The mobility restrictions related to COVID-19 pandemic have resulted in the biggest disruption to individual mobilities in modern times. The crisis is clearly spatial in nature, and examining the geographical aspect is important in understanding the broad implications of the pandemic. The avalanche of mobile Big Data makes it possible to study the spatial effects of the crisis with spatiotemporal detail at the national and global scales. However, the current crisis also highlights serious limitations in the readiness to take (...) the advantage of mobile Big Data for social good, both within and beyond the interests of health sector. We propose two strategical pathways for the future use of mobile Big Data for societal impact assessment, addressing access to both raw mobile Big Data as well as aggregated data products. Both pathways require careful considerations of privacy issues, harmonized and transparent methodologies, and attention to the representativeness, reliability and continuity of data. The goal is to be better prepared to use mobile Big Data in future crises. (shrink)

In this major work, Blumenberg takes issue with Karl Lowith's well-known thesis that the idea of progress is a secularized version of Christian eschatology, which promises a dramatic intervention that will consummate the history of the ...

At its beginning, every age has been "modern." We speak of "pre-" and "post-" modern ages. We are likewise tempted to identify what is most up-to-date with what is true. But to he up-to-date is to be out-of-date. If we Find what is really true in any age, it will he true in all ages. This proposition is central to this hook. Moreover, what is true will appear in different guises, as will what is false. The "modern (...) age" had often considered itself relativist, or secular, or skeptical. It strove to divest itself of its theological and metaphysical back-grounds, only to find that the central themes from this tradition recur again and again, most often under political or even scientific forms. This book proposes to "see" these classical and revelational roots within their modern forms. But we also find the proposition that what exists is only what we make. We find no "truth" but that of our own confection. When we find only our own "truth" however, we do not really find or know ourselves. We do not cause what it is to be ourselves in the first place. The central truth that the "Modern age" does not acknowledge is that its own existence along with that of the world itself is first a gift. When we see the "modern age" in this light we can again rediscover what we really are. Hopefully, we can choose and rejoice what we are intended to be in any age as the gift of being is something that transcends all ages even while dwelling within them. (shrink)

The early modern period is arguably the most pivotal of all in the study of the mind, teeming with a variety of conceptions of mind. Some of these posed serious questions for assumptions about the nature of the mind, many of which still depended on notions of the soul and God. It is an era that witnessed the emergence of theories and arguments that continue to animate the study of philosophy of mind, such as dualism, vitalism, materialism, and idealism. (...) -/- Covering pivotal figures in philosophy such as Descartes, Hobbes, Kant, Leibniz, Cavendish, and Spinoza, Philosophy of Mind in the Early Modern and Modern Ages provides an outstanding survey of philosophy of mind of the period. Following an introduction by Rebecca Copenhaver, sixteen specially commissioned chapters by an international team of contributors discuss key topics, thinkers, and debates, including: -/- Hobbes, Descartes’ philosophy of mind and its early critics, consciousness, the later Cartesians, Malebranche, Cavendish, Locke, Spinoza, Descartes and Leibniz, perception and sensation, desires, mental substance and mental activity, Hume, and Kant. Essential reading for students and researchers in philosophy of mind, enlightenment philosophy, and the history of philosophy, Philosophy of Mind in the Early Modern and Modern Ages is also a valuable resource for those in related disciplines such as religion, history of psychology, and history of science. (shrink)

First published in English in 1933, this detailled philosophical examination of the contemporary state and nature of mankind is a seminal work by influential German philsopher Karl Jaspers. Elucidating his theories on a variety of topics pertaining to contemporary and future human existence, _Man in the Modern Age_ is a key text by a man whose influence in the field continues to be felt.

First published in English in 1933, this detailed philosophical examination of the contemporary state and nature of mankind is a seminal work by influential German philosopher Karl Jaspers. Elucidating his theories on a variety of topics pertaining to contemporary and future human existence, _Man in the Modern Age_ is an ambitious and wide-ranging work, which meditates upon such diverse subjects as the tension between mass-order and individual human life, our present conception of human life and the potential for mankind’s (...) future existence. Written shortly before the accession to power of Hitler and National Socialism, this is not only an important philosophical work, but also an insightful and intriguing historical document. (shrink)

First published in English in 1933, this detailed philosophical examination of the contemporary state and nature of mankind is a seminal work by influential German philosopher Karl Jaspers. Elucidating his theories on a variety of topics pertaining to contemporary and future human existence, Man in the Modern Age is an ambitious and wide-ranging work, which meditates upon such diverse subjects as the tension between mass-order and individual human life, our present conception of human life and the potential for mankind’s (...) future existence. Written shortly before the accession to power of Hitler and National Socialism, this is not only an important philosophical work, but also an insightful and intriguing historical document. (shrink)

(1973). THE PASSING OF THE MODERN AGE, John Lukacs (New York: Harper and Row, 1970), pp. ix + 222. $7.95. World Futures: Vol. 13, No. 1-2, pp. 111-121.

For some time sociologists and philosophers have tended to label present day society “post-industrial” or “post-modern.” Understandable as the wish is to set off the present from the age of advanced capitalism, the terms selected are no less problematic. A new epoch is introduced before the question is even asked, let alone answered, as to how decisive current social changes are, and whether they require that a new epochal boundary be set. The term “post-modern,” moreover, has the additional (...) disadvantage of only naming the new period abstractly. There is an even more drastic disadvantage. Of course, deep economic, technical and social changes can be observed when compared with the second half of the nineteenth century, but the dominant mode of production has remained the same: private appropriation of collectively produced surplus value. (shrink)

The first one-volume introduction to Plato's biography with a complete account of his works since A.E. Taylor's. It includes a systematic explanation of Plato's theory of forms and concludes with an application of Plato's ideas to the world today.

The first one-volume introduction to Plato's biography with a complete account of his works since A.E. Taylor's. It includes a systematic explanation of Plato's theory of forms and concludes with an application of Plato's ideas to the world today.

This view encouraged theorists to consider artistic geniuses the high-priests of humanity, creators of works that reveal the invisible essence of the world."--BOOK JACKET.

This contribution starts from Max Scheler’s claim that modern philosophy holds two differing views on feelings. The first view, which Scheler attributes to René Descartes, presents them in their intentional role but rejects their independence; the other view, which Scheler attributes to Immanuel Kant, holds that they cannot be reduced to the rational part of the soul and thus affirms their independence, but deprives them of all cognitive powers. After considering both views, I discuss the views of Franz Brentano (...) and Edmund Husserl. Husserl takes an ambivalent approach to attunement, which opens the possibility of understanding Martin Heidegger’s thought of fundamental attunement. (shrink)

The paper lists several editions of Euclid’s Elements in the Early Modern Age, giving for each of them the axioms and postulates employed to ground elementary mathematics.

This is a sweeping and provocative work of aesthetic theory: a trenchant critique of the philosophy of art as it developed from the eighteenth century to the early twentieth century, combined with a carefully reasoned plea for a new and more flexible approach to art.Jean-Marie Schaeffer, one of France's leading aestheticians, explores the writings of Kant, Schlegel, Novalis, Hegel, Schopenhauer, Nietzsche, and Heidegger to show that these diverse thinkers shared a common approach to art, which he calls the "speculative theory." (...) According to this theory, art offers a special kind of intuitive, quasi-mystical knowledge, radically different from the rational knowledge acquired by science. This view encouraged theorists to consider artistic geniuses the high-priests of humanity, creators of works that reveal the invisible essence of the world. Philosophers came to regard inexpressibility as the aim of art, refused to consider second-tier creations genuine art, and helped to create conditions in which the genius was expected to shock, puzzle, and mystify the public. Schaeffer shows that this speculative theory helped give birth to romanticism, modernism, and the avant-garde, and paved the way for an unfortunate divorce between art and enjoyment, between "high art" and popular art, and between artists and their public.Rejecting the speculative approach, Schaeffer concludes by defending a more tolerant theory of art that gives pleasure its due, includes popular art, tolerates less successful works, and accounts for personal tastes."[A] remarkable work.... [Schaeffer's] writing is governed by... the ideals of clarity and consequence, the ideas of logic, truth, and evidence.... Schaeffer is so precise and unrelenting a philosophical critic that one wonders how some of the philosophies he anatomizes here can possibly survive the operation."--From the foreword by Arthur C. Danto. (shrink)

The volume offers the first large-scale study of the teaching of Descartes' philosophy in the early modern age. Its twenty chapters explore the clash between Descartes' "new" philosophy and the established pedagogical practices and institutional concerns, as well as the various strategies employed by Descartes' supporters in order to communicate his ideas to their students. The volume considers a vast array of topics, sources, and institutions, across the borders of countries and confessions, both within and without the university setting (...) (public conferences, private tutorials, distance learning by letter) and enables us thereby to reconsider from a fresh perspective the history of early modern philosophy and education. (shrink)

This book reassesses the role and impact of skepticism in early modern philosophy, revisiting and reinterpreting the positions of some of the main early modern philosophers in relation to this tradition and showing its relevance to others who have not previously been connected to skepticism.

This book reassesses the role and impact of skepticism in early modern philosophy, revisiting and reinterpreting the positions of some of the main early modern ...

In this volume Jean-Marie Schaeffer offers a detailed and polemical analysis of some of the most important modern aesthetic theories in the German tradition, those of Novalis, Schlegel, Hegel, Schopenhauer, Nietzsche, and Heidegger. His thesis is that, despite their great differences, all these theories belong to the same paradigm. He calls it the “speculative theory of art” and claims that it has become the predominant framework according to which spectators and artists have been thinking about the arts for the (...) last two centuries. One should also include in this paradigm Marxist theories and avant-garde movements, which Schaeffer mentions in the conclusion. In addition, this book contains an interesting chapter on Kant showing how his theory “resists the temptation” of becoming a speculative one. (shrink)

To the student familiar with the dialogues this book offers a fresh, wide, and daring perspective on Plato; to the scholar it offers a welcome alternative to dogmatic views. Concentrating on the interplay between Plato's life, work, and times, Brumbaugh sees three stages in the dialogues: 1) the early commitment to philosophy as shared inquiry, 2) a mature and systematic vision, 3) criticism and application of the system. The dialogues make sense if they are interpreted self-referentially; that is, the characters, (...) action, and aesthetic wholeness of the dialogues "concretize" their philosophical or theoretical import. With handy charts, diagrams, and an annotated bibliography, the return to Plato is made easier--and more adventurous.--A. B. (shrink)

Contrary to Constantin Fasolt, I argue that it is no longer useful to think of religion as an anomaly in the modern age. Here is Fasolt’s main argument: humankind suffers from a radical rift between the self and the world. The chief function of religion is to mitigate or cope with this fracture by means of dogmas and rituals that reconcile the self to the world. In the past, religion successfully fulfilled this job. But in modernity, it fails to, (...) and it fails because religion is no longer plausible. Historical, confessional religions, then, are no longer doing what they are supposed to do; yet the need for religion is still very much with us. Fasolt’s account would be a tragic tale, if not for his claim that there is a new religion for the modern age, a religion that fulfills the true reconciling function of religion. That new religion is the reading and writing of history. Indeed, for Fasolt, reading history is religiously redemptive, and writing history is a sacred act. The historian, it turns out, is the priest in modernity. In my response, I challenge both Fasolt’s remedy and its justification . Indeed, I reject both his romantic view of past religion as the peaceful reconciler, as well as his pessimistic view of present religion as the maker of “enemies” among modern people. In the end, I argue that the way Fasolt employs his categories—“alienation,” “salvation,” “religion,” “history”—is too vague to do much useful work. They are significant categories and they deserve our attention. But in my view, the story Fasolt tells is both too grim and too cheerful. (shrink)

This is an anthology of literary, religious, and philosophical texts from the entire Middle Ages and the early modern age that address already quite explicitly religious toleration and even tolerance.

From The River of Heaven is a broad compendium of wisdom and insight that reaches into all aspects of life and all domains of human culture. It covers such diverse topics as the different systems of Yoga, the scriptures of India, the universal meaning of Hinduism, Philosophies, both Hindu and Buddhist, Yogic Cosmology, the Gods and Goddesses, Sanskrit and Mantra, the Vedic view of society, the science of Karma and Rebirth, the inner meaning of Rituals, Ayurveda (ancient Indian medicine) and (...) Hindu Astrology (Jyotish). It may be the most accessible and relevant overview of the spiritual tradition of India and its clearest presentation to the modern mind. It is an attempt to portray the power and extent of that flow of light. (shrink)

"A well-organized and engaging read." —Religious Studies Review The first in-depth look at...an important nineteenth century Jewish thinker and historian. Well-written [and] well- researched." —The Jerusalem Post Magazine "A significant contribution to our understanding of the rise of modern Judaism in its East European manifestation." —Choice Harris examines Nachman Krochmal's work, particularly as it aimed to guide Jews through the modern revolution in metaphysical and historical thinking, thus enabling them to commit themselves to Judaism without sacrificing intellectual integrity.

This book brings together papers of the conference on 'Space, Geometry and the Imagination from Antiquity to the Modern Age' held in Berlin, Germany, 27-29 August 2012. Focusing on the interconnections between the history of geometry and the philosophy of space in the pre-Modern and Early Modern Age, the essays in this volume are particularly directed toward elucidating the complex epistemological revolution that transformed the classical geometry of figures into the modern geometry of space. Contributors: Graciela (...) De Pierris Franco Farinelli Michael Friedman Daniel Garber Jeremy Gray Gary Hatfield Andrew Janiak Douglas Jesseph Alexander Jones Henry Mendell David Rabouin. (shrink)