This article arises out of critical contemplation of ‘skills’ in relation to Higher Education pedagogy as it relates to the Arts, Humanities and Social Sciences. As the emphasis on skills dominates more and more of the discourse about pedagogy in Higher Education, the article aims to make some critical comments about the reductionist approach to education that easily becomes part of skills discourse. In addition to criticising instrumentalist deployment of ‘skills’ in Higher Education policy, the article also considers the supposedly (...) most ‘radical’ perspective on the idea of skill which is implicit in enactivists’ accounts of the embedding of sensorimotor action in cognition. It is argued that such a perspective is undermined by its insistence on a model of direct human-environment interaction which brackets creativity, anticipation and the future. The article suggests that such a perspective would be illumined by dialogue with Ernst Bloch’s concept of the ‘not-yet’. (shrink)

Despite the Heideggerian advice to remain silent about silence, this article explores the idea of a fundamental silence at the core of language, an idea that is present in the phenomenological tradition from Husserl to Derrida, but also in other thinkers. The relation between silence, speech, the face and identity is charted, and related to the question what it means to speak a language, and to speak this language rather than that language. The considerations establish the need for a philosophy (...) of communication (in addition to a science of communication) and for an ethics of cautious anticipation regarding language change and linguistic diversity, an ethics which avoids the complicit dangers of (cultural and linguistic) fetishization and instrumentalisation; a multiverse of languages emerges as the only state in which language can exist. (shrink)

This text considers the category of the ultimate in Bloch's metaphysics and investigates Bloch's system of categories with respect to the ideas of measurment, teleology and the relation between essence and existence.

Complementing earlier efforts to scrutinize the uses of models in the field of media and communication studies, this volume reassesses old perspectives and delineates new theoretical options for communication inquiry. It is the first book to undertake a philosophical investigation of the significance of modelling in the study of the varying phenomena, processes, and practices of communication. By homing in on the manifestations and purposes of modelling in ordinary discourses on communication as well as in theoretical expositions, the essays collected (...) in this book cast new light on the importance of models for communication inquiry. This volume challenges received view of communication models as mere diagrams and opens up new paths of conceptual inquiry in communication research. (shrink)

In this article, I consider the moment where speech becomes violent because it wants to name at any price - something that can be felt as a desire in speech, a tension of creation and destruction. I discuss Habermas' theory of communicative action and the propositional conception of truth that underpins it. That conception of truth can be contrasted to the theory of truth as event, as it has been developed by Alain Badiou. A similarity between Badiou's theory of truth (...) and the latent utopianism of Adorno's negative dialectics shows that, for contemporary philosophy, the first phase of Frankfurt School theorising remains important. A philosophy that is able to 'motivate and guide the will' (Habermas) needs to include a non-propositional conception of truth; only with a non-propositional conception of truth can we articulate what is involved in communicative violence and come to understand what the place of what cannot be said is, in thought as well as in private, social and political life. (shrink)

This work presents and defines three meanings of communication taking into account some of the traditions of thought that founded our field of study. These three conceptions are: communication as an architectonic art; communication as a social force; and communication as the encounter with truth. These three conceptions are considered with regard to several traditions of thought conceptualized in Craig’s (1999) constitutive metamodel of communication theory (rhetorical, sociopsychological, critical and phenomenological). Furthermore, the discussion expands the traditions of thought, adding American (...) pragmatism (Craig’s proposal would be included in it), and a new tradition that highlights the element of undecidability in communication, partly as an extension of phenomenology and partly with its own historical roots in Badiou’s philosophy of the event. (shrink)