This review essay examines the contribution of Legislated Rights (Webber et al, Cambridge 2018) to a central issue in constitutional theory: namely, how the institutional division of labour between the legislature and the judiciary with respect to the task of giving effect to constitutional rights is best understood and conceived. In doing so, the essay situates the work within contemporary scholarship and adopts a broadly comparative lens — a perspective that is mindful of key developments in constitutional law and theory (...) over the past several decades. Ultimately, it is suggested that a critical weakness of the capacity of Legislated Rights to contribute to contemporary debates about judicial review is its lack of engagement with these developments. As a result, the work’s intervention largely misses its mark. It speaks to an outdated view that does not reflect contemporary constitutional practice or scholarship. (shrink)

This article utilises feminist technoscience studies’ notions of bodily ‘materialisation’ and ‘ontological choreographies’, offering a cyborg feminist account of ‘bioavailability’ as embodied becomings, rather than a fixed ontological state of being. Drawn from 2 years’ ethnographic study in in vitro fertilisation clinics in Spain with migrant women who provided eggs to the cross-border in vitro fertilisation industry, this work explores how global understandings of race and inequalities, clinical practices and women’s own emotional and physical labours collectively produce bioavailability. Through examples (...) from observations and interviews in in vitro fertilisation clinics, we examined women’s embodied stories to understand the ways in which bioavailability becomes. The article demonstrates a novel way in which to think about ‘bioavailability’, a concept which has already been of enormous use to the social sciences since its introduction by Lawrence Cohen. We examine recent configurations of bodily extraction in the reproduction–migration nexus that help us rethink the concept of bioavailability. (shrink)

We hypothesize that aspects of animal multicellularity originated before the divergence of metazoans from fungi and social amoebae. Polarized epithelial tissues are a defining feature of metazoans and contribute to the diversity of animal body plans. The recent finding of a polarized epithelium in the non‐metazoan social amoeba Dictyostelium discoideum demonstrates that epithelial tissue is not a unique feature of metazoans, and challenges the traditional paradigm that multicellularity evolved independently in social amoebae and metazoans. An alternative view, presented here, is (...) that the common ancestor of social amoebae, fungi, and animals spent a portion of its life cycle in a multicellular state and possessed molecular machinery necessary for forming an epithelial tissue. Some descendants of this ancestor retained multicellularity, while others reverted to unicellularity. This hypothesis makes testable predictions regarding tissue organization in close relatives of metazoans and provides a novel conceptual framework for studies of early animal evolution.Editor's suggested further reading in BioEssays Searching for Eve: Basal metazoans and the evolution of multicellular complexity Abstract. (shrink)

We have conducted an experimental study of V-type electromagnetically induced transparency in sodium. Its principles are elucidated by a simple model. Measurements show decreased fluorescence and absorption depending on the detuning of the driving and probe fields, which is in agreement with the results of numerical simulation.

Person‐specific evidence was developed as a grounded theory by analyzing 20 selected case descriptions from interventions using the guided self‐determination method with people with various long‐term health conditions. It explains the mechanisms of mobilizing relational capacity by including person‐specific evidence in shared decision‐making. Person‐specific self‐insight was the first step, achieved as individuals completed reflection sheets enabling them to clarify their personal values and identify actions or omissions related to self‐management challenges. This step paved the way for sharing these insights and (...) challenges in a relationship with a supportive health professional, who could then rely on person‐specific evidence instead of assumptions or a narrow disease perspective for shared decision‐making. Trust in the evidence encouraged the supportive health professional to transfer it to the interdisciplinary team. Person‐specific evidence then enhanced the ability of team members to apply general evidence in a meaningful way. The increased openness achieved by individuals through these steps enabled them to eventually share their new self‐insights in daily life with other people, decreasing loneliness they experienced in self‐management. Relational capacity, the core of the theory, is mobilized in both people with long‐term health conditions and healthcare professionals. Further research on person‐specific evidence and relational capacity in healthcare is recommended. (shrink)

Primary progressive aphasia is a clinical syndrome in which patients progressively lose speech and language abilities. Three variants are recognized: logopenic, associated with phonology and/or short-term verbal memory deficits accompanied by left temporo-parietal atrophy; semantic, associated with semantic deficits and anterior temporal lobe atrophy; non-fluent associated with grammar and/or speech-motor deficits and inferior frontal gyrus atrophy. Here, we set out to investigate whether the three variants of PPA can be dissociated based on error patterns in a single language task. We (...) recruited 21 lvPPA, 28 svPPA, and 24 nfvPPA patients, together with 31 healthy controls, and analyzed their performance on an auditory noun-to-verb generation task, which requires auditory analysis of the input, access to and selection of relevant lexical and semantic knowledge, as well as preparation and execution of speech. Task accuracy differed across the three variants and controls, with lvPPA and nfvPPA having the lowest and highest accuracy, respectively. Critically, machine learning analysis of the different error types yielded above-chance classification of patients into their corresponding group. An analysis of the error types revealed clear variant-specific effects: lvPPA patients produced the highest percentage of “not-a-verb” responses and the highest number of semantically related nouns ; in contrast, svPPA patients produced the highest percentage of “unrelated verb” responses and the highest number of light verbs. Taken together, our findings indicate that error patterns in an auditory verb generation task are associated with the breakdown of different neurocognitive mechanisms across PPA variants. Specifically, they corroborate the link between temporo-parietal regions with lexical processing, as well as ATL with semantic processes. These findings illustrate how the analysis of pattern of responses can help PPA phenotyping and heighten diagnostic sensitivity, while providing insights on the neural correlates of different components of language. (shrink)

Δημοσίευση δυό επιγραφών του Έθνικοΰ Μουσείου της Βαρσοβίας. Ή πρώτη είναι « επιτάφιος συντρόφου » δηλαδή ενός « θρεπτου », στον όποιο οι συμφοιτητές του ανέγειραν ένα ταπεινό ταφικό μνημείο. Ό λίθος προέρχεται πιθανόν άπό τή Φρυγία των αυτοκρατορικών χρόνων, καί άπό περιβάλλον επηρεασμένο πολιτιστικά άπό τή Ρώμη. Ή δεύτερη επιγραφή μας παρουσιάζει μιά οικογένεια άπό τή Φρυγία μέ τό δνομα Sestullii, σπουδαία οικογένεια, γνωστή χάρη στίς μελέτες του Mitchell. Πρόκειται χωρίς αμφιβολία γιά απελεύθερους πού έχτισαν οσο ζούσαν έναν οικογενειακό (...) τάφο-ήρώον. (shrink)

The paper presents Josefina Niggli, an American mid-twentieth-century writer who was born and grew up in Mexico, and her novel Mexican Village. A connoisseur of Mexican culture and tradition, and at the same time conscious of the stereotypical perceptions of Mexico in the United States, Niggli saw it as her literary goal to “reveal” the “true” Mexico as she remembered it to her American readers. Somewhat forgotten for several decades, Niggli, preoccupied with issues of marginalization, hybridization, and ambiguity, is now (...) becoming of interest to literary critics as a forerunner of Chicano/a literature. In her novel Mexican Village, set in the times of the Mexican Revolution, she creates a prototypical bicultural and bilingual Chicano protagonist, who becomes witness to the rise of Mexico’s modern national identity. (shrink)

In American ethnic literature of the last three decades of the 20th century, recurrent themes of mobility, travel, and “homing in” are emblematic of the search for identity. In this essay, which discusses three short stories, Alice Walker’s “Everyday Use,” Louise Erdrich’s “The World’s Greatest Fishermen,” and Daniel Chacon’s “The Biggest City in the World,” I attempt to demonstrate that as a consequence of technological development, with travel becoming increasingly accessible to ethnic Americans, their search for identity assumes wider range, (...) transcending national and cultural boundaries. (shrink)

Two streams of political thought will be presented: metaphysics of State and metaphysics of Power . An impact of globalization concealing both traditions will be analyzed, with the present evolution of European Union as an example. Structural violence will be shown in a post-communist context.

This essay examines the depiction of French ragout in eighteenth-century English literature, arguing that the dish reflects social apprehension regarding ideological, cultural, and military conflicts between England and France. This essay first traces a brief history of ragout, along with an overview of the dish’s cultural connotation and complexity, in eighteenth-century English society. It next delves into the concept of eighteenth-century English Francophobia, demonstrating that this sentiment was a mixture of national pride and anxiety amid England’s identity crisis under the (...) potential French cultural threat. Finally, the essay examines ragout in eighteenth-century English literature and identifies the dish as the target of French pretension and cultural invasion. This research highlights the fact that eighteenth-century English authors’ satirical portrait of ragout underscored xenophobic gastronomy and cautioned against a simple interpretation of the dish. The caricature and representation of ragout as a feminized, artificial, and laughable dish reinforces eighteenth-century English writers’ concern for the invasion of foreign culture by emphasizing the contrast between authentic ‛Anglo’ meat consumption and ‛Franco’ sophistication. (shrink)

It is a platitude that belief is subject to a standard of correctness: a belief is correct if and only if it is true. But not all standards of correctness are authoritative or binding. Some standards of correctness may be arbitrary, unjustified or outrightly wrong. Given this, one challenge to proponents of the truth norm of belief, is to answer what Korsgaard (1996) calls ‘the normative question’. Is the truth norm of belief authoritative or binding regarding what one ought to (...) or may believe? If so, what grounds its authority? The aim of this paper is to offer a novel answer to the grounding challenge on a reason-based normative framework. I develop and defend a practice-based account of the truth norm, according to which, the authority of the truth norm of belief is grounded in what I call the T-practice, a justified social practice that functions to facilitate knowledge production, maintenance, and social cooperation. (shrink)

Treścią artykułu jest charakterystyka cech swoistych polskiej wersji modernizmu. Analiza polskiej myśli estetycznej z przełomu XIX i XX w. wskazuje, że program polskich modernistów niesłusznie utożsamia się z estetyzmem. Wydaje się, że modernistycznego odwrotu od rzeczywistości nie należy traktować jedynie jako ucieczki od skomplikowanych problemów ówczesnej codzienności. Równie uprawnione jest interpretowanie go jako sposobu wiodącego do zachowania wartości humanistycznych, które zatraciły się w otaczającej artystów rzeczywistości. Aksjologię modernistów uzasadniało założenie o monistycznym charakterze bytu. Jego naturalną konsekwencją było traktowanie sztuki - (...) ze względu na jej cechy - jako jedynego rodzaju działalności ludzkiej, który umożliwia kontakt z Absolutem. Bowiem zbliżenie do istoty rzeczy jest możliwe jedynie poprzez dzieło sztuki stanowiące przekaz wartości absolutnych. Wysoka ranga twórczości wynika z faktu, iż wartości te są zapośredniczone w duszy twórcy. (shrink)

The aim of the paper is to compare four versions of the text of Waitingfor Godot: the French original, Beckett’s own translation into English and two Polish renderings done by Julian Rogoziński and Antoni Libera. The article starts with a short discussion concerning rules governing the translation process and then its evaluation. While working on the transposition of the French original into English, Beckett introduced numerous changes, this being due to his sensitivity to the very quality of each of the (...) languages and specific references characteristic of the two cultures. Antoni Libera, an expert in Beckett’s oeuvre, argues that Beckett’s translations should be more adequately described as second language versions and that the artist recommended further translations based on his two language versions. Libera himself followed this recommendation while translating Beckett’s works into Polish. Upon publication, he provided illuminating notes, shedding light on the differences in Beckett’s versions and providing critical insight into the texts. Julian Rogoziński, on the other hand, based his translation of Waiting for Godot only on the French original. This accounts for the fact that, at times, his rendering of the text lacks precision and may not even be quite understandable. Rogoziński’s version is less satisfactory than that of Libera due to the fact that it was written earlier and by an older man, which at times results in the use of old-fashioned, outdated Polish diction and structures. (shrink)

The expression “Pinteresque” describing the characteristic features of Harold Pinter’s artistic output, established its position as a literary critical denominator many years ago. The aim of this article is to analyze some of the specific aspects of the playwright’s use of language. On several occasions, the artist made comments pertaining to certain issues concerning communication. He rejected the idea of the alienation of language and promoted the concept of evasive communication, thus showing people’s unwillingness to communicate. He also spoke about (...) two kinds of silence, the first referring to a situation where there is actual silence, when “no word is spoken,” and the second, when “a torrent of language is being employed” in order to cover the character’s “nakedness.” Accordingly, Pinter’s plays may, depending on their perspective, be treated as dramas of language or of silence. This led Peter Hall, Pinter’s favourite theatre director and also a close friend, to notice that in the playwright’s oeuvre there is a clear distinction beween three dots, a pause and a silence. This article discusses in detail the uneven distribution of pauses and silences in Harold Pinter’s 1977 play, Betrayal. It becomes evident that the use of different kinds of silence clearly indicates the emotional state of the characters at any given moment. (shrink)

The following will analyze a surprising symmetry between the Leninist mode of reasoning and Solidarity's behavior with the help of Lévi-Strauss' notion of bricolage and Besançon's concept of “surreality.” A basic dualism pervades both communist ideology, i.e., the Leninist interpretation of Marxism, and everyday consciousness in “really existing socialist” societies. This dualism will be counterposed to a two-level thought, in which the world of ideas and the world of things are qualitatively different. This approach obviously clashes with the conventional wisdom (...) on the subject, both in Eastern Europe and in the West. Thus, it is claimed that, e.g., liberal or neo-conservative themes appear both in Poland and in the West. (shrink)

The article analyzes the world of transience, deterioration and death characteristic of Boghill, the place of action of Samuel Beckett’s short radio play-All That Fall. In a broadcast drama, existence is equivalent to being heard, the idea skilfully employed and commented upon by the playwright. The characters actually heard in the play are in most cases elderly or quite old and even the two young ones appear in the context of death. Numerous off-the-air individuals are dead, sterile or suffering from (...) different illnesses. The two main characters’ situation is not different-Mr Rooney is blind, and his wife, Maddy, complains of many ailments. She is a woman in her seventies, overweight and having different kinds of health problems and thus, several times in the course of the play she expresses a wish to die. At the same time, however, in encounters with men on her way to the station she speaks in a manner characterized by numerous sexual innuendos. Furthermore, she expresses a strong yearning for love and hopes her unloving husband would show her some warm feelings. Thus she becomes a convincing illustration of Georges Bataille’s argument: “Eroticism, it may be said, is assenting to life up to the point of death”. (shrink)

Tu Wei-ming is the foremost exponent of Confucian thought in the United States today. Over the last two decades he has been developing a creative scholarly interpretation of Confucian humanism as a living tradition. The result is a work of interpretive brilliance that revitalizes Confucian thought, making it a legitimate concern of contemporary philosophical reflections.

Many of Beckett characters suffer from different kinds of disabilities and impairments, this being one of the ways of punishing them for “the eternal sin of having been born.” The article discusses blindness in Waiting for Godot, Endgame and All That Fall. In the first of these plays blindness afflicts Pozzo during the interval between the two acts, that is during a single night. Combined with the loss of his watch it is indicative of his entering the subjective realm of (...) timelessness. The blindness of Hamm in Endgame and his inability to walk make him dependant on Clov who is unable to sit, which recalls Pozzo’s dependence on Lucky in the second act. Similarly, the blind Mr Rooney also must get help from other people to be able to move around. In the case of all three plays blindness must be perceived on a literal, as well as metaphorical level. (shrink)

Praca stanowi przyczynek do badań nad życiem i twórczością Ignacego Dąbrowskiego – pisarza przełomu wieków XIX i XX. Jego rękopisy, zachowane przeważnie w znakomitym stanie, zgromadziła Aniela Skórska, siostrzenica literata. Dziś przechowywane są one w zbiorach Biblioteki Narodowej. Cyzelowane i wielokrotnie poprawiane utwory stanowią świadectwo złożonego procesu twórczego, jaki towarzyszył prozaikowi w pracy nad kolejnymi dziełami. Analiza zachowanych brulionów i manuskryptów pozwala na głębsze poznanie literackiej osobowości Dąbrowskiego – postaci skrytej i introwertycznej, a uporządkowanie materiałów rękopiśmiennych pomocne będzie w odtworzeniu (...) oraz weryfikacji faktów z jego życia. (shrink)