Results for 'Motion pictures Aesthetics'

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  1. Still: American Silent Motion Picture Photography.David S. Shields - 2013 - University of Chicago Press.
    The success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about (...)
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  2.  17
    The Philosophy of Motion Pictures.Katherine Thomson-Jones - 2008 - Journal of Aesthetics and Art Criticism 66 (4):401-403.
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  3. The Philosophy of Motion Pictures[REVIEW]Landon Schurtz - 2011 - American Society for Aesthetics Graduate E-Journal 3 (1):24-25.
     
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  4. "Narrative: From Malory to Motion Pictures": Edited by Jeremy Hawthorn. [REVIEW]Hugh Bredin - 1986 - British Journal of Aesthetics 26 (2):176.
     
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  5.  21
    Experiential Realism and Motion Pictures: A Neurophenomenological Approach.Jane Stadler - 2016 - Studia Phaenomenologica 16:439-465.
    This article sets up a neurophenomenological approach to understanding cinema spectatorship in order to investigate how embodied engagement with technologies of sound and motion can foster a sense of experiential realism. It takes as a starting point the idea that the empirical study of emotive, perceptual, motor, and cognitive processes involved in film spectatorship is impoverished without a phenomenological account of the lived experience under investigation. Correspondingly, engaging with neuroscientific studies enriches the scope of phenomenological inquiry and offers new (...)
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  6.  19
    Review: N. Carroll and J. Choi, Eds., Philosophy of Film and Motion Pictures[REVIEW]Anna Christina Ribeiro - 2006 - British Journal of Aesthetics 46 (3):317-319.
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  7.  2
    The Philosophy of Motion Pictures: Book Reviews. [REVIEW]Thomas E. Wartenberg - 2009 - British Journal of Aesthetics 49 (1):83-85.
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  8.  8
    Sight, Sound and Society: Motion Pictures and Television in America.Frank Manchel, David Manning White & Richard Averson - 1971 - Journal of Aesthetic Education 5 (2):166.
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    The Philosophy of Motion Pictures.T. E. Wartenberg - 2009 - British Journal of Aesthetics 49 (1):83-85.
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  10.  5
    World of Laughter: The Motion Picture Comedy Short, 1910-1930. [REVIEW]Henry L. Mueller - 1968 - Journal of Aesthetic Education 2 (1):139.
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  11. What Is Non-Fiction Cinema? On the Very Idea of Motion Picture Communication.Trevor Ponech - 2001 - Journal of Aesthetics and Art Criticism 59 (3):343-344.
     
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  12. Alexander Bakshy: Pioneering Critic of Drama and Motion Picture.James Milton Highsmith - 1970 - Journal of Aesthetics and Art Criticism 29 (2):203-208.
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  13.  32
    Alexander Bakshy: Pioneering Critic of Drama and Motion Picture.James Milton Highsmith - 1970 - Journal of Aesthetics and Art Criticism 29 (2):195-202.
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  14. Motion(Less) Pictures: The Cinema of Stasis.J. Remes - 2012 - British Journal of Aesthetics 52 (3):257-270.
    While some film theorists and philosophers have seen motion as a necessary element of cinema, this view is challenged by a body of avant-garde films which offer little or no movement. These experiments—by film-makers such as Andy Warhol, Larry Gottheim, and Michael Snow—challenge essentialist definitions of film, while simultaneously foregrounding the crucial role played by duration in cinema’s ontology.
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  15.  13
    Depicting Motion in a Static Image: Philosophy, Psychology and the Perception of Pictures.Luca Marchetti - forthcoming - British Journal of Aesthetics.
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  16. Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition.Torben Grodal - 1999 - Clarendon Press.
    Providing an alternative to pyschoanalytically based descriptions, this major study presents a unique, new theoretical account of the way emotions and thought patterns interact in creating aesthetic effects in films. Using diverse examples, Torben Grodal shows how films activate effects in the viewer and how these effects are moulded by genres which determine the way in which characters will react in given situations.
     
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  17.  4
    Deleuze and Cinema the Aesthetics of Sensation.Barbara M. Kennedy - 2000 - Edinburgh University Press.
    Deleuze and Cinema aims to bring back debates about film as an art form - as part of an aesthetic process which incorporates the 'bodies' of our material, technological and molecular worlds.
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  18. Philosophy of the Film: Epistemology, Ontology, Aesthetics.Ian Charles Jarvie - 1987 - Routledge & Kegan Paul.
    Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression. This title available in eBook format. Click here for more information . Visit our eBookstore at: www.ebookstore.tandf.co.uk.
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  19.  9
    The Mask of Art Breaking the Aesthetic Contract : Film and Literature.Clyde Taylor - 1998 - Indiana University Press.
    "In this critique of aesthetics and the politics of representation, Taylor demonstrates astonishing breadth and depth in arguing for 'breaking the aesthetic contract' that excludes anything that does not conform to Eurocentric notions of beauty.... it brings to black studies and cultural critique an internationalism that emphasizes the richness of forms of creative expression outside the norms set by European aesthetics. Highly recommended..." —Choice Cultural critic Clyde Taylor exposes the concept of "art" as a tool of ethnocentricity and (...)
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  20. Measure for Measure: Wittgenstein's Critique of the Augustinian Picture of Music.Eran Guter - 2019 - In Hanne Appelqvist (ed.), Wittgenstein and the Limits of Language. London: Routledge. pp. 245-269.
    This article concerns the distinction between memory-time and information-time, which appeared in Wittgenstein’s middle-period lectures and writings, and its relation to Wittgenstein’s career-long reflection about musical understanding. While the idea of “information-time” entails a public frame of reference typically pertaining to objects which persist in physical time, the idea of pure “memory-time” involves the totality of one’s present memories and expectations that do now provide any way of measuring time-spans. I argue that Wittgenstein’s critique of Augustine notion of pure memory-time (...)
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  21. Let Them Haunt Us: How Contemporary Aesthetics Challenge Trauma as the Unrepresentable.Anna-Lena Werner - 2020 - Bielefeld: Transcript.
    Challenges the idea of "trauma" as being unrepresentable, and discusses the representation of trauma in art, film, museums, and other cultural areas.
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  22. The Philosophy of Motion Pictures.Noël Carroll - 2007 - Wiley-Blackwell.
    _Philosophy of Motion Pictures_ is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address.
     
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  23.  45
    The Cinematic Body.Steven Shaviro - 1993 - University of Minnesota Press.
    Preface The Cinematic Body is a transversal, exploratory work, one that cuts across disciplinary boundaries and seeks to engage new currents in critical ...
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  24.  22
    Motion Pictures as Metaphoric Consumption: How Animal Narratives Teach Us to Be Human.Elizabeth C. Hirschman & Clinton R. Sanders - 1997 - Semiotica 115 (1-2):53-80.
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  25. Motion Pictures : Literary Images of Horizontal Movement.Guido Isekenmeier - 2011 - In Renate Brosch, Ronja Tripp & Nina Jürgens (eds.), Moving Images, Mobile Viewers: 20th Century Visuality. Lit.
     
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  26.  5
    The Ways of Film Studies: Film Theory & the Interpretation of Films.Gaston Roberge - 1992 - Ajanta Publications.
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  27.  12
    L'estetica di Gilles Deleuze: Bergsonismo E Fenomenologia a Confronto.Katia Rossi - 2005 - Pendragon.
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  28. "Mint Nyugtalanító, Titkos Gondolatok Élnek--": Balázs Béla Elméleti Írásainak Egy Mai Megszólítása.Emőke Mihály - 2008 - Koinónia.
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    A New Note on the Film: A Theory of Film Criticism Derived From Susanne K. Langer's Philosophy of Art.Trisha Curran - 1978 - Arno Press.
    INTRODUCTION In her "Introduction" to Feeling_and Form Susanne K. Langer writes that nothing in this book is exhaustively treated. ...
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  30. Film Kao Vremenski Oblik: Predavanja Iz Estetike Filma.Sadudin Musabegović - 2007 - Armis Print.
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  31. 現代映像芸術論: 映像作家活動の思想的背景 1970年‐2000年.Sei Kazama - 2007 - Shuppan Bunka Kenkyūkai.
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  32. Verso Un'estetica Del Cinema: Filosofia, Psicologia E Teoria Del Cinema in Hugo Münsterberg.Domenico Spinosa - 2007 - Editori Riuniti.
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  33. Duras/Godard Dialogues.Cyril Béghin & Nicholas Elliott (eds.) - 2020 - New York: Film Desk Books.
    The two demonstrate a profound shared passion, a way of literally being one with a medium and speaking about it with a dazzling lyricism interspersed with dryly ironic remarks, fueled by a conviction that inspires them to traverse history. Their point of intersection is obvious. Duras, a writer, is also a filmmaker, and Godard, a filmmaker, has maintained a distinctive relationship with literature, writing and speech."--Cyril Béghin, back cover.
     
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  34. Il sistema audiovisivo: tra estetica e complessità.Chiara Simonigh - 2020 - Milano: Meltemi.
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  35.  1
    Film Manifestoes and Global Cinema Cultures: A Critical Anthology.Scott MacKenzie - 2014 - University of California Press.
    Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focussing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects (...)
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  36. I Gränslandet: Nya Perspektiv På Film Och Modernism.Daniel Brodén & Kristoffer Noheden (eds.) - 2013 - Gidlund.
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  37.  4
    The Poetics of Cinema.Richard Taylor & Boris Ėĭkhenbaum (eds.) - 1982 - Rpt Publications in Association with Dept. Of Literature, University of Essex.
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  38. The Arts of Cinema.Martin Seel - 2018 - Ithaca: Cornell University Press.
    Explores film's connections to the other arts and the qualities that distinguish it from them. He explores the cinema's singular aesthetic potential and uses specific examples from a diverse range of films--from Antonioni and Hitchcock to The Searchers and The Bourne Supremacy--to demonstrate the many ways this potential can be realized.
     
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  39. The Philosophy of Motion Pictures.NoË Carroll & L. - 2007 - Wiley-Blackwell.
     
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  40. Philosophy of Film and Motion Pictures: An Anthology.Noël Carroll & Jinhee Choi (eds.) - 2009 - Wiley-Blackwell.
    Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality Issues addressed include the objectivity of documentary films, fear (...)
     
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  41. Yŏngsang ap'oria: yŏngsang i kŏnnenŭn ilsang, sirhŏm, kiŏk e kwanhan hŭngmi chinjinhan iyagidŭl = The visual aporia.Cha-hye Yi (ed.) - 2019 - Kyŏnggi-do P'aju-si: Hanul Ak'ademi.
     
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  42. Looking at Motion Pictures.Richard Allen - 1997 - In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Clarendon Press.
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  43. La cultura visuale del Ventunesimo secolo: cinema, teatro e new media.Andrea Rabbito (ed.) - 2018 - Milano: Meltemi.
     
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  44.  3
    Philosophy of Film and Motion Pictures: An Anthology.NoË Carroll, L. & Jinhee Choi (eds.) - 2009 - Wiley-Blackwell.
    Designed for classroom use, this authoritative anthology presentskey selections from the best contemporary work in philosophy offilm. The featured essays have been specially chosen for theirclarity, philosophical depth, and consonance with the current movetowards cognitive film theory Eight sections with introductions cover topics such as thenature of film, film as art, documentary cinema, narration andemotion in film, film criticism, and film's relation to knowledgeand morality Issues addressed include the objectivity of documentary films,fear of movie monsters, and moral questions surrounding the (...)
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  45. Philosophy of Film and Motion Pictures: An Anthology.Jinhee Choi (ed.) - 2005 - Wiley.
     
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  46.  5
    Showing Pictures: Aesthetics and the Art Gallery.Susan L. Feagin & Craig Allen Subler - 1993 - Journal of Aesthetic Education 27 (3):63-72.
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  47.  96
    The Philosophy of Motion Pictures • by Noël Carroll.Andrew Kania - 2009 - Analysis 69 (1):194-195.
    Book review of _The Philosophy of Motion Pictures_ by Noël Carroll.
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  48.  13
    Affect and Motion Pictures.Jesse Prinz - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 893-921.
    Emotions play at least three key roles in cinema. First, many motion pictures present highly emotional situations, involving characters who fall in love, who endure unbearable loss, and who become hell-bent on revenge. To make sense of movies, we must identify the emotions that drive their characters. Second, motion pictures seem to arouse emotions. We go to tearjerkers that make us cry, splatter films that make us writhe, and action films that keep us at the edges (...)
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  49. Encuadres del discurso cinematográfico.Raquel Gutiérrez Estupiñán, Jaime Villarreal & Miguel Sáenz (eds.) - 2021 - Monterrey, Nuevo León, México: Editorial Universitaria de la Universidad Autónoma de Nuevo León.
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  50.  62
    Looking at Motion Pictures (Revised) [.Richard Allen - 2001 - Film-Philosophy 5 (1).
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