Renaud Barbaras, La vie lacunaire [Thomas Vercruysse, p. 324] • Wolfram Hogrebe, Der implizite Mensch [Federica Ceranovi, p. 334] • Emmanuel Alloa, Das durchscheinende Bild [Maria Teresa Costa, p. 344] • Alexander R. Galloway, The Interface Effect [Angela Maiello, p. 346] • Francisco José Ramos, La significación del lenguaje poético [Michele Gardini, p. 348] • Alessandro Arbo, Entendre comme. Wittgenstein et l’esthétique musicale [Leonardo V. Distaso, p. 351.

Volumi e saggi Jay Schulkin, Reflections on the Musical Mind. An Evolutionary Perspective , [Michele Gardini, p. 202] • Hans Belting, Faces. Eine Geschichte des Gesichts [Pietro Conte, p. 205] • Aby Warburg, Il primo Rinascimento italiano. Sette conferenze inedite [Alice Barale, p. 207] • Laura Anna Macor , Reading Schiller: Ethics, Aesthetics and Religion [Lorenzo Leonardo Pizzichemi, p. 209] • Bernard Lafargue, Stéphanie Cardoso , Figures de l’art n° 25, Philosophie du design [Claire Azéma, Anne Beyaert Geslin, Stéphanie Cardoso, (...) Cécile Croce, p. 212] • Helmut Leder et al., What Makes an Art Expert? Emotion and Evaluation in Art Appreciation , “Cognition and Emotion”, 2013, 28, pp. 1-11; Enric Munar et al., Aesthetic Appreciation: Event-Related Field and Time-Frequency Analyses , “Frontiers in Human Neurosciences”, 2012, 5, pp. 1-11; Gerald C. Cupchik et al., Viewing Artworks: Contributions of Cognitive Control and Perceptual Facilitation to Aesthetic Experience , “Brain and Cognition”, 2009, 70, pp. 84-91 [Gianluca Consoli, p. 217]. (shrink)

Books Christy Mag Uidhir, Art andObjects [Elisa Caldarola, p. 182] • Julie Jaffee Nagel, Melodies of the Mind. Connections Between Psychoanalisis and Music [Michele Gardini, p. 185] • Dominic McIver Lopes, Beyond Art [Filippo Focosi, p. 187] • Annemarie Gethmann-Siefert, Herta Nagl-Docekal, Erzsébet Ròsza, Elisabeth Weisser-Lohmann, Hegels Ästhetik als Theorie der Moderne [Lorenzo Leonardo Pizzichemi, p. 190] Comments Toward an Integrated Science of Aesthetics. Getting Rid of the Main Misunderstandings in Evolutionary Aesthetics [Mariagrazia Portera, p. 194].

Comments on G. Maddalena and G. Tuzet, editors, I Pragmatisti Italiani. Tra Alleati e Nemeci (Italian Pragmatists. Between Enemies and Allies). Milano: Albo Versorio, 2007.

A cavallo tra i due concili di Costanza e Basilea, che hanno fortemente influito sul giudizio della Chiesa in relazione alle donne visionarie, si staglia la figura di Francesca Bussa dei Ponziani. Le visioni politiche di Francesca rappresentano un fulgido esempio di come i modelli brigidini e cateriniani siano stati ripresi e rimodellati su un nuovo, mutato contesto storico. La sua consolidata autorità le consentì di ammonire a più riprese papa Eugenio IV riguardo alla sua partecipazione al concilio (...) di Basilea, intervenendo attivamente nello scenario religioso e politico romano. (shrink)

S'inscrivant dans le sillage des travaux les plus récents sur l'histoire du cartésianisme, ce livre en retient d'abord l'idée que ce phénomène varie selon les contextes nationaux, mais qu'il est parfois possible de repérer des ressemblances qui outrepassent les frontières. Se confrontant à une pensée vivante qui se réfracte sous des aspects inattendus, les articles recueillis explorent des sujets qui se situent à l'intersection de plusieurs champs disciplinaires (théologie, physique, médecine, éthique, anthropologie, etc.). Les acquis principaux du cartésianisme dans le (...) domaine scientifique constituent toutefois la toile de fond historique et épistémologique sur laquelle s'élaborent les analyses des contributions de ce volume."--Page 4 of cover. (shrink)

This paper focuses on the interpretation of the Italian approximative adverb quasi 'almost' by primarily looking at cases in which it modifies temporal connectives, a domain which, to our knowledge, has been largely unexplored thus far. Consideration of this domain supports the need for a scalar account of the semantics of quasi (close in spirit to Hitzeman's semantic analysis of almost, in: Canakis et al. (eds) Papers from the 28th regional meeting of the Chicago Linguistic Society, 1992). When paired with (...) suitable analyses of temporal connectives, such an account can provide a simple explanation of the patterns of implication that are observed when quasi modifies locational (e. g. quando 'when'), directional (e. g. fino 'until' and da 'since'), and event-sequencing temporal connectives (e. g. prima 'before' and dopo ' after'). A challenging empirical phenomenon that is observed is a contrast between the modification of fino and da by quasi, on the one hand, and the modification of prima and dopo by the same adverb, on the other. While quasi fino and quasi da behave symmetrically, a puzzling asymmetry is observed between quasi prima and quasi dopo. To explain the asymmetry, we propose an analysis of prima and dopo on which the former has the meaning of the temporal comparative più presto 'earlier', while the latter is seen as an atomic predicate denoting temporal succession between events (Del Prete, Nat Lang Semantics 16: 157-203, 2008). We show that the same pattern of implication observed for quasi prima is attested when quasi modifies overt comparatives, and propose a pragmatic analysis of this pattern that uniformly applies to both cases, thus providing new evidence for the claim that prima is underlyingly a comparative. A major point of this paper is a discussion of the notion of scale which is relevant for the semantics of quasi', in particular, we show that the notion of Horn (entailment-based) scale is not well-suited for handling modification of temporal connectives, and that a more general notion of scale is required in order to provide a uniform analysis of quasi as a cross-categorial modifier. (shrink)

An open question in the semantics of modality is what relations there are among different modal flavours. In this article, we consider the thorny issue of whether ascribing to an agent the obligation to φ implies that it is possible for the agent to φ. Traditionally, this issue has been interpreted as whether ‘ought’ implies ‘can’. But another linguistic interpretation is available as well, namely, whether ‘must’ implies ‘can’ (MIC). We show that ‘must’ does imply ‘can’ via a convergent argument. (...) The first strand of the argument is theoretical: it consists in proving MIC from a well-established theory of modality in natural language, i.e., that proposed by Kratzer. The second strand is empirical: we present novel acceptability judgment studies showing that MIC predicts and explains the linguistic behaviour of native English speakers. (shrink)

Estratto da Jean-Paul Sartre, "Critica della ragione dialettica, Tomo II: L’intelligibilità della storia", trad. it. di F. Cambria, Christian Marinotti Edizioni, Milano 2006, pp. 409-426.Testo nella traduzione italianaTesto originale francese.

The exceptional nature of poetic language – testified by its patent untranslatability – represents a problem for philosophy, and particularly for analytic philosophy, which aims to provide an overarching explanation of ordinary language. It is difficult to explain the peculiar creativity of poetic language, starting from a finite basic vocabulary and a finite set of rules to be used by an interpreter who has finite powers. Poetry seems indeed not to respect the semantic innocence, spreading new meanings not only according (...) to the context, but even to the graphic and phonological form of the words. Mechanisms, such as quotation and conversational implicatures, have been used to respect semantic innocence and to show at the same time that poetic language is not deviant from the ordinary use of language. This article suggests an alternative route, “imagistic”, to account for the specific creativity of poetic language, without violating the principle of semantic innocence and without hypothesizing a discontinuity with ordinary language. Particularly referring to metaphor, it aims to show that poetic language does not convey as much further meanings, implicit in the use of literal terms, but rather images, evoked by and dependent on these terms, which could explain both poetry emergent properties and untranslatability. “Imageability” is not a feature of the “poetic word”, but rather of any word and, particularly, of concrete words. The creativity of poetic language lies in deepening the multimodal nature of concrete language, which is different from the abstract and conceptual nature of philosophical language. (shrink)

Titoli e abstracts di testi recentemente pubblicati, segnalati dalla Redazione di Nóema per il loro rilievo scientifico e l'originalità della loro proposta tematica.

Les Stoïciens formulent une conception de la «substance», ou ousia, qui tient un rôle très important dans différentes parties de leur système, parmi lesquelles la cosmologie, la psychologie et l'éthique. Au concept de substance est liée ce qu.on appelle la table des quatre 'catégories'. Cette dernière est considéréepar certains interprètes récents comme l'issue d'un processus historique relativement long, qui trouve sa formulation achevée seulement avec Chrysippe. Les sources relatives à la théorie des quatre catégories forment, comme on le sait, une (...) tradition indirecte et dans une large mesure également hostile, parce qu'elle est transmise surtout par Plutarque, Plotin et les commentateurs aristotéliciens des Catégories. Pourtant, ces sources permettent de saisir certaines des questions qui sont au centre de la réflexion stoïcienne sur l'être. Parmi les plus significatives, il y a la question du rapport entre substance et matière, et la question de la signification de la substance individuelle. (shrink)

Les Stoïciens formulent une conception de la «substance», ou ousia, qui tient un rôle très important dans différentes parties de leur système, parmi lesquelles la cosmologie, la psychologie et l'éthique. Au concept de substance est liée ce qu.on appelle la table des quatre 'catégories'. Cette dernière est considéréepar certains interprètes récents comme l'issue d'un processus historique relativement long, qui trouve sa formulation achevée seulement avec Chrysippe. Les sources relatives à la théorie des quatre catégories forment, comme on le sait, une (...) tradition indirecte et dans une large mesure également hostile, parce qu'elle est transmise surtout par Plutarque, Plotin et les commentateurs aristotéliciens des Catégories. Pourtant, ces sources permettent de saisir certaines des questions qui sont au centre de la réflexion stoïcienne sur l'être. Parmi les plus significatives, il y a la question du rapport entre substance et matière, et la question de la signification de la substance individuelle. (shrink)