Chemosensory communication as a form of time-based performing art has occurred in form of ideas in literary fiction and in occasional concepts of art or entertainment in the past. The history of patents on devices for such purposes since the beginning of the 20th century is full of failures and abandoned approaches, mainly because of chemical, technical, social, or cultural misunderstandings. With the project Smeller, we started to realize an artistic performative practice of storytelling with distinct and rapid sequences of (...) scents and smells, of and on during some thirty-five years. Only since 2012 could we introduce this practice with our novel technology Smeller 2.0 in public performances and enhance its possibilities ever since. Perfumistic algorithms can now generate endless variations of olfactory signals and smells, electronically controlled, and digitally composed for collective experience on a larger scale: Osmodrama. The practical application has soon ignited collaborations of neuroscientific research and therapeutical implementation with surprising discoveries. This essay is a personal review of the genesis and emergence of Osmodrama. (shrink)

This article is introduced with a summarized discussion on the "theater's metaphor" as considered by Plato. It goes on considering several turning points in the literature history and investigating the different uses of the metaphoric process in Guimarães Rosa "Grande sertão: veredas" and "Pirlimpsiquice". Firt of all, in "Grande sertão" life is considered as a simbolic equivalent to actors performance in the stage: theater and life are seen, therefore, as concerning fields which identities can be stated upon christian religious doctrine (...) and Plotino's philosophy. On the other hand, in "Pirlimpsiquice", Guimarães Rosa points that the limits between life and theater fields can be sharply identified, leading to the conclusion that the different degrees of use of the metaphoric process is due to historical and cultural practices. Based on the theoric controversy between Hegel's and Plato's points of view on art's philosophy, the author concludes that the notions of "performance in the stage" and "performance in life" are sintetized under the continuous dialectic movement of history and culture.Este artigo inicia-se com uma exposição sucinta da metáfora do teatro, tal como aparece em Platão. Em seguida, após levantamento dos momentos capitais da literatura, investiga-se a metáfora em Guimarães Rosa, no Grande sertão: veredas e no conto Pirlimpsiquice. No Grande sertão, a atuação no palco é tomada como equivalente ao desempenho na vida. Teatro e vida são, portanto, domínios que se identificam. Para isto, concorrem a religião cristã e o pensamento de Plotino. Em Pirlimpsiquice, o Autor investiga por menorizadamente os limites e aproximações entre teatro e vida, sendo que o grau mínimo da metáfora é conferido pelas práticas histórica e cultural. Por fim, retomando a polêmica de Hegel com o platonismo, conclui-se que a representação e a vida estão amalgamadas, numa constante dialetização entre história e cultura. (shrink)

Fernando de Toro y Alfonso de Toro / "Alberto Kurapel. Teatro-Performance, Alteridad y Memoria"./ Editorial Cuarto Propio/2018/ 245 páginas/ ISBN 978-956-396-023-5.

Odor and color are strongly associated. Numerous studies demonstrate consistent odor‐color associations, as well as effects of color on odor perception and language. Yet, we know little about how these associations arise. Here, we test whether language is a possible mediator of odor‐color associations, specifically whether odor‐color associations are mediated by implicit odor naming. In two experiments, we used an interference paradigm to prevent the verbalization of odors during an odor‐color matching task. If participants generate color associations subsequent to labeling (...) an odor, interfering with verbalization during the task should affect the ability to make color associations. In Experiment 1, contrary to our hypothesis, verbal interference did not affect odor‐color matches. However, since performance accuracy on the verbal interference task was high, it is possible our task did not sufficiently disrupt verbal processing. In Experiment 2, we, therefore, used an active verbal interference task, and still found no difference across interference conditions. Odor naming accuracy, odor familiarity, and odor pleasantness, however, did predict odor‐color matches. This suggests that although color associations are related to semantic factors, they are not generated by recruiting odor labels in the moment. Overall, our results do not provide evidence that language plays an online role in odor‐color associations, instead, they are consistent with the claim that language may have shaped associations during development. (shrink)

RESUMO O artigo reflete sobre a pesquisa em andamento da autora, na linha de processos educacionais em artes cênicas, investigada pela via do Teatro em Comunidades, eixo específico abraçado pelo campo da Pedagogia do Teatro e fundamentado pela obra dos mestres contemporâneos Bertolt Brecht, Augusto Boal e Paulo Freire. O ponto de tensão desta discussão é o questionamento acerca da possibilidade de investigar a prática do Teatro em Comunidades como capaz de contribuir para construção de uma sistematização de procedimentos pedagógicos (...) teatrais em Educação Não Formal dirigida à formação de artistas e educadores, analisando de maneira crítico-reflexiva os resultados do estudo teórico-prático com enfoque em duas noções-chave: o gestus social e a dialogicidade. O estudo está sendo desenvolvido com jovens, professores e artistas da comunidade sede do município de Seabra, Bahia. Ao tecer considerações sobre a pesquisa de campo em andamento, conclui-se que um estudo desta natureza é relevante por conduzir a formação de artistas e educadores por um território de prática artística teatral que contribui para a edificação de um conhecimento consolidado a partir da ação coletiva, da experimentação prática e elaboração reflexiva pelo estudo das relações sociais. (shrink)

Pretende-se refletir aqui sobre a exploração de fronteiras no campo do teatro a partir da utilização do conceito de risco. A experimentação de técnicas de risco na preparação do ator e na construção do texto espetacular se orienta à criação de cerimônias teatrais cujo eixo é a constituição de novos vínculos entre a audiência e a performance.

L’articolo qui riproposto e apparso originariamente nel 1988 anticipa alcune questioni fondamentali trattate nel presente numero, in riferimento alla collaborazione tra il video-artista Paolo Rosa e il suo gruppo Studio Azzurro e il regista teatrale Giorgio Barberio Corsetti. L’articolo sottolinea come l’incontro tra video-arte e teatro, tra arti tecnologiche e arti performative, rinnovi uno dei tratti caratteristici della pratica artistica moderna, dalla letteratura alle arti visive e performative: lo statuto del soggetto, in cui è in gioco l’interazione tra l’interno (...) e l’esterno della vita, della coscienza e dell’esperienza individuale. La collaborazione di Rosa e Studio Azzurro con Barberio Corsetti si collega così alla tradizione artistica moderna, sottolineata in modo particolare dall’opera letteraria di Rainer Maria Rilke. (shrink)

Platão tem uma visão negativa da arte e da tragédia. A “irracionalidade” da prática artística está na base dessa negação. Sua visão é contrária ao perspectivismo humanista de Eurípedes e dos sofistas. Na filosofia renascentista, o sujeito observador (temporal e racional) pressupõe o múltiplo e o infinito. O perspectivismo está na base dessa orientação e Shakespeare é a melhor expressão artística desse pressuposto defendido na filosofia por Giordano Bruno.

L’articolo è l’estratto di un più ampio lavoro ancora in corso. Come Michel Foucault e Pierre Hadot, ognuno dalla propria postazione storico-teorica, ci hanno ricordato, la filosofia antica, ed in particolare quella ellenistica con i cinici e gli stoici, non era solo un discorso ma una concreta pratica di vita, un comportamento esistenziale proposto come modello per tutti coloro che intendevano raggiungere l’arete. Il testimone di questa “arte della vita” −è la tesi di fondo di questo contributo− non è (...) stato però storicamente raccolto dalla filosofia moderna −impersonale, tecnicistica, professionalizzata− ma dall’ètimo stesso delle correnti più significative delle arti moderno-contemporanee, impegnate non a produrre l’“opera d’arte” nel senso classico-tradizonale del termine, ma a proporre pratiche e modelli di vita creativi. L’esempio che qui abbiamo trascelto riguarda la pedagogia teatrale del famoso regista polacco Jerzy Grotowski. (shrink)

Neste artigo abordamos a revolução tecnológica no mundo da arte, mais propriamente do teatro. Os objetivos que se pretendiam tinham a ver com o analisar e refletir a forma como as práticas teatrais foram e são potenciadas quando mediadas pela tecnologia. A metodologia utilizada foi a pesquisa bibliográfica e com o desenvolvimento do trabalho pudemos concluir que, num clima de mudança radical como o da atualidade, o teatro tem de se adaptar, reajustar e responder criativamente aos novos desafios da tecnologia (...) para que disso resulte um teatro inovador. (shrink)

Odor naming is enhanced in communities where communication about odors is a central part of daily life (e.g., wine experts, flavorists, and some hunter‐gatherer groups). In this study, we investigated how expert knowledge and daily experience affect the ability to name odors in a group of experts that has not previously been investigated in this context—Iranian herbalists; also called attars—as well as cooks and laypeople. We assessed naming accuracy and consistency for 16 herb and spice odors, collected judgments of odor (...) perception, and evaluated participants' odor meta‐awareness. Participants' responses were overall more consistent and accurate for more frequent and familiar odors. Moreover, attars were more accurate than both cooks and laypeople at naming odors, although cooks did not perform significantly better than laypeople. Attars' perceptual ratings of odors and their overall odor meta‐awareness suggest they are also more attuned to odors than the other two groups. To conclude, Iranian attars—but not cooks—are better odor namers than laypeople. They also have greater meta‐awareness and differential perceptual responses to odors. These findings further highlight the critical role that expertise and type of experience have on olfactory functions. (shrink)

Resumen Este trabajo tiene por objetivo considerar el papel atribuido al cuerpo en la discusión contemporánea sobre emociones. Examinaré en particular la metáfora de las emociones en el teatro del cuerpo, presentada por A.Damásio, con el propósito de revisar críticamente dos modelos dominantes de encarnación de la emoción-uno externalista o behaviorista y otro internalista o neurobiológico- y los problemas que ellos suscitan. Revisaré el concepto de cuerpo implicado en esos modelos e intentaré ofrecer una comprensión alternativa de la emoción como (...) un fenómeno corporal y motriz. Para ello profundizaré el análisis de la relación entre movimiento y emoción bajo los presupuestos de la Fenomenología de la Corporeidad desarrollada por M. Merleau-Ponty y sus seguidores. Mi propuesta alternativa consistirá, entonces, en comprender la emoción como performance corporal, lo cual nos proporcionará un modo de evitar los puntos de vista dualistas y reduccionistas comúnmente sostenidos sobre emociones.The central aim of this paper will be to consider the role assigned to the body in contemporary discussions about emotions. I will particularly examine the metaphor of the emotions in the theater of the body, presented by A. Damásio, with the purpose of raising doubts about two dominant models of embodiment of emotions -an externalist or behaviorist and an internal or neurobiological -which remain trapped in several difficulties. So I will reject the general concept of body these models are committed with, and I will suggest an alternative understanding of emotions along the line of a bodily and motor phenomenon. To do that, I will deepen the analysis of the relationship between movement and emotion by considering it under the theoretical framework provided by the Phenomenology of Body developed by M. Merleau-Ponty and his followers. Thus, my alternative proposal will be to take emotions as a bodily performance which can provide us a way to avoid both the dualist and the reductionist standpoint commonly held on emotions. (shrink)

This article has as its objective to analyze the relationship between the human decision making processes and self-regulating capacity / in the development of top-down regulation, in this particular case, by means of contemplative practices, principally mindfulness meditation. This debate is supported upon the nexus established between the cognitive and emotional processes, searching for comprehension of the casual bases of human decision making and the cognitive and affective process. From this theoretical perspective, emotions exercise the role of prominent neurobiological mechanisms (...) in the decision-making process, thus revoking very influential rationalist and dualist Cartesian logic that have held sway until the present day. Through such characteristics, the dichotomous perspective between emotional and cognitive processes loses impact and augmentative influence, whereas the collaborative and integrative role between these two mechanisms that regulate the decision making behavior of individuals is reinforced. The theoretical foundation that supports the approach defended in this study is sustained upon neurophenomenology, which interacts synergistically with phenomenological approaches, modern discoveries from neuroscience and the oriental contemplative practices. In another sense, the interdisciplinarity between philosophy and the practical sciences provides the means for a conceptual proposal that produces a consistent dialogue with that of experimental, cognitive and neural discoveries. Thus producing the groundwork for a meaningful analysis of neurobiological and philosophical hypotheses of the classic problems related to our capacity for self-determination, self-government and voluntary control over our actions. In summary, through an examination of the current situation, few academic discussions propose such a broad and interdisciplinary debate on this theme, thus falling time and time again upon old conceptual paradigms, which are today already noticeably outweighed by empirical findings of the mind. Therefore, by incorporating into the philosophical debate cognition, millenary practices and scientific experience, we will produce a short theoretical conceptual revision concerning decision making until our arrival at the modern experiments performed with experienced meditators. Through this journey we will propose a philosophical discussion that presents new academic perspectives congruent with the debates on modern decision making and our capacity to self-regulate. (shrink)

O presente artigo apresenta a noção de história de vida e como essa pode influenciar a prática docente na formação do professor de teatro. Nesse texto o autor recorreu ao seu percurso biográfico para compreender os caminhos trilhados para, na condição de formador de outros professores de teatro, compreender como vem construído sua prática pedagógica. Metodologicamente buscou rastros de três encontros biográficos que permitiram experiências formadoras colocando o autor em tempos e lugares de aprendizagem, consolidando um processo formativo a partir (...) da própria prática. Desse modo, reconhece a necessidade de investir em processos que deem voz à história de vida do professor em formação, para que além de reconhecer-se como produtor de história possa trazer suas experiências anteriores à graduação para seu campo de formação. Conclui-se compreendendo que ao coordenar projetos de extensão e de ensino possibilitou-o uma renovação do seu olhar para a escola de educação básica, possibilitando ao pesquisador/formador manter seu processo de formação continuada, encontrando os dilemas da docência na escola pública. (shrink)

El presente artículo intenta revisar el uso y empleo de las máscaras para la creación de un efecto transformador y sinestético en el arte simbólico e imaginativo de crear un paisaje de lejanía y familiaridad en que un ‘otro’ visualiza un diagrama metasignificativo de las representaciones y efectos de las máscaras en el arte ritual amazónico. El estudio, lejos de ser una descripción material de las culturas y el uso de las máscaras, intenta explorar el por qué de su utilización, (...) así como la manipulación de poderes y la intensa dramaticidad con que el acto del disfrazarse compone la performance ritualística en la amazonía brasileña. El foco principal es la constante creación del binomio identidad-alteridad en lo cuál las figuras mitológicas, las experiencias reveladas en los sueños coletivos y el propio teatro del ser, constituyen la ‘persona ritual’ que enfatiza el extenso universo de una indumentaria de la floresta en la confección simbólica de las máscaras y sus multisignificados. Finalmente, la idea de la performance a través de la mirada cenográfica amazonica y su empleo en las máscaras, adornos y ornamentos para una construcción del cuerpo, persona e identidad en la geografía de las almas de los pueblos del Amazonas. (shrink)

RESUMO Este artigo propõe pensar sobre as vicissitudes do cuidado na rede pública de atenção psicossocial e sobre a fundamentação de uma perspectiva ético-dialógica de trabalho a partir de contribuições bakhtinianas. A reflexão se entretece na análise de impasses e possibilidades para a práxis em um Centro de Atenção Psicossocial da Região Metropolitana I do Estado do Rio de Janeiro. O estudo é resultado da pesquisa de mestrado vinculada ao Programa de Pós-graduação em Saúde Pública da Escola Nacional de Saúde (...) Pública Sergio Arouca da Fundação Oswaldo Cruz. Foram realizadas entrevistas semiestruturadas com os profissionais e observação participante no cotidiano da instituição. A partir das análises realizadas sob o prisma do Construcionismo Social e do recurso de análise de práticas discursivas e produção de sentidos, verificamos a presença de posicionamentos contraditórios expressos em percepções que se mostraram ao mesmo tempo consonantes e conflitantes com pressupostos ético-dialógicos. ABSTRACT This paper proposes to think about the vicissitudes of care in the public psychosocial care network and about the fundamentals of an ethical-dialogical perspective of work with grounds in the Bakhtinian contributions. The reflection is interwoven in the analysis of the impasses and possibilities for the praxis in one Centro de Atenção Psicossocial - [Psychosocial Care Center - PCC] in the metropolitan area of the State of Rio de Janeiro, Brazil. The study is the result of a Master’s Degree research, linked to the Public Health Postgraduate Program of the Sergio Arouca National Public Health School of the Oswaldo Cruz Foundation. Semi-structured interviews and participant observation were carried out with professionals during the institutional routine. From the analyses performed under the perspective of Social Constructionism and using the resource of analysis of discursive practices and meaning production, we verified the presence of contradicting positions expressed in perceptions that are both aligned and conflicting with dialogical ethics assumptions. (shrink)

The article seeks to investigate the role that censorship had in the history of modern Colombian theater during the decades from 1950 to 1980, on the basis of a journey through the trajectory of groups such as Candelaria, TEC and Escuela Municipal de Teatro, as well as its directors Santiago García, Enrique Buenaventura and Gilberto Martínez. The censorship usually came from government institutions, Church ministers, or educational institutions such as universities and colleges. In addition to the analysis of direct censorship (...) phenomena such as the prohibition of performances and the expulsion of members of theater formations, or more indirect ones such as red tape or excessive tax collection, we are interested in highlighting the strategies and practices of resistance and opposition generated by playwrights and theater groups during this time before the censorial actions and speeches. Among these strategies to fight censorship, we highlight the collectivization of structured cultural formations or guilds that brought together various theater groups at the national level, as was the case with the formation of the Colombian Theater Corporation. Collectivization was the strategy against power through which the theater guild fought to resist the repressive effects of censorship. It is necessary to shed light on the role that censorship played in the life of Colombian groups and theater in general. This approach will allow us to see the history of modern theater in Colombia as the history of resistance strategies against censorship and power. (shrink)

El Pachallampe o Raymi de la siembra se celebra anualmente en Socoroma, norte de Chile. El repertorio de prácticas escénicas involucrado en esta celebración crea y transmite memoria social y conocimiento andino en actos y en presencia. No es esta una escena que pueda ser estudiada exclusivamente a partir del archivo y desde conceptualizaciones asociadas al término teatro. En el Pachallampe, el repertorio hace visible un conjunto de estrategias decoloniales transmitidas de generación en generación a partir del lenguaje de las (...) artes y de un protocolo ritual. Allí, la ley del Ayni o ley de la reciprocidad prevalece por sobre las relaciones económicas y sociales basadas en la privatización del recurso productivo y del territorio. Por otra parte, el culto a la divinidad universal aymara, Pachamama, y a los dioses tutelares ocupa un lugar de destacada importancia en relación con las imágenes cristianas que presiden la fiesta. The Pachallampe or Raymi of the sowing is held annually in Socoroma, northern Chile. The repertoire of performance practices involved in this celebration creates and transmits social memory and Andean knowledge in gatherings and in presence. This is not a scene that can only be studied from the archive and from conceptualizations associated with the term theater. In the Pachallampe, the repertoire reveals a set of decolonial strategies transmitted from generation to generation from the language of the arts and a ritual protocol. There, the Ayni law or reciprocity law prevails over economic and social relations based on the privatization of productive resources and territory. Moreover, the Aymara cult of the universal divinity Pachamama and the tutelary gods occupy a place of major importance in relation to the Christian images that govern the party. (shrink)

Resumo: Interessa ao pesquisador como o corpo poético negro e travesti da artista Castiel Vitorino Brasileiro se contrapõe à História e ao Sistema da Arte hegemônicos, ao mesmo tempo que contribui para uma revisão de suas práticas discursivas de inclusão e exclusão, por meio de sua poiesis, sua fabulação poética, na qual a um só tempo se visita e se reinventa uma ancestralidade afroindígena, atinente às origens e religiosidade da artista. A aparição e a visão do corpo preto e dissidente (...) de Castiel apontam para uma desestabilização do que Hubert Damisch nomeará “o teatro da representação”. Teoricamente, este texto recorre a um campo caracterizado pela interdisciplinaridade, no intuito de responder à complexidade de seu objeto de eleição: teorias decoloniais, estudos de gênero, teoria queer, filosofia, teoria lacaniana, teoria e história da arte, o que o aproximaria daquilo que a teórica holandesa Mieke Bal denomina Análise Cultural.: Our interest herein resides in how the poetical, black and travesti body of the artist Castiel Vitorino Brasileiro opposes and confronts the hegemonic Art History and its System, while contributing to a revision of its discursive practices of inclusion and exclusion through its poiesis, its poetical fabrication in which the artist’s afro-ameridian ancestry is both visited and reinvented. The apparition and vision of Castiel’s black, dissident body suggests, in our reading, a destabilization of what Hubert Damisch calls “the theatre of representation”. Theoretically, this text resorts to a field characterized by interdisciplinarity with a view to attempting to contemplate the complexity of its objet: gender studies, queer theory, philosophy, Lacanian theory, art history and theory, which would qualify it as an exercise in Cultural Analysis, as Dutch theorist Mieke Bal would have it. (shrink)

Resumo O objetivo deste artigo será de analisar a atuação da Confederação Católica do Trabalho junto aos trabalhadores de Belo Horizonte, entre 1919 e 1930. Para tanto, são consideradas a prática discursiva católica, a luta por direitos e por melhores condições de vida e a mediação dos conflitos entre capital e trabalho. A entidade, orientada pela encíclica Rerum Novarum , foi a difusora do catolicismo junto aos trabalhadores de Belo Horizonte. A metodologia da análise do discurso é utilizada com o (...) objetivo de perceber o papel das práticas discursivas católicas e a inserção do catolicismo entre os trabalhadores de Belo Horizonte. As fontes nucleares da pesquisa são O Operário e os Annaes do Conselho Deliberativo de Bello Horizonte . Críticas comumente feitas que atribuem a esse tipo de ação reformista a responsabilidade por um movimento operário pouco autônomo ou "amarelo" são contrariadas. Tentamos demonstrar que a estratégia sindical reformista católica buscou atender às demandas urgentes dos trabalhadores: jornada de oito horas, descanso dominical e habitações. Palavras-chave: Reformismo; Discurso católico; Catolicismo e trabalho.This article analyzes the performance of the Catholic Labor Confederation with workers in Belo Horizonte between 1919 and 1930. For such, it focuses on the Catholic discourse practice, the struggle for rights and better conditions of life, and the mediation of conflicts between capital and labor, with basis on Pope Leo XIII's encyclical Rerum Novarum , which diffused Catholicism among Belo Horizonte workers. The discourse analysis methodology aims at grasping the role of Catholic discourse practice and the penetration of Catholicism among those workers. The research sources are O Operário ("The worker") and the Annaes do Conselho Deliberativo de Bello Horizonte ("Annals of the Belo Horizonte Deliberative Council"). Criticism attributing to that kind of reformist action the responsibility for little autonomy in the workers' movement - a "yellow" movement, so as to say - is groundless. The author attempts to demonstrate that the reformist trade union strategy tried to meet the workers' urgent demands: eight hours' work daily, Sunday rest and housing. Key-words: Reformism; Catholic discourse; Catholicism and labor. (shrink)

Resumo: Discuto a abordagem de Darwin sobre meios e finalidades de expressões emocionais, com destaque para o choro e sorriso dos bebês; e apresento algumas contribuições, que se depreendem desse conteúdo, para a reflexão das práticas educativas direcionadas à estas crianças que se encontram na primeira etapa da vida. Para tanto, utilizo de descrições e análises apresentadas por Darwin em “A expressão das emoções nos homens e animais”, publicado em 1872 (2009); apresento perspectivas de estudiosos contemporâneos, que tratam das expressões (...) emocionais, tais como: Tomasello (2003) e Damásio (2011). Com base nessas considerações, abordo sobre a importância das expressões emocionais no desenvolvimento de práticas educativas dirigida aos bebês, adicionando ao debate comentários de estudiosos que tratam da primeira infância. Enfatizo o choro e o sorriso como meios naturais de expressão das emoções, que são acionados por estímulos e se dirigem à manifestação de necessidades básicas e estados emocionais, quer sejam excitantes ou deprimentes. Nos bebês, estes meios se apresentam, inicialmente, como ações reflexões; progressivamente, tais meios se mostram cada vez mais complexos. As contribuições que se depreendem dessa discussão podem ser refletidas por cuidadores, no desempenho de suas práticas educativas junto aos bebês, em sintonia com a relação corpo-mente. Palavras-chave: Darwin; Emoções; Bebês; Prática Educativa. Darwin's perspective on babies' emotional expressions: contributions to the development of educational practices Abstract: I discuss Darwin's approach to the means and ends of emotional expressions, with emphasis on babies' crying and smiling; and I present some contributions, which are deduced from this content, for the reflection of educational practices aimed at these children who are in the first stage of life. For that, I use descriptions and analyzes presented by Darwin in “The expression of emotions in men and animals”, published in 1872 (2009); I present perspectives of contemporary scholars who deal with emotional expressions, such as: Tomasello (2003) and Damásio (2011). Based on these considerations, I address the importance of emotional expressions in the development of educational practices aimed at babies, adding comments from scholars who deal with early childhood to the debate. I emphasize crying and smiling as natural means of expressing emotions, which are triggered by stimuli and are directed towards the manifestation of basic needs and emotional states, whether they are exciting or depressing. In babies, these means appear, initially, as reflective actions; progressively, such means are becoming more and more complex. The contributions that emerge from this discussion can be reflected by caregivers, in the performance of their educational practices with babies, in tune with the body-mind relationship. Keywords: Darwin; Emotions; Babies; Educational practice. La perspectiva de Darwin sobre las expresiones emocionales de los bebés: aportes al desarrollo de las prácticas educativas Abstracto: Analizo el enfoque de Darwin sobre los medios y fines de las expresiones emocionales, con énfasis en el llanto y la sonrisa de los bebés; y presento algunos aportes, que se deducen de este contenido, para la reflexión de las prácticas educativas dirigidas a estos niños que se encuentran en la primera etapa de la vida. Para ello, utilizo descripciones y análisis presentados por Darwin en “La expresión de las emociones en hombres y animales”, publicado en 1872 (2009); Presento perspectivas de estudiosos contemporáneos que se ocupan de las expresiones emocionales, tales como: Tomasello (2003) y Damásio (2011). Con base en estas consideraciones, abordo la importancia de las expresiones emocionales en el desarrollo de prácticas educativas dirigidas a los bebés, agregando al debate comentarios de estudiosos que se ocupan de la primera infancia. Destaco el llanto y la sonrisa como medios naturales de expresión de emociones, que son desencadenados por estímulos y se dirigen a la manifestación de necesidades básicas y estados emocionales, ya sean estos excitantes o deprimentes. En los bebés, estos medios aparecen, inicialmente, como acciones reflexivas; progresivamente, tales medios son cada vez más complejos. Los aportes que emergen de esta discusión pueden ser reflejados por los cuidadores, en el desempeño de sus prácticas educativas con los bebés, en sintonía con la relación cuerpo-mente. Palabras clave: Darwin; Emociones; bebés; Práctica educativa. Data de registro: 18/02/2022 Data de aceite: 17/08/2022. (shrink)

Background: It has been reported that type 2 diabetes is associated with olfactory identification impairments and cognitive decline. However, the relationship between OI impairments and cognitive decline is largely unknown in T2DM patients.Methods: Sixty-eight T2DM patients and 68 healthy controls underwent 3D-T1 MRI scans, olfactory and cognitive assessments. The cortical thickness of olfaction-related brain regions, olfactory and cognitive scores were compared between groups. Correlation analyses were carried out among cognition, olfaction, and cortical thickness of olfaction-related brain regions.Results: First, the cognitive (...) and olfactory test scores of T2DM patients were lower than healthy subjects. Second, higher olfactory scores were associated with increased cortical thickness in the left parahippocampal gyrus and bilateral insula in T2DM. Third, higher olfactory scores were associated with higher cognitive performance in T2DM. Fourth, some cognitive performances were related to cortical thickness in the left parahippocampal gyrus and left insula in T2DM.Conclusion: These findings indicated that olfactory dysfunction may be useful for future applications that attempt to predict cognitive decline or develop tailored therapies in T2DM patients. (shrink)

É comum resumir a experiência moral kantiana à adesão do agente à lei que sua própria razão lhe impõe. O valor incondicional da autonomia aparece, desse modo, como elemento suficiente para uma doutrina normativa do agir, mesmo sob o risco de tornar o agente que segue a razão alguém alheio à experiência em que se inscreve efetivamente. Contra essa leitura, procura-se mostrar aqui que, para Kant, (i) a determinação da vontade pela razão traz consigo uma reflexão sobre as condições de (...) efetivação da moralidade, assegurando o sentido da perfórmance moral, e que (ii) tal reflexão possui um significado genuinamente especulativo. (shrink)

Psychoanalysis has traditionally had difficulty in accounting for the existence of evil. Freud saw it as a direct expression of unconscious forces, whereas more recent theorists have examined the links between early traumatic experiences and later ‘evil’ behaviour. _Humanizing Evil: Psychoanalytic, Philosophical and Clinical Perspectives _explores the controversies surrounding definitions of evil, and examines its various forms, from the destructive forces contained within the normal mind to the most horrific expressions observed in contemporary life. Ronald Naso and _Jon Mills_ bring (...) together an international group of experts to explore how more subtle factors can play a part, such as conformity pressures, or the morally destabilizing effects of anonymity, and show how analysts can understand and work with such factors in clinical practice._ _Each chapter is unified by the view that evil is intrinsically linked to human freedom, regardless of the gap experienced by perpetrators between their intentions and consequences. While some forms of evil follow seamlessly from psychopathology, others call this relationship into question. Rape, murder, serial killing, and psychopathy show very clear links to psychopathology and character whereas the horrors of war, religious fundamentalism, and political extremism resist such reductionism. Humanizing _Evil_ is unique in the diversity of perspectives it brings to bear on the problem of evil. It will be essential reading for psychoanalysts, psychotherapists, philosophers, and Jungians. Because it is an integrative depth-psychological effort, it will interest general readers as well as scholars from a variety of disciplines including the humanities, philosophy, religion, mental health, criminal justice, political science, sociology, and interdisciplinary studies. Ronald Naso, Ph.D., ABPP is psychoanalyst and clinical psychologist in independent practice in Stamford, CT. The author of numerous papers on psychoanalytic topics, he is an associate editor of _Contemporary Psychoanalytic Studies_, and contributing editor of _Division/Review _and _Journal of Psychology and Clinical Psychiatry_. His book, _Hypocrisy Unmasked: Dissociation, Shame, and the Ethics of Inauthenticity_, was published by Aronson in 2010. Jon Mills, Psy.D., Ph.D., ABPP is a philosopher, psychoanalyst, and clinical psychologist. He is Professor of Psychology & Psychoanalysis at Adler Graduate Professional School, Toronto. A 2006, 2011, and 2013 Gradiva Award winner, he is Editor of two book series in psychoanalysis, on the Editorial Board for _Psychoanalytic Psychology_, and is the author and/or editor of thirteen books including his most recent works, _Underworlds: Philosophies of the Unconscious from Psychoanalysis to Metaphysics_, and _Conundrums: A Critique of Contemporary Psychoanalysis_, which won the Goethe Award for best book in 2013. (shrink)

The paradox of hypocrisy -- The call of conscience -- Perversion and moral reckoning -- Compromises of integrity -- Beneath the mask -- Youthful indiscretions -- Dissociation as self-deception -- Multiplicity and moral ambiguity.

The aim of this paper was to present ongoing research on the social representations relating to ritalin in Brazil between 1998 and 2008. Over this period, there was a considerable increase in ritalin usage and expansion of its use to purposes other than therapeutic use. Ritalin has been used not only for treating attention disorders, but also to enhance cognitive functions in healthy individuals. The research has developed through two fields of investigation with different methodologies. In the first field, Brazilian (...) scientific and popular publications have been investigated, with analysis on the arguments justifying ritalin usage and how scientific results are disseminated to the lay public in large-circulation newspapers. In the second field, focus groups have been used to explore the social representations that university students, students' parents and healthcare professionals have in relation to the use of ritalin for enhancing cognitive performance. -/- . (shrink)

This article deals with education in the context of the information society, aims to identify challenges that fall on the educational field, especially with regard to the instrumentalization of education by capital, the implications that affect the training and teaching performance, as well as the influences of expansion information and communication technologies, reverberating in the current ways of conceiving educational processes. These challenges are evidenced in the light of Critical Theory, more specifically supported in the conceptual categories Bildung and Halbbildung (...) by Adorno, in the essay Theory of Semiculture. It comprises a bibliographic research, of an analytical character, which made it possible to dialogue with scholars from Theodor Adorno and from Critical Theory, defending the discussions around institutionalized semiformation and the failure of training in the face of the interferences of the cultural industry, as a way to resist oppressive forces and standardization requirements imposed by the current order. Believes that education in the information society is, in many respects, linked to neoliberal economic and ideological interests, resulting in semitraining, compromising the true mission of school education and of human training, resulting in semi-training, devaluation and emptying of importance of the educational institutions and your professionals. It concludes that utilitarian and pragmatic education contributes to the permanence of a social arrangement that leads subjects to critical inability, loss of identity, submission, insensitivity towards themselves and others, regression and limitation of human potential, that once alienated prevents the break with the processes of manipulation and standardization of behaviors that lead to barbarism. Keywords: Education. Information society. Formation Semiformation. Emancipatory education. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

O Programa de Saúde da Família, implementado em 1994 no Brasil, representou uma estratégia de reorganização da atenção básica com vistas a resgatar os princípios de eqüidade, universalidade e integralidade do SUS e garantir o acesso da população de risco a ações em saúde. Neste contexto, a Psicologi..

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

La Terre est un jardin bordé de nuit. Tels des aveugles nous avançons, mais sûrs de nous, fiers, cruels, consommateurs, assoiffés de profit. Modernes? Que restera-t-il à nos enfants de cette oasis si humaine? Seront-ils seulement là pour contempler nos méfaits? Verront-ils, comme nous, les fleurs, le désert, le ciel aux mille étoiles, la vie menacée, la guerre? Théodore Monod - qui avait seize ans quand les cloches de France sonnèrent la paix en 1918 - nous offre une méditation lucide (...) et pleine d'espoir. Il se bat aujourd'hui comme il l'a toujours fait. Et nous dit : ne mourons pas résignés devant nos ordinateurs. Dans le silence. Dans nos lits. Battons-nous. Cherchons le beau, le vrai. Ayons enfin le courage des larmes. Et révérons la vie. (shrink)

The concept of stage presence in performing arts is generally understood as the ability of the skilled performer to capture the attention of the audience, a prerogative of the talented actor, who occupies a position of power in respect to the audience. This work challenges the classic model of stage presence as an intrinsic quality of the performer and proposes instead a cognitive ecological ethnographic framework which considers the role played by various social actors — the public and the performers, (...) embedded in specific historical, cultural, and social environments — in shaping the performance event. Through an ethnographic and phenomenological analysis of the concept of stage presence in different performative contexts, this work proposes a cognitive ecological approach to the study of stage presence, suggesting possible methodological directions. (shrink)