A guide to the reading of Heidegger's Being and time. Gelven provides a thorough and authoritative approach to one of the most significant philosophical works of the twentieth century.

A philosophical inquiry into the essence of comedy.

War is a multifaceted and complex phenomenon that cannot be understood merely by isolating its underlying principles. The elements that compose the vast mosaic of our conceptions of war must be identified and examined in light of their philosophical origins. Michael Gelven not only identifies what the fundamental principles are, but he also extracts from the history of philosophy the arguments and analyses of the concepts that explain how we think about it. _War and Existence_ is primarily concerned with what (...) war is or what the truth about war is rather than the moral question of whether war ever ought to be waged; it only indirectly considers the military concerns of how war out to be carried out. The elements or marks of war, such as courage, horror, heroism, sacrifice, command, and vastness, are each examined by reference to a great philosophical figure whose critical analyses of these elements provide us with a deep understanding of them. Gelven does not restrict his inquiry to mere formal concerns since the philosophical marks of war are concretized in judgments about actual wars. His holistic approach includes not only actual historical events that surround our greatest military conflicts but also literary figures, poets, and composers whose works wrestle with the enormity of this splendid yet troubling phenomenon. The two phenomena, war and peace, are viewed against the entire background of humanity with all its folly and sublimity. _War and Existence_ thus offers a thoughtful, coherent response to one of the most problematic issues of humanity. (shrink)

War is a multifaceted and complex phenomenon that cannot be understood merely by isolating its underlying principles. The elements that compose the vast mosaic of our conceptions of war must be identified and examined in light of their philosophical origins. Michael Gelven not only identifies what the fundamental principles are, but he also extracts from the history of philosophy the arguments and analyses of the concepts that explain how we think about it. _War and Existence_ is primarily concerned with what (...) war is or what the truth about war is rather than the moral question of whether war ever ought to be waged; it only indirectly considers the military concerns of how war out to be carried out. The elements or marks of war, such as courage, horror, heroism, sacrifice, command, and vastness, are each examined by reference to a great philosophical figure whose critical analyses of these elements provide us with a deep understanding of them. Gelven does not restrict his inquiry to mere formal concerns since the philosophical marks of war are concretized in judgments about actual wars. His holistic approach includes not only actual historical events that surround our greatest military conflicts but also literary figures, poets, and composers whose works wrestle with the enormity of this splendid yet troubling phenomenon. The two phenomena, war and peace, are viewed against the entire background of humanity with all its folly and sublimity. _War and Existence_ thus offers a thoughtful, coherent response to one of the most problematic issues of humanity. (shrink)

Sacrifice is shown to be (1) a bestowal which brings pain to the donor; (2) making something holy; (3) the shedding of innocent blood. Six different meanings to 'giving' are analyzed: protection, Bribery, Commerce, Reward, Gift, Sacrifice. This last is existentially intelligible, Not morally intelligible. Gifts celebrate the worth of the recipient, Sacrifices the worth of both donor and recipient. The shedding of blood is explained as necessary to 'give of oneself', And hence it is the highest level of bestowal, (...) And thus is virtuous. (shrink)

This work studies hope as a phenomenon that both reveals and belongs to our status of being human. To understand that status, we must understand what it means to hope, which profoundly surpasses both psychological wish or desire and the "merely religious" belief in salvation. The author looks at hope in all its concrete manifestation: He examines works of art, some of which depict hope in unflattering terms as delusional, while others see it as dangerous and elusive; he examines false (...) hope as that which confuses intensity of desire for a specific boon as an actual cause of the boon; he points to the metaphors of hope (light and darkness as congruents of revealing/concealing; or the two forms of light itself: illumination, or hope for, vs. radiation, or hope in (to trust). (shrink)

A distinction is made between language that states what is the case and language that reveals meaning. The latter, Is not emotive but cognitive. Truth must be seen as the revelation of meaning, And falseness conceals meaning. Since there is no referential entity to such language, It must be grounded rather in modes of being. Thus, Language as showing reveals the truth, Conceived as an understanding of what it means to exist.

Writing deliberately in a nontechnical style so as to make his book accessible to readers who are not professional philosophers, Michael Gelven here offers an extended meditative essay on the nature and meaning of truth. He approaches this subject directly, rather than through a critique of what others have said about it, and takes off from the realization that truth has a wider meaning than that which can be found in the analysis of true sentences, which is the focus of (...) traditional epistemology. Pursuing philosophical inquiry as a voyage of discovery, the book begins with ordinary questions about the worth and meaning of truth. A fundamental distinction is drawn between the "true" and "truth" as essence, that which we confront as the ultimate terminus of our questioning—for example, between the true definition of mother as a female parent and truth as what we understand being a mother to mean, as one who sacrifices her own interests and safety for her child. The analysis then proceeds to examine the four ways in which we confront truth—through affirmation, acceptance, acknowledgment, and submission—and the existential modes of experience in which these confrontations are embodied: pleasure, fate, guilt, and beauty. Each of these four confrontations has consequences for how we understand the world in which we dwell. Thus the book concludes with interpretation of the world as our home, our history, our tribunal, and ultimately that which lures or beckons us to confront ourselves. Plato, Kant, and Heidegger are the primary sources of philosophical inspiration for Gelven, but he eschews textual exegesis and academic debate in favor of engaging the reader as co-explorer in the discovery of what it means for each of us to be in truth. (shrink)

Writing deliberately in a nontechnical style so as to make his book accessible to readers who are not professional philosophers, Michael Gelven here offers an extended meditative essay on the nature and meaning of truth. He approaches this subject directly, rather than through a critique of what others have said about it, and takes off from the realization that truth has a wider meaning than that which can be found in the analysis of true sentences, which is the focus of (...) traditional epistemology. Pursuing philosophical inquiry as a voyage of discovery, the book begins with ordinary questions about the worth and meaning of truth. A fundamental distinction is drawn between the "true" and "truth" as essence, that which we confront as the ultimate terminus of our questioning—for example, between the true definition of mother as a female parent and truth as what we understand being a mother to mean, as one who sacrifices her own interests and safety for her child. The analysis then proceeds to examine the four ways in which we confront truth—through affirmation, acceptance, acknowledgment, and submission—and the existential modes of experience in which these confrontations are embodied: pleasure, fate, guilt, and beauty. Each of these four confrontations has consequences for how we understand the world in which we dwell. Thus the book concludes with interpretation of the world as our home, our history, our tribunal, and ultimately that which lures or beckons us to confront ourselves. Plato, Kant, and Heidegger are the primary sources of philosophical inspiration for Gelven, but he eschews textual exegesis and academic debate in favor of engaging the reader as co-explorer in the discovery of what it means for each of us to be in truth. (shrink)

How do we ask the great questions? What does it mean to ask so profoundly? What does it mean for us to ask at all? Michael Gelven confronts these questions as he explores humans as self-reflecting thinkers. He recognizes two central phenomena as fundamental: the recognition of our own possibility lying within our existence and the realization of our suspension between total ignorance and complete knowledge. Using concrete analyses, Gelven investigates the questions we ask that may seem initially unanswerable but (...) are ultimately confronted through our own self-realization. Asking becomes fundamental when we shift from relying on projected schemes, such as clocks and calendars that enable answers to ordinary questions about time, to an ongoing, nonschematic reflection on our own existence. Not only are Platonic, Kantian, Nietzschean, and Heideggerian analyses considered, but so are David’s psalms, Auden’s poetry, and Shakespeare’s plays. Gelven asserts that fundamental asking is essential to our being: we must ask greatly first, for the great explains the lesser; the small does not account for the large. (shrink)

In this original and compelling exploration of the meaning of the term 'fine' and the phenomenon of refinement, noted scholar Michael Gelven reflects on the relationship between refinement and existence. Beginning with a study of perceptual refinement, Gelven shows how in some cases this refinement discloses an existential essence—as an architect shows us what it means to dwell. Gelven then moves to a refinement of self, not equating it with virtue but showing how refinement illuminates our understanding of our ethical (...) and aesthetic judgments, and of what it means to be. (shrink)

The Risk of Being attempts to forge a new language and a new way of reasoning about what it is like to be good and bad by focusing on existential phenomena that reveal what it means to be good and bad.

Raising the question -- The cause of evil -- Why evil? -- What it means for evil to be -- Origins -- Genealogy -- Mirrored evil -- The eerie -- The unholy -- The ignoble -- The reality of evil -- Epilogue.

Explores the transformation humans undergo when they do metaphysics.

Most of us have felt, at one time or another, an attraction to the idea that fate plays a role in our lives. It is difficult to dismiss entirely the notion that certain things were somehow meant to be. Perhaps key events did not just happen but were inevitable, maybe even a part of our destiny. As thoughtful and critical beings, however, we may find that we cannot explain to ourselves or to others just what fate means. In this groundbreaking (...) work, Michael Gelven confronts the question of fate and shows how it is possible to think clearly about fate without abandoning logic or philosophical sophistication. Dismissing the mysterious or the psychological, Gelven subjects the issue to rigorous philosophical examination, thereby opening the topic to critical and rational sensibility. Gelven raises the challenging question "what is fate?" and seeks to answer it by expressing the problem in terms of what it means to be fated. Chance, destiny, fortune, inevitability--these four aspects of fate provide the foundation for the investigation. Gelven closely examines these aspects through four corresponding figures--the gambler, the historian, the birthday celebrant, and the tragedian--and demonstrates how each interacts with fate. His findings are both surprising and provocative. Finally, Gelven explores the full significance of what it means to be an individual buffeted by uncontrolled destinies. Placing the great human issues of freedom, mortality, rationality, and truth within the context of his discussion, Gelven reveals how our existential meaning is indeed consistent with our being fated. Written in clear, nontechnical language for the philosophical audience as well as for those who are simply perplexed by fate's wanton authority, Why Me? offers an enlightening and stimulating inquiry into the nature of our existence. (shrink)