This book examines the role of the female and the feminine in Plato's philosophy, and suggests that Plato's views on women are central to his political philosophy. Morag Buchan explores Plato's writings to argue his notions of the inferior female and the superior male. While Plato appears to allow women equal opportunity and participation of political life in the Ideal State in The Republic , his motivation rests on masculine ideals. Women in Plato's Political Theory examines issues including women's (...) relationship to men, to reproduction, to rational thought and politics in Plato's work, and addresses more generally the problem of sexual identity in philosophy. This book is an important contribution toward a wider interpretation of Platonic philosophy. (shrink)

The conviction that political recognition is accomplished through the extension and completion of the Enlightenment project of toleration is shared by some of the most influential political theorists of our time. John Rawls, Charles Taylor and Will Kymlicka all formulate the issue of recognition as if it were a corollary of the principle of toleration based in equal liberty or dignity. This raises important issues which political thought must confront and engage with. Above all, it means reconsidering the primacy of (...) Enlightenment critique for our understanding of ourselves, our world and our encounter with others. In this article I examine the liberal conviction that tolerance (in the sense of a commitment to individual autonomy) best promotes recognition of cultural diversity. I argue that two weaknesses haunt the liberal project and undermine this belief. They prevail because of a failure adequately to address the question of recognition in its normative, ontological and symbolic aspects. In contrast, I argue that philosophical hermeneutics affords a critical perspective on democratic theory and practice that must be taken up and extended following the experience of identity politics. Key Words: hermeneutics • Kymlicka • multicultural democracy • normativity • Rawls • ontology • symbolic • Taylor. (shrink)

The emotions pose many philosophical questions. We don't choose them; they come over us spontaneously. Sometimes emotions seem to get it wrong: we experience wrongdoing but do not feel anger, feel fear but recognise there is no danger. Yet often we expect emotions to be reasonable, intelligible and appropriate responses to certain situations. How do we explain these apparent contradictions? Emotion, Imagination, and the Limits of Reason presents a bold new picture of the emotions that challenges prevailing philosophical orthodoxy. Talia (...) Morag argues that too much emphasis has been placed on the "reasonableness" of emotions and far too little on two neglected areas: the imagination and the unconscious. She uses these to propose a new philosophical and psychoanalytic conception of the emotions that challenges the perceived rationality of emotions; views the emotions as fundamental to determining one's self-image; and bases therapy on the ability to "listen" to one’s emotional episode as it occurs. Emotion, Imagination, and the Limits of Reason is one of the first books to connect philosophical research on the emotions to psychoanalysis. It will be essential reading for those studying ethics, the emotions, moral psychology and philosophy of psychology as well as those interested in psychoanalysis. (shrink)

Serial music was one of the most important aesthetic movements to emerge in post-war Europe, but its uncompromising music and modernist aesthetic has often been misunderstood. This book focuses on the controversial journal die Reihe, whose major contributors included Stockhausen, Eimert, Pousseur, Dieter Schnebel and G. M. Koenig, and discusses it in connection with many lesser-known sources in German musicology. It traces serialism's debt to the theories of Klee and Mondrian, and its relationship to developments in concrete art, modern poetry (...) and the information aesthetics and semiotics of Max Bense and Umberto Eco. M. J. Grant sketches an aesthetic theory of serialism as experimental music, arguing that serial theory's embrace of both rigorous intellectualism and aleatoric processes is not, as many have suggested, a paradox, but the key to serial thought and to its relevance for contemporary theory. (shrink)

An evaluation of prominent debates concerning the force and ethico-politico significance of Derrida's writing.

SummaryAs a great deal of contemporary discussion reveals, there is an ongoing interest in determining the ethical and political relevance of Jacques Derrida's work. From standpoints deconstructive and otherwise, critics have tended to converge upon some version of a single question: What is the ethico-political significance of deconstruction? In this paper I shall aim to specify the difficulties of thus evaluating Derrida's work. The difficulties to which I refer stem largely from the inadequacy of established forms of critique to evaluate (...) the ethico-political impact of deconstruction. Rather than abandon such critique, I suggest that a close attention to what constitutes this disproportion is most productive here. Hence I shall argue that if one is to address issues of the ethical and political with regard to deconstruction, and not simply to insist from the outset on the very questioning mode which Derrida strives to interrupt, then another approach is needed. I shall propose that taking up Derrida's notion of ‘excessive’ responsibility attends not only to the main features of the Derridian problematic, but to the political and quasi-ethical aspect of his thinking. Most simply, if Derrida is successful in showing the supplementary structure of responsibility, such that responsibility can no longer be presented as an object or theme of knowledge, then it remains to explore the task of rethinking ethics and politics this initiates. (shrink)

This latest volume in the Oxford Readings in Feminism series consists of an exciting collection of articles addressing key questions for feminism and cultural studies. Encompassing both classic articles and challenging new work, Feminism and Cultural Studies is organized thematically and addresses commodification, women and labor, mass culture, fantasy and ideas of home.

This article examines some important historical, literary, and theoretical questions that are posed by the idea of “writing a life” in the early years of the twentieth century. Its focus is primarily on the constitutive relations between gender, literature and culture in the work of Virginia Woolf, and it proposes readings of a range of texts that were written by Woolf “on or about December 1930″ that engage with questions of life-writing. The texts analysed include Woolf's novel The Waves and (...) Orlando: A Biography. These are read alongside other texts from the same period in which Woolf deploys a first-person voice, including her Diary and a long letter she wrote as a kind of preface to a published collection of letters by working women. Finally, the article also draws on a number of Woolf's essays to suggest ways in which the problems of writing a life might intersect with other political, historical and literary problems with which she was preoccupied in the early 1930s. (shrink)

This paper examines the puzzling phenomenon of self-directed implicit bias in the form of gender “stereotype threat” (ST). Bringing to light the empirical undecidability of which account of this phenomenon is best, whether a rational or an associationist explanation, the paper aims to strengthen the associationist approach by appeal to a new account of seeing-as experiences. I critically examine “alief” accounts of reason-recalcitrant ST by bringing to bear arguments from the philosophy of emotion. The new account builds on the insights (...) and overcomes the weaknesses of “aliefs” by (a) employing associations that are imaginative and unreliable; and (b) proposing non-conceptual seeing-as experiences. (shrink)

This book explores the relevance of Sartre's work for various areas in contemporary philosophy, including the imagination, philosophy of language, skepticism, social ontology, logic, film, practical rationality, emotions, and psychoanalysis. Unlike other collections focused on Sartre, this book is not intended as a book of Sartre scholarship or interpretation. The volume's contributors, trained in analytic philosophy, engage with Sartre's work in new refreshing ways, which does not require seeing him as primarily belonging to the continental philosophical traditions of phenomenology or (...) existentialism. Instead, this book aims to make available and fruitfully explore the unheralded insights of Sartre, to creatively re-appropriate or rationally reconstruct certain fruitful ideas or approaches of Sartre and confront them with or make them available to contemporary philosophy in general. Sartre thereby emerges from this book as a versatile philosopher with a stake in a large variety of philosophical concerns. Sartre and Analytic Philosophy will appeal to Sartre scholars who are interested in his relevance to contemporary philosophical debates, as well as philosophers who are interested in exploring new ways of doing philosophy, which are neither stereotypically "analytic" nor "continental.". (shrink)

How did the Great War affect psychoanalysis? The common approach to this question has to do with assessing the extent to which psychoanalysis has influenced the medical and military understanding of the soldiers diagnosed with shell shock after the war, as well as the extent to which that influence further contributed to the new interest in Freudian psychoanalysis in Britain. If we take a conceptual approach and ask about the impact of the Great War on the theory of psychoanalysis, we (...) find ourselves investigating the more specific question: how did the Great War influence Freud’s psychoanalysis? For no matter how severely Freud has been and still is criticized, all psychoanalytic texts and schools lead back to his writings. When one examines Freud’s writings as a whole, comparing his pre-war work to his post-war writings, one can notice quite a few significant shifts. Perhaps most conspicuous is the shift in the theory of the mind as divided, a shift that is consolidated and articulated in The Ego and the Id. Prior to the war the main division was “topographical,” postulating more or less metaphorical “places” in the mind: consciousness, pre-consciousness, and the unconscious. After the war, the mind is divided “structurally” into three agencies, each with their own motivational functions: the Id, Ego and Super-Ego. The previous division, or rather the previous conception of the unconscious, was not abandoned. The Id, as well as parts of the Ego and the Super-Ego were said to be unconscious. But the main division of the mind was changed, especially since Freud came to understand that his conception of the unconscious did not lend itself to a unified definition. (shrink)

This paper synthesises a collaborative review of social capital theory, with particular regard for its relevance to the changing educational landscape within Scotland. The review considers the common and distinctive elements of social capital, developed by the founding fathers-Putnam, Bourdieu and Coleman-and explores how these might help to understand the changing contexts and pursue opportunities for growth.

Commercialiser des produits de beauté, c’est d’abord vendre – on le sait – l’idée même de « beauté ». Ce que l’on réalise moins, c’est que cette idée, comme ses véhicules publicitaires, moraux, médicaux et artistiques, a une histoire et que cette production socio-culturelle, pour être comprise et n’être jamais séparée de l’ensemble de ses incidences économiques, doit être appréhendée de façon genrée, racialisée et politisée. Soumise à des ruptures temporelles qui sont bien plus que des modes,...