Radical Orthodoxy is a new wave of theological thinking that seeks to re-inject the modern world with theology. The group of theologians associated with Radical Orthodoxy are dissatisfied with conteporary theolgical responses to both modernity and postmodernity Radical Orthodoxy is a collection that aims to reclaim the world by situating its concerns and activities within a theological framework. By mapping the new theology against a range of areas where modernity has failed, these essays offer us way out of the impasses (...) that postmodernity represents. (shrink)

Arguing for a new direction in postmodern theological thinking, away from the liberalism and nihilism of those who name themselves postmodern theologians, the ...

The book sets out to address and answer three questions from the point of view of Christian theology. The first is, from where does theology speak? The second is, what are the mechanisms whereby cultures change? The third is, how might we conceive the relationship between the contemporary production of theological discourse and the transformation of cultures more generally? Drawing upon the work of standpoint epistemologists, cultural anthropologists and social scientists, the book argues that public acts of interpretation are involvements (...) in renegotiating the future direction of cultural change. Though the enquiry is conducted from one particular standpoint - Christian theology - the observations and suggestions it makes regarding cultural transformation and the defense it makes of syncretism have more general application. (shrink)

Sketching the current division within receptions of Hegel, this article argues for Hegel as a philosophical theologian in a way that is not covered by the recent investigations into Hegel's theological project. Examining in particular the early work on Jesus Christ, the article analyses the changes in this work and how these changes in his understanding of Christology enabled Hegel to appreciate the logic of the Logos. This logic of the Logos is the basis for all his subsequent philosophy. It (...) is a logic that is made possible in his philosophical theology of mediation, incarnation, and reconciliation. (shrink)

Why believe? What kinds of things do people believe in? How have they come to believe them? And how does what they believe -- or disbelieve -- shape their lives and the meaning the world has for them? For Graham Ward, who is one of the most innovative writers on contemporary religion, these questions are more than just academic. They go to the heart not only of who but of what we are as human beings. Over the last thirty years, (...) our understandings of mind and consciousness have changed in important ways through exciting new developments in neuroscience. The author addresses this quantum shift by exploring the biology of believing. He offers sustained reflection on perception, cognition, time, emotional intelligence, knowledge and sensation. Though the 'truth' of belief remains under increasing attack, in a thoroughly secularized context, Ward boldly argues that secularity is itself a form of believing. Pointing to the places where prayer and dreams intersect, this book offers a remarkable journey through philosophy, theology and culture, thereby revealing the true nature of the human condition. (shrink)

This handbook charts and explores recurring themes and approaches to this broad and complex topic, particularly with regard to Theology.

Eminent theologians John Milbank, Graham Ward, and Edith Wyschogrod discuss aesthetics, placing radical orthodoxy in dialogue with postmodern theology.

A Christian theology that is orientated towards understanding incarnation must be interested in the nature of embodiment. As the experience of those involved in sports centres on the body and its attunement to the situation and environment in which it finds itself, so we can compare the states of immersion in the material world in the athlete’s experience and the experience of Christian piety. This essay offers a comparative phenomenology of two forms of embodiment: the athlete’s entry into ‘the zone’ (...) and the contemplative’s centring of the embodied soul in Christ. In doing so it opens up areas of both similarity and difference that are coming to be explored by neuropsychology and neurophysiology. and points to the development of a radical account of incarnation that takes embodiment and affectivity seriously. (shrink)

What I wish to argue for in this essay is the theological advantage of turning from the stasis of analogy and symbol to the dynamism and semiosis of allegory. The move from static, atemporal discussions of analogy and symbol to allegory will lend itself to a rather different model for the hermeneutical task. It is one that is founded upon narrative, mimesis and participation, and one that presents a more dynamic view of the relationship between revelation , disclosure , representation (...) and knowledge. I begin by examining a constellation of inter‐related ideas—narrative, participation in an unfolding tradition, knowledge and discipleship—in what is often read as an appeal in the Lukan Preface to historical facts. I then return to Aristotle, to develop the rich association between mimesis and phronesis, rhetoric and knowledge, and to point out the ambiguous nature of analogy to ontology. The practice of living, for Aristotle, I suggest, is allegorical. It is with Gregory of Nyssa's work on allegory that I put together the Lukan emphasis upon participation and discipleship with an account of reading creation allegorically. With Gregory, we learn how to read the world in the light of its Christic watermark and in the power of a Trinitarian desire. In modernity such allegorical reading fell out of favour, and it is a recapitulation of that theologically informed, allegorical reading that this essay finally exhorts. (shrink)

How the Light Gets In: Ethical Life I presents a systematic account of the teachings of the Christian faith to offer a vision, from a human, created, and limited perspective, of the ways all things might be understood from the divine perspective. It explores how Christian doctrine is lived, and the way in which beliefs are not simply cognitive sets of ideas but embodied cultural practices. Christians learn how to understand the contents of their faith, learn the language of the (...) faith, through engagements that are simultaneously somatic, affective, imaginative, and intellectual.In the first of four volumes, Graham Ward examines the complex levels of these engagements through three historical developments in the systematic organization of doctrine: the Creeds, the Summa, and Protestant dogmatics. He outlines a methodology for exploring and practicing systematic theology that captures how the faith is lived in cultural, social, and embodied engagements. Ward then unpicks several fundamental theological concepts and how they are to be understood from the point of view of an engaged systematics: truth, revelation, judgement, discernment, proclamation, faith seeking understanding, and believing as it relates to and grounds the possibilities for faith.This groundbreaking work offers an interdisciplinary investigation through poetry, art, film, the Bible and theological discourse, analysing the human condition and theology as the deep dream for salvation. The final part relates theology as a lived and ongoing pedagogy concerned with individual and corporate formation to biological life, social life, and life in Christ. Here an approach to living theologically is sketched that is the primary focus for all four volumes: ethical life. (shrink)

Beginning with a discussion of Fritz Lang's ‘Metropolis’, this paper considers the rise of the city from a theological perspective. The ideal of the modern city was, it is argued, a secularised version of the City of God: the city was to be a place where all human desires might be met, a city without a church because the moral perfection of each human being has been fulfilled. The advent of the postmodern city of consumerist desire undermines this secular dream, (...) and opens a space for theologians to frame alternative visions of cities of erotic participatory desire. (shrink)