La obra de (...) Jean-Luc Marion no escapa a esto. En este trabajo abordamos la apropiación marioniana del pensamiento de Nicolás de Cusa, a la luz de su escrito Certitudes négatives, con la intención de comprender la doctrina ignorante del Cusano como un modo de certeza negativa. (shrink)