Quillard tem sido um artista frequentemente esquecido pela nossa historiografia, apesar de Portugal ter exercido uma importância considerável no desenvolvimento da sua carreira. Depois de um período de estreita aproximação ao estilo de Watteau, será aqui que o artista parisiense dará início a um novo estilo, mais maduro, e a novas temáticas na sua obra, tanto na Pintura como na Gravura, mormente no desenvolvimento da arte do Retrato, na temática religiosa, histórica e alegórica, mais de acordo com o gosto e (...) o mercado nacional. As referências da época dão-nos testemunho do grande apreço e estima que gozou entre colegas e clientes, e o rol das colecções onde a sua obra se encontrava figurada, é por si bastante representativa do agrado e da popularidade que ela tinha adquirido, sobretudo entre a alta aristocracia, apesar da estética oficial joanina considerar como inferior aquele género temático. Um dos aspectos mais significativos da sua obra foi precisamente o seu trabalho como gravador, e ilustrador de obras, actividade que desenvolveu em larga medida, apesar da concorrência dos gravadores da Real Academia de História, fundada por D. João V em 1720. (shrink)

Antoine Arnauld and Pierre Nicole were philosophers and theologians associated with Port-Royal Abbey, a centre of the Catholic Jansenist movement in seventeenth-century France. Their enormously influential Logic or the Art of Thinking, which went through five editions in their lifetimes, treats topics in logic, language, theory of knowledge and metaphysics, and also articulates the response of 'heretical' Jansenist Catholicism to orthodox Catholic and Protestant views on grace, free will and the sacraments. In attempting to combine the categorical (...) theory of the proposition with a Cartesian account of knowledge, their Logic represents the classical view of judgment which inspired the modern transformation in logic and semantic theory by Frege, Russell, Wittgenstein and recent philosophers. This edition presents a new translation of the text, together with a historical introduction and suggestions for further reading. (shrink)

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in (...) English or French. (shrink)

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Summary Pierre-Joseph Macquer (1718–1784) is well known as one of the major chemists in the eighteenth century as a theoretician and a teacher. He is also known for his works on dyeing. This paper presents a new face of Macquer. He proposed a theory on mordants in dyeing as early as 1775. Besides his activity at the Académie des sciences, he played an important role in Government as the commissioner of dyeing from 1766 where he established close (...) links with artisan inventors. Académicien chimiste at the royal Manufactory of Sèvres from 1757, he was also the inventor of French porcelain. His notebooks show his organization, method, courage, passion and obstinacy in the search for the paste for hard porcelain. He also proposed an interpretation of its formation. Macquer was both a theoretician and a practical expert in dyeing as well as in porcelain making. He managed to bridge the gap between science and art. (shrink)

The lasting effects of the debate over canon-formation during the 1980s affected the whole field of Humanities, which became increasingly engaged in interrogating the origin and function of the Western canon. In philosophy, a great deal of criticism was, as a result, directed at the traditional narrative of seventeenth-and eighteenth-century philosophies—a critique informed by postcolonialism as well as feminist historiography. D. F. Norton, L. Loeb and many others1 attempted to demonstrate the weaknesses of the tripartite division between rationalism, (...) empiricism and critical philosophy.2 As time went on, symptoms of dissatisfaction with what has... (shrink)

Pierre Bourdieu is arguably one of the twentieth century’s greatest socio-philosophical thinkers and his writings have much to offer anyone interested in the ways that people value, consume and produce architecture. Bourdieu spent much of his life attempting to understand cultural consumption and production through detailed empirical research that included studies of dwellings, art, museums, photography and aesthetics. This book introduces the architectural reader to Bourdieu’s key writings on culture and outlines the ways in which they offer powerful (...) practical tools and novel conceptual frameworks for understanding architectural value, taste, and practice. (shrink)

John Law left a remarkable legacy of economic concepts from a time when economic conceptualization was very much at an embryonic stage. Yet he is best known--and generally dismissed--today as a rake, duellist, and gambler. This intellectual biography offers a new approach to Law, one that shows him to have been a significant economic theorist with a vision that he attempted to implement as policy in early-eighteenth-century Europe. Law's style, marked by a clarity and use of modern terminology, (...) stands out starkly against the turgid prose of many of his contemporaries. His vision of a monetary and financial system was certainly one of a later age, for Law believed in an economy of banknotes and credit where specie had no role to play. Ultimately Law failed as a policy-maker, in part because of the entrenchment of the financiers and their aristocratic backers and in part because of theoretical flaws in his vision. His struggle for power took place against the background of Europe's first major stock boom and collapse. The collapse of the Mississippi System, which he had conceived, and the South Sea Bubble led to a lasting impression of Law as a failure. It is this impression that Antoin Murphy seeks to dispel. (shrink)

Imagine an idealized Islamic people named “Kazanistan.” Is realistic utopia a fantasy? Using an intellectual device reminiscent of Montesquieu’s evocation of oriental despotism in his Persian Letters as a pretext allowing him to criticize eighteenth-century European monarchies, a columnist has recently reflected on the “fantasy nation” that certain Americans dream of. What would exemplify a Neoconservative vision of society as put forward in debates about questions of social justice in the United States? asked Nicholas D. Kristof in the (...) New York Times (June 4, 2011). He presented this question as an enigma and offered a few clues meant to help in guessing what type of society would conform to Neocon .. (shrink)

Merchant activity was a central element in the networks and webs of relationship over the Atlantic in the eighteenth century. When closely analyzed, however, daily merchant practice does not fit easily into regional categories, whether Atlantic or imperial. Merchant life was heavily dependent on the building of chains of trusted correspondents, who would both be able to guarantee adequate quality and satisfactory pricing upon acquisition or sale of the goods traded, and willing to extend credit in a trading (...) world in which all operations included long time lags before final payment. For each trading center, the addition of such chains of correspondents constituted networks both supra-regional, covering the entire world, and sub-regional, specializing in some areas more than others according to prevalent political-imperial pressures. It is argued that the common element in all these networks, i.e. merchant development, is best identified as a worldwide, but Europe-dominated social process underpinning much of what is usually meant by “Atlantic” history. (shrink)

Since the 1980s, society's wealthiest members have claimed an ever-expanding share of income and property. It has been a true counterrevolution, says Pierre Rosanvallon--the end of the age of growing equality launched by the American and French revolutions. And just as significant as the social and economic factors driving this contemporary inequality has been a loss of faith in the ideal of equality itself. An ambitious transatlantic history of the struggles that, for two centuries, put political and economic equality (...) at their heart, The Society of Equals calls for a new philosophy of social relations to reenergize egalitarian politics. For eighteenth-century revolutionaries, equality meant understanding human beings as fundamentally alike and then creating universal political and economic rights. Rosanvallon sees the roots of today's crisis in the period 1830-1900, when industrialized capitalism threatened to quash these aspirations. By the early twentieth century, progressive forces had begun to rectify some imbalances of the Gilded Age, and the modern welfare state gradually emerged from Depression-era reforms. But new economic shocks in the 1970s began a slide toward inequality that has only gained momentum in the decades since. There is no returning to the days of the redistributive welfare state, Rosanvallon says. Rather than resort to outdated notions of social solidarity, we must instead revitalize the idea of equality according to principles of singularity, reciprocity, and communality that more accurately reflect today's realities. (shrink)

Antoine Pecquet wrote in the eighteenth century during the reign of Louis XV. Although he included Pascal among those he admired, he considered Alexander Pope his true mentor. In Part 1 of "Diverse Thoughts on Man," Pecquet reflects on Man's responsibilities as an individual: in Part 2, on Man's responsibilities as a member of society. Among these responsibilities he includes human and social concerns, such as parental and filial obligations, and the transfer of wealth between generations. In (...) the tradition of Montaigne, Pecquet intended his "Diverse Thoughts on Man" to help his readers learn more about themselves. Although he felt that those who would profit most from his book were readers who had not greatly pondered about themselves, he believed that every reader could find something of value in it. (shrink)

This first English-language translation captures the excitement of the original text-already a contemporary classic, and will likely become a standard reference in the history of eighteenth-century thought, politics, and society, and in the ...

Richard Popkin’s meticulous translation--the most complete since the eighteenth century--contains selections from thirty-nine articles, as well as from Bayle’s four Clarifications. The bulk of the major articles of philosophical and theological interest--those that influenced Leibniz, Berkeley, Hume, and Voltaire and formed the basis for so many eighteenth-century discussions--are present, including David, Manicheans, Paulicians, Pyrrho, Rorarius, Simonides, Spinoza, and Zeno of Elea.

Antoine Arnauld and Pierre Nicole were philosophers and theologians associated with Port-Royal Abbey, a centre of the Catholic Jansenist movement in seventeenth-century France. Their enormously influential Logic or the Art of Thinking, which went through five editions in their lifetimes, treats topics in logic, language, theory of knowledge and metaphysics, and also articulates the response of 'heretical' Jansenist Catholicism to orthodox Catholic and Protestant views on grace, free will and the sacraments. In attempting to combine the categorical (...) theory of the proposition with a Cartesian account of knowledge, their Logic represents the classical view of judgment which inspired the modern transformation in logic and semantic theory by Frege, Russell, Wittgenstein and recent philosophers. This edition presents a new translation of the text, together with a historical introduction and suggestions for further reading. (shrink)

During the last two decades, sociologist Pierre Bourdieu has become a dominant force in cultural activity ranging from taste in music and art to choices in food and lifestyles. _The Field of Cultural Production_ brings together Bourdieu's major essays on art and literature and provides the first introduction to Bourdieu's writings and theory of a cultural field that situates artistic works within the social conditions of their production, circulation, and consumption. Bourdieu develops a highly original approach to the study (...) of literary and artistic works, addressing many of the key issues that have preoccupied literary art and cultural criticism in the last twentieth century: aesthetic value and canonicity, intertextuality, the institutional frameworks of cultural practice, the social role of intellectuals and artists, and structures of literary and artistic authority. Bourdieu elaborates a theory of the cultural field which situates artistic works within the social conditions of their production, circulation, and consumption. He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power. The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power. The Field of Cultural Porduction will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies. (shrink)

The ardent antagonism between two aesthetic parties, figuration and abstraction, which for more than half a century has stamped art history in old Europe, with increasingly overlapping implications for youthful America, Japan and many other places, today tends to reduce itself to being simply the anecdotal imprint of an era: in the final analysis it seems already condemned to disappear in favor of a notion of complementarity and even synthesis.

The term “coenesthesia” was introduced at the end of the eighteenth century by the German physiologist Johann Christian Reil to designate the general perception of the living body through the nerves. Over the course of the nineteenth century, this notion circulated widely not only in Germany, but also in France, where it was developed in particular by Théodule Ribot. However, a good sixty years before Ribot, Maine de Biran had already employed the notion of “coenesthesia” to indicate (...) the “immediate feeling of existence,” which he distinguished from the apperception of the self in relation to the body. What Biran emphasized, in his philosophical appropriation of “coenesthesia,” is the impersonal and mostly unconscious nature of this feeling, which never leaves us and plays a key role in the shaping of our personal and conscious life, unnoticeably influencing the course of our ideas, our character, and the emotional tone of our perception of the world. The purpose of this article is to study Biran’s philosophical use of the notion of “coenesthesia” in the last phase of his philosophical reflection (1823–1824) in relation to the emergence of the problem of the unconscious. (shrink)

Baumard suggests that the advent, through phenotypic plasticity mechanisms, of future-oriented preferences and creative mindsets in eighteenth-century Great Britain explains the wave of innovations that drove the British Industrial Revolution. We argue that, although this approach is promising, Baumard's model would benefit from being supplemented by demographic, economic, and sociological explanations independent of Life History Theory.

This article examines how the theory of proportions was explained during the second half of the seventeenth century in the works of Andreas Tacquet, Antoine Arnauld, Ignace Gaston Pardies, Bernard Lamy, and Jacques Rohault. These five authors had very different conceptions of this subject, and on one hand, they show that this question was not forgotten, even after the Geometry of Descartes, and on the other hand, their work displays the progressive transformation of mathematical objects. While Tacquet deepened (...) Euclidean thought, the others stopped taking the Euclidean model as paradigmatic and tried to change the order of the Elements and to establish book V of Euclid in new ways. We shall see that this multiplicity of the approaches highlights both the vitality of the reflections and the difficulty in developing a new ontology of mathematics. Some of them nevertheless opened new perspectives that were to bloom only much later. We shall also see the increasingly important place of the algebra as time went by. (shrink)

This is the first part of Raymond Aron's landmark two-volume study of the sociological tradition¿arguably the definitive work of its kind. More than a work of reconstruction, Aron's study is, at its deepest level, an engagement with the very question of modernity: How did the intellectual currents which emerged in the eighteenth century shape the modern political and philosophical order? With scrupulous fairness, Aron examines the thought and arguments of the major social thinkers to discern how they answered (...) this question. Volume One explores three traditions: the French liberal school of political sociology, represented by Montesquieu and Tocqueville; the Comtean tradition, anticipating Durkheim in its elevation of social unity and consensus; and the Marxists, who posited the struggle between classes and placed their faith in historical necessity. In his customary clear and penetrating prose, Aron argues that each of these schools offers its own theory of the diversity of societies and that ¿each is inspired both by moral convictions and by scientific hypotheses.¿ This Routledge Classics edition includes an introduction by Daniel J. Mahoney and Brian C. Anderson. (shrink)

Charles Avison's Essay on Musical Expression, first published in 1752, is a major contribution to the debate on musical aesthetics which developed in the course of the 18th century. Considered by Charles Burney as the first essay devoted to 'musical criticism' proper, it established the primary importance of 'expression' and reconsidered the relative importance of harmony and melody. Immediately after its publication it was followed by William Hayes's Remarks (1753), to which Avison himself retorted in his Reply. Taken together (...) these three texts offer a fascinating insight into the debate that raged in the 18th century between the promoters of the so-called 'ancient music' (such as Hayes) and the more 'modern' musicians. Beyond matters of taste, what was at stake in Avison's theoretical contribution was the assertion that the individual's response to music ultimately mattered more than the dry rules established by professional musicians. Avison also wrote several prefaces to the published editions of his own musical compositions. This volume reprints these prefaces and advertisements together with his Essay to provide an interesting view of eighteenth-century conceptions of composition and performance, and a complete survey of Avison's theory of music. (shrink)

From the premise that a discourse analysis about the Museum and the History of Art as conditions of possibility of Contemporary Art discourse is required, this event analysis suggests that the subject of theoretical discourse of the mac between 1946 and 1947 is to conceive, to select and to display the Chilean painting as a representative overview of the artistic activity and of the nation itself. This also supposes a deeply rooted belief about Chilean art development: the formal evolution of (...) art runs parallel to the emergence of the nation from the beginning of the Republic until the forties of twentieth century, the first one is conceived as a mirror of the second one in its landscapes and genre paintings. (shrink)

Résumé Le présent article analyse d’un point de vue sémiotique les rapports entre la /lumière/ et l’/obscurité/ et les catégories discursives au sein d’un corpus de quatre textes de la littérature du dix-neuvième et vingtième siècle. Il s’agit de montrer que les propriétés physiques et sensibles fondent les structures sémio-narratives et orientent les catégories axiologiques, thymiques, spatiales et temporelles. Autrement dit, on observe une primauté de la lumière et de l’obscurité en tant que catégories organisées en structure élémentaire qui génère, (...) par un système de conversion, les unités abstraites et concrètes aux niveaux successifs du parcours génératif. (shrink)

Cet article se donne pour tâche de souligner la place, incontestablement impensée, de l’altérité et de l’ecriture chez Gadamer. Son dialogue incessant avec Hegel lui a en effet permis d’insister considérablement sur la prédominance de l’autre au delà de toute saisie logique et dialectique. Oe c’est à partir d’un travail subtil de proximité et de distanciation vis-à-vis de la phénoménologie hégélienneque Gadamer pense véritablement la question de l’altérité comme première dans l’acte d’interprétation. C’est depuis cette problématisation que devient également possible (...) une confrontation indirecte avec Derrida dont la portée dépasse amplement la simple opposition dialogue-écriture dans laquelle on tente trop souvent d’enfermer le débat autour de l’identité du sens et de sa différance. Car l’ecriture fait bel et bien l’objet d’une attention particulière dans l’expérience herméneutique gadamerienne.This article attempts to clarify the position, incontestably neglected, of alterity and writing in Gadamer’s hermeneutics. His incessant dialogue with Hegel offered him the possibility of insisting on the predominance of the other over any logical and dialectical apprehension. Hence it is based on a subtle work of proximity and distance in regard to Hegel’s phenomenology that Gadamer can really interrogate the question of alterity as fundamental in the action of interpretation. This problematisation makes possible a real and indirect confrontation with Derrida, whose consequences transgress the simple opposition dialogue-writing to which the debate about the identity of sense and its différance is often confined. In fact, writing is actually the subject of particular attention in gadamerian hermeneutical experience. (shrink)

Cet article se donne pour tâche de souligner la place, incontestablement impensée, de l’altérité et de l’ecriture chez Gadamer. Son dialogue incessant avec Hegel lui a en effet permis d’insister considérablement sur la prédominance de l’autre au delà de toute saisie logique et dialectique. Oe c’est à partir d’un travail subtil de proximité et de distanciation vis-à-vis de la phénoménologie hégélienneque Gadamer pense véritablement la question de l’altérité comme première dans l’acte d’interprétation. C’est depuis cette problématisation que devient également possible (...) une confrontation indirecte avec Derrida dont la portée dépasse amplement la simple opposition dialogue-écriture dans laquelle on tente trop souvent d’enfermer le débat autour de l’identité du sens et de sa différance. Car l’ecriture fait bel et bien l’objet d’une attention particulière dans l’expérience herméneutique gadamerienne.This article attempts to clarify the position, incontestably neglected, of alterity and writing in Gadamer’s hermeneutics. His incessant dialogue with Hegel offered him the possibility of insisting on the predominance of the other over any logical and dialectical apprehension. Hence it is based on a subtle work of proximity and distance in regard to Hegel’s phenomenology that Gadamer can really interrogate the question of alterity as fundamental in the action of interpretation. This problematisation makes possible a real and indirect confrontation with Derrida, whose consequences transgress the simple opposition dialogue-writing to which the debate about the identity of sense and its différance is often confined. In fact, writing is actually the subject of particular attention in gadamerian hermeneutical experience. (shrink)

L’enjeu de cet article est, tout d’abord, de proposer une réflexion sur l’identité telle qu’elle se voit amplement redéfinie à l’ère numérique, en l’abordant sous l’angle des questions qu’elle nous pose et qui concernent la part du secret qui vient nourrir les processus de subjectivation. Ceci dans une époque hypermoderne où les possibilités d’intervenir dans la gestion de nos données personnelles sont limitées : la multiplication des informations récoltées rend irréaliste l’exercice systématique du consentement et le contrôle par l’utilisateur, ne (...) serait-ce qu’en raison de la surcharge cognitive que cet exercice effectif exige. D’autre part, le changement de nature des moyens techniques de collecte, illustré par l’avènement des objets connectés, conduit à la démultiplication des capteurs qui collectent les données sans même que l’utilisateur puisse s’en rendre compte, comme le montre l’exemple de la vidéo-surveillance couplée à la reconnaissance faciale. Dans ces agencements machiniques, le visible se réduit à ce qui peut être saisi en données, à ce qui relève de la mise à disposition immédiate des êtres, comme si on pouvait percer leurs secrets les plus intimes. Mais au-delà des contraintes générées par les architectures numériques, les possibilités d’entrevoir de nouveaux champs de réinvention permanente de soi demeurent pleinement ouvertes et permettent de créer les conditions d’émergence d’un rapport dynamique et plus inventif au secret. (shrink)