Where is America in the republic of letters? This question has formed in my mind over the last four years as I have collaborated on a new project based at Stanford University called Mapping the Republic of Letters. The project aims to enrich our understanding of the intellectual networks of major and minor figures in the republic of letters, the international world of learning that spanned the centuries roughly from 1400 to 1800. By creating visual images based on large digitized (...) data sets, we hope to reveal the hidden structures and conditions that nourished the growth of the republic of letters in the early modern era and the causes of its transformation in the nineteenth century. This task has only recently become feasible with the digitization of the correspondences of major intellectuals such as Benjamin Franklin, John Locke, Athanasius Kircher, and Voltaire, and of libraries, cabinets of artifacts, and Grand Tour itineraries. (shrink)

_A provocative reassessment of the concept of an American golden age of European-born reason and intellectual curiosity in the years following the Revolutionary War_ The accepted myth of the “American Enlightenment” suggests that the rejection of monarchy and establishment of a new republic in the United States in the eighteenth century was the realization of utopian philosophies born in the intellectual salons of Europe and radiating outward to the New World. In this revelatory work, Stanford historian Caroline Winterer argues that (...) a national mythology of a unitary, patriotic era of enlightenment in America was created during the Cold War to act as a shield against the threat of totalitarianism, and that Americans followed many paths toward political, religious, scientific, and artistic enlightenment in the 1700s that were influenced by European models in more complex ways than commonly thought. Winterer’s book strips away our modern inventions of the American national past, exploring which of our ideas and ideals are truly rooted in the eighteenth century and which are inventions and mystifications of more recent times. (shrink)

What did early national Americans mean when they articulated fears of those twin sins of a republic that idolized the classical virtues of manly self-restraint? This essay argues that the fear of luxury and effeminacy circulated not just as airy metaphor but as palpable reality, specifically in the figure of the female recumbent on the sofa. The article traces separately the careers of Enlightenment Venus, who especially in her recumbent form embodied fears of passion in a republic built on reasoned (...) consent, and the sofa, a piece of neoclassical furniture that rose to great popularity at this time and was envisioned as both effeminate and luxurious in fictional and nonfiction writing. The essay then joins the two figures of recumbent Venus and the sofa, showing how they were mutually enabling, and how they entered into early national conversations about labor and race. It concludes by examining how two educated American women, the self-described Roman matrons Mercy Otis Warren and Martha Bayard Smith, incorporated the image of the supine woman and her implied sofa into fictional writings about classical polities in danger. By knitting political ideologies, imaginative worlds, and neoclassical objects, the essay suggests a way for historians to flesh out the intellectual history of early national women, showing how they could participate in a conversation about modern politics and classical antiquity from which we have assumed they were largely disbarred. (shrink)