Study on the contributions of Śaṅkarācārya to Hindu philosophy.

Despite head and neck cancer association with various negative impacts, collective evidence is accumulating regarding the positive impacts of positive psychology on cancer survivors. However, data on how positive psychology is related to the psychological complications of HNC across time are lacking. This longitudinal study examined the trends of positive psychology, perceived spousal support, and psychological complications and determined the association between them, psychological complications, and PTG across two timelines among a cohort of HNC patients. A total of 175 HNC (...) respondents exhibited an increasing trend of positive psychology and perceived spousal support while reporting a decreasing trend of psychological complications between baseline and follow-up assessments. A greater degree of hope and perceived spousal support contributed to a higher degree of PTG across time. Conversely, a higher severity of anxiety symptoms was associated with a lower degree of PTG over time. Female gender had a moderating effect on the association between severity of anxiety symptoms and PTG, but did not moderate the association between hope, perceived spousal support and PTG. This study indicates the pivotal role of incorporating psychosocial interventions into the treatment regimen to enhance the degree of hope and perceived spousal support and reduce the severity of anxiety symptoms, which, in turn, will facilitate the development of PTG in HNC patients. (shrink)

The Mahabharata, an Indian epic poem, describes a legendary war between two sides of a royal family. The epic’s plot involves numerous moral dilemmas that have intrigued and perplexed scholars of Indian literature. Many of these dilemmas revolve around a character named Krsna. Krsna is a divine incarnation and a self-proclaimed upholder of dharma, a system of social and religious duties central to Hindu ethics. Yet, during the war, Krsna repeatedly encourages his allies to use tactics that violate dharma. In (...) this paper, I try to make sense of Krsna’s actions by analyzing them in terms of categories from Western moral philosophy. I show that Krsna seems to embrace an ethical approach called consequentialism, but that his version of consequentialism differs from Western theories of consequentialism by seeing adherence to dharma as an intrinsic good. (shrink)

The Bhagavadgītā is often interpreted in the light of the larger context of the Mahābhārata epic or in comparison to later religious or philosophical texts. Much less attention has been given to the relationship between the Bhagavadgītā and the older Upaniṣads. This article analyzes the relationship of the Bhagavadgītā to the Upaniṣads formally affiliated with the Kṛṣṇa Yajurveda (the Kaṭha, Śvetāśvatara, and Maitrī Upaniṣads) and demonstrates that these four texts are linked together in a complex textual network of mutual references (...) as well as shared themes. This article argues that scholars must understand both the emerging theism of the Bhagavadgītā and its “proto-Sāṃkhya” philosophy in the context of the Kṛṣṇa Yajurveda school and its greater theological and philosophical concerns. (shrink)

The character of Lord Kṛṣṇa has long confounded students of the Sanskrit epic, the Mahābhārata. In addition to the problem of his divinity, many have questioned the nature of Kṛṣṇa’s ethical standpoint, some presenting him as a being who transcends questions of right and wrong, others depicting him as unconcerned with the ethical limitations of human beings. This paper explores these issues through a close examination of Kṛṣṇa’s first significant dialogue with Yudhiṣṭḥira in the epic, in which he seeks to (...) convince Yudhiṣṭhira to slay the autocrat of Magadha, Jarāsaṃdha. It is argued that, through this dialogue, Kṛṣṇa reveals himself to be neither ethically transcendent nor amoral; rather, he is deeply committed to a traditional system of ethics according to which defense of one’s kin group is the highest value and justifies all action. (shrink)

Vedānta Deśika produced his monumental poetic biography of Kṛṣṇa in a time when Kṛṣṇa-centered devotionalism was expanding to become perhaps the dominant mode of bhakti across South Asia. Central to this phenomenon is the growing popularity of the Bhāgavatapurāṇa, and especially of its exploration of Kṛṣṇa’s erotic play with the gopīs in his youth. Troubled by the unrestrained and seemingly adharmic sexuality of Kṛṣṇa, Deśika used the literary techniques and narrative paradigms of the mahākāvya to assimilate but also domesticate this (...) increasingly important Bhāgavata episode: Kṛṣṇa’s eroticism remains central but confined within more conventional marital norms and is thus made dharmically and theologically acceptable. Once he has resolved these dharmic problems, however, Deśika is happy to explore the soteriological, devotional, and paradoxical dimensions of erotic love with Kṛṣṇa. (shrink)

The article considers each case of using words with the stem ‘yoga’, as well as other yogic vocabulary found in the first part of the Bhāgavata Purāṇa. In total, there are the following ten words: yoga, bhaktiyoga, yogin, yogeśvara, mahāyogin, kuyogin, yoganidrā, kriyāyogа, viyoga and yama. They are used 30 times altogether. This vocabulary forms not only the yoga glossary of the Bhāgavata Purāṇa, but also the Vaiṣṇava understanding of yogic teaching. The analysis of these terms takes into account several (...) contexts, in particular: compositional, linguistic, religious and philosophical, and statistical. It has been found out that the whole vocabulary is somehow subordinated to the semantic vertical yogeśvara → mahāyogin → yogin and in various ways forms the Vaiṣṇava understanding of yoga, i.e. bhakti-yoga. The last is believed to be a human response to the challenges of the Highest reality (Heaven). This semantic vertical is conceived of as set by the Lord, who in the Bhāgavata Purāṇa appears under various names, including Viṣṇu, Kṛṣṇa, Adhokṣaja, as well as Yogeśvara, and Mahāyogin. Extraordinary people, who are called mahāyogins (Śukadeva Gosvāmī), and also yogins (Vyāsa, Śukadeva Gosvāmī, nameless yogins), are able to accept the challenge of Heaven. They are those who can achieve the highest goal of human life; they practice bhaktiyoga. The context of bhaktiyoga is present in most cases of the word yoga, and in all cases of the words yoganidra, kriyayoga, viyoga, as well as other friendly vocabulary (for example, seva), whereas the word yama does not apply to bhaktiyoga. The use of the rare word kuyogin reflects the fact that bad yogins are also mentioned in the text. The term yoga might be also considered to be a gender marker, as the yogins are exclusively men in the first part. The compositional peculiarities of the use of this yogic vocabulary include the fact that the first part begins and ends with chapters containing terms which are derived from the stem yoga (Is this some kind of semantic framing?). Moreover, the first chapter ends with the śloka, that contains the important word yogeśvara (Is it a kind of summarizing semantic marker?). (shrink)

In the Bhagavadgītā, Kṛṣṇa’s injunction is to act without desire in many verses. Many modern scholars have criticized and tried to reinterpret Kṛṣṇa’s injunction in the Bhagavadgītā to perform action abandoning all kāma “desire.” These modern scholars have tried to re-understand Kṛṣṇa’s injunction for desireless action assuming the modern dogma that intentional action entails desire. The aim of the present essay is to examine the cogency of the advocacy of desireless action by understanding how the desireless action is performed.

Through an examination of Bhāgavata Purāṇa X.43.17 and its interpretation by early commentators like Vopadeva, Hemādri, Śrīdhara, Sanātana, Rūpa, and Jīva, I argue that they created forms of hierarchical inclusivism by the application of rasa in the interpretation of the Bhāgavata Purāṇa. In doing so, I examine bhakti as a rasa, showing how rasa theory provided a vocabulary to include the characters of the Bhāgavata Purāṇa and their diverse experiences of the God Kṛṣṇa within hierarchical systems of bhakti. By hierarchical (...) inclusivism, I mean a theory, e.g., in the case of rasa, “the superiority of passionate love over fear,” and that this theory provided criteria to order items, e.g., in the case of rasa again, “the character of the cowherd women is superior to the character of the king.” In this case, hierarchical inclusivism is a theory for organizing and evaluating the mystical and aesthetic experiences of the ten characters mentioned in Bhāgavata Purāṇa X.43.17. I look at how commentators also used rasa for the basis for doctrines about God’s being and nature. (shrink)

The Bhagavad Gītā has inspired more interpretive controversy than any other religious scripture in India’s history. The Gītā, a philosophical and spiritual poem of approximately seven hundred verses, is part of the ancient Sanskrit epic, the Mahābhārata. In the Gītā, the Lord Kṛṣṇa, who appears in the form of a charioteer, imparts spiritual teachings to the warrior Arjuna and convinces him to fight in a just war that entails the slaughter of many of Arjuna’s own relatives and loved ones. Śaṅkara, (...) the great eighth-century champion of the Advaita school of philosophy, wrote the first extant commentary on the Gītā. In this commentary, Śaṅkara interpreted the Gītā strictly in accordance with Advaita.. (shrink)

I will here apply the classical Indian model of the dramatic actor as a methodology for interpreting the soteriological psychology of the Bhagavad Gītā, paying special attention to the usefulness of this approach for clarifying Kṛṣṇa's rationale in showing his divine form in Chapter 11. I argue that the Gītā advocates creative role-play as both the means and the end of liberation. Further, while Kṛṣṇa's teachings can be understood in terms of orthodox Hindu soteriologies that have in view an overcoming (...) of the emotions, I argue that Kṛṣṇa looks to transform Arjuna into an ‘athlete of emotion’, much like traditional Indian-based training methods do for theatrical actors. (shrink)

Interpretations of the ethical significance of the Bhagavadgītā typically understand the debate between Arjuna and Kṛṣṇa in terms of a struggle between consequentialist and deontological doctrines. In this paper, I provide instead a reading of the Gītā which draws on a conception of moral thinking that can be understood to cut across those positions – that developed by Stanley Cavell, which he calls ‘Emersonian Moral Perfectionism’. In so doing, I emphasise how Kṛṣṇa’s consolation of Arjuna can centrally and fruitfully be (...) viewed as concerned with resuscitating the latter’s individuality, thereby allowing Arjuna to overcome an unthinking conformity to the current degenerate state of his society. This leads me to explore the relation between this perfectionist understanding of spiritual reorientation and the Gītā’s religious account of human redemption; and to conclude by suggesting how the text of the Gītā itself might have similar therapeutic designs upon its readers. (shrink)

This chapter considers the problem of divine hiddenness as an issue potentially if not explicitly addressed by the prominent 20th century proponent of Gauḍīya Vaiṣṇavism, A. C. Bhaktivedanta Swami Prabhupāda (1896-1977). In a four-part argument, Prabhupāda’s identifying Kṛṣṇa as the perfect teacher, particularly in his role as Arjuna’s teacher in the Bhagavad-Gītā, enables consideration of how the divine hiddenness issue is resolvable, particularly by framing awareness of God’s existence and understanding of divine attributes as an educational process encapsulated by the (...) word “yoga”. This approach further enables appreciation of the bhakti-yoga perspective—in its celebration of divine absence—as an inversion of divine hiddenness as a philosophical problem into a theological solution to the adept’s acute sense of divine absence, even while perceiving evidence of God’s existence at every turn. (shrink)

Joshua Anderson argues that Amartya Sen’s reading of the Bhagavadgītā is not accurate and so it cannot serve as an example of Sen’s comprehensive consequentialism. This article presents Sen’s reading of the Bhagavadgītā and Anderson’s criticisms of Sen’s readings. It discusses three types of readers: history readers, activist readers, and interventionist readers. It gives an interventionist reading of the Bhagavadgītā, supplementing Arjuna’s reasons and contesting those of Kṛṣṇa. It shows that Arjuna’s reasons are cogent and it respectfully argues that Kṛṣṇa’s (...) arguments are incomplete and unconvincing. Even if Arjuna’s reasons are not ultimately decisive, they legitimately feature in his deliberations. It responds to Anderson, urging that Sen correctly advocates comprehensive consequentialism and agent-relativity, rather than cumulative outcomes and agent-neutrality, and that Sen correctly sees these contrasts exemplified in the Bhagavadgītā. It concludes with a discussion of the impartial spectator, kin,.. (shrink)

Razão e Devoção no Advaita Vedānta: Madhusūdana Sarasvatī e o Bhagavad Gītā 1 Resumo: O artigo tem por objetivo empreender a análise dos princípios constitutivos da práxis devocional proposta pelo Bhagavad Gītā, segundo a interpretação do filósofo Madhusūdana Sarasvatī. Excelso representante do Advaita Vedānta, Madhusūdana Sarasvatī buscou incorporar as práticas devocionais à epistemologia tradicional da escola, centrada num exercício radical de reflexão racional, em sintonia com os ensinamentos do filósofo fundador Śaṅkarācārya. Devoto inarredável de Kṛṣṇa, Madhusūdana Sarasvatī cumpriu sua tarefa (...) filosófica em meio a uma interlocução fascinante com a escola Acintyabhedābheda Vedānta, fundada por Caitanya Mahāprabhu, de orientação predominantemente devocionalista vaiṣṇava.Palavras-chave: Devoção. Bhakti. Madhusūdana Sarasvatī. Bhagavad Gītā. Vedānta. Reason and Devotion in Advaita Vedānta: Madhusūdana Sarasvatī and the Bhagavad Gītā: The article aims to undertake the analysis of the constitutive principles of devotional praxis proposed by the Bhagavad Gītā, in accordance with philosopher Madhusūdana Sarasvatī’s interpretation. A great representative of Advaita Vedānta, Madhusūdana Sarasvatī sought to incorporate devotional practices into the school’s traditional epistemology, centered around a radical exercise of rational reflection, in line with the teachings of philosopher and founder Śaṅkarācārya. A great devotee of Kṛṣṇa, Madhusūdana Sarasvatī fulfilled his philosophical task in the midst of a fascinating dialogue with the school Acintyabhedābheda Vedānta, founded by Caitanya Mahāprabhu, of a predominant vaiṣṇava devotionalist orientation. Key-words: Devotion. Bhakti. Madhusūdana Sarasvatī. Bhagavad Gītā. Vedānta. Raison et Dévotion dans Advaita Vedānta: Madhusūdana Sarasvatī et la Bhagavad Gītā Résumé: L'article vise à entreprendre l'analyse des principes constitutifs de la praxis dévotionnelle proposée par le Bhagavad Gītā, selon l'interprétation du philosophe Madhusūdana Sarasvatī. Représentant notable d'Advaita Vedānta, Madhusūdana Sarasvatī a cherché à incorporer les pratiques de dévotion dans l'épistémologie traditionnelle de son école, centrée sur un exercice radical de réflexion rationnelle, conformément aux enseignements du philosophe fondateur Śaṅkarācārya. Un ardent dévot de Kṛṣṇa, Madhusūdana Sarasvatī a accompli sa tâche philosophique au milieu d'un dialogue fascinant avec l'école Acintyabhedābheda Vedānta, fondée par Caitanya Mahāprabhu, et dont l’ orientation est principalement dévotionnelle vaiṣṇava. Mots clés: Dévotion. Bhakti. Madhusūdana Sarasvatī. Bhagavad Gītā. Vedānta. Data de registro: 30/07/2020 Data de aceite: 21/10/2020 1 As palavras transliteradas do sânscrito seguem as normas do International Alphabet of Sanskrit Transliteration. Todas as traduções de originais em sânscritos foram feitas pelo autor. (shrink)

Abstract The first several chapters of the Bhagavad Git? set themselves a daunting task: to explain how a life of action can be rendered compatible with a life of renunciation of desire. The situation, in fact, is designed to raise the issue in an excruciatingly intense form. As Krsna and Arjuna pause on the verge of the great battle, Arjuna asks how killing people?including his own teachers and members of his own family?in order to secure power and fame, can be (...) squared with his religious and ethical convictions. This paper is an attempt to explicate Krsna's solution of the paradox, not from the point of view of Hindu tradition (in which it has, of course, driven whole movements of thought), but simply as a philosophical problem in its own right. I will argue that the paradox of the Git? suggests a reconstrual of the way we conceive the relation of means and ends in our activities, a reconstrual that can be profitably elucidated through the concept of art. And I will argue that this reconstrual has the potential to change our relations to our world and to one another in a way that is deeply life?affirming. (shrink)

The Mahapuranas embody the received tradition of Hindu mythology. This anthology contains fresh translations of these myths, only a few of which have ever been available in English before, thus providing a rich new portion of Hindu mythology. The book is organized into six chapters. "Origins" contains myths relating to creation, time, and space. "Seers, Kings and Supernaturals" relates tales of rivers, trees, animals, demons, and men, particularly heroes and sages. Myths about the chief gods are dealt with in three (...) separate chapters: "Krsna," "Visnu," and "Siva." The chapter "The Goddess" presents stories of the wives and lovers of the gods, as well as of Kali, the savage battle goddess. In their introductions, the editors provide a historical setting in which to discuss Hindu mythology as well as a full analysis of its basic sources. The many names given the gods and goddesses in the Sanskrit texts have been retained since their multiplicity is an essential part of the richness of the original. The editors have provided a thorough glossary to make these names accessible. (shrink)

The present article examines two narratives from the epic Mahābhārata (MBh), focused on the topic of desire (kāma) and the relationship erotic – ascetic (kāma – tapas). The first one is about the horned ascetic Ṛṣyaśṛṅga (MBh, 3); the second – about the teaching of God Kṛṣṇa Vāsudeva to the king Yudhiṣṭhira, culminating in the “Song of Kāma” (MBh, 14). Both narratives are interpreted in the perspective of Hindu ethics, whose foundation is dharma, a key concept of Hinduism. The epics (...) propagate an ideal dharmic code of conduct, based on the so-called four life goals – puruṣārtha. One of these four life goals is kāma – the realm of desires, emotions and sensual pleasures. The present analysis aimed at introducing how, by activating the didactic- pedagogical and receptive potential of storytelling, are communicated fundamental behavioural norms and principles regarding the “correct” realization of the individual in the sphere of desires, which means not to kill/annihilate the desires, but to learn to grasp and manage them. (shrink)

With its Vedāntic metaphysics and devotionally rich narratives, the Bhāgavata Purāṇa can provide valuable models for ecological care and preservation. Throughout the Purāṇa, we find narratives that can be harnessed in service of the environment, whether it be Kṛṣṇa battling the serpent Kāliya or Varāha lifting the Earth from the depths of the cosmic ocean. This article, however, will focus on a little-known narrative found in Book Four, namely, the Pracetās’ destruction, and eventual protection, of the Earth’s trees. The Pracetās’ (...) narrative is significant for several reasons: instead of simply venerating nature, the story demonstrates the challenge of balancing human needs and the needs of other life forms; it accords agency to the Earth by giving the forest a voice within the narrative; and it bridges the boundary between human beings and the natural world by building kinship relationships between them. This article will explore the ways in which Vaiṣṇava commentators have interpreted this episode as they attempt to negotiate the question: who has priority—humans or nature? (shrink)

While the Bhagavad Gītā is an acknowledged treasure of world spiritual literature, few people know a parallel text, the Īśvara Gītā. This lesser-known work is also dedicated to a god, but in this case it is Śiva, rather than Kṛṣṇa, who is depicted as the omniscient creator of the world. Andrew J. Nicholson’s Lord Śiva’s Song makes this text available in English in an accessible new translation. A work of both poetry and philosophy, the Īśvara Gītā builds on the insights (...) of Patañjali’s Yoga Sūtra and foreshadows later developments in tantric yoga. It deals with the pluralistic religious environment of early medieval India through an exploration of the relationship between the gods Śiva and Viṣṇu. The work condemns sectarianism and violence and provides a strategy for accommodating conflicting religious claims in its own day and in our own. (shrink)

The Bhagavad-gita is the main source-book on yoga and a concise summary of India's Vedic wisdom. Yet remarkably, the setting for this classic of spiritual literature is an ancient Indian battlefield. At the last moment, the great warrior Arjuna begins to wonder about the real meaning of his life. In the Bhagavadgita, Lord Krsna brings His disciple from perplexity to spiritual enlightenment. Bhagavad-gita As It Is is the largest-selling, most widely used edition of the Gita in the world.

In this collection of historic talks on the yoga process set forth by Lord Sri Krsna in the Sixth and Eighth Chapters of the Bhagavad-Gita, Srila Prabhupada deeply probes the nature of consciousness, meditation, karma, death, and reincarnation. Ultimately he describes in detail the process of bhakti-yoga, by which one can easily purify the mind and elevate the consciousness to a state of ultimate peace and happiness.

Sometime after the famous fratricidal battle among the Bharatas known as the Mahābhārata war was over , Arjuna requested Krŗşņa… to repeat the instruction which had already been conveyed to him on ‘the holy field of Kurukşetra’ but which had gone out of his ‘degenerate mind’. Kŗşņa thereupon protests that he is not equal to a verbatim recapitulation of the Bhagavadgītā but agrees in lieu of that to impart to Arjuna the same instruction in other words, through the medium of (...) a certain ancient story – or purātana itihāsa. And the instruction thus conveyed constitutes what is called the Anugītā, a name which is in itself an embodiment of this anecdote. (shrink)

First time in the history of India, in 1958, a Sankaracarya visited West. The author, His Holiness Jagadguru Sankaracarya Sri Bharati Krsna Tirtha of Puri, went to America at the invitation of the Self Realization Fellowship, Los Angeles, to spread the message of Vedanta. This book is a compilation of some of his discourses delivered there. These discourses by a saint-yogi and master of ancient Indian scriptures, also well-versed in modern sciences, give the essentials of Vedanta. They combine authenticity of (...) thought with simplicity of language. Being couched in the contemporary idiom they will be found to be particularly suited to the modern mind. Though addressed to American audiences, the discourses carry a message of eternal truth and of universal application. The steps of spiritual inquiry and the paths of God-realisation outlined in them will be of immense practical use to the readers in their quest for the Supreme. (shrink)

His Divine Grace Śrīla A.C. Bhaktivedānta Swami Prabhupāda was a highly revered ācārya from the Gauḍīya Vaiṣṇava tradition, an important Hindu lineage of Kṛṣṇa bhakti that historically can be traced back to the venerated saint Śrī Kṛṣṇa Caitanya Mahāprabhu in sixteenth-century Bengal. Among a variety of other groundbreaking achievements, Bhaktivedānta Swami is notable for being the founding Ācārya of the International Society for Krishna Consciousness in New York City in 1966. At a surprising rate, it quickly became a large international (...) movement and, therefore, is an interesting case study for theologies of religion in the contemporary, global era. (shrink)

In the Indian philosophical tradition Arjuna stands out as a major representative of an important ethical and intellectual position, as Socrates stands out in the West. While the cultural contexts of the views of Arjuna and Socrates differ significantly, their views on the axiological status of the physical body have much in common. As an exercise in comparative thought in the area of “the philosophy of the body”, much can be gained through a comparison of the corpological views of these (...) two venerable characters as they are depicted in circumstances that ctystalise their teachings, i.e. in their 'trials': Arjuna as he stands before Krsna just prior to the great battle narrated in the Mah bh rata and Socrates as he sits with his beloved friend Crito just prior to his day of execution. (shrink)

Gauḍīya Vaiṣṇava thinkers adapted rasa theory to a context of devotion to the god Kṛṣṇa. In doing so, bhayānaka-rasa, the aestheticized experience of horror, presents interesting complexities. This paper examines the conceptualizations of bhayānaka-rasa by four Gauḍīya Vaiṣṇava authors: Rūpa Gosvāmin, Jīva Gosvāmin, Kavi Karṇapūra, and Baladeva Vidyābhūṣaṇa. Between them, they discuss three distinct modes of bhayānaka-rasa in a devotional context: a devotee’s fear after committing an offense against Kṛṣṇa, fear of some dreadful being who the devotee thinks might hurt (...) Kṛṣṇa, and fear of Kṛṣṇa’s display of his cosmic form. This paper also briefly examines the Rūpa’s explicit rejection of the fear felt by Kaṃsa as a case of devotional bhayānaka-rasa. A central concern for the Gauḍīya Vaiṣṇava authors is whether fear, a typically unpleasant emotion, can attain the status of a rasa and how it is subordinated to more direct forms of devotion. This paper argues that these thinkers make an important contribution to reconceptualizing bhayānaka-rasa, particularly highlighting Jīva’s Gosvāmin’s argument that the real object of bhayānaka-rasa is not the person who serves as the source of fear, but is Kṛṣṇa, out of love for whom such fear is felt. (shrink)