In lieu of an abstract, here is a brief excerpt of the content:Wittgenstein’s Reflection in Lewis Carroll’s Looking-GlassLeila S. MayAccording to one tradition in the theory of fiction, there is a kind of fantasy whose function is to invite the reader to "acknowledge the possibility of a different reality."1 In this essay I want to ask whether Lewis Carroll's Alice books fit into this category; that is, I want to explore the possibility that Alice's Adventures in Wonderland and Through the (...) Looking-Glass are not the pure nonsense that many readers take them to be. In considering the Alice books as fantasy offering a view of a "different reality" I do not deny that there are in these stories some mimetic elements alongside the fantastic—representations of things going on somewhere, somehow, in Victorian society—in which case the "different reality" presented will not be so terribly different as to be unrecognizable. For example, the Mad Tea Party in Alice's Adventures in Wonderland is not only an act of fantasy but also an act of mimesis. It certainly imitates the real tea parties often held throughout Victorian England—if caricature is a form of imitation—but it may also mime those mock tea parties held in English asylums whose goal was to model sane-like behavior to the inmates.2 An analogous question can be asked about Carroll's books in general: In addition to the component of fantasy, are they mimetic of Victorian culture itself, or merely of the Victorian conception of madness? Michel Foucault has argued that, while the very idea of la folie is an historical construct, the dialectical relationship between reason and unreason, with each pole parasitic on the other, is a structural constant. Carroll's Alice books produce images that are discharged in the confused nineteenth-century landscape where these two opposites meet. In that respect, his books are not so different from many of the more standard novels written in mid-century England. In this essay I [End Page 79] will explore features of this landscape, using a theoretical framework that has been synthesized from a number of related claims in the work of the linguistic philosopher Ludwig Wittgenstein. In addition to my long-range aim of urging further study of Wittgenstein's work by literary critics, one of my specific goals is to show that the application of Wittgensteinian methods to the works of Lewis Carroll reveals something about the hidden logic of Carroll's stories, and conversely that this procedure tests some of Wittgenstein's intuitions concerning language. Yet another goal is to suggest that the structure of the discourse of domesticity as reflected in many mid-nineteenth-century novels is curiously similar to the structure of discourse in Wonderland and Looking-Glass Land—that the language-games played at these sites are at the same time functional and dysfunctional in much the same way. That may seem like a lot to attempt in a few pages,... but to paraphrase Humpty-Dumpty, when I ask words to do that much extra work, I pay them overtime.In 1965 the philosopher George Pitcher published an essay, "Wittgenstein, Nonsense, and Lewis Carroll," in which he sought to demonstrate "the remarkable extent and depth of affinity between these two great writers with respect to nonsense." In addition, he showed that "the very same confusions with which Wittgenstein charged philosophers were deliberately employed by Carroll for comic effect," and that many of the examples that Wittgenstein used to illustrate his points "resemble, in varying degrees, examples that are found in the works of Carroll."3 While I agree with Pitcher's observation that the examples of nonsense that Wittgenstein offers are very similar to a primary strain of nonsense that runs through the Alice books, in the first section I intend to go beyond that observation and to apply some of Wittgenstein's tools to Carroll's work and show that Wittgenstein's work can be used to reveal features of literary narrative that might otherwise be obscured, and in the second section, to apply these tools to the works of fiction this side of the Looking-Glass.IWittgenstein says that a language is a "language-game." He... (shrink)

In the first paragraph, the focus is on the early Wittgenstein's conception of truth: the Disquotational Schema is shown to be derivable from the semantic and ontological principles of the picture theory. Then, the article scrutinises the way the Disquotational Schema provides the basis for what the later Wittgenstein takes as a philosophically appropriate description of the practice of making assertions. The general abstract notion of truth makes room for a situated notion of warranted assertibility as the key-notion. Last, (...) the issue of how Wright's Argument from Informational Neutrality could be neutralised from the later Wittgenstein's viewpoint is dealt with. (shrink)

This article concerns the distinction between memory-time and information-time, which appeared in Wittgenstein’s middle-period lectures and writings, and its relation to Wittgenstein’s career-long reflection about musical understanding. While the idea of “information-time” entails a public frame of reference typically pertaining to objects which persist in physical time, the idea of pure “memory-time” involves the totality of one’s present memories and expectations that do now provide any way of measuring time-spans. I argue that Wittgenstein’s critique of Augustine notion of pure memory-time (...) entails ipso facto a critique of an influential idea of musical motion, which has been recurring in the work of some major philosophers of music up until the present day. The article connects Wittgenstein’s critical remarks on the confused foundations of such “Augustinian Picture of Music” with his emphasis on the notion of phrasing or characterization in language and music. Wittgenstein’s reversal of Augustinian priorities regarding musical time brings to surface the particularity of expression and the aesthetically “right” in music, evoked by Wittgenstein’s remarks on simultaneity and tempo in music and language. Wittgenstein renders musical simultaneity as enabled by a “protocol” which inheres in musizieren, in the aptly collaborative quest for drawing in significance by means of the phrasing and re-phrasing of a passage in order to characterize it, enabling by means of such comparative investigation meaningful distinctions between right and wrong. (shrink)

Most commentators working on Wittgenstein’s remarks on ethics note that he rejects the very possibility of traditional normative ethics, that is, a philosophically justified normative guide for right conduct. In this article, Wittgenstein’s view of ethical reflection as presented in his notebooks from 1936 to 1938 is investigated, and the question of whether it involves ethical guidance is addressed. In Wittgenstein’s remarks, we can identify three requirements inherent in ethical reflection. The first two is revealed in the realisation that ethical (...) reflection presupposes both a clear understanding of oneself and a normative ideal of how one ought to live and reason. The third source of normativity springs from the fact that ethical reflection involves a relationship with the other, not as judge, but as example and addressee. In this way, ethical reflection is essentially relational. In the article, we unfold how these three normative sources figure in Wittgenstein’s remarks, especially how the third requirement, the relationship with the other, shows both a point of conversion and a difference between his view of ethics and religious faith. It will also be argued that even if Wittgenstein thus presents ethical reflection as a normatively guided activity, the content of the guidance is personal, springing solely from the reflecting individual. (shrink)

In the first paragraph, the focus is on the early Wittgenstein's conception of truth: the Disquotational Schema is shown to be derivable from the semantic and ontological principles of the picture theory. Then, the article scrutinises the way the Disquotational Schema provides the basis for what the later Wittgenstein takes as a philosophically appropriate description of the practice of making assertions. The general abstract notion of truth makes room for a situated notion of warranted assertibility as the key-notion. Last, (...) the issue of how Wright's Argument from Informational Neutrality could be neutralised from the later Wittgenstein's viewpoint is dealt with. (shrink)

The author disagrees with reductionist attitude to Wittgenstein’s philosophy as philosophy of language. Basing on researches in contemporary French philosophy, the author reveals anthropological dimension of Wittgenstein’s reflections both in the main themes of his philosophizing and in his philosophical method as such. Wittgenstein strives to clarify what we already know, trying to avoid explanation, generalization and uniformity. The research shows that clarification, übersichtliche Darstellung acquires in anthropology special meaning of description and helps to overcome explicative anthropological approach and (...) description of human action in terms of binary oppositions of nature/culture and instrumentality/rituality. The article shows practical results of “grammatical analysis” applied to the concepts of humanity, speech and thinking: this analysis discovers circularity of theoretical definitions of human being and opens the way of “immediate understanding” of humanity prior to any theoretical thinking. The article shows the role of Wittgenstein’s concepts of “ritual instinct” and “ceremonial animal”, which help to understand human activity as manifestations of “ritual instinct”, and ritual action as inseparable unity of natural reactions and conscious intentionality despite the debates between intellectualism and expressivism. (shrink)

Wittgenstein's role was vital in establishing mathematics as one of this century's principal areas of philosophic inquiry. In this book, the three phases of Wittgenstein's reflections on mathematics are viewed as a progressive whole, rather than as separate entities. Frascolla builds up a systematic construction of Wittgenstein's representation of the role of arithmetic in the theory of logical operations. He also presents a new interpretation of Wittgenstein's rule-following considerations - the `community view of internal relations'.

This chapter outlines ways in which Wittgenstein’s opposition to scientism is manifest in his later conception of philosophy and the negative attitude he held toward his times. The chapter tries to make clear how these two areas of Wittgenstein’s thought are connected and reflect an anti-scientistic worldview he held, one intimated in Philosophical Investigations §122. -/- It is argued that the later Wittgenstein’s metaphilosophy is marked out against two scientistic claims in particular. First, the view that the scientific method is (...) superior to all other means of learning or gaining knowledge. Second, the view that scientific knowledge is superior to all other kinds of knowledge and understanding. Wittgenstein’s opposition to these claims is brought out through examining a fundamental aim of his later philosophy, producing the ‘kind of understanding which consists in “seeing connections”’ (PI §122), and his attempts to expose certain philosophical confusions. It is argued that these reflect his antiscientistic worldview. -/- Through discussion of Oswald Spengler’s influence on Wittgenstein, the chapter outlines how Wittgenstein’s opposition to scientism underwrites his negative cultural outlook and how this is connected with the anti-scientistic elements of his later philosophy discussed. The work of Ray Monk (1999; 1990) and Hans-Johann Glock (1996) is instrumental in what follows. (shrink)

Purpose. The paper is aimed at analyzing in a comparative way the philosophical conceptions of the human, proposed by Ludwig Wittgenstein and Martin Heidegger as the main representatives of the analytic and continental tradition of philosophizing in the XXth century. The theoretical basis of the study is determined by Wittgenstein’s legacy in the field of logical and linguistic analysis, as well as Heidegger’s existential, hermeneutical, and phenomenological ideas. Originality. Based on the analysis of the philosophical works of Wittgenstein and Heidegger, (...) the initial principles of their anthropological concepts in the unity of transcendental preconditions, essential foundations, and correlations to the world in the technosphere are reconstructed. It is demonstrated that, despite the difference in the explanation of the peculiarities in the interpretation of the realm of the transcendental and basic characteristic of the inner world of human, both philosophers emphasized the understanding of the human being through the prism of language and the need for anthropologization of science and technology. Conclusions. Wittgenstein and Heidegger developed their own original considerations on the nature of human being, which fully conform to the basic theoretico-methodological principles of their philosophical conceptions. The former focused on how language reflects a human’s world and serves as a means of expressing their knowledge and aspirations. The latter, on the contrary, interpreted the world as a reflection of language that expresses itself through human. As a supporter of analytic methodology and, accordingly, of accuracy in formulations, Wittgenstein came to the concept of the unspeakable in the process of reflection on the being of human over the language. But in Heidegger’s existential discourse, which is full of metaphors and neologisms, being of human is limited by the concept of Nothing. As a consequence, it is noted that the ontological status of values is transcendental to the world according to Wittgenstein, but it is immanent to the world, according to Heidegger. It is argued that the Austrian thinker developed a linguo-psychological approach to the study of human through the prism of the mental, but the German philosopher comprehended the human on the basis of the concept of self in the ontological sphere. It has been demonstrated that both thinkers have pointed to the challenges faced by humans in the development of science and technology while emphasizing the importance of substantiating their anthropological foundations. (shrink)

Wittgenstein's role was vital in establishing mathematics as one of this century's principal areas of philosophic inquiry. In this book, the three phases of Wittgenstein's reflections on mathematics are viewed as a progressive whole, rather than as separate entities. Frascolla builds up a systematic construction of Wittgenstein's representation of the role of arithmetic in the theory of logical operations. He also presents a new interpretation of Wittgenstein's rule-following considerations - the `community view of internal relations'.

Wittgenstein's role was vital in establishing mathematics as one of this century's principal areas of philosophic inquiry. In this book, the three phases of Wittgenstein's reflections on mathematics are viewed as a progressive whole, rather than as separate entities. Frascolla builds up a systematic construction of Wittgenstein's representation of the role of arithmetic in the theory of logical operations. He also presents a new interpretation of Wittgenstein's rule-following considerations - the `community view of internal relations'.

The object of this essay is to discuss Ludwig Wittgenstein's remarks inPhilosophical Investigationsand elsewhere in the posthumously published writings concerning the role of therapy in relation to philosophy. Wittgenstein's reflections seem to suggest that there is a kind of philosophy or mode of investigation targeting the philosophical grammar of language uses that gratuitously give rise to philosophical problems, and produce in many thinkers philosophical anxieties for which the proper therapy is intended to offer relief. Two possible objectives (...) of later Wittgensteinian therapy are proposed, for subjectivepsychologicalversus objectivesemanticsymptoms of ailments that a therapy might address for the sake of relieving philosophical anxieties. The psychological in its most plausible form is rejected, leaving only the semantic. Semantic therapy in the sense defined and developed is more general and long-lasting, and more in the spirit of Wittgenstein's project on a variety of levels. A semantic approach treats language rather than the thinking, language-using subject as the patient needing therapy, and directs its attention to the treatment of problems in language and the conceptual framework a language game use expresses in its philosophical grammar, rather than to soothing unhappy or socially ill-adjusted individual psychologies. (shrink)

A milestone in Wittgenstein scholarship, this collection of essays ranges over a wide area of the philosopher's thought, presenting divergent interpretations of his fundamental ideas. Different chapters raise many of the central controversies that surround current understanding of the Tractatus, providing an interplay that will be particularly useful to students. Taken together, the essays present a broader and more comprehensive view of Wittgenstein's intellectual interests and his impact on philosophy than may be found elsewhere.The thirteen chapters treat topics from (...) both periods of Wittgenstein's work: More than half are devoted to his early thought, the Tractatus Logico-Philosophicus of 1921, reflecting a growing interest today among philosophers in reexamining this seminal book, while three chapters treat the Philosophical Investigations, published posthumously in 1953. The remaining chapters discuss such "nonstandard" topics as philosophy of religion, aesthetics, and anthropology.Contents: The Early Wittgenstein and the Middle Russell, Kenneth Blackwell; Frege and Wittgenstein, Michael Dummett; Wittgenstein and the Theory of Types, Hide Ishiguro; The So-called Realism of Wittgenstein's Tractatus, Brian McGuinness; The Logical Independence of Elementary Propositions, David Pears; The Rise and Fall of the Picture Theory, Peter Hacker; The Picture Theory and Wittgenstein's Later Attitude to It, Erik Stenius; Wittgenstein's Early Philosophy of Mind, Anthony Kenny; A Theory of Language?, G. E. M. Anscombe; Im Anfang war die Tat, Peter Winch; Wittgenstein's Full Stop, D. Z. Phillips; Quote: Judgments from Our Brain, Paul Ziff; Wittgenstein and the Fire Festivals, Frank Cioffi, Index.Irving Block is Associate Professor in the Philosophy Department at The University of Western Ontario. (shrink)

It may be said that the single track of Wittgenstein’s philosophy is the discernment and elucidation of grammar—its nature and its limits. This paper will trace Wittgenstein’s evolving notion of grammar from the Tractatus to On Certainty. It will distinguish between a ‘thin grammar’ and an increasingly more fact-linked, ‘reality-soaked’, ‘thick grammar’. The ‘hinge’ certainties of On Certainty and the ‘patterns of life’ of Last Writings attest to the fact that one of the leitmotifs in the work of the third (...) Wittgenstein is the grammaticalization of experience. This reflects Wittgenstein’s realisation that grammar can manifest itself as a way of acting. In moves that exceed anything in Philosophical Investigations, the third Wittgenstein makes grammar enactive. We shall see that Wittgenstein’s hesitant but unrelenting link of grammar to the stream of life in no way infringes on the ‘autonomy of grammar’. (shrink)

Wittgenstein’s Tractatus contains some very striking theses. We read, e.g., that „in a sense” we could not be wrong in logic, and that the whole subject matter of the theory of modalities could be reconstructed on the ground of the insights in the mechanism of the linguistic reference. Yet in the light of the last sentences of Tractatus the whole semantics turns out to be principaly ineffable. In our paper we will try to clarify these matters. We show how these (...) theses could be made plausible in the context of the transcendental method of Wittgenstein’s Tractatus. (shrink)

Analyzing features of Wittgenstein's philosophical work and including in-depth textual analyses, this study investigates the impact of Ludwig Wittgenstein's work on contemporary German and French novelists. Drawing upon aesthetics, architectural history, philosophy of science, and photography, the book offers readings of the work of Thomas Bernhard, W.G. Sebald, Jacques Roubaud, and Ernst-Wilhelm Händler. In each case, Klebes shows Wittgenstein’s reflections on language and world to be the conduit for an exploration of the question of representation as it (...) bridges the realms of literature and philosophy. (shrink)

The subject of this paper is not Wittgensteinian ethics but Wittgenstein’s own ethical beliefs, specifically as these are revealed in the so-called Koder diaries. While the Koder Diaries, also known as Manuscript 183, do contain the kind of thing that one would expect to find in a diary (e.g. accounts of travel and personal relationships), they also contain more obviously philosophical remarks, sometimes as reflections on these personal remarks. Wittgenstein’s diaries illustrate well a point that Iris Murdoch has emphasized, (...) that a person’s inner life can have an ethical dimension not necessarily directly related to overt action or to other people. The kind of ethical concern that we see in these diaries is one with what we might call global implications. Not in the sense that they might affect the whole planet but in the sense that, for Wittgenstein (or anyone else involved in such struggles or deliberations), they might affect every aspect of his life in the way that a religious conversion might change one’s whole life. This ethical ubiquity is another idea that Murdoch has brought to attention. (shrink)

Wittgenstein's Tractatus [6] contains some very striking theses. We read, e.g., that \in a sense" we could not be wrong in logic, and that the whole subject matter of the theory of modalities could be reconstructed on the ground of the insights in the mechanism of the linguistic reference. Yet in the light of the last sentences of Tractatus the whole semantics turns out to be principally ineffable. In our paper we will try to clarify these matters. We show (...) how these theses could be made plausible in the context of the transcendental method of Wittgenstein's Tractatus. (shrink)

It may be said that the single track of Wittgenstein’s philosophy is the discernment and elucidation of grammar—its nature and its limits. This paper will trace Wittgenstein’s evolving notion of grammar from the Tractatus to On Certainty. It will distinguish between a ‘thin grammar’ and an increasingly more fact-linked, ‘reality-soaked’, ‘thick grammar’. The ‘hinge’ certainties of On Certainty and the ‘patterns of life’ of Last Writings attest to the fact that one of the leitmotifs in the work of the third (...) Wittgenstein is the grammaticalization of experience. This reflects Wittgenstein’s realisation that grammar can manifest itself as a way of acting. In moves that exceed anything in Philosophical Investigations, the third Wittgenstein makes grammar enactive. We shall see that Wittgenstein’s hesitant but unrelenting link of grammar to the stream of life in no way infringes on the ‘autonomy of grammar’. (shrink)

If today a decidedly analytical interpretation of Wittgenstein’s thought seems to be dominant in many ways, there are, in my opinion, countless reasons that lead instead to reintroduce the possibility, and even the opportunity, of a different reading: a proper philosophical-aesthetic reading – where “philosophical” is equivalent to “transcendental” in the Kantian sense – which certainly seems to me more productive in theoretical terms.

Marc Lange offers a stale anthology that reflects the sad state of affairs in the camp of analytic philosophy. It is representative in a few respects, even in its maltreatment of Russell, Wittgenstein, and Popper. Despite its neglect of Wittgenstein, it shows again that Wittgenstein is the patron saint of the analytic school despite the fact that it does not abide by his theory of metaphysics as inherently meaningless.

In this paper, I develop a Kantian reading of Ludwig Wittgenstein's early notions of immortality and the problem of life. I argue that, in spite of his rejection of the assumption of temporal immortality as a solution to the problem of life, Wittgenstein's understanding of the problem itself reflects the Kantian setting of his early system. Moreover, while there is no room for any postulates of practical reason in Wittgensein's early thought, God and immortality are still notions that (...) figure in his preferred solution to the problem of life. (shrink)

In this paper, we will discuss solipsism and the limits of experience in the light of Wittgenstein’s TLP. One cannot draw the limits of experience without bringing in the notion of the experiencer. That is to say, the notion of self is very relevant to the discussion on the limits of experience. Solipsism means that ‘I’ is the only reality, and what I experience is all that I could know. We will focus on solipsism from two points of view, the (...) empirical point of view and the transcendental point of view. The empirical approach to solipsism makes the self as a matter of its experience. However, from the transcendental point of view, the transcendental or metaphysical self becomes the transcendental ground of our experiences. In the second section, we will discuss the relationship between solipsism and realism. Then how the self is related to the world will be discussed in the third section. For Wittgenstein, the self ‘I' is neither causally nor logically related to the world. This self is the metaphysical subject, and it is the limit of the world. In the fourth section, we will discuss the importance of the limit-self. The limit-self is not the matter or object of experience; rather, it is the ground of our world's experience. For Wittgenstein, it is not an item of the world; rather, it is the limit of the world. The limit-self cannot be described in language, and thus it is beyond our language. It is the limit of our language and also the limit of the world. Then, we will critically analyze the limit of experience, and the metaphysical self is placed on the limit of experience. This self is the non-solipsistic self. (shrink)

In this reflection I address one of the critical questions this monograph is about: How to justify proposing yet another semantic theory in the light of Wittgenstein’s strong warnings against it. I see two clear motives for Wittgenstein’s semantic nihilism. The first one is the view that philosophical problems arise from postulating hypothetical entities such as “meanings”. To dissolve the philosophical problems rather than create new ones, Wittgenstein suggests substituting “meaning” with “use” and avoiding scientism in philosophy together with the (...) urge to penetrate in one's investigation to unobservable depths. I believe this first motive constitutes only a weak motive for Wittgenstein’s quietism, because there are substantial differences between empirical theories in natural sciences and semantic theories in philosophy that leave Wittgenstein’s assimilation of both open to criticism. But Wittgenstein is right, on the second motive, that given the dynamic character of linguistic practice, the classical project of semantic theory is a disease that can be removed or ameliorated only by heeding the advice to replace concern with meaning by concern with use. On my view, this does not preclude, however, a different kind of theoretical approach to meaning that avoids the pitfalls of the Procrustean enterprise Wittgenstein complained about. (shrink)

Drawing heavily on Wittgenstein, Winch’s The Idea of a Social Science advanced a forceful and still valuable critique of positivist/empiricist conceptions of social science. In its more self-confident assertions concerning the nature of philosophy and society, however, Winch failed to recognize Wittgenstein’s acknowledgement of and appreciation for the indeterminacy and unsettled character of social and moral life.

This paper discusses Wittgenstein understood the language of the dimensions of the human form of life point of view, we oppose the idea and the text is the interpretation of the relationship between the nature of the argument. Move to reposition Wittgenstein language, means the direct meaning of the moment, rather than explain, and not because of our shortage of facts and work to a standstill. The main thrust of this significance and the fact that a direct interaction between the (...) current text of the practice of continuing involvement, the text was able to express the meaning of the moment between the facts and narrative unity. In other words, Wittgenstein on the rules, customs, or life in the form of reflection, allows us to claim the author intended meaning of the text depends on the point of view, and negative with the intention of the author of a variety of relativism between the interpretation of , the transfer can be prudent to try to speculate Huan room. For example, Stanley Xu fee claim, meaning diverse, according to the interests of our interests, goals and assumptions of the "default" of the "premise" and different. But Wittgenstein's writings, pointed out that the rules in order to grasp the meaning of such person does not involve the "premise" of the argument. Is a form of life on our training the next day, and thus to control of both the immediate and direct facts and meaning. This allows us to re-confirm, indeed, does not rely on the text to explain the fact that there is, in fact and thus understand the text for further explanation for the fact that between the true distinction. Meaning and truth of the "total structure" does not eliminate the practice of interpretation, but will be classified as appropriate Field, is the world we start to go beyond the immediate text directly taken to the open practice. • We will be reading Jane Austen's "Mansfield Park", for example, to influence our thinking about changing the form of text to read way to view this view. This paper argues that a Wittgensteinian understanding of language as an integral dimension of human forms of life speaks against the view that our relationship to texts is interpretive in nature. Wittgenstein's re-orientation to language entails that meaning is immediate rather than interpretive, and that our works don't stop short of the facts. The aim of this paper is to show that the immediate mutuality of meanings and facts carries over to our textual practices so that our texts make available immediate unities of meanings and narrative facts. That is, Wittgenstein's reflections on following rules, customs or forms of life allow us to steer a careful course between the view that a text is determined by the author's intentions and a relativism of variable interpretations that results from denying the relevance of authorial intentions. For example, Stanley Fish holds that meanings vary insofar as they are "predetermined 'by our" presuppositions "-our interests, goals and assumptions. But Wittgenstein's work suggests that following rules, and hence grasping meanings, does not involve something as variable as individual" presuppositions. "Rather , our training into forms of life opens up a second-nature where grasp of both facts and meanings is immediate. This allows us to re-affirm the view that there are textual facts that do not depend on interpretation; that there is a difference between apprehending the facts of a text and going on to provide further interpretations of those facts. The 'co-constitution' of meanings and facts does not foreclose interpretive practices but allocates them to their proper sphere-as practices that we may wish to undertake in order to go beyond the initial immediate openness of the world of a text. We can test this view by considering the way our changing forms of forms affect the way we read a text such as Jane Austen's Mansfied Park. (shrink)

Some philosophers have argued that Wittgenstein’s hinges, the centrepiece of his book On Certainty, are the “ungrounded ground” on which knowledge rests. It is usually understood by this that hinges provide a foundation for knowledge without being themselves epistemically warranted. In fact, Wittgenstein articulates that hinges lack any truth-value and are neither justified nor unjustified. This inevitably places them wholly outside the categorial framework of JTB epistemology. What I call the “groundlessness interpretation”, inspired by OC 166, understands the fundamental pieces (...) of our cognitive scaffolding this way. The view has been largely successful. I argue that this interpretation is incomplete for two basic reasons: first, it is not based on undisputed evidence; second, by assuming that hinges are committed to reality by epistemic fiat, it looks as if Wittgenstein is asking us to blindly trust them regardless of their actual content. Contrary to this, I argue that Wittgenstein describes hinges as illuminating world-pictures that reflect reality and are answerable to facts in a derivate way. As the book shows, hinges originate in our engagement with reality and, while considered unquestionable, could be challenged, reassessed, and replaced by new ones. This indicates that hinges are both the result of knowledge-acquisition and somewhat continuous with one’s set of beliefs. It follows that hinges are ultimately rational, and so, apt instruments to confront scepticism. (shrink)

On his deathbed, Wittgenstein is reported to have said, upon hearing that his friends were coming for a visit, “Tell them I've had a wonderful life.” Malcolm found this puzzling, given that Wittgenstein seemed to be fiercely unhappy. I find my way into these words against the backdrop of the Hollywood film It's a Wonderful Life and Wittgenstein's famous remark, to wit, “Man has to awaken to wonder . . . Science is a way of sending him to sleep (...) again.” Along the way I discuss Plato's praise of wonder, Nietzsche's attack on science, and Kierkegaard's remark about finding the sublime in the pedestrian. I conclude that Wittgenstein did have a wonderful life insofar as he was fully awake to wonder, what I call the wonder of our words. (shrink)

In Ludwig Wittgenstein's writings, ethics takes a central place in his thinking. This element investigates his engagement with ethics in both early and later thinking. Starting from the remarks on ethics in the Tractatus Logico-Philosophicus and the framing of these remarks, it presents two influential approaches to Tractarian ethics, before it develops a coherent reading of ethics in the early thinking, focusing on ethical silence and the relationship notions of world and the philosophical 'I'. The reading of 'A Lecture (...) on Ethics' focuses on the critique of ethical theory and the personal dimension of ethics, two themes also running through Wittgenstein's later thinking. It considers Wittgenstein's later ethical investigations, of ethical examples, ethically relevant language uses of language and the connections between reflections on ethics and living. It also considers the role of the other in Wittgenstein's later thinking. (shrink)

: Wittgenstein raises the notion of "conversion" in philosophy through his claims that philosophical understanding is a matter of the will rather than the intellect. Soulez examines this notion in Wittgenstein's philosophy through a series of reflections on the aims and methodology of his philosophical "grammar," in relation to comparable models among Wittgenstein's contemporaries (Freud, James) and from the history of philosophy (Saint Augustine, Descartes).

Wittgenstein raises the notion of “conversion” in philosophy through his claims that philosophical understanding is a matter of the will rather than the intellect. Soulez examines this notion in Wittgenstein's philosophy through a series of reflections on the aims and methodology of his philosophical “grammar,” in relation to comparable models among Wittgenstein's contemporaries and from the history of philosophy.

Wittgenstein raises the notion of "conversion" in philosophy through his claims that philosophical understanding is a matter of the will rather than the intellect. Soulez examines this notion in Wittgenstein's philosophy through a series of reflections on the aims and methodology of his philosophical "grammar," in relation to comparable models among Wittgenstein's contemporaries and from the history of philosophy.

Wittgenstein raises the notion of “conversion” in philosophy through his claims that philosophical understanding is a matter of the will rather than the intellect. Soulez examines this notion in Wittgenstein's philosophy through a series of reflections on the aims and methodology of his philosophical “grammar,” in relation to comparable models among Wittgenstein's contemporaries and from the history of philosophy.

Wittgenstein raises the notion of “conversion” in philosophy through his claims that philosophical understanding is a matter of the will rather than the intellect. Soulez examines this notion in Wittgenstein's philosophy through a series of reflections on the aims and methodology of his philosophical “grammar,” in relation to comparable models among Wittgenstein's contemporaries and from the history of philosophy.

Wittgenstein raises the notion of “conversion” in philosophy through his claims that philosophical understanding is a matter of the will rather than the intellect. Soulez examines this notion in Wittgenstein's philosophy through a series of reflections on the aims and methodology of his philosophical “grammar,” in relation to comparable models among Wittgenstein's contemporaries and from the history of philosophy.

The Second Edition of _Wittgenstein: Rules, Grammar and Necessity_ now includes extensively revised and supplemented coverage of the Wittgenstein's complex and controversial remarks on following rules. Includes thoroughly rewritten essays and the addition of one new essay on communitarian and individualist conceptions of rule-following Includes a greatly expanded essay on Wittgenstein’s conception of logical, mathematical and metaphysical necessity Features updates to the textual exegesis as the result of taking advantage of the search engine for the Bergen edition of the (...) _Nachlass_ Reflects the results of scholarly debates on rule-following that have raged over the past 20 years. (shrink)

The paper investigates the role played by ethical deliberation and ethical judgment in Wittgenstein's early thought in the light of twentieth?century German legal philosophy. In particular the theories of the phenomenologists Adolf Reinach, Wilhelm Schapp, and Gerhart Husserl are singled out, as resting on ontologies which are structurally similar to that of the Tractatus: in each case it is actual and possible Sachverhalte which constitute the prime ontological category. The study of the relationship between the states of affairs depicted, (...) e.g., in the sentences of a legal trial and prior fact?complexes to which these may correspond suggests one possible connecting link between the logical and ontological sections of the Tractatus and the ethical reflections appearing at the end. It is argued that the latter can best be understood in terms of the idea of a ?last judgment? (with its associated ethical rewards and punishments) which would relate to the world as a whole as a penal trial relates to individual complexes of facts. (shrink)

The Second Edition of _Wittgenstein: Rules, Grammar and Necessity_ now includes extensively revised and supplemented coverage of the Wittgenstein's complex and controversial remarks on following rules. Includes thoroughly rewritten essays and the addition of one new essay on communitarian and individualist conceptions of rule-following Includes a greatly expanded essay on Wittgenstein’s conception of logical, mathematical and metaphysical necessity Features updates to the textual exegesis as the result of taking advantage of the search engine for the Bergen edition of the (...) _Nachlass_ Reflects the results of scholarly debates on rule-following that have raged over the past 20 years. (shrink)

Wittgenstein's treatment of number words and arithmetic in the Tractatus reflects central features of his early conception of philosophy. In rejecting Frege's and Russell's analyses of number, Wittgenstein rejects their respective conceptions of function, object, logical form, generality, sentence, and thought. He, thereby, surrenders their shared ideal of the clarity a Begriffsschrift could bring to philosophy. The development of early analytic philosophy thus evinces far less continuity than some readers of Wittgenstein, from Russell and the Vienna positivists to many (...) contemporary readers of the Tractatus, have supposed. (shrink)

This paper is concerned with the issue of authenticity in Wittgenstein’s philosophy of psychology. In the manuscripts published as Letzte Schriften über die Philosophie der Psychologie – Das Innere und das Äußere, the German term Echtheit is mostly translated as ‘genuineness’. In these manuscripts, Wittgenstein frequently uses the term as referring to a feature of the expression of feeling and emotion: -/- […] I want to say that there is an original genuine expression of pain; that the expression of pain (...) therefore is not equally connected to the pain and to the pretence. (LW II, p. 55) -/- “This weeping gives the impression of being genuine” – so there is such a thing as genuine weeping. […]. (LW II, p. 87) -/- […] Genuineness and falseness are not the only essential characteristics of an expression of feeling. […]. (LW II, p. 90) -/- Wittgenstein contrasts the genuineness of the expressions with the possibility that the expressions are feigned. It seems to me that Wittgenstein is trying to discredit a specific version of the sceptical claim that we do not know other minds. I will refer to it as the sceptical innuendo. The sceptical innuendo says that every expression of feeling and emotion may be pretended. Wittgenstein’s approach to the issue reflects his later interest in the philosophy of psychology and, in particular, the problem of the ascription of psychological states (P-ascriptions) on the basis of someone else’s expression of feeling or emotion. Thus, the attempt to reject the sceptical innuendo is done mainly by means of conceptual and psychological arguments. Let’s look at this short dialogue between the sceptic and Wittgenstein. The former asks „How do you know that someone else is in a certain psychological state?“ Wittgenstein’s first reply is „I know that he is glad because I see him“. But the sceptic cannot be very happy with this reply. The sceptic’s next question is: „How do you know that he is really glad and he is not pretending?“ Wittgenstein’s response is not a direct refutation but is composed of a number of related reasons. These may be summed up in three arguments: -/- (i) A psychological argument from the very nature of the expressions. The expressions are meant to be natural symptoms of someone else’s psychological state (P-state). -/- (ii) A conceptual argument about the nature of pretence. It claims that pretence is a psychological property which is rightly ascribed when an observer has evidence for it. -/- (iii) A psychological argument from genuineness. It claims that we are committed to accept people’s expressions of feeling and emotion as genuine. (shrink)

This fully revised new edition re-establishes Paul Griffiths's survey as the definitive study of music since the Second World War. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical reforming of compositional technique and in John Cage's move into zen music, in Milton Babbitt's settling of the serial system and in Dmitry Shostakovich's unsettling symphonies, in Karlheinz Stockhausen's development of electronic music and in Luigi Nono's (...) pursuit of the universally human, in Iannis Xenakis's view of music as sounding mathematics and in Luciano Berio's consideration of it as language. The initiatives of these composers and their contemporaries opened prospects that have continued to unfold. This constant expansion of musical thinking since 1945 has left us with no single history of music. Paul Griffiths's study accordingly follows several different paths, showing how and why they converge and diverge. In addition to the composers mentioned above, others whose music is discussed include Steve Reich, Jean Barraque, Elliott Carter, Olivier Messiaen, Gyorgy Kurtag, Harrison Birtwistle, and Gyorgy Ligeti. Publication and recording details are given for the works of all these composers and many others. (shrink)

Some philosophers have argued that Wittgenstein’s hinges, the centrepiece of his book On Certainty, are the “ungrounded ground” on which knowledge rests. It is usually understood by this that hinges provide a foundation for knowledge without being themselves epistemically warranted. In fact, Wittgenstein articulates that hinges lack any truth-value and are neither justified nor unjustified. This inevitably places them wholly outside the categorial framework of JTB epistemology. What I call the “groundlessness interpretation”, inspired by OC 166, understands the fundamental pieces (...) of our cognitive scaffolding this way. The view has been largely successful. I argue that this interpretation is incomplete for two basic reasons: first, it is not based on undisputed evidence; second, by assuming that hinges are committed to reality by epistemic fiat, it looks as if Wittgenstein is asking us to blindly trust them regardless of their actual content. Contrary to this, I argue that Wittgenstein describes hinges as illuminating world-pictures that reflect reality and are answerable to facts in a derivate way. As the book shows, hinges originate in our engagement with reality and, while considered unquestionable, could be challenged, reassessed, and replaced by new ones. This indicates that hinges are both the result of knowledge-acquisition and somewhat continuous with one’s set of beliefs. It follows that hinges are ultimately rational, and so, apt instruments to confront scepticism. (shrink)