Taboo, as a space where the prohibited resides, delimits the form of the thinkable in a society. Freud, in Totem and Taboo, attempted to trace an explanation beyond the ‘categorical imperative’ of morality and custom. A century later the YouTuber PrankInvasion (Chris Monroe) seems to continue Freud’s account to his advantage. Through ‘Kissing my actual sister prank’, one of his most controversial videos, he challenged his own followers to fulfil an especially controversial challenge: kiss his own stepsister. It is through (...) these contacts with the limits of the moral, of the acceptable, that capitalism expands the colonized territory, absorbing the profane under its new exposure value. The unthinkable, the purported profanation of dogma (in this case, taboo of incest), disappears under the standardization of all rites as standardized consumable objects. But as Agamben warns about the nature of desecration it can not be related, in its new use, with the consumption realm. And that is not the case with PrankInvasion. Through the apparent absence of ordinary moral limits, Chris Monroe expresses his heartfelt attachment to the most extraordinary limit of capitalism: economic growth. (shrink)

_Sexual Subjects,_ a psychoanalytic book informed by gender theory, queer theory and feminism, addresses the tensions inherent in writing about lesbians and sexuality in the postmodern age. Adria Schwartz masterfully intertwines clinical anecdotes with engaging theoretical questions that examine the construction of important categories of identity--woman, feminist, mother, lesbian, and homo/hetero/bisexual. Schwartz also addresses specific issues which are problematic but nonetheless meaningful to self-identified lesbians such as roles in gender play, lesbian "bed death," and raising non-traditional families. Written from a (...) psychoanalytic and postmodern perspective, this book is a significant contribution to the work done on the conceptualization of lesbian sexuality and identity. (shrink)

El presente artículo pretende investigar el alcance, la función y la articulación que juega la modificación de neutralidad en “Ideas I”. A través del análisis de su estructura, se llegará a la conclusión de que, en cierto sentido, la modificación de neutralidad puede suponer una temprana vía de acceso a las temáticas que años más tarde serán desarrolladas en la “Crisis de las ciencias europeas”, interpretación ya sugerida por Brainard. Se sugiere, asimismo, un aumento de la presencia de los modos (...) de la conciencia neutralizada en el quehacer matemático propio de algunas actitudes “modeli-zadoras” de algunas ciencias sociales.This article aims to investigate the scope, function and articulation of neutrality modification in "Ideen I". Through the analysis of its structure, it will come to the conclusion that, in a certain sense, the neutrality modification can be an early path to the themes that years later will be developed in the "Crisis of European Sciences", as Brainard’s interpretation suggest. It also comes up with an increase in the presence of modes of neutralized consciousness in own mathematical work of some "modeler" attitudes of some social sciences. (shrink)

Guizot aprendió el oficio de historiador preparando con su esposa,Pauline de Meulan, una edición crítica en francés de _Decline and Fall_ de Gibbon. Las personalidades históricas de Gibbon y Guizot fueron muy distintas. También sus respectivos “estilos de historia”. Pero en las obras de Guizot, en especial en su _Historia de la civilización en Europa_, es reconocible el legado de Gibbon. Así, en la eliminación de la barrera entre historia civil y historia religiosa, en la amplitud temática, en la ambición (...) cronológica y en una idea de Europa concebida como algo más que la suma de sus partes. Asimismo en la adopción de la misma palabra _civilización_ y en el hecho de que la interpretación guizotiana de la historia europea hunda sus raíces en tres factores presentes en Gibbon: lo que sobrevivió de las instituciones romanas, el impacto del cristianismo y el aporte germánico. (shrink)

The following dramatic scenes were taken from a full-length play that was inspired by my reading of The Mamie Papers. This remarkable collection of letters written to Fanny Quincy Howe, a Boston aristocrat and woman of letters, chronicled the life and times of Mamie Pinzer. Mamie was a “working girl” in the fullest sense of the word. Her struggle to live with autonomy and dignity often placed her at odds with standards of decency preferred by a society that looked with (...) suspicion upon those values in women, if they implied independence from male hegemony. The letters are unique in their detail and passion, as well as the proto-feminist consciousness that emerges through daily confrontation with patriarchy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:“El secreto oficio de la abeja”A Sociopolitical Metaphor in the CelestinaCristina Guardiola (bio)Rojas returns again and again in La Celestina to the theme of the disruption of human relationships.—Stephen Gilman, The Spain of Fernando de RojasEnabled by the old bawd Celestina, the loco amor felt by the clandestine lovers Calisto and Melibea exposes a society living in disorder and conflict. Calisto and Melibea’s transgressive desire, and those who (...) make it possible, may be seen as directly contradicting moral and social laws upon which the tragicomedy claims to be predicated. Most of the characters in the work live their lives as transgression; their disorderly conduct leads inevitably to their death and destruction [Baranda 9]. The negative example offered by this work was, according to Maravall, what led early readers such as Quevedo to understand how the work: “debaxo del nombre de Comedia, enseña a vivir bien, moral y políticamente, acreditanto las virtudes y disfamando los vicios [under the title of Comedy, teaches one to live well, both moral and politically, accrediting virtues and discrediting vices]” [qtd. in Maravall 19].1 The Celestina lays bare its social and moralistic message by exposing the corruption of social and moral values prevalent in this late fifteenth-century work. Bringing together the aristocratic world of courtly love (already brought low through the Calisto’s crass treatment of waspish Melibea) and the bawdy world of the whorehouse, Rojas debases the people and passions therein. Connecting both worlds through her comings and goings is Celestina. Characterized as abeja, a political animal used in the Middle Ages and early modern period that informs the ideal structure of society, Celestina exposes a satire of society and its corruption of moral values.As the Síguese and prologue indicate, the tragicomedy was written with a dual and moral intent. The author wrote to disabuse the many “galanes y enamorados mancebos [handsome young men and enamored youth]” of his country from the cruel and evil fires of love, but also to expose “engaños de las alcahuetas y malos y lisonjeros siruientes [the deceptions of procuresses and evil sycophantic servants].” In the Celestina, the deceits of the bawd and servants Sempronio and (later) Pármeno complicate the narrative and move it to its tragic conclusion. As Celestina and Sempronio set out to profit by Calisto’s lovesickness, they are met with opposition from Pármeno. The initial resistance Pármeno puts up to defend himself and his master from the economic lust felt by Celestina and Sempronio serves to expose a conflict in social class. The heedless attainment of wealth demonstrated by the servants contradicts a more aristocratic principle that was perceived to guide economic thought in the Middle Ages [Maravall 60]. Celestina’s spoken adage, “[a] tuerto o a derecho, nuestra casa hasta el techo [by hook or by crook, our house [End Page 147] through the roof],” exposes her unmitigated greed and contrasts sharply with Calisto’s more courtly (if yet parodic) examples of largesse. The alcahueta’s greed is not merely opportunistic, it belies a certain Schadenfreude felt for Calisto’s woes. Like “cirurjanos [ante] los descalabrados [surgeons before patients with head trauma],” Celestina pursues Calisto in search of money, which at this particular moment in history was slipping through the hands of her real-life counterparts and into those of state-appointed brothel keepers. As Lacarra notes, the granting of royal mercedes for the incomes derived from prostitution to royal towns or notable persons became prevalent during the reign of Ferdinand and Isabel [40]. One must imagine women such as Celestina doubly feeling the pinch from this seemingly “catholic” imposition. Income from the alcahueta livelihood from all of Castile certainly must have been dwindling. At the same time, the alcahueta’s dishonest way of living was being usurped by speciously honorable citizens who no doubt maligned the prostitutes on whom their wealth was gained. Despite the growing danger of her increasingly clandestine profession, Celestina shows little shame or fear. Indeed, her sense of “honor” for the putería is so brightly and enthusiastically expressed in the work bearing her name that one wonders if it might not stem from... (shrink)

In the 1960s, the growing strategic importance of ocean exploration led the French government to develop greater capacity in marine scientific research, aiming to promote cooperative and diplomatic relations with the leading states in ocean exploration. Devised during Charles de Gaulle's government (1958–1969), the restructuring of French oceanography culminated, in 1967, in the establishment of the state‐led Centre National pour l'Exploitation des Océans (CNEXO). Beyond being intended to control the orientation of marine research at a national level, the CNEXO's mission (...) was to use scientific diplomacy to balance a desire for enhancing international cooperative relations in oceanography with French ambitions to equal the USA's leading capacity to explore the oceans. Its director, the naval officer Yves la Prairie, played a crucial role in articulating scientific, national, and diplomatic interests for France in the oceans. (shrink)

A complete theory of the permissibility of sex must not only determine the permissibility of sex between typical adult humans. In addition, it must also adequately take into consideration sex acts involving non-human animals, children, and humans with intellectual disabilities. However, when trying to develop a non-discriminatory account that includes these beings, two worrying problems of animal sex arise. To surpass them, I argue for a reformulation of the standard theory. To produce a truly inclusive account our theory should be (...) focused on assent, dissent, the significance of sex, and the similarity of the beings engaging in the sex act. (shrink)

Qu’est-ce qu’un jeu sérieux ? Ce terme galvaudé nous semble devoir être remplacé par celui de jeu utile. Dans cet article, nous développons ce concept dans le cadre de Jeu Serai. Il s’agit d’un projet retenu à l’appel d’offres Serious Game du ministère de l’Industrie. Dans ce projet nous visons à utiliser les mécanismes fondamentaux du jeu vidéo pour évaluer les centres d’intérêts et de motivation de l’utilisateur, ainsi que la façon dont il réalise des choix afin de l’aider dans (...) sa démarche individuelle d’orientation. Le prototype développé combine un jeu à autoproduction, de type livre interactif et des mini-jeux de différents types dont les résultats servent à définir un profil psychologique du joueur. Ce travail d’introspection et de mise en situation sera effectué par la personne dans le cadre d’un accompagnement réalisé par un conseiller professionnel.What is a “serious” game? Believing that this frequently misused term should be replaced with “useful game”, we develop the idea here through a discussion of Jeu Serai. This is a project that was selected under the Ministry of the Industry’s call for Serious Game ideas. Our aim in this project is to use the basic video game mechanisms to assess the centres of interest and motivations of users and how they make choices, in order to help them make individual career decisions. The prototype we developed combines game playing with the production by players of an interactive story and different kinds of mini-games, whose results are used to define their psychological profile. A professional counsellor will accompany the person’s introspective and role-playing efforts. (shrink)

This is an entry into a collective journal of the twenty-first century years of plague. It introduces the notion of ‘lawfare’ by way of the contemporary case concerning Lula da Silva and Brazil’s fall from grace. The latter is presented as an instance of violence in the international context, the managerial attitude to global disasters and, indeed, a plague. It chronicles the social struggles around the case and on that basis builds a somewhat playful manifesto for a new relationship between (...) legal scholarship, the law school and the imaginary of permanent catastrophe and plague. (shrink)

Written in the shape of a letter to a friend and long-time collaborator, this piece focuses on Drucilla Cornell’s most crucial lessons on a critical theory for the future: the intertwinement of aesthetics and politics; the need to figure and reconfigure techniques of liberation; the clarification that the decolonial turn is an ontological turn; the relationship between justice and negotiations; the reformulation of the feminine within sexual difference; and the impact of temporal naturalism. Together, they help us move beyond received (...) views in phenomenology and existentialism, toward gravitational thinking and the priority of imaging over the understanding if we are to rekindle the revolutionary spirit of public imagination. (shrink)

En este artículo se lleva a cabo una descripción detallada del ms. 80 de la Zāwiya Ḥamzawīya. Es un maŷmū‛ recopilado, en su mayor parte, por un mismo copista del que desconocemos su nombre completo, aunque no el de su padre: ‛Umar b. Aḥmad b. Abī-l-Qāsim al-Šarīf. El maŷmu‛ contiene 427 folios con textos de variado contenido, predominando los de carácter astronómico. Entre otras obras, incluye una copia del Kitāb fī-l-‛amal bi-l-asturlāb de Abū-l-Ṣalt de Denia; el Kitāb min ‛ilm al-awqāt (...) bi-l-ḥisāb de Ibn al-Bannā de Marrākuš; el Tanbīh al-anām ‛alà mā yaḥduṯu fī ayyām al-‛ām de al-Ŷādīrī, así como su Urŷuza Rawḍat al-Azhār; y la única copia del Kitāb al-nuŷūm de ‛Abd. al-Mālik b. Ḥabīb. (shrink)