The surviving pictorial hagiographical cycles of St Panteleimon were executed in the period between the 10th and 15th centuries. The most elaborate one is on a vita icon, consisting of sixteen scenes, at the monastery of St Catherine, Mt. Sinai and is at the centre of this research. The painter used the Passion of St Panteleimon by Symeon Metaphrastes as a main textual source for its creation. In addition, we may presume that the iconography of the images was influenced by (...) other existing pictorial cycles of the life of the saint. Also, the selection of the images, included in the saint's cycle, reflects the devotional needs and wishes of the unknown donor. (shrink)

Throughout his lectures and published writings on anthropology, Kant describes a form of unintentional, unstructured, obscure, and pleasurable imaginative mental activity, which he calls fantasy (Phantasie), where we ‘take pleasure in letting our mind wander about in obscurity.’ In the context of his pragmatic anthropology, Kant was concerned not only to describe this form of mental activity as a fact of human psychology, but more importantly, to criticize and discourage it. But must we share Kant’s negative evaluation? Could fantasy play (...) a positive role in some kinds of experience? In this paper I first reconstruct Kant’s conception of fantasy, and then consider what role fantasy might play in aesthetic experience. Precisely because of his anxieties about fantasy, Kant is careful to distinguish between the lawless freedom of the imagination in fantasy and the ‘free lawfulness’ of the imagination in aesthetic judgment. Departing from Kant, and with help from Susan Sontag, I argue that certain aesthetic objects, especially certain works of modernist art, positively invite fantasy, making fantasy part of proper aesthetic appreciation. I conclude by suggesting that while fantasy can indeed play a positive role in aesthetic appreciation, there is still reason to regard fantasy as ‘normatively ambiguous.’. (shrink)

This handbook provides detailed philosophical analysis of the life and thought of Socrates across fifteen in-depth chapters. Each chapter engages with a central aspect of the rich tradition of Socratic studies and, after surveying the state of scholarship, points the way forward to new directions of interpretation. A leading team of scholars present dynamic readings of Socrates, extracted from the historical context of Plato's dialogues, covering elenchus, irony, ignorance, definitions, pedagogy, friendship, politics and the daemon. Building on these core Socratic (...) topics, this edition includes new accounts of Socrates in the work of philosopher and historian, Xenophon, the comic playwright, Aristophanes, as well as important scholarship on topics such as emotions, the afterlife, motivational intellectualism and virtue intellectualism. (shrink)

This article explores the idea that Core Affect provides the emotional quality to any conscious state. Core Affect is the neurophysiological state always accessible as simply feeling good or bad, energized or enervated, even if it is not always the focus of attention. Core Affect, alone or more typically combined with other psychological processes, is found in the experiences of feeling, mood and emotion, including the subjective experiences of fear, anger and other so-called basic emotions which are commonly thought to (...) be raw, primitive, and universal. (shrink)

William James's definition of psychology as 'the science of mental life' has been heard so often that we are apt to forget how radically it diverges from the view of psychology which so many of its practitioners hold today.

Fabricating Origins builds on a series of posts that originally appeared, in earlier forms, on the blog "Culture on the Edge." In these posts each member of the group focused on the problem of origins, examining how we repeatedly conjure up an authorized past that suits the needs of the continually changing present. Fabricating Origins presses these short studies further by inviting ten early career scholars to each work with "Culture on the Edge" by applying, extending, even critiquing the group, (...) to further illustrate for readers how talk of origins in the present is so much more interesting than being preoccupied with long past origins themselves. The volume, like all books in the Working with Culture on the Edge series, is introduced and concluded by original, theoretically challenging but engaging essays. It provides a selection of ten main articles which draw on a variety of examples to make the case, followed by original commentaries on each, all of which are pithy but substantive. Although not a textbook, and while challenging for any reader unaccustomed to making the switch from origins to the discourse on origins, Fabricating Origins is especially aimed at the early career reader. The volume therefore includes an annotated set of suggested readings on how to rethink origins as the product of contemporary and always tactically useful talk and action. (shrink)

Anorexia nervosa is a very serious condition because of the suffering and loss of life that it causes. However, the wishes of the people directly involved can be strongly opposed. The person with severe AN may not want treatment, yet her family beseeches professionals to unilaterally intervene and clinical teams are divided over the defensibility of involuntary hospitalization and treatment. The metaphor of a crucible is used in this paper to help identify how much is at stake and how much (...) is in conflict when someone has AN. Frank cautions against ethical analyses that rely mostly on substantive principles or rules and institutional conflict resolution procedures. This paper applies his heuristic concepts of “ethics-as-substance” and “ethics-as-process” to a prototypical AN case to illustrate how process activities can expand understanding of, and responsiveness to, those who are living with this dire condition or those who are obligated to help. (shrink)

Thomas Hobbes changed the face of moral philosophy in ways that still structure and resonate within the contemporary debate. It was Hobbes’s central aim, particularly as expressed in the Leviathan, to make moral philosophy genuinely ‘scientific’, where this term is understood as science had developed and evolved in the first half of the seventeenth century. Specifically, it was Hobbes’s aim to provide a thoroughly naturalistic description of human beings in terms of the basic categories and laws of matter and motion. (...) By analyzing the individual and society in these terms, Hobbes proposed to identify and describe a set of moral laws that are eternal and immutable, and can be known to all those who are capable of reason and science (L, 15.40). Even more ambitiously, it was Hobbes’s further hope that these ‘theorems of moral doctrine’ would be put into practical use by public authorities with a view to maintaining a peaceful, stable social order (L, 31.41). (shrink)

This succinct but illuminating book defends the free market, while criticizing a narrowly economistic understanding of man and society. Baldacchino argues that a sound economy has ethical and cultural prerequisites that are integral to its survival. Includes an introduction by Russell Kirk. _From the Introduction: _ “Any society’s moral order develops from its religion, its philosophy, its humane literature. The discipline of political economy, little understood until the latter half of the eighteenth century, is no independent creation: what economic (...) views one holds must depend upon one’s apprehension of human nature. An economic system indifferent to morality will not long endure. For proof of these theses, read with attention Baldacchino’s succinct study, the work of a sound scholar endowed with a philosophical habit of mind.”–_Russell Kirk_. (shrink)