Although Paul Ricoeur's writings are widely and appreciatively read by theologians, this book offers a full, sympathetic yet critical account of Ricoeur's theory of narrative interpretation and its contribution to theology. Unlike many previous studies of Ricoeur, Part I argues that Ricoeur's hermeneutics must be viewed in the light of his overall philosophical agenda, as a fusion and continuation of the unfinished projects of Kant and Heidegger. Particularly helpful is the focus on Ricoeur's recent narrative theory as the (...) context in which Ricoeur deals with problems of time and the creative imagination; and it becomes clear that narrative stands at the crossroads of Ricoeur's search for the meaning of human being as well as his search for the meaning of texts. Part II examines the potential of Ricoeur's narrative theory for resolving certain theological problems, such as the dichotomy betweens the Jesus of history and the Christ of faith. (shrink)

Of the theologians and philosophers now writing on biblical narrative, Hans Frei and Paul Ricoeur are probably the most prominent. It is significant that their views converge on important issues. Both are uncomfortable with hermeneutic theories that convert the text into an abstract philosophical system, an ideal typological structure, or a mere occasion for existential decision. Frei and Ricoeur seem knit together in a common enterprise; they appear to be building a single narrative theology. I argue that (...) the appearance of symmetry is an illusion. There is a fundamental conflict between the ‘pure narrativism’ of Frei and the ‘impure narrativism’ of Ricoeur. I give reasons for thinking that Ricoeur’s is the stronger position. (shrink)

In my paper I examine the relationship between biblical principles and modern western philosophy. I begin with various biblical passages, including the twice-told tale of the miracle of the loaves and fish from the Gospel of Matthew, the story of creation, and the story of Adam and Eve, contrasting them with what I argue are the non-tales of Plato’s Republic. I then move on to modern philosophical texts—Descartes, Spinoza, Kant, Hegel, and Kierkegaard in order to examine the idea (...) that what constitutes the ‘twice’ in our modern twice-told tales is the biblical, self-reflexive recognition that it is the core of values underpinning our stories—love of neighbor—that is itself the story that we tell. (shrink)

Disability dance lays claim to the provocative possibilities of the disabled body, raising profound questions about the politics of art, affect, and embodiment. For scholars of religion, disability dance is a powerful—and as yet unrecognized—site for probing the sacrality and ethics enacted in disability culture. This article brings the biblical tale of Jacob and the angel into conversation with a contemporary performance, “The Way You Look (at me) Tonight,” an intimate duet between choreographer and performer Jess Curtis and Clare (...) Cunningham, an internationally acclaimed dancer who explores the artistry of lived disability experience. Using dance as a hermeneutic invitation to draw out ethical insights into risk, consent, and intimacy, I offer a disability-sensitive reading of Genesis 32—reading the angel as a body whose presence attests to the brilliant shock of disability difference and probing the psychic and somatic transformation that unfolds when Jacob comes into kinesthetic contact with disability and the sacred. (shrink)

The name and publications of the very talented Pietro Delcorno are familiar to those who read Franciscan Studies. For example, in 2010 and 2011 he published his two-part study of the Franciscan preacher Johann Meder: "Un sermonario illustrato nella Basilea del Narrenschiff: Il Quadragesimale novum de filio prodigo di Johann Meder," FS 68 : 215-58 and FS 69 : 403-75. In 2014 Il Mulino of Bologna published his Italian book of 328 pages on Luke 16:19-31: Lazzaro e il ricco epulone: (...) Metamorfosi di una parabola fra Quattro e Cinquecento. Now four years later he is publishing in English his extraordinarily rich exploration of how exegetes, creators of stained glass windows, preachers, authors of model... (shrink)

Progressive intellectuals at the turn of the last century founded the modern American university, created its disciplines and edited the journals that codified their thoughts. They created the ligaments of the national administrative and regulatory state; they helped legitimate the creation of a national financial and industrial corporate economy. Through the writings of Lyman Abbott, Albion Small, and Simon Patten, three features of progressive thought are underlined: the primacy of a narrative, their hostility to “principled” or abstract-philosophical forms of (...) political and social thought, and their confidence that historical modes of social inquiry would produce “laws”? of progress that would guide practice and anchor values integrating self and society on a democratic basis. Five topics contain these animating features: national patriotism, the new industrial economy, a new democratic ethic, social Christianity, and their critique of the dominance of constitutional jurisprudence and law in American political institutions and practices. (shrink)

Biblical interpretation and/or hermeneutics is largely influenced by context and prevailing events and/or issues. This is attested by many scholars in the field. Previous pandemics have influenced the way biblical hermeneutics is conducted during the period. The situation is not too different from the emergence of COVID-19. The pandemic has been scripturalised to argue that it is the fulfilment of scriptural signs for the second coming of Jesus. Others assert that it is the result of human sins and (...) 5G technology. Amid these propositions, biblical narratives concerning miracles/healing, eschatology, and hope were handled uniquely. This study employs narrative research criticism to analyse various propositions concerning COVID-19 and how biblical texts were engaged to propound an epideictic rhetorical theory of biblical interpretation during the emergence of COVID-19. The main finding is that although there are many assigned eschatological interpretations to the pandemic, there is an epideictic interpretation of miracle narratives of Jesus to minister healing to persons affected and infected by COVID-19.Contribution: This study emphasises the problem-solving approach to biblical interpretation in the African context. It proposes the application of this approach in response to the impact of the COVID-19 pandemic. (shrink)

Drawing in part on recent work by Eleonore Stump and Sarah Coakley, I shall argue that even if NO HUMAN GOOD is true, divine hiddenness does not cast doubt on DIVINE CONCERN. My argument will turn on three central claims: (a) that ABSENCE OF RELIGIOUS EXPERIENCE and INCONCLUSIVE EVIDENCE are better thought of as constituting divine silence rather than divine hiddenness, (b) that even if NO HUMAN GOOD is true, divine silence is compatible with DIVINE CONCERN so long as God (...) has provided a way for rational creatures to find him and to experience his presence despite the silence, and (c) that there is some reason to think that Biblical narratives and liturgical acts are vehicles by which we might find and experience the presence of God. Each of these claims will be defended, in turn, in the three sections that follow. (shrink)

Biblical cartography has elaborated a master narrative of Paul’s missionary activity. This master narrative, which clearly distinguishes between three different journeys, is omnipresent and can easily be found in Bibles and atlases. Nevertheless, Paul’s letters and the book of Acts do not support such a clear distinction. The present study contends that the distinction between three missionary journeys is a modern construct and that this way of representing Paul’s missionary activity has a significant impact on how we (...) understand it. By representing Paul’s missionary activity as an orderly sequence of three travels, the maps not only minimise the novelty of his independent mission but also minimise Paul’s confrontation with the Jerusalem church. In this representation, he is no longer the marginal leader of a minority movement within the nascent church, but ‘the’ missionary. The portrayal of the missionary activity of Paul in biblical maps is an example of the uncritical transfer of exegetical traditions, and of the role of these traditions in the creation of a master narrative of Christian origins. (shrink)

The central premise of this book is that biblical Hebrew narrative, in terms of its structure, tends to operate under similar mechanical constraints to those of a stage-play; wherein space is central, characters are fluid, and objects within the narrative tend to take on a deep internal significance. The smaller episodic narrative units within the Hebrew aesthetic tend to grant primacy to space, both ideologically and at the mechanical level of the text itself. However space, as (...) a determinate structural category, has been all but overlooked in the field of biblical studies to date; reflecting perhaps our own inability, as modern readers, to see beyond the dominant cinematic aesthetic of our times. The book is divided into two major sections, each beginning with a more theoretical approach to the function of narrative space, and ending with a practical application of the previous discussion; using Genesis 28:10-22 (the Bethel narrative) and the book of Ruth respectively, as test cases.Where does the notion of free will come from? How and when did it develop, and what did that development involve? In Michael Frede's radically new account of the history of this idea, the notion of a free will emerged from powerful assumptions about the relation between divine providence, correctness of individual choice, and self-enslavement due to incorrect choice. Anchoring his discussion in Stoicism, Frede begins with Aristotle--who, he argues, had no notion of a free will--and ends with Augustine. Frede shows that Augustine, far from originating the idea (as is often claimed), derived most of his thinking about it from the Stoicism developed by Epictetus. (shrink)

One of the chief difficulties we encounter as modern readers in perceiving the artistry of biblical narrative is precisely that we have lost most of the keys to the conventions out of which it was shaped. The professional Bible scholars have not offered much help in this regard, for their closest approximation to the study of convention is form criticism, which is set on finding recurrent regularities of pattern rather than the manifold variations upon a pattern that any (...) system of literary convention elicits; moreover, form criticism uses these patterns for excavative ends to support hypotheses about the social functions of the text, its historical evolution, and so forth. . . . The most crucial case in point is the perplexing fact that in biblical narrative more or less the same story often seems to be told two or three or more times about different characters, or sometimes even about the same character in different sets of circumstances. Three times a patriarch is driven by famine to a southern region where he pretends that his wife is his sister, narrowly avoids a violation of the conjugal bond by the local ruler, and is sent away with gifts. Twice Hagar flees into the wilderness from Sarah's hostility and discovers a miraculous well, and that story itself seems only a special variation of the recurrent story of bitter rivalry between a barren, favored wife and a fertile co-wife or concubine. That situation, in turn, suggests another oft-told tale in the Bible, of a woman long barren who is vouchsafed a divine promise of progeny, whether by God himself or through a divine messenger or oracle, and who then gives birth to a hero. Robert Alter, professor of Hebrew and comparative literature at the University of California at Berkeley, is the author of, among other works, Partial Magic: The Novel as a Self-Conscious Genre and Defenses of the Imagination. He has written a general literary study of biblical narrative, of which this essay forms a chapter. (shrink)