Das Buch ist als Festschrift dem estnischen Erziehungswissenschaftler Professor Dr. Dr. h.c. Dr. h.c. Heino Liimets (1928-1989) gewidmet. Der Sammelband besteht aus vier Teilen, von denen drei die wichtigsten Schwerpunkte des wissenschaftlichen Werks von Heino Liimets widerspiegeln. Im ersten Teil (An Heino Liimets denkend) schreiben seine Kollegen und ehemaligen Studenten ihre Erinnerungen uber ihn. Der zweite Teil (Uber die Denkkulturen) beinhaltet die Beitrage uber Erziehungs- und Bildungsphilosophie, Geschichte der Padagogik und uber die methodologischen Probleme der Erziehungswissenschaft. Im (...) dritten Teil (Ich - Selbst - Identitat) fragt man philosophisch und padagogisch denkend nach der Selbstwerdung des Menschen. In den Beitragen des vierten Teils (Uber die Erziehungskulturen) werden die Ergebnisse der empirischen Untersuchungen zu den Erziehungskulturen zu Hause und in der Schule dargestellt.". (shrink)

_Airy Nothings_ contains eleven contributions on the scholarly and literary representations of the Otherworld of Faerie from the Middle Ages to the Enlightenment.

George Biddell Airy invented the first successful mechanical system of compass correction in 1838, at a time when iron ship-building, especially for steam-driven vessels, had become firmly established. One serious drawback to iron ships was the difficulty in the management of the magnetic compass on board due to the magnetic condition of the ship. The introduction to this paper, which outlines the early history of ship magnetism, is followed by a brief account of Airy's mechanical system. The main purpose of (...) the paper, however, is to comment on the detailed correspondence relating to the adjustment of the compass, by the Astronomer Royal himself, of the first iron sailing vessel, the Ironside, in November 1838; and to consider the degree of success, at least for the Ironside, of the new plan which was readily adopted for ships of the Mercantile Marine. (shrink)

As Astronomer Royal from 1835 till 1881, G. B. Airy had a very important influence on nineteenth-century British astronomy. His personal qualities combined with his office to give him a position of great authority within the astronomical and general scientific communities, and his powers of organization and work on instrumentation transformed the Royal Observatory. A feature of Airy's work was an extensive interest in horology—particularly in astronomical regulators, marine chronometers and driving clocks for chronographs and equatorial telescopes. He was also (...) concerned with building important turret clocks, and he established a public time service based at Greenwich. The enormous quantity of surviving material makes a complete review of Airy's career a daunting prospect; but the horology is a microcosm, where we can study on a manageable scale his attitudes to the Observatory, to its relation to society, and to the role of the Astronomer Royal as a public servant. (shrink)

Even as the number of unbelievers continues to rise, religion in America still gets unwarrantably good press. Unfortunately, the central religious concept of the “sacred” proves, upon closer inspection, to be fictitious. This book surveys the various traditional “fortresses” of the sacred and finds them all empty and indefensible.

In mid-Victorian Britain, reconciling elite mathematical expertise with practical mechanical experience presented both engineering and social challenges. Nowhere was this more apparent than in the construction of the Westminster Clock at Britain’s Houses of Parliament. Realizing this scheme engendered the collaboration between Cambridge mathematicians George Biddell Airy and Edmund Beckett Denison, and the clockmaker Edward John Dent. Transforming theoretical mathematical drawings into physical apparatus challenged existing relations between conveyors of privileged scientific knowledge and those with practical experience of what was, (...) and what was not, mechanically possible. My article demonstrates how, within this project, physical models and devices provided material solutions to ambiguities over authority and social disorder in Victorian Britain. (shrink)

In the context of the telegraphic distribution of Greenwich time, while the early experiments, the roles of successive Astronomers Royal in its expansion, and its impacts on the standardization of time in Victorian Britain have all been evaluated, the attempts of George Biddell Airy and his collaborators in constructing the Royal Observatory's time signals as the authoritative source of standard time have been underexplored within the existing historical literature. This paper focuses on the wide-ranging activities of Airy, his assistant astronomers, (...) telegraph engineers, clockmakers and others, which served to increase the reliability of the Royal Observatory's time service between the 1850s and 1870s. Airy and his collaborators aimed to mechanize and automate their telegraphic time distribution system in order to improve its accuracy and reliability. The accomplishment of such technological innovations was disseminated via public lectures, journal articles and correspondence with experts, secondary distributors of standard time and the general public. These communications were used to build public trust in the Greenwich time service. However, the unexplored archival material used in the present paper provides fresh insight into the unstable nature of the Greenwich time system, including its clear limits in terms of its scale of automation and degree of accuracy. (shrink)

ArgumentThe Greenwich Prime Meridian is one of the iconic features of the Royal Museums Greenwich. Visitors to the Museum even queue up to pose with one leg on either side of the Line. Yet, the Airy Transit Circle, the instrument that defined the meridian, is almost always excluded from these photographs. This paper examines how the instrument has become hidden in plain sight within the stories of Greenwich Time and Greenwich Meridian, as well as within the public imagination, by providing (...) an analysis of the instrument’s transformation from a working astronomical instrument to a museum object. The paper highlights the gradual decoupling of the instrument from narratives of Time and Longitude, which resulted in the Line’s popularity overshadowing the instrument that defined it. By doing so, the paper aims at showing the symbiotic relationship between the materiality of the instrument and the meridian line that it defined. Approaching the instrument through the lenses of object biographies, the paper raises the question of whether the life of the instrument came to an end once operations with it were terminated. The analysis of the Transit Circle’s life reveals that it reached its end multiple times, which shifts the emphasis away from a single and ultimate end of scientific objects to a process of gradual downfall, during which they can “end” several times. In addition, through the object biography approach, the Transit Circle no longer appears as a dead object reaching an afterlife within a museum setting. Instead, the approach demonstrates that, though the instrument can still be restored to an operational order, doubts about its accuracy, and its relevancy to today’s astronomical methods, have led the instrument to be considered obsolete, transforming it into a museum object on display. (shrink)

With the advent of iron-built ships in the early nineteenth century the problem of managing a magnetic compass on board presented considerable difficulty. Prominent among the early scientists who tackled the problem were George Biddell Airy and William Scoresby. Airy had provided a mechanical system, employing correctors in the form of steel magnets and wrought iron masses, by which the ship's magnetic field at the compass position is neutralized. He based his system on the concept that the magnetism acquired by (...) an iron ship during her construction remained with the ship throughout her life. Scoresby, on the other hand, thought differently. After having conducted a thorough and systematic series of experiments on iron plates and bars, he concluded that the magnetic character of an iron ship is liable to sudden and unexpected change. Scoresby argued, therefore, that Airy's system was defective and, indeed, dangerous. The aim of this paper is to discuss the two views which brought Airy and Scoresby into a conflict which is documented in a series of letters to the editor of The Athenaeum. (shrink)

ABSTRACT Greek historical accounts of ancient eclipses were an important, if peculiar, focus of scientific attention in the nineteenth century. Victorian-era astronomers tried to correct the classical histories using scientific methods, then used those histories as data with which to calibrate their lunar theories, then rejected the histories as having any relevance at all. The specific dating of these eclipses—apparently a simple exercise in celestial mechanics—became bound up with tensions between scientific and humanistic approaches to the past as well as (...) with wider social debates over the power and authority of science in general. The major figures discussed here, including G. B. Airy, Simon Newcomb, and T. H. Huxley, argued that the critical question was whether science could speak authoritatively about the past. To them, the ability of science to talk about the past indicated its power to talk about the future; it was also the fulcrum of fierce boundary disputes among science, history, and religion. (shrink)

ABSTRACT Greek historical accounts of ancient eclipses were an important, if peculiar, focus of scientific attention in the nineteenth century. Victorian-era astronomers tried to correct the classical histories using scientific methods, then used those histories as data with which to calibrate their lunar theories, then rejected the histories as having any relevance at all. The specific dating of these eclipses—apparently a simple exercise in celestial mechanics—became bound up with tensions between scientific and humanistic approaches to the past as well as (...) with wider social debates over the power and authority of science in general. The major figures discussed here, including G. B. Airy, Simon Newcomb, and T. H. Huxley, argued that the critical question was whether science could speak authoritatively about the past. To them, the ability of science to talk about the past indicated its power to talk about the future; it was also the fulcrum of fierce boundary disputes among science, history, and religion. (shrink)

One of the great American pragmatic philosophers alongside Peirce and Dewey, William James (1842–1910) delivered these eight lectures in Boston and New York in the winter of 1906–7. Though he credits Peirce with coining the term 'pragmatism', James highlights in his subtitle that this 'new name' describes a philosophical temperament as old as Socrates. The pragmatic approach, he says, takes a middle way between rationalism's airy principles and empiricism's hard facts. James' pragmatism is both a method of interpreting ideas by (...) their practical consequences and an epistemology which identifies truths according to their useful outcomes. Furnished with many examples, the lectures illustrate pragmatism's response to classic problems such as the question of free will versus determinism. Published in 1907, this work further develops James's approach to religion and morality, introduced in The Will to Believe (1897) and The Varieties of Religious Experience (1902), both reissued in this series. (shrink)

In the stores of the British Museum are three exquisite springs, made in the late 1820s and 1830s, to regulate the most precise timepieces in the world. Barely the thickness of a hair, they are exquisite because they are made entirely of glass. Combining new documentary evidence, funded by the Antiquarian Horological Society, with the first technical analysis of the springs, undertaken in collaboration with the British Museum, the research presented here uncovers their extraordinary significance to the global extension of (...) nineteenth century capitalism through the repeal of the Corn Laws. In the 1830s and 1840s the Astronomer Royal, George Biddell Airy; the Hydrographer to the Admiralty, Francis Beaufort; and the Prime Minister, Sir Robert Peel, collaborated with the virtuoso chronometer-maker, Edward John Dent, to mobilize the specificity of particular forms of glass, the salience of the Glass Tax, and the significance of state standards, as means to reform. These protagonists looked to glass and its properties to transform the fiscal military state into an exquisitely regulated machine with the appearance of automation and the gloss of the free-trade liberal ideal. Surprising but significant connections, linking Newcastle mobs to tales of Cinderella and the use of small change, demonstrate why historians must attend to materials and how such attention exposes claims to knowledge, the interests behind such claims, and the impact they have had upon the design and architecture of the modern world. Through the pivotal role of glass, this paper reveals the entangled emergence of state and market capitalism, and how the means of production was transformed in vitreous proportions. (shrink)

We have already seen what happens in a typical experiment in quantum physics. When an observation is recorded say on a phosphor screen or photographic plate quantum entities (like photons or electrons) will appear as particles in precise positions. But their observed distribution is predicted by Schroedinger's wave function, and in appropriate conditions they exhibit Airy's wave associated ring pattern. This suggests that while unobserved they were behaving as waves which can spread out in more than one direction at once (...) but once they are observed, they have just a single position, a characteristic of a particle. The act of observation "collapses the wave function" and an actual state precipitates, as it were, out of the cloud of previously possible states. This is what scandalized Einstein: that the chance event of an observation should not merely uncover but actually create the reality of the universe. But the question arises: what is so special about a device such as a light sensitive plate, that its interception of a quantum entity should count as an observation and so "create" actuality in this way? (shrink)

The daddy longlegs clinging vertically to my bathroom wall is a marvel of airy symmetry, its tiny head perched delicately at the center of eight arching limbs. A moment later, struck by the back of my hand, it lies crumpled on the floor. I’m sorry, but I don’t like spiders in the house.

Audio features such as inharmonicity, noisiness, and spectral roll-off have been identified as correlates of “noisy” sounds. However, such features are likely involved in the experience of multiple semantic timbre categories of varied meaning and valence. This paper examines the relationships of stimulus properties and audio features with the semantic timbre categories raspy/grainy/rough, harsh/noisy, and airy/breathy. Participants rated a random subset of 52 stimuli from a set of 156 approximately 2-s orchestral instrument sounds representing varied instrument families, registers, and both (...) traditional and extended playing techniques. Stimuli were rated on the three semantic categories of interest, as well as on perceived playing exertion and emotional valence. Correlational analyses demonstrated a strong negative relationship between positive valence and perceived physical exertion. Exploratory linear mixed models revealed significant effects of extended technique and pitch register on valence, the perception of physical exertion, raspy/grainy/rough, and harsh/noisy. Instrument family was significantly related to ratings of airy/breathy. With an updated version of the Timbre Toolbox, we used 44 summary audio features, extracted from the stimuli using spectral and harmonic representations, as input for various models built to predict mean semantic ratings for each sound on the three semantic categories, on perceived exertion, and on valence. Random Forest models predicting semantic ratings from audio features outperformed Partial Least-Squares Regression models, consistent with previous results suggesting that non-linear methods are advantageous in timbre semantic predictions using audio features. Relative Variable Importance measures from the models among the three semantic categories demonstrate that although these related semantic categories are associated in part with overlapping features, they can be differentiated through individual patterns of audio feature relationships. (shrink)

In 1974, a wonderful little book came out entitled Formal Philosophy: Selected Papers of Richard Montague, edited by Richmond H. Thomason. The book was a beautiful testimony to the fact that formal methods may indeed clarify, sharpen and solve philosophical problems, defusing airy philosophical intuitions in clear, crisp and concise ways while at the same time turning philosophical wonder into scientific inquiry.

SummaryThis paper explores how nineteenth-century Liverpool became such an advanced city with regard to public timekeeping, and the wider impact of this on the standardisation of time. From the mid-1840s, local scientists and municipal bodies in the port city were engaged in improving the ways in which accurate time was communicated to ships and the general public. As a result, Liverpool was the first British city to witness the formation of a synchronised clock system, based on an invention by Robert (...) Jones. His method gained a considerable reputation in the scientific and engineering communities, which led to its subsequent replication at a number of astronomical observatories such as Greenwich and Edinburgh. As a further key example of developments in time-signalling techniques, this paper also focuses on the time ball established in Liverpool by the Electric Telegraph Company in collaboration with George Biddell Airy, the Astronomer Royal. This is a particularly significant development because, as the present paper illustrates, one of the most important technologies in measuring the accuracy of the Greenwich time signal took shape in the experimental operation of the time ball. The inventions and knowledge which emerged from the context of Liverpool were vital to the transformation of public timekeeping in Victorian Britain. (shrink)

Summary Apart from hydrogen, helium is the most abundant chemical element in the universe, and yet it was only discovered on the Earth in 1895. Its early history is unique because it encompasses astronomy as well as chemistry, two sciences which the spectroscope brought into contact during the second half of the nineteenth century. In the modest form of a yellow spectral line known as D3, ‘helium’ was sometimes supposed to exist in the Sun's atmosphere, an idea which is traditionally (...) ascribed to J. Norman Lockyer. Did Lockyer discover helium as a solar element? How was the suggestion received by chemists, physicists and astronomers in the period until the spring of 1895, when William Ramsay serendipitously found the gas in uranium minerals? The hypothetical element helium was fairly well known, yet Ramsay's discovery owed little or nothing to Lockyer's solar element. Indeed, for a brief while it was thought that the two elements might be different. The complex story of how helium became established as both a solar and terrestrial element involves precise observations as well as airy speculations. It is a story that is unique among the discovery histories of the chemical elements. (shrink)

In 1839 the working hours of the computers employed on the lunar and planetary reductions of the Royal Observatory, Greenwich were reduced from eleven hours to eight hours. Previous historians have explained this decrease by reference to the generally benevolent nature of the manager of the reductions, George Biddell Airy. By contrast, this article uses the letters and notes exchanged between Airy and the computers to demonstrate that the change in the working hours originated from the computers as a reaction (...) to their poor working conditions. Through the exploration of these archival materials, the article shifts the focus of the analysis to the working experience of the computers, rather than to the administrative history of the project that inevitably tends to highlight Airy's actions. By doing so, the article shows how the computers were treated as a disposable low-skilled workforce, as opposed to aspiring astronomers with considerable mathematical talent. Through this reframing, the article takes a step towards a working history of the observatory. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Attis at Large CATULLUS (Translated by Anna Jackson) And so Attis, seasick, heart sore, having left so terribly fast, with a pause, a leap, a landing, galliambically arrived in the shady regions, wood-clothed, in the goddessy depths of dark in a rage, a grief, a wild mood, having come so terribly far, and himself, still him, he tore off, with a flint, all his manly parts— so that she (...) (now she) when she saw she was all a a a a girl, even while still bleeding fresh blood, a new stain on that shagpile earth, in a flash, a leap, with no pause, she took up here a tambourine— tambourine of yours, your symbol, sign of Cybele’s syllables— with a clash, a strike, a ringing, her soft fingers on the stretched skin, she began to sing this whole song, in a tremble to, to the throng: All of us, not cis, but sisters—with a leap of nothing but faith let’s take off, let’s rush, let’s stampede, like a herd on the, the, the loose— you are lost, you’re all in exile, with a past you have left behind you have only me, your one hope, here to lead, if you’ll follow me, after all that we have been through, salty seas of masculinity we will sail no more, no, not we—let us now be all spiritual, that’s to say, let’s sing, and sing loud, with a clash of the tambourine and with tossing heads and wild leaps, we must throw ourselves into this, as if in to fire, with no fear—a religious sort of a pounce! And in need of no persuading, the stampede, if it was that, starts— all of them, not cis, but sisters, taking off with a lightness of heart like a sisterhood, a herd loosed, with a clash of the tambourine. And so Attis, no true woman, was swept along with the rest, in the lead, but led, herself led, the clash of the tambourine a resounding beat in her head, fa-la-LA, la la la la LA, like a heifer still unbroken, a disorder of flailing flight. And the sisterhood, a herd loose, kept the beat of the tambourine. And the sisters, having found peace, could all sleep when the ringing ceased, having come so far, so hard won, they were restless no more but at peace, after all that they had been through, having come so terribly far. arion 27.2 fall 2019 Yes but when the sun with eyes bright looked out at the whole airy sky, and the whole expanse of hard earth, and the whole wilderness of sea, yes and when the sunlight drove forth all the shadows of the long night, and when sleep itself was sent off, or took flight, as Attis awoke, well then sleep, not Attis, found rest; it was sleep that would rest at last. Not so Attis: sleep departed, and his madness departed too; not so Attis, who reviewed all he had done, and all in his heart, and could see the lie it had been, and see all that the lie had cost, and with surging mind and heart sore made return to shallowing shore. And there Attis, seasick, heart sore, with sore eyes salty as the sea now addressed her country, grief struck, with this song, or more of a speech: Oh my country, nation, homeland, oh my country where I was born! Like a truant out of bounds—bounds like a palace, a place of peace— in a rage, a grief, a wild mood, did I take myself off to here, here to live in lairs of wild beasts, here to live in shivering snow, to inhabit my own madness, my insanity the worst lair of them all. Oh where can I now understand my country to be? My sore eyes both long to be fixed in a gaze shiverless on you, for a pause, a space, to come clear, and to clear what’s left of my mind. Do I have to leave, to have left, my own home, and live in the wild? Do I have to... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:“Till Death Do Us Part”? Buddhist Insights on Christian MarriageWioleta PolinskaHigh divorce rates and declining marriage rates in Western societies draw the attention of many scholars to the fragility of contemporary marriages.1 Rampant individualism, permissive divorce law, and softening stance on divorce by mainstream Christian denominations are all listed as culprits responsible for the current marriage crisis.2 These conventional accounts, however, overlook important insights gathered by historians of marriage, (...) insights that point to a dramatic shift in the concept of marriage that occurred more than two hundred years ago. According to Stephanie Coontz, “the invention of the historically unprecedented idea that marriage should be based on love and mutual affection” 3 is responsible for greater fragility, but also for creating good, satisfying marriages that bring much happiness to people’s lives.4 Thus, the very source of fragility (the search for love and mutual affection) is also a source of deep connections and lasting relationships. While the fragility accompanying contemporary marriage is here to stay, our efforts to build strong unions need to be carefully evaluated. In what follows, I will address Christian and Buddhist approaches that aim at protecting the stability of marriage. To strengthen marriage, Christianity, from early on, focused on the permanence of marriage whether understood as a sacrament or, later on, as a covenant. Christian wedding vows that promise love, care, and enduring partnership “till death do us part” capture well the prevailing theology of Christian marriage. In contrast, Buddhism employs a concept of impermanence that implies an ever-changing reality that warrants no finality. Recent studies in psychology of mindfulness meditation show that such Buddhist concepts can translate well into effective skills for those in loving relationships. I will suggest that Christian theology might become more successful at preserving the stability of marriage by becoming less focused on the finality of couples’ bonds, and instead attending to the present reality of couples’ relationships.It is well documented that before the seventeenth century marriages were arranged by parents and fulfilled primarily political, economic, and social functions rather than individual needs. Marriage was seen as a means of enlarging one’s economic enterprise, acquiring powerful in-laws, strengthening military alliances, or (for the less [End Page 29] privileged) enlarging the family’s labor force.5 This is not to say that the notion of romantic love was unknown until the seventeenth century, but that it was not closely associated with marriage.6 In aristocratic courts of southern France, for example, romantic love appeared between an unmarried man and a married woman, and it should have been either unconsummated or adulterous.7 As late as the eighteenth century, a “sudden falling head over heels in love, although a familiar enough psychological phenomenon, was thought of as, a mild form of insanity” and an unreasonable basis for marriage.8 Romantic love became widely accepted only in the nineteenth century under the influence of Enlightenment thought, ideals of the French and American Revolutions and of the romantic movement.9Romantic love as an expression of an individual’s desire for fulfillment has its dark side, as it can unleash selfish concerns. Thus, Robert A. Johnson, a Christian theologian, defines romantic love as “airy, fantasy, projections, and an evanescent high. It is fundamentally egotistical—fixated on its own wants and whims. It can never lay the foundation for personal commitments.” 10 The Vietnamese Buddhist monk Thích Nhất Hạnh (b. 1926) states that love can become a kind of sickness when it forms an attachment, similar to drug dependency. When we are under its spell, we are preoccupied with the object of our love and we desire to control and possess the other. To Ven. Hạnh, this is not true love since “it is only the willingness to make use of the other person in order to satisfy our own needs.” 11 Both Johnson and Ven. Hạnh while criticizing romanticized concepts of love are not giving up on possibility of intimate love. Johnson calls this intimate connection with another person a “human love,” a love that affirms and appreciates another person as she or he actually is, in their totality. Instead of prizing... (shrink)

I have on my desk an artifact of wonderful contrivance. Though its outer skin is of flimsy cardboard standing over half a foot high, it is squarely based, making it nearly untippable on shelves. It is a deodorant product called ban—a box containing a bottle containing a liquid. But this simple division of the artifact into three components gives no idea of the complex relationships sustained between part and part, or within each part taken separately.Study, first, the bottle. It emerges (...) from the box a tall and shapely miracle of ballast. It emerges from the box a tall and shapely miracle of ballast. Its most prominent feature, the revolving-ball applicator on top, is airy enough not to destabilize the three-and-one-half ounces of liquid in the bottle’s pyramidal base. It looks like one of those skirted Egyptian statues with no waist to speak of—bulbous of headdress or hairstyle above, firm-footed below, pinched in the middle.The box, despite artfully cutout windows, gives little suggestion of the Nefertiti-like interior. On the contrary: the box suggests that the bottle is bulkier than, unclothed, it turns out to be. Still, one could argue that the box is almost suicidally candid. It not only confesses but proclaims how much of the interior is taken up by the applicator . The upper window space on the bottle is intruded on by a semicircle of cardboard—the lower half of a full yellow circle boldly marked off from the green and white product colors that reign everywhere else. Inside the circle, wide letters boast: WIDE BALL. The circle is, in fact, exactly the size of the wide ball as seen in section, giving us what seems an almost geometrical regard for truth in advertising. The circle is repeated, at full size, on both ends of the box; but there it is white, with WIDE BALL printed in green. Why this emphasis on an empty ball, on the fact that one is being sold a great content of air? The ball is shrouded by a huge plastic cover, a screw-on cowl that gives the Egyptian figure its impressive headdress. Garry Wills, adjunct professor of history at Northwestern University, is the author of Reagan’s America . His previous contribution to Critical Inquiry was “Washington’s Citizen Virtue: Greenough and Houdon”. (shrink)

What did early national Americans mean when they articulated fears of those twin sins of a republic that idolized the classical virtues of manly self-restraint? This essay argues that the fear of luxury and effeminacy circulated not just as airy metaphor but as palpable reality, specifically in the figure of the female recumbent on the sofa. The article traces separately the careers of Enlightenment Venus, who especially in her recumbent form embodied fears of passion in a republic built on reasoned (...) consent, and the sofa, a piece of neoclassical furniture that rose to great popularity at this time and was envisioned as both effeminate and luxurious in fictional and nonfiction writing. The essay then joins the two figures of recumbent Venus and the sofa, showing how they were mutually enabling, and how they entered into early national conversations about labor and race. It concludes by examining how two educated American women, the self-described Roman matrons Mercy Otis Warren and Martha Bayard Smith, incorporated the image of the supine woman and her implied sofa into fictional writings about classical polities in danger. By knitting political ideologies, imaginative worlds, and neoclassical objects, the essay suggests a way for historians to flesh out the intellectual history of early national women, showing how they could participate in a conversation about modern politics and classical antiquity from which we have assumed they were largely disbarred. (shrink)