Can there be major dimensions of a poem, a painting, a musical composition created in the absence of God? Or, is God always a real presence in the arts? Steiner passionately argues that a transcendent reality grounds all genuine art and human communication. "A real tour de force.... All the virtues of the author's astounding intelligence and compelling rhetoric are evident from the first sentence onward."—Anthony C. Yu, _Journal of Religion_.

Heidegger pertenece a la historia del lenguaje y de la literatura tanto como a la de la ontolog a, de la epistemolog a fenomenol gica o de la est tica (tal vez ...

But the charged personal encounter between master and disciple is precisely what interests George Steiner in this book, a sustained reflection on the infinitely ...

With characteristic lucidity and style, Steiner makes Heidegger's immensely difficult body of work accessible to the general reader. In a new introduction, Steiner addresses language and philosophy and the rise of Nazism. "It would be hard to imagine a better introduction to the work of philosopher Martin Heidegger."--George Kateb, The New Republic.

“We have no more beginnings,” George Steiner begins in this, his most radical book to date. A far-reaching exploration of the idea of creation in Western thought, literature, religion, and history, this volume can fairly be called a magnum opus. He reflects on the different ways we have of talking about beginnings, on the “core-tiredness” that pervades our end-of-the-millennium spirit, and on the changing grammar of our discussions about the end of Western art and culture. With his well-known elegance of (...) style and intellectual range, Steiner probes deeply into the driving forces of the human spirit and our perception of Western civilization’s lengthening afternoon shadows. Roaming across topics as diverse as the Hebrew Bible, the history of science and mathematics, the ontology of Heidegger, and the poetry of Paul Celan, Steiner examines how the twentieth century has placed in doubt the rationale and credibility of a future tense—the existence of hope. Acknowledging that technology and science may have replaced art and literature as the driving forces in our culture, Steiner warns that this has not happened without a significant loss. The forces of technology and science alone fail to illuminate inevitable human questions regarding value, faith, and meaning. And yet it is difficult to believe that the story out of Genesis has ended, Steiner observes, and he concludes this masterful volume of reflections with an eloquent evocation of the endlessness of beginnings. (shrink)

From ancient times, western civilization has been driven by a trust in scientific progress. Is Science Biology and biogenetics promise spectacular advances, mathematics unfolds new areas of understanding. This work explores some of the possible consequences for society and for the future of science itself.".

Nous remercions le professeur George Steiner de nous avoir autorisés à reproduire le texte d’une brillante conférence (en français). Le problème qui l’attire dans ce texte, qui remonte aux années dominées par le travail « post-babélien », est la place, la fonction et la portée du futur dans l’horizon linguistique. L’analyse du mot anglais si particulier privacy est une remarquable illustration des thèses présentées.

Can there be major dimensions of a poem, a painting, a musical composition created in the absence of God? Or, is God always a real presence in the arts? Steiner passionately argues that a transcendent reality grounds all genuine art and human communication.

A polymath and author of dozens of books including The Death of Tragedy, After Babel and In Bluebeard's Castle examines two thousand years of Western culture, philosophy and literature and discusses how great thought and great style are ...

La recherche désintéressée d'une vérité abstraite, puisée en dehors de toute utilité sociale, de toute application pratique — tel est le legs du monde méditerranéen pré-socratique. Cette chasse spéculative n'est pourtant pas sans détracteurs, qui lui opposent soit un mysticisme transcendant, soit un dogmatisme de la religion révélée, soit un romantismt tourné vers l'innocence et le sentiment, soit une critique sociale et relativista Dans le monde contemporain ces quatre lignes d'attaque se rejoignent dans leur méfiance à l'égard de la science (...) et de son avenir. Après une analyse de cet antagonisme fondamental, entre la recherche de la vérité pure, quelle qu'elle soit, et les exigences de la justice sociale et politique, la question qui sous-tend toute la discussion est posée : quand la poursuite d'une vérité se montre irréconciliable avec les valeurs humaines — voire avec la vie de l'homme — quelle attitude devonsnous prendre ? (shrink)