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Philosophy of the film: epistemology, ontology, aesthetics
New York: Routledge & Kegan Paul (1987)
Abstract
Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression. This title available in eBook format. Click here for more information . Visit our eBookstore at: www.ebookstore.tandf.co.uk.Links
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Similar books and articles
Situating the subject in film theory: meaning and spectatorship in cinema.Veijo Hietala - 1990 - Helsinki, Finland: Distributor, Akateeminen kirjakauppa.
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Citations of this work
Conceptual and moral ambiguities of deepfakes: a decidedly old turn.Matthew Crippen - 2023 - Synthese 202 (1):1-18.
Defending scientific study of the social: Against Clifford Geertz (and his critics).Kei Yoshida - 2007 - Philosophy of the Social Sciences 37 (3):289-314.
Digital Fabrication and Its Meanings for Photography and Film.Matthew Crippen - 2019 - In Joaquim Braga (ed.), Conceiving Virtuality: From Art to Technology. Cham: Springer. pp. 119-131.
Film as religious experience: Myths and models in mass entertainment.Alison Niemi - 2003 - Critical Review: A Journal of Politics and Society 15 (3-4):435-446.
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