The main purpose of this essay is to build a taxonomy of screens, inspired by Michel Callon’s and Bruno Latour’s Actor-Network Theory. Five fields are considered. Importing a model from the field of epistemology (1) screens will be seen as lenses; importing a model from the field of fictional narratives (2) screens will be seen as doors; importing a model from the field of art (3) screens will be seen as picture-hanging systems; importing a model from the (...) field of reading (4) screens will be seen as tablets; importing a model from the field of leisure (5) screens will be seen as toys. Combination of two, three, four or even five categories is possible, depending from the “situation” in Erving Goffman’s meaning, i.e., the encounter of a technical apparatus, of a kind of image and of a type of gaze. (shrink)

The history of laboratories may become controversial in social sciences. In this paper, the story of Sciences Po Médialab told by Venturini et al. is discussed and completed by demonstrating the incoherence in the choice of digital methods at the Médialab from the actor network theory perspective. As the Médialab mostly used web topologies as structural analysis of social positions, they were not able to account for the propagation of ideas, considered in actor network (...) class='Hi'>theory as non-humans that have their own agency. The main arguments in favour of the ‘more continuous social’ developed at the Médialab proved to be as misleading as the network metaphor. The distribution of agency that actor network theory so successfully expands was paradoxicallty reduced to structures and individual preferences, to the detriment of the agency of replications that circulate entities in the form of messages, content or memes, and that should now become the next step for actor network theory-style digital methods. (shrink)

This article focuses on how the human body and body parts such as the legs, abdomen, and torso are conceptualized in Spanish director Pedro Almodóvar's films. The comparative analysis follows a qualitative methodology in which instances of the use of body parts are analyzed within their multimodal, sociocultural, and cinematic contexts. Through camera work and mise-en-scène, the actors' bodies and bodily functions are mapped onto complex cultural, social, and filmic targets within the narrative structure. Ultimately, the author shows how artistic (...) creativity is an activity whose purpose is a reembodiment of the emotion by visual and physical alteration. The new body is an environment onto which traditional views of the body based on folk theories are mapped, and body parts and functions are metonymically highlighted. (shrink)

Latour is a world famous and widely published French sociologist who has written with great eloquence and perception about the relationship between people, science, and technology. He is also closely associated with the school of thought known as Actor Network Theory. In this book he sets out for the first time in one place his own ideas about Actor Network Theory and its relevance to management and organization theory.

Actor‐Network Theory is a research lens that has gained popularity in the nursing and health sciences domains. The perspective allows a researcher to describe the interaction of actors (both human and non‐human) within networked sociomaterial contexts, including complex practice environments where nurses and health technology operate. This study will describe Actor‐Network Theory and provide methodological considerations for researchers who are interested in using this sociotechnical lens within nursing and informatics‐related research. Considerations related to technology (...) conceptualization, levels of analysis, and sampling procedures in Actor‐Network Theory based research are addressed. Finally, implications for future nursing research within complex environments are highlighted. (shrink)

This article situates actor-network theory in the history of evolutionary anthropology. In the 1980s, this attempt at explaining the social through the mediation of nonhumans received important impulses from Bruno Latour’s conversations with primatologist Shirley Strum. In a re-articulation of social evolutionism, they proposed that the utilization of objects distinguished humans from baboons and that the use of a growing number of objects set industrialized human populations apart from hunter-gatherers, enabling the formation of larger collectives. While Strum’s (...) and Latour’s early work presented baboons as almost human and suggested that we moderns had never been modern, the Anthropocene has reawakened curiosity about the original question of anthropology: how do modern humans, including modern scientists, differ from premoderns and animals? This 18th-century question is gaining new significance and urgency as we recognize our transmutation into a super-dominant species. But the answer might not lie solely in the use of more objects. (shrink)

There are many case studies showing the benefits of the conceptual framework of Actor– Network Theory. It is enough to mention the classic texts by Bruno Latour on the Amazon forest and Michel Callon on scallop fishing. However, there are not many case studies discussing the circulation of knowledge in the humanities with the use of vocabulary taken from ANT. This text tries to partially fill the gap, analyzing a case encompassing the areas of both literary studies (...) and philosophy. The main topic of the paper is the circulation of Jacques Derrida’s views – or the views attributed to Derrida – as exemplified by one of his theses. The purpose of the text is not to reflect on the value of Derrida’s reflections, but only to show how the knowledge of his thought spread from France, through the USA, to Poland, from the 1960s to the beginning of the 21st century. Besides proving that the ANT vocabulary is suitable for studying the phenomenon of the circulation of knowledge in the humanities, the case study also shows that this vocabulary should be enriched. The author of the text proposes the concept of symbolization to better understand how Derrida and the ideas attributed to him have been perceived in various texts. (shrink)

One of the strikingly iconoclastic features of actor-network theory is its juxtaposition of the claim to be a realist perspective with denials that supposedly natural phenomena existed before scientists “made them up.” This paper explains and criticizes such arguments in the work of Bruno Latour. By combining referent and reference in the concept of assemblages, Latour provides a superficially viable way to reconcile these apparently incompatible claims. This paper will argue, however, that this conflation of referent and (...) reference leads Latour’s ontology into difficulties that can only be resolved by abandoning it in favor of a more conventional—critical—realism. (shrink)

Bruno Latour, one of the architects of actor-network theory, has now enfolded this approach within a larger project: An Inquiry into Modes of Existence. Framed as an empirical inquiry into the onto...

This article explores the elective affinities between Actor-Network Theory (ANT) and the sociology of critical capacities. It argues that these two research programmes can be understood as symmetrical twins. We show the extent to which the exchange between Bruno Latour and Luc Boltanski has influenced their respective theoretical developments. Three strong encounters between the twin research programmes may be distinguished. The first encounter concerns explanations for social change. The second encounter focuses on the status of objects and (...) their relationship to places. The third encounter is about the concept of critique. Drawing on their long-term mutual readings, we gain insight into how pleas for symmetrical analysis raised in response to Bourdieu’s theory of fields have evolved within both ANT and the sociology of critical capacity. We conclude by relating the development of the respective research programmes to the issue of disciplinary boundaries. (shrink)

ABSTRACT The technological revolution has created enormous opportunities for the provision of affordable, accessible, and flexible mental healthcare. Yet it also creates complexities and ethical challenges. While some of these challenges may be similar to face-to-face care, their nuance in the online milieu is different, as relationships, identities and boundaries in this setting are fluid, and there is an absence of physical presence. In this paper we consider the specific ethical complexities involved in the provision of a social networking intervention (...) for depression and problematic alcohol use involving providers and peers. We present a case in which clinicians encountered a participant who repeatedly expressed suicidal thoughts in this online forum, and reflect on how this situation was managed. In analyzing this case, we use relational ethics—which proposes that interpersonal relationships are the fulcrum for ethical decision-making and action—together with actor-network theory—which highlights the power of technology to transform and mediate social and ethical relationships. Our analysis demonstrates the need to move beyond human-centric approaches, to recognize the role of both human and non-human actors in shaping moral decisions and behavior in the provision of e-mental healthcare. (shrink)

Narrative allegory is distinguished from mythology as reality from symbol; it is, in short, the proper intermedium between person and personification. Where it is too strongly individualized, it ceases to be allegory […]. In the community of scholars of intermedia research, the above quoted citation is commonly regarded as Coleridge’s coining of the term “intermedium” or “intermediality”. However, a short glance at the discursive strategy of his argument emphasizes that his notion of “intermedium” must be closely linked to the poetics (...) and aesthetics of 19th-century romanticism. For the romantic poet, the term of “intermedium” does not point to media relations or intermedia processes but to.. (shrink)

The article starts with the brief review of the history of the creation of actor-network theory (ANT), followed by the explanation of its basic notions. The author observes the difficulties of understanding and translation of the main ANT terms “actor” and “network”. In the main part of the article the author considers a famous episode from the history of giant airships known as “Miracle at Echterdingen” – that is a sudden revelation of the national spirit (...) of German Empire as the result of the flight and catastrophe of zeppelin LZ4 in august 1908. She discusses methodological limits of the historical reconstructions of “Miracle at Echterdingen” in Douglas Botting’s “The Giant Airships” (1980) and Peter Fritzche’s “Nation of Fliers” (1992). It is demonstrated that ANT allows to overcome not only the obvious weakness of the linear narrative that Botting followed, but also the oxydenthalism of Peter Fritsche’s approach and to confirm Latour’s thesis that “modernism’s accounts of itself may have no relation to what has actually happened to it”. As the result of the implementation of ANT, the network of forces which circulated in German society and lead to the Echterdingen phenomenon, is revealed. (shrink)

In this paper, we discuss the problem of communist power in so called totalitarian regimes. Inspired by strategies of explanation in contemporary science studies and by the ethnomethodological conception of social order, we suggest that the power of communists is not to be taken as an unproblematic source of explanation; rather, we take this power as something that is itself in need of being explained. We study personal narratives on political screenings that took place in Czechoslovakia in 1970 and analyze (...) how the power of communists obtained its strength from ordinary and “unremarkable” interactions between participants. The screenings are interpreted, in the terms of Bruno Latour, as “trials of strength.” We show that it was crucial for all the participants that associations, translations or mobilizations involved in making the regime real, remained partial and multiple, and not exclusive and “total” as is often assumed within dominant discourses on totalitarianism. (shrink)

E-commerce poverty alleviation has become a new wisdom in China’s rural poverty alleviation, but there are a few empirical researches on e-commerce poverty alleviation based on farmer cooperatives. Taking four typical poverty counties in Zhejiang Province as an example, based on the actor network theory, this paper defines the participants and their obligatory passage point from the e-commerce poverty alleviation actor network, combs the roles and interest demands of various stakeholders, and constructs the EPAAN model (...) based on farmer cooperatives according to the translation process. We found that the EPAAN is a heterogeneous network by constantly updating, which consists of human actors with cooperatives as the main body and non-human actors. Moreover, our study illustrates that the formation and operation mechanism of cooperative e-commerce poverty alleviation network alliance under the background of targeted poverty alleviation can be well analyzed with the help of actor network theory. This study contributes to provide a feasible Chinese plan for the cause of poverty eradication all over the world, and provides a great reference value for global poverty governance. (shrink)

This article proposes complementing actor-network theory (ANT) with Niklas Luhmann’s communication theory, in order to overcome one of ANT’s major shortcomings, namely, the lack of a conceptual repertoire to describe virtual processes such as sense-making. A highly problematic consequence of ANT’s actualism is that it cannot explain the differentiation of economic, legal, scientific, touristic, religious, medical, artistic, political and other qualities of actual entities, assemblages and relationships. By recasting Luhmann’s theory of functionally differentiated communication forms (...) and sense-making as dealing with different types of virtual attractors calling for actualizations in concrete assemblages, I propose a symmetrical understanding of societal differentiation processes as based on the co-production of virtual attractors and actual assemblages. (shrink)

In a wide range of contemporary debates on Japanese cultures of technological practice, brief reference is often made to distinct Shinto legacies, as forming an animist substratum of indigenous spiritual beliefs and cosmological imaginations. Japan has been described as a land of Shinto-infused ‘techno-animism’: exhibiting a ‘polymorphous perversity’ that resolutely ignores boundaries between human, animal, spiritual and mechanical beings. In this article, we deploy instances of Japanese techno-animism as sites of theoretical experimentation on what Bruno Latour calls a symmetrical anthropology (...) of nature-cultures. In staging a dialogue between actor-network theory and Japanese techno-animism, we show how Shinto cosmograms provide an enlivening and alternative diffraction device on several of the ontological motifs manifested in Latour’s work. In particular, by mobilizing the territory of a ‘new’ animism debate in anthropology – manifested in the work of Philippe Descola and Eduardo Viveiros de Castro – we attempt to infuse Latourian ‘multinaturalism’ with new, other-than-western analytical energy. Extending actor-network theory, we argue, Shinto cosmograms offer an interesting vantage point for interpreting the immanent, affective, enchanting and enabling powers of non-humans in contributing to collective life. By thus broadening the ‘cosmopolitical’ imagination beyond Latour’s own European-Catholic frame of reference, Shinto techno-animism offers up a wider reflection on contemporary entanglements of science, politics, ecology and cosmos. This reflection, we conclude, opens up a new intellectual territory, allowing us to trace techno-animist streams of thinking both ‘East’ and ‘West’, beyond the confines of the scientific naturalism indigenous to European thinking. (shrink)

The chapter contributes to unravelling how Actor-Network-Theory as a method of inquiry might inform the archaeological understanding of the contemporary world. To illustrate this, the author engages in an inquiry on Shin Takamatsu’s architecture following Guattari’s fascination with his architectural machines in the 1980s. Drawing on two epistemological figures-the hasty sightseer and the slow ethnographer-the chapter demonstrates two different approaches to contemporary architecture. It is argued that ANT methodologies can help to create a space in which the (...) past, present, and future are combined and are still in the process of becoming. Equipped with ANT-inspired methods, contemporary archaeologists can engage in explorations of vibrant processes and emergent world-making techniques. (shrink)

Much literature surrounding medical technology and adherence posits that technology is a mechanism for social control. This assumes that the medical establishment can take away patients' agency. Although power relationships and social control can play a key role, medical technology can also serve as an agentive tool to be utilized. We (1) offer the alternative framework of Actor Network Theory to view medical technology, (2) discuss the literature on medication adherence and technology, (3) delve into the ramifications (...) of looking at adherence as a network and (4) use Digital Pills as a case study of dispersed agency. (shrink)

Purpose: To show the convergences between Josef Mitterer's non-dualizing way of speaking and actor-network theory. Method: Comparative analysis of Mitterer's non-dualizing philosophy and actor-network philosophy. Findings: Profound convergences between the two accounts may lead to a unified account that could redefine traditional philosophical problems. Benefits: The paper extends the range of Mitterer's non-dualizing philosophy and actor-network theory enabling both to face new problems. Among them, extended non-dualizing philosophy may undergo empirical investigations.

In considering two extended examples of educational reform efforts, this discussion traces relations that become visible through analytic approaches associated with actor-network theory (ANT). The strategy here is to present multiple readings of the two examples. The first reading adopts an ANT approach to follow ways that all actors—human and non-human entities, including the entity that is taken to be ‘educational reform’—are performed into being through the play of linkages among heterogeneous elements. Then, further readings focus not (...) only on the material practices that become enacted and distributed, but also on the otherings that occur: the various fluid spaces and ambivalent belongings that create actor-network(s) but also escape them. For educational research, particularly in educational reform and policy, it is argued that ANT analyses are particularly useful to examine the complex enactments in these dynamics. That is, ANT can illuminate movements of ordering and disordering that occur through minute socio-material connections in educational interventions. ANT readings also can discern, within these attempts to order people and practices, the spaces of flux and instability that enable and protect alternate possibilities. (shrink)

This article is organized in four sections. The first section introduces sensing governance in terms of the governance of effects rather than causation, focusing on the work of Bruno Latour in establishing the problematic of contingent interaction, rather than causal depth, as key to emergent effects, which can be unexpected and catastrophic. The second section considers in more depth how sensing governance enables politics by other means through putting greater emphasis on relations of interaction, rather than on ontologies of being, (...) and links the methodological approach of sensing governance closely to actor network assumptions that disavow structures of causation. The final two sections analyze how correlation works to reveal new agencies and processes of emergence and how new technologies have been deployed in this area, providing some examples of how the shift from causal relations to sensing effects has begun to alter governmental approaches. (shrink)

This paper explores the question of how non-human actors contribute to the acceptability of technologies. Acceptance and acceptability of technologies were examined as network formation and not, as in conventional technology acceptance models, as adoption by individual human actors. Using the approach of translation sociology, the acceptance work necessary for network formation was examined. As a result, the actibelt®-Actor-Network and five modes of acceptance work by non-human actors and their effects on patients were identified. The different (...) modes of acceptance work show that non-human actors, such as events, meetings, graphs, and socio-technical discourses, are not passive actors in the development of technology, but can enable, hinder, or condition acceptability. Therefore, non-human actors play a central and constitutive role in the translation process by performing acceptance work and contributing to the stabilisation and acceptability of the actibelt®-Actor-Network. (shrink)

This article analyses the contributions of the sociologies or theories of the South to the contemporary debates on the production of theory in the social sciences. Starting with the assumption that these projects adopt a critical view of how sociology has privileged certain objects over others in a colonial way, it proposes an analysis that makes use of certain aspects of the actor-network theory. This approach, it is suggested, will help the sociologies of the South to (...) focus on the production of ontoforms as their specific object, ontoforms which expand and at times challenge the established hegemonic notions of the social and of agency in this area of knowledge. (shrink)

_Researching Education Through Actor-Network Theory_ offers a new take on educational research, demonstrating the ways in which actor-network theory can expand the understanding of educational change. An international collaboration exploring diverse manifestations of educational change Illustrates the impact of actor-network theory on educational research Positions education as a key area where actor-network theory can add value, as it has been shown to do in other social sciences A valuable resource (...) for anyone interested in the sociology and philosophy of education. (shrink)

This chapter contains sections titled: Introduction ANT, After‐ANT, and Educational Reform Network Readings and Educational Reform A First Reading of Reform: Extending the Network Re‐thinking the Reading: Centrality and Otherness A Second Reading: Mobilizing and Sustaining Reform Re‐reading Reform: Fluid Spaces and Ambivalent Belongings Conclusion Notes References.

While Michel Foucault’s significance as a social theorist is undisputed, his importance as a technological theorist is frequently overlooked. This article considers the richness and the range of Foucault’s technological thinking by surveying his works and interviews, and by tracking his influence within Actor-Network Theory . The argument is made that we will not fully understand Foucault without understanding the central place of technology in his work, and that we will not understand ANT without understanding Foucault.

In this paper I discuss the ontological status of actants. Actants are argued as being the basic constituting entities of networks in the framework of Actor Network Theory (Latour, 2007). I introduce two problems concerning actants that have been pointed out by Collin (2010). The first problem concerns the explanatory role of actants. According to Collin, actants cannot play the role of explanans of networks and products of the same newtork at the same time, at pain of (...) circularity. The second problem is that if actants are, as suggested by Latour, fundamentally propertyless, then it is unclear how they combine into networks. This makes the nature of actants inexplicable. -/- I suggest that both problems rest on the assumption of a form of object ontology, i.e. the assumption that the ontological basis of reality consists in discrete individual entities that have intrinsic properties. I argue that the solution to this problem consists in the assumption of an ontology of relations, as suggested within the framework of Ontic Structural Realism (Ladyman & Ross, 2007). Ontic Structural Realism is a theory concerning the ontology of science that claims that scientific theories represent a reality consisting on only relation, and no individual entities. -/- Furthermore I argue that the employment of OSR can, at the price of little modification for both theories, solve both of the two problems identified by Collin concerning ANT. -/- Throughout the text I seek support for my claims by referring to examples of application of ANT to the context of networked learning. As I argue, the complexity of the phenomenon of networked learning gives us a convenient vantage point from which we can clearly understand many important aspects of both ANT and OSR. -/- While my proposal can be considered as an attempt to solve Collin's problems, it is also an experiment of reconciliation between analytic and constructivist philosophy of science. -/- In fact I point out that on the one hand Actor Network Theory and Ontic Structural Realism show an interesting number of points of agreement, such as the naturalistic character and the focus on relationality. On the other hand, I argue that all the intuitive discrepancies that originates from the Science and Technology Studies’ criticism against analytic philosophy of science are at a closer look only apparent. (shrink)

In considering two extended examples of educational reform efforts, this discussion traces relations that become visible through analytic approaches associated with actor‐network theory . The strategy here is to present multiple readings of the two examples. The first reading adopts an ANT approach to follow ways that all actors—human and non‐human entities, including the entity that is taken to be ‘educational reform’—are performed into being through the play of linkages among heterogeneous elements. Then, further readings focus not (...) only on the material practices that become enacted and distributed, but also on the otherings that occur: the various fluid spaces and ambivalent belongings that create actor‐network but also escape them. For educational research, particularly in educational reform and policy, it is argued that ANT analyses are particularly useful to examine the complex enactments in these dynamics. That is, ANT can illuminate movements of ordering and disordering that occur through minute socio‐material connections in educational interventions. ANT readings also can discern, within these attempts to order people and practices, the spaces of flux and instability that enable and protect alternate possibilities. (shrink)

Fieldwork experiences in the summer of 2003 resulted in confusion regarding the ethical positioning of myself (the interviewer) in relation to the multiple 'actants' that constituted the research subject(s). This paper explores some of these personal issues and conflicts in order to clarify, gain perspective on and critique the nature (and indeed the 'Nature') of my fieldwork. The multiple positioning of participants within networks of agricultural and social ethics is addressed. I borrow Lewis Holloway's idea of relational ethical identity, in (...) order to resituate and rethink the interviews in terms of actor-network theory. This paper argues that ethical identities and ethical 'natures' can be understood as relationally constructed and constituted within networks. The ways in which notions of (un)ethical agricultural relations shaped each interview experience are also explored. Specifically, how did my ideas of (un)ethical farming influence my 'ethical take' on how different farmers operated? I also argue that all encounters are ethically charged and, as such, encounters result in emotional tensions. (shrink)

The history of biological systematics documents a continuing tension between classifications in terms of nested hierarchies congruent with branching diagrams (the ‘Tree of Life’) versus reticulated relations. The recognition of conflicting character distribution led to the dissolution of the scala naturae into reticulated systems, which were then transformed into phylogenetic trees by the addition of a vertical axis. The cladistic revolution in systematics resulted in a representation of phylogeny as a strictly bifurcating pattern (cladogram). Due to the ubiquity of character (...) conflict—at the genetic or morphological level, or at any level in between—some characters will necessarily have to be discarded ( qua noise) in favor of others in support of a strictly bifurcating phylogenetic tree. Pattern analysts will seek maximal congruence in the distribution of characters (ultimately of any kind) relative to a branching tree-topology; process explainers will call such tree-topologies into question by reference to incompatible evolutionary processes. Pattern analysts will argue that process explanations must not be brought to bear on pattern reconstruction; process explainers will insist that the reconstructed pattern requires a process explanation to become scientifically relevant, i.e., relevant to evolutionary theory. The core question driving the current debate about the adequacy of the ‘Tree of Life’ metaphor seems to be whether the systematic dichotomization of the living world is an adequate representation of the complex evolutionary history of global biodiversity. In ‘Questioning the Tree of Life’, it seems beneficial to draw at least four conceptual distinctions: pattern reconstruction versus process explanation as different epistemological approaches to the study of phylogeny; open versus closed systems as expressions of different kinds of population (species) structures; phylogenetic trees versus cladograms as representations of evolutionary processes versus patterns of relationships; and genes versus species as expressions of different levels of causal integration and evolutionary transformation. (shrink)

On the origin of film and the resurrection of the people : D.W. Griffith's Intolerance -- The actor of the crowd : The great dictator -- Howard Hawks' idea of genre -- What is a cinema of Jewish vengeance? : Tarantino's Inglourious basterds.

In recent years, actor-network theory (ANT) has become an increasingly influential theoretical framework through which to analyse economic markets and organizations. Indeed, with its emphasis on the power of social and natural concrete ‘things’ to become contingently enrolled in different networks, many argue that ANT successfully draws attention to the complex intermeshing of new technologies and social actors in organizations and markets across spatial divides from the local to the global. This article argues, however, that within its (...) own method of abstraction and research methodology, ANT separates ‘concrete’ and ‘contingent’ economic markets and organizations from their abstract, necessary and virtual capitalist form. This means that ANT will tend to over-identify with how concrete-contingent actor-networks are performed in empirical economic markets and organizations at the expense of analysing how such empirical contexts are also internally mediated through abstract capitalist processes such as that of surplus value extraction. This, in turn, creates a number of difficulties in how ANT investigates economic markets and organizations. These critical points are made by recourse to the Marxist poststructuralism of Deleuze and Guattari as well as through conventional Marxist ideas. (shrink)

Cognitive research on Ego-Reference-Point models of time in English traditionally shows that “FUTURE IS IN FRONT OF EGO” and “PAST IS IN BACK OF EGO.” Recently, however, this view has been challenged by other results, showing that there exists a major static model of time wherein “FUTURE IS IN BACK OF EGO” and “PAST IS IN FRONT OF EGO.” However, evidence for both conceptual systems comes predominantly from linguistic and gestural forms of expression. For instance, convincing empirical evidence coming from (...) the manifestation mode of cinema is still lacking. This article attempts to fill this gap by bringing the discussion of temporal metaphors to the foreground of character subjectivity in film. Using concise case-studies taken from various films, this study provides evidence that a majority of flashback scenes seem to base their conceptions of time on a static Ego-Reference-Point model in which the past appears to be in front of the character’s eyes on screen. (shrink)

The article considers modern tendencies prevailing in the higher education system while training technical specialists nowadays. According to the authors, excluding the humanitarian courses from curriculum results in the complete dissolution of subjectivity in the impersonal world, which is deprived of “living” knowledge, that is, definite knowledge of a definite person. The application of such an approach is illustrated by the actor–network theory (ANT). While studying several works by ANT founders, it turned out to be clear that (...) such an approach eliminates any differences between natural and humanitarian, engineering, and philosophical knowledge. As a result, the net emerges consisting of numerous actants and which requires from every participant his “building‐in” a model with the functions being delegated to him in advance. The article concludes that an “alive” component is disappearing from the higher education nowadays when the main stress is being made on the knowledge acquired a priori, not a posteriori. (shrink)

Actor-network theory has contributed greatly to the development of science and technology studies. However, recent critiques appear to have left ANT in a gloomy theoretical black box. What is the likelihood of ANT exiting its current theoretical discontent? Is ANT worthy of salvation and on what grounds? Law argues that recent critiques stem from ANT’s development into a particular theoretical strategy. However, this article will argue that by focusing on strategy as messy and impure, ANT can be (...) afforded the opportunity to shift from a fixed approach to an ambiguous and contingent strategy, well placed to carry on. The article achieves such an argument by first highlighting how ANT has contributed to a recent study of strategy in action; second, by outlining the strategic aspects of ANT; and third, by using the study of strategy in action as a means of engaging with ANT’s current theoretical discontent. (shrink)

What is it that determines the identity of an entity? Processualism is a theoretical perspective that offers a startling answer to this question. The identity of an entity—whether human or nonhuman, animate or inanimate—depends on the set of relations in which this entity is located. And as the sets of relations are several, so are the identities that an entity can take. This article discusses this conclusion by integrating processual accounts from different fields of inquiry, such as relativistic physics and (...) actor-network theory. According to a processual interpretation of relativistic physics, speaking of states of things is but an abstraction. For states come from the introduction of arbitrary breakups of the spacetime continuum. Therefore, processes precede states, a process being a set of relations that confers identity on a physical state. According to a processual interpretation of actor-network theory, the same holds true for actors. Again, speaking of states of actors is but an abstraction. For what really acts is heterogeneous networks. When one describes actors in isolation, one is neglecting a whole array of relations with other actors whereby that actor can act or is made to act in such and such a way. These strands of processualism come to the same conclusion as to the identity of entities. These are not characterized by individuality but by individuality: they can be differently individuated according to the set of relations one is able to take into account. The main methodological consequence is that, if one intends to describe what an entity is, knowledge of this entity—whether human or nonhuman, animate or inanimate—should be based on progressively less narrow localizations and mappings of the relations it has to other entities. (shrink)

To date, journalists and most of those who study them remain wedded to a deeply modern understanding of the profession, one in which firm analytical borders separate news and newsmakers, reporters and audience, press and politics. New media technologies have begun to corrode these boundaries in practice, however. With its emphasis on socio-technical hybrids, actor-network theory offers a powerful tool for analyzing shifts in the practice of journalism under new technological conditions.

Cinema, like art more generally, is both an artistic genre and a politico-economic institution. On the one hand there is film, a medium which disseminates moving images via the projection of light through celluloid onto a screen. Individual films or "movies," in turn, are discrete aesthetic objects that are distinguished and analyzed vis-à-vis their form and content. On the other hand there is the film industry-the elaborate network of artistic, technical, and economic apparatuses which plan, produce, market, and display (...) films to audiences. Since its inception, both the aesthetic and political aspects of cinema have been subject to various forms of theoretical analysis which have been subject to critique in turn. In this paper I offer a brief survey of these analyses and critiques followed by a sketch of an alternative approach to film theory. Drawing upon the ideas of Foucault and Deleuze, this "anarchist" film theory seeks to present a viable critical methodology while at the same time elucidating the liberatory potential of film. (shrink)

Can a machine think? More pointedly, if I am a machine, can I think? Beck answers these questions by analyzing two clusters of metaphors -- one of which dramatizes human beings as spontaneous agents (actors), and the other sees them as observers attempting to explain causally their own behavior and that of the actor (spectators). Using a hypothetical scene with two spectators, each explaining an action, and each representing a different way of viewing the world, Beck points up (...) the central philosophical problems raised by the varieties of ways in which we explain our own actions and those of others. (shrink)