ABSTRACTThis paper argues that decolonial theory can offer a distinctive and valuable ethical lens. Decolonial perspectives give rise to an ethics that is fundamentally global but distinct from, and critical of, moral cosmopolitanism. Decolonial ethics shares with cosmopolitanism a refusal to circumscribe normative commitments on the basis of existing political and cultural boundaries. It differs from cosmopolitanism, though, by virtue of its rejection of the individualism and universalism of cosmopolitan thought. Where cosmopolitan approaches tend to articulate abstract principles developed from (...) within a particular Western tradition, decolonial approaches reject abstract global designs in favour of inter-cultural dialogue amongst multiple people, including peoples who deem collective and non-human entities to be of fundamental moral importance. In addition, decolonial global ethics rejects universality in favour of ‘pluriversality’. (shrink)

This book sets out to redress the balance and develop an understanding of what comprises ethical leadership in organizations.

The ecological crisis is confronting humanity with a need to recognize the interconnectedness of all life, and the Akashic Field as formulated by Ervin Laszlo (2004a) has identified how a universal information field connects humans to a greater transpersonal consciousness. The Akashic Field could provide humanity with a focus to deepen its understanding of a holistic view of life. The global crisis will confront human beings with the need to develop their transpersonal potential and spiritual intelligence, which has the potential (...) to contribute to an ecological actualization of human beings' relationship to the world, and the development of a sustainable future. (shrink)

Then Wendy began to see that one didn't stay at two for the rest of one's life. Indeed two is the beginning of the end. The end is being grown-up. Once you get to twenty one or so, you can never be ungrown-up again. But Mrs. Darling did not tell this to Wendy. Between two and twenty one, there was lots of time for her to find out.

Longtime San Francisco Chronicle film critic Mick LaSalle's freewheeling journey through several dozen big-screen visions of California.

This discussion paper offers a critical provocation to my mental health nursing colleagues. Drawing upon David Graeber's account of bullshit work, work that is increasingly meaningless for workers, I pose the question: Is mental health nursing a bullshit job? Ever‐increasing time spent on record keeping as opposed to direct care appears to represent a Graeberian bullshitisation of mental health nurses' work. In addition, core aspects of the role are not immune from bullshit. Professional rhetoric would have us believe that mental (...) health nursing is a therapeutically beneficent occupation organised around ideals of care and compassion and providing fulfilling work for practitioners. Yet, there are some key characteristics of the experience of mental health nursing work that afford alternative judgements on its value and meaningfulness. Not least of these is the fact that many mental health nurses feel quite existentially unsettled in the practise of their work and many service users do not recognise the professional ideal, especially when compelled into increasingly coercive and restrictive services. In this context, Graeber's thesis is explored for its applicability to mental health nursing with a conclusion that many aspects of mental health nursing work are commensurate with bullshit but that mental health care can possibly be redeemed from bullshitisation by authentically democratising reforms. Engaging with posthumanist ideas, this exploration involves a flexing of aspects of Graeber's theory. (shrink)

If, as Lefebvre argues, every society produces its own social space, then modernity might be characterized by that (anti-)social and instrumental space epitomized and idealized in Le Corbusier's writings. This repetitively patterned space consumes and regulates the differences between places and people; it encapsulates a normalizing morality that seeks to reduce all differences to an economic order of the Same. Lefebvre's dialectical conceptualization of 'difference' can both help explain the operation of this (im)moral landscape and offer the possibility of alternative (...) post-modern social spaces that might produce and respect Otherness. In this sense Lefebvre's work is an incipient 'difference ethics'. (shrink)

The pursuit of happiness is a long-enshrined tradition that has recently become the cornerstone of the American Positive Psychology movement. However, “happiness” is an over-worked and ambiguous word, which, it is argued, should be restricted and only used as the label for a brief emotional state that typically lasts a few seconds or minutes. The corollary proposal for positive psychology is that optimism is a preferable stance over pessimism or realism. Examples are presented both from psychology and economics that illustrate (...) the dangers of optimism, and in which better outcomes can occur with a pessimistic stance. A more sophisticated approach is then presented in which, in relation to well-being and quality of life, neither optimism nor pessimism is seen as inherently better than the other, but, rather, in which psychological flexibility may contribute optimally to health and well-being. (shrink)

This article examines the technical apparatus of the Warburg Haus in Hamburg and its relationship with Aby Warburg’s art historical methodology. A link is made to an exhibition in 1941 by Saxl and Wittkower entitled English Art and the Mediterranean that was published in 1948 and again in 1969 as British Art and the Mediterranean. In turn, the manner in which this exhibition and publication was image led, the text serving to annotate the images, links to broadcast media, namely, Clark’s (...) Civilisation (1969) and Berger’s Ways of Seeing (1972), as a strong example of a working practice. (shrink)

This article examines the technical apparatus of the Warburg Haus in Hamburg and its relationship with Aby Warburg’s art historical methodology. A link is made to an exhibition in 1941 by Saxl and Wittkower entitled English Art and the Mediterranean that was published in 1948 and again in 1969 as British Art and the Mediterranean. In turn, the manner in which this exhibition and publication was image led, the text serving to annotate the images, links to broadcast media, namely, Clark’s (...) Civilisation and Berger’s Ways of Seeing, as a strong example of a working practice. (shrink)

As American settlement expanded westward in the 1860s, the U.S. government undertook large-scale investigations of its new territories. Images of the West: Survey Photography in French Collections, 1860–1880 presents memorable glass-plate photographs from these federal surveys. The selection includes breathtaking views of such iconic sites as Yosemite, as well as lesser-known ethnographic portraits taken by Timothy H. O'Sullivan, William H. Jackson, and William Bell, among others. The accompanying essays discuss how the photographs were used to promote white settlement, how their (...) distribution at home and abroad contributed to the aggrandizement of the American West, and how the exploitative ideology underlying the use of photography extended to attitudes toward both American landscapes and American Indians. The images are all drawn from French public collections, which hold an astonishing number of these U.S. survey photographs. Accompanying an exhibition at the Musée d'Art Américain Giverny, Images of the West provides a critical new examination of a bygone era. (shrink)

From Ansel Adams to Carleton Watkins, Diane Arbus to Weegee, Richard Avedon to James VanDerZee, American photographers have recorded their vast, multicultural nation in images that, for more than a hundred years, have come to define the USA. In Photography and the USA, Mick Gidley explores not only the medium of photography and the efforts to capture key events and moments through photographs, but also the many ways in which the medium has played a formative role in American culture. (...) Photography and the USA encompasses the major movements, figures and works that are crucial to understanding American photography, but also pays attention to more obscure aspects of photography’s history. Focusing on works that reveal many different facets of America, its landscapes and its people, Gidley explores the ambiguities of American history and culture. We encounter images that range from an anti-lynching demo in 1934 to Dorothea Lange’s poster “All races serve the crops in California;” an early photographic view of Niagara Falls against the painstaking detail of Edward Weston’s Pepper, No. 30; a fireman’s fight in the San Francisco earthquake of 1906 to the Ground Zero images of 2001 by Joel Meyerowitz; an 1890s “Wanted” image to Elliot Erwitt’s shot of the Nixon–Kruschchev “Kitchen Debate.” Organizing his narrative around the themes of history, technology, the document and the emblem, Mick Gidley not only presents a history of photography, but also reveals the complexities inherent in reading photographs themselves. A concise yet comprehensive overview of photography in the United States, this book is an excellent introduction to the subject for American Studies or visual arts students, or for anyone interested in US history or culture. (shrink)

The paper discusses the role that ethics theory might play in business ethics teaching. It is noted that little attention is devoted to the explanation and application of ethics theory in business ethics textbooks, which suggests that ethics theory is held in low esteem by business ethics educators. This relative disregard has been justified by some critics on the basis of the limited usefulness of ethics theory to business ethics pedagogy. Notwithstanding these criticisms, the paper argues that ethics theory can (...) play an important role in business ethics teaching which conforms to a speculative agenda. A speculative agenda is described, and a contribution that ethics theory can make to it is explained. This constitutes a form of immanent critique, which enables putative statements of business ethicality to be subjected to critique against the cultural values upon which their credibility rests. Ethics theory is offered as a mediating resource to facilitate such critique. Some criteria that the presentation of ethics theory needs to meet if it is to fulfill this speculative agenda are also outlined. (shrink)

The natural world’s myriad differences from human beings, and its apparent indifference to human purposes and ends, are often regarded as problems an environmental ethics must overcome. Perhaps, though, ecological ethics might instead be re-envisaged as a form of other-directed concern that responds to just this situation. That is, the recognition of worldly (in)difference might actually be regarded as a precondition for, and opening on, any contemporary ethics, whether human or ecological. What is more, the task of ethics might be (...) regarded as one of conserving (at least some) such differences. The work of Iris Murdoch and the “difference ethics” of Emmanuel Levinas seem to offer possible ways to express such understandings. However, their ecological potential and theoretical limits, especially in terms oftheir metaphysical presuppositions, remain relatively under-explored. A closer examination of their work is presented in order to illustrate some of the possibilities and difficulties facing an ecological form of difference ethics. (shrink)

Environmental ethics should be understood as a radical project that challenges the limits of contemporary ethical and political expression, a limit historically defined by the concept of the citizen. This dominant model of public being, frequently justified in terms of a formal or procedural rationally, facilitates an exclusionary ethos that fails to properly represent our concerns for the non-human world. It tends to regard emotionally mediated concerns for others as a source of irrational and subjective distortions in an otherwise rationally (...) ordered ethicopolitical community. In doing so it underestimates the important role played by 'structures of feeling', those culturally variable patterns of emotionally mediated responses, that provide the (shifting) grounds for all ethical experience, motivation, communication and interpretation. An alternative model of political expression more suitable to an environmental ethic, the denizen, is suggested. (shrink)

This paper is a discussion of the political agency of Cultural Studies within the contemporary conjuncture. It begins by examining critical polemics around culture and postmodernity and moves on to consider Bennett's Foucauldian approach to cultural criticism. Although critical of Bennett's approach, the paper retains the Foucauldian notion of governmentality as the explanation of governance as a form of rule. The relevance of governance to cultural studies is shown through the argument that the political agency of cultural studies rests on (...) an administrative structure that can no longer be verified empirically or conceptually. The argument proceeds by proposing that the liquidation of this political agency has been caused by the cultural agency of postmodernity, to which administrative and political authority is subordinate. Governance is the political expression of this state of affairs. After outlining the general features of governance the paper concludes with a discussion of how the political agency of culture is expressed through governance. (shrink)

Recent years have witnessed growing concerns about how we should conduct conservation activities in a world of human-altered biophysical conditions. The 'novel ecosystems' perspective has emerged as a way to meet this challenge. Yet its focus on accepting 'new natures' as the 'new normal' has drawn much criticism from those wedded to conventional forms of conservation, such as 'ecological restoration'. This paper: 1) provides a much needed review of this dispute; 2) formulates and deploys an original analytical framework, which draws (...) on Thomas Kuhn's 'theoretical history' of science and Charles Taylor's moral philosophy to extricate the entangled moral and material ontologies of nature which conflate facts with values in the world-building activities of disputants; and 3) identifies and examines the processes underlying these world-building activities. The paper closes by offering an initial suggestion on how to explore options for resolving this highly contentious debate. (shrink)

Does Bevir's weak intentionalism clash irredeemably with the rejection of conceptions of subjectivity in the work of Deleuze and the later Foucault? The paper examines the notion of the subject required by Bevir's weak intentionalism, before turning to the "rejection" of the subject found in the work of Deleuze and the later Foucault, suggesting that this rejection only rejects the subject as something fully autonomous and given in advance, and does not constitute a global rejection of any subject capable of (...) intentional meaning. A subject who intends is perfectly permissible within the context of Deleuze and Foucault's philosophies, provided that they are regarded as emergent phenomena from multiple impressions, processes, forces and powers. This subject is in fact a strong candidate for weak intentionalism. However, the Deleuzean/Foucaultian conception of the subject does problematize Bevir's restriction of historical meaning to the meanings of individual subjects, and not to collectivities. Collectivities, much like individuals, can be conceived as emergent phenomena from multiple matters, relations, powers, individuals and so on, and therefore seem capable of generating meanings, much in the way that subjects can generate meanings. We must, therefore, ask what is so special about the individual subject such that only they are capable of meaning. (shrink)

This article examines the technical apparatus of the Warburg Haus in Hamburg and its relationship with Aby Warburg’s art historical methodology. A link is made to an exhibition in 1941 by Saxl and Wittkower entitled English Art and the Mediterranean that was published in 1948 and again in 1969 as British Art and the Mediterranean. In turn, the manner in which this exhibition and publication was image led, the text serving to annotate the images, links to broadcast media, namely, Clark’s (...) Civilisation and Berger’s Ways of Seeing, as a strong example of a working practice. (shrink)

During the struggle of Spring 2003, teachers had to face questions which are essential both for themselves and for the future of schools. Confronted simultaneously with the establishment of a transnational state and with a transfer of decision-making power toward territorial communities, they must revise their old ideological models and to survive, they must confront these models with realities on the ground, which some of them are already exploring. But it was above all on the occasion of the struggle over (...) the exams that the Republican structure, founded on the morality of work, revealed its obsolescence. The teaching world must henceforth responsibly consider its political role in the disaster of social selection. (shrink)

I draw critical parallels between Jim Cheney’s work and various aspects of modernism, which he ignores or misrepresents. I argue, first, that Cheney’s history of ideas is appallingly crude. He amalgamates all past Western philosophical traditions, irrespective of their disparate backgrounds and complex interrelationships, under the single heading, modern. Then he posits a radical epistemological break between a deluded modernism—characterized as foundationalist, essentialist, colonizing, and totalizing—and a contextual postmodernism. He seems unaware both of the complex genealogy of postmodernism and of (...) those aspects of modern traditions that prefigure his own thesis. Second, Cheney’s account of primitive peoples is both ethnocentric (though positively so) and inaccurate. Third, Cheneyreduces context or place to a concept of bioregionality. In this way, he reinstates a privileged foundationalism which, by his own definitions, makes his philosophy modernist. I develop these criticisms in order to suggest a less restricted contextual approach to environmental values. (shrink)

Concerns for the more-than-human world are consistently marginalized by dominant forms of philosophical and political humanism, characterized here by their unquestioning acceptance of human sovereignty over the world. A genuinely ecological political philosophy needs post-humanist concepts to begin articulating alternative notions of “ecological communities” as ethical and political, and not just biological realities. Drawing upon Jean-Luc Nancy’s concept of community, epharmosis, a largely defunct term of art in early plant ecology, can be reappropriated to signify the creative ethical/political/ecological interrelations that (...) together constitute ecological communities. (shrink)

The question of environmental responsibility is addressed through comparisons between Hannah Arendt’s and Ulrich Beck’s accounts of the emergent and globally threatening risks associated with acting into nature. Both theorists have been extraordinarily influential in their respective fields but their insights, pointing toward the politicization of nature through human intervention, are rarely brought into conjunction. Important differences stem from Beck’s treatment of risks as systemic and unavoidable side effects of late modernity. Arendt, however, retains a more restrictive anthropogenic view of (...) political action which, while recognizing its unpredictable consequences for human (and nonhuman) others, includes a direct link between individually initiated acts and the taking of ethical responsibility. This latter account best explains the ethical motivations behind much environmental activism. (shrink)

New forms of river management have emerged following widespread recognition of the environmental damage caused by attempts to harness and control rivers for navigation, consumptive water use and power generation. A dominant top-down engineering-based paradigm is being challenged by catchment-framed, ecosystem-based approaches which claim to place greater emphasis on participation and equity. However, there has been limited attention given to examining these claims, and principles of justice are frequently left unarticulated or embedded in what is still presented as an essentially (...) technical, outcome-driven management process. This paper examines the contribution of an environmental justice framework in articulating and explicating the ethical and political nature of decision making in stream rehabilitation practice. Particular attention is given to distributive, procedural and relational elements of justice, and to the limitations of an anthropocentric approach. A broader-based ecological justice framework is proposed. Several key issues in applying this framework are discussed, including the need for 'situated justice', for multiple voices to be heard, for dealing with unity and diversity at the catchment scales, and in integrating knowledge through genuine transdisciplinary research and practice. (shrink)

Modern Western thought and culture have envisaged their task in terms of a metaphorics, a metaphysics and a technics of 'enlightenment'. However, the ethical and environmental implications of this determination to dispel all shadows have become increasingly pernicious as modernity both extends and alters the conceptualization and employment of (a now artificial) light as a tool of discovery and control. Drawing on the work of Foucault and Benjamin amongst others, this paper seeks to illustrate, through a critical ethopoietics, the 'speculative (...) aporia' of contemporary society from the perspective of radical ecology. The world does not just reflect our own instrumental interests: it has an elusive, shadowy existence of its own that can impinge upon our ethical perceptions. (shrink)

'This book radically raises the level of debate.

This book uses a theory of cyborg semiotics to explore the similarities between language and cyborgs in their formation, interpretation, and relationships. This intersectional theory provides a unique perspective on power and the human condition.

The physician's son -- Two great masters -- The natural scientist -- The lyceum -- "The philosopher".

The power and the promise of deep ecology is seen, by its supporters and detractors alike, to lie in its claims to speak on behalf of a natural world threatened by human excesses. Yet, to speak of trees as trees or nature as something worthy of respect in itself has appeared increasingly difficult in the light of social constructivist accounts of “nature.” Deep ecology has been loath to take constructivism’s insightsseriously, retreating into forms of biological objectivism and reductionism. Yet, deep (...) ecology actually has much in common with, and much to gain from, some varieties of constructivism and can add a new dimension to constructivism’s own critique of current ideologies. (shrink)

The natural world’s myriad differences from human beings, and its apparent indifference to human purposes and ends, are often regarded as problems an environmental ethics must overcome. Perhaps, though, ecological ethics might instead be re-envisaged as a form of other-directed concern that responds to just this situation. That is, the recognition of worldly (in)difference might actually be regarded as a precondition for, and opening on, any contemporary ethics, whether human or ecological. What is more, the task of ethics might be (...) regarded as one of conserving (at least some) such differences. The work of Iris Murdoch and the “difference ethics” of Emmanuel Levinas seem to offer possible ways to express such understandings. However, their ecological potential and theoretical limits, especially in terms oftheir metaphysical presuppositions, remain relatively under-explored. A closer examination of their work is presented in order to illustrate some of the possibilities and difficulties facing an ecological form of difference ethics. (shrink)