"All political action has . . . in itself a directedness towards knowledge of the good: of the good life, or of the good society. For the good society is the complete political good. If this directedness becomes explicit, if men make it their explicit goal to acquire knowledge of the good life and of the good society, political philosophy emerges. . . . The theme of political philosophy is mankind's great objectives, freedom and government or empire--objectives which are capable (...) of lifting all men beyond their poor selves. Political philosophy is that branch of philosophy which is closest to political life, to non-philosophic life, to human life."--From "What Is Political Philosophy?" What Is Political Philosophy? --a collection of ten essays and lectures and sixteen book reviews written between 1943 and 1957--contains some of Leo Strauss's most famous writings and some of his most explicit statements of the themes that made him famous. The title essay records Strauss's sole extended articulation of the meaning of political philosophy itself. Other essays discuss the relation of political philosophy to history, give an account of the political philosophy of the non-Christian Middle Ages and of classic European modernity, and present his theory of esoteric writing. (shrink)

The idea that Western philosophy is a footnote to Plato is simplistic and inaccurate. Much of modern and contemporary epistemology owes a debt not so much to Platonism or Aristotelianism as to their antithesis: scepticism. Recent discussions in the history of philosophy have sparked a great deal of interest in the ancient sceptics, but until now they have been misunderstood and the significance of their philosophy not fully appreciated.

One of the outstanding thinkers of our time offers in this book his final words to posterity. Studies in Platonic Political Philosophy was well underway at the time of Leo Strauss's death in 1973.

Some Molinists claim that a perfectly good God would actualize a world that is salvifically optimal, that is, a world in which the balance between the saved and damned is optimal and cannot be improved upon without undesirable consequences. I argue that given some plausible principles of rationality, alongside the assumptions Molinists already accept, God’s perfect rationality necessarily would lead him to actualize a salvifically optimal world; I call this position “Optimistic Molinism.” I then consider objections and offer replies, concluding (...) that Optimistic Molinism is undefeated and merits further exploration. (shrink)

In “Image, Evidence, Argument,” Ian Dove defends an intriguing ‘middle ground’ between those who argue that there are “visual arguments” and skeptics who argue that there are not. I discuss one of Dove’s key examples, proposing a different analysis of it, arguing that there are problems with the “verbal repackaging” of the argument he suggests.

This article discusses “auditory” arguments: arguments in which non-verbal sounds play a central role. It provides examples and explores the use of sounds in argument and argumentation. It argues that auditory arguments are not reducible to verbal arguments but have a similar structure and can be evaluated by extending standard informal logic accounts of good argument. I conclude that an understanding of auditory elements of argument can usefully expand the scope of informal logic and argumentation theory.

This book explores the multiple meaning of the notion of otherness in Søren Kierkegaard’s thought. Leo Stan discusses in detail the threefold structure of human existence in Kierkegaard’s authorship as a whole, both pseudonymous and self-signed.

Living well was the best revenge for Leo Stein, the art critic who took to heart Samuel Johnson’s dictum, “Clear your mind of cant.” Leo shared with his sister, Gertrude Stein, the Paris apartment that became a meeting place for the famous. Reflected in Appreciation: Painting, Poetry and Prose are their early years as American expatriates as well as their later estrangement. This book, originally published in 1947, the year Leo died, includes his reminiscences and estimates of Picasso, Matisse, Cézanne, (...) and Renoir, among others, as well as his considered views on the place of art and literature in everyday life. (shrink)

Truth : there is no truth -- Cause and effect : a leaf falls -- The first cause: 4...3...2...1? -- Something from nothing : how the conservation of matter theory is false -- Immaterial, part 1: the start of space and time -- Immaterial, part 2 : your seventh birthday -- Omnipresent : where is the first cause? -- Intelligence, part 1: thoughts about thinking -- Intelligence, part 2 : the two types of things in the universe -- Intelligence, part (...) 3: patterns on a distant planet -- Omniscience and love : what does the first cause think about? -- A meaningful universe : the randomness of accident -- Purpose and design : iPhones and bat larynxes -- The purpose of life : restless hearts and searching minds -- Knowing God: 2+2=4 -- Loving God: between good and evil -- Objection 1 : the problem of evil -- Objection 2 : the problem of omniscience -- Objection 3 : the problem of pain -- Further objections. (shrink)

De 1958 à 1968, le cardinal L.-J. Suenens a mené un long combat pour obtenir un changement d’attitude de l’Église catholique au sujet de la contraception. L’ouverture de ses archives conciliaires permet actuellement de découvrir les moyens qu’il a utilisés et les manoeuvres qu’il a entreprises pour arriver à ses fins. Il a fait appel à des médecins , à des théologiens et à des philosophes provenant surtout de l’Université catholique de Louvain, ainsi qu’à des évêques amis . Comme membre (...) de la commission de coordination du concile, chargé du texte de Gaudium et Spes, il a veillé à ce que le chapitre sur le mariage reste ouvert à un développement de la doctrine. Courageusement, à de multiples reprises, il a tenté – mais sans résultat – de convaincre le pape Paul VI. Après la publication en 1968 de l’encyclique Humanae Vitae, il a réussi à faire publier une Déclaration de l’épiscopat belge, afin de libérer les consciences et de canaliser la contestation. (shrink)

La perception à travers l’imaginationDans le présent travail, je mets en relation les lectures de Wittgensteil et de Gadamer avec les manuscrits de Merleau-Ponty avec l’intention de traverser la construction du « concept de représentation » et de réfléchir sur les questions suivantes : quel lieu occupe la dimension esthétique dans l’expérience humaine? Dans l’expérience esthétique, faut-il retrouver autant le profil émotionnel que le profil cognitif? Le point de départ est que l’esthétique ne doit pas être comprise comme une simple (...) perception par les sens; ce qu’aucun discours sur l’esthétique ne peut occulter est sa nécessaire implication de l’horizon problématique de la perception, à partir de l’étymologie même du terme, dérivé du grec aisthesis.Un tel terme porte en lui autant le champ subjectif instable des sensation que le champ stable et tendanciellement structuré des discriminations perceptives.L’affirmation théorique est que l’expérience de la rencontre d’une oeuvre d’art dévoile un monde et à peine cessons-nous de voir une oeuvre d’art comme objet pour la voir comme un monde que nous nous rendons compte que l’art se révèle être l’expédient pour clarifier le sens de notre rapport perceptif avec le monde, cette syntonie perceptive entre l’essence du monde et le sentir des sujets, cette processualité expressive dans laquelle activité et passivité sont les horizons, qu’on peut certes distinguer dans la description, mais qui coopèrent à l’intérieur d’elle-même.Perception Through ImaginationIn the present work, I bring the lectures of Wittgenstein and Gadamer into contact with the manuscripts of Merleau-Ponty with the intention of going over the construction of the “concept of representation” and of reflecting on the following questions: what place does the aesthetic dimension occupy in human experience? In aesthetic experience, is just as necessary to recognize the emotional profile as the cognitive profile? The point of the departure is that aesthetics must not be understood as a simple perception by the senses. That which no discourse of aesthetics may conceal is its necessary implication of the problematic horizon of perception, following the actual etymology of the term, derived from the Greek aisthēsis.This term contains just as much the subjective and unstable field of sensation as it does the stable field of perceptual discriminations that tend to be structured. The theoretical affirmation is that the experience of the encounter with a work of art unveils a world. No sooner do we stop seeing the work of art as an object and start seeing as a world, then we realize that art reveals itself to be the expedient that clarifies the meaning of our perceptual relationship with the world, this perceptual syntony between the essence of the world and the sensing of subjects, this expressive processuality in which activity and passivity are horizons that can certainly be distinguished in description, but that cooperate internally. (shrink)

In this work we will try to demonstrate the presence and the role that God has in Thomas Hobbes's political philosophy. We consider that this religious belief, that it is the system's equilibrium, guaranties that the Hobbesian political project does not fall into revolutionary or totalitarian excesses. Thus, we shall analyse the arguments of the existence of God that are introduced by the philosopher Malmesbury with the objective of proving that reason does not necessarily lead to atheism, but that such (...) faculty requires the Revelation intervention to be able to channel it into a peaceful and lasting life. (shrink)

In this work we will try to demonstrate the presence and the role that God has in Thomas Hobbes's political philosophy. We consider that this religious belief, that it is the system's equilibrium, guaranties that the Hobbesian political project does not fall into revolutionary or totalitarian excesses. Thus, we shall analyse the arguments of the existence of God that are introduced by the philosopher Malmesbury with the objective of proving that reason does not necessarily lead to atheism, but that such (...) faculty requires the Revelation intervention to be able to channel it into a peaceful and lasting life. (shrink)