"The Spanish original, 'La rebelión de las masas,' was published by 1930; this translation, authorized by Sr. Ortega y Gasset, remains anonymous at the translator's request." Contents: 1. The Coming of the Masses 2. The Rise of the Historical Level 3. The Height of the Times 4. The Increase of Life 5. A Statistical Fact 6. The Dissection of the Mass-Man Begins 7. Noble Life and Common Life, or Effort and Inertia 8. Why the Masses Intervene in Everything, (...) and Why Their Intervention is Solely by Violence 9. The Primitive and the Technical 10. Primitivism and History 11. The Self-Satisfied Age 12. The Barbarism of “Specialisation” 13. The Greatest Danger, the State 14. Who Rules the World 15. We Arrive at the Real Question. (shrink)

"This concise, elegant essay on the roots and historical justification of philosophy marks a decisive step in posing the problem of what philosophy is. With consummate clarity and the charisma that distinguished him as a lecturer, Jos Ortega y Gasset re-creates ""that moment when Parmenides began talking about something exceptionally strange, which he called 'being.'"" How and why, he asks, did such a surprising adventure come about?Considering the human qualities that prompt a curiosity about existence and eternity, Ortega (...) examines philosophy's etymology, its connection to poetry, and its differentiation from religion and other modes of thought. He lucidly delineates radical differences of doctrine and style among early Greek thinkers, especially the ""madman of reason"" Parmenides and the ""absolute individual"" Heraclitus. He also considers philosophy's fundamental task of revealing the latent world poised behind the manifest world and discovering the relations between them.""Unable to find lodging among the philosophies of the past,"" Ortega observes, ""we have no choice but to attempt to construct one of our own."" The Origin of Philosophy argues for the vital importance of philosophy as a human endeavor, even while noting that each generation of thought reveals the past as ""a defunct world of errors.""". (shrink)

Contents: The Modern Theme – Supplemental: The Sunset of Revolution – Epilogue on the Mental Attitude of Disillusion – The Historical Significance of the Theory of Einstein. Translation of El tema de nuestro tiempo. El ocaso de las revoluciones. El sentido histórico de la teoría de Einstein (1923).

The second of Lorca's great trilogy of rural dramas, "Yerma" is a concentrated blend of contrasting moods through which Lorca charts the increasingly destructive obsession of a childless young country wife, and probes the darker zones of human fears and desires. The play's rich mode of expression--a powerful combination of verbal, visual and auditory images and rhythms--is also geared to celebrating sexual attraction and fertility, creation and procreation.

The sportive origin of the state -- Unity and diversity of Europe -- Man the technician -- History as a system.

Contents: Translator's foreword – Author's foreword – The Sportive Origin of the State (El origen deportivo del Estado, 1924) – Unity and Disunity of Europe (Prólogo para franceses, 1937) – Man the Technician (Meditación de la técnica, 1939) – History as a System (Historia como sistema, 1935) – The Argentine State and the Argentinean (El hombre a la defensiva, 1929).

This concise, elegant essay on the roots and historical justification of philosophy marks a decisive step in posing the problem of what philosophy is. With consummate clarity and the charisma that distinguished him as a lecturer, José Ortega y Gasset re-creates "that moment when Parmenides began talking about something exceptionally strange, which he called 'being.'" How and why, he asks, did such a surprising adventure come about? Considering the human qualities that prompt a curiosity about existence and eternity, (...) class='Hi'>Ortega examines philosophy's etymology, its connection to poetry, and its differentiation from religion and other modes of thought. He lucidly delineates radical differences of doctrine and style among early Greek thinkers, especially the "madman of reason" Parmenides and the "absolute individual" Heraclitus. He also considers philosophy's fundamental task of revealing the latent world poised behind the manifest world and discovering the relations between them. "Unable to find lodging among the philosophies of the past," Ortega observes, "we have no choice but to attempt to construct one of our own." The Origin of Philosophy argues for the vital importance of philosophy as a human endeavor, even while noting that each generation of thought reveals the past as "a defunct world of errors". (shrink)

This book, an exploration of the work of Leibnitz, is Ortega’s most systematic contribution to philosophy. Ortega begins with a detailed definition of a principle and with an examination of the specific principles formulated by Leibnitz. He goes on to examine Leibnitz. He goes on to examine Leibnitz’s complex and mercurial attitudes towards principles and discusses the effects of these attitudes on his philosophy and on contributions to mathematics and logic.

Philosophical interpretation of the dilemma of modern man within the context of history.

Translation of: La deshumanización del arte (1924).

A work powerful and pervading in its implications not only for metaphysics but also for art, political science, and the philosophy of history.

Excerpt from Meditaciones del Quijote: Meditación Preliminar, Meditación Primera Nada que de éste provenga puede ser nos simpático. El rencor es una emana ción de la conciencia de inferioridad. Es la supresión imaginaria de quien no pode mos con nuestras propias fuerzas real mente suprimir. Lleva en nuestra fantasía aquel por quien sentimos rencor, el aspec to lívido de un cadáver; lo hemos matado, aniquilado con la intención. Y luego al ha llarlo en la realidad firme y tranquilo, nos parece (...) un muerto indócil, más fuerte que nuestros poderes, cuya existencia signi fica la burla personificada, el desdén vi viente hacia nuestra débil condición. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

"This concise, elegant essay on the roots and historical justification of philosophy marks a decisive step in posing the problem of what philosophy is.

Includes "The Sportive Origin of the State" (El origen deportivo del Estado, 1924); "Unity and Disunity of Europe" (Prólogo para franceses, 1937); "Man the Technician" (Meditación de la técnica, 1939); and "History as a System" (Historia como sistema, 1935).

There are surely some dozens of young Spaniards who, submerged in the obscure depths of provincial existence, live in a perpetual and tacit irritation with the atmosphere around them. I can almost see them, in the corner of some social hall, silent, with embittered gaze and hostile mien, withdrawn into themselves like little tigers awaiting the moment for their vengeful, predatory leap. That corner and that frayed plush divan are like the solitary crag where the shipwrecked of monotony, of utter (...) banality, of the abjection and emptiness of Spanish life, hope for better times. Not far away, playing their card games, making their petty politics, plotting their minimal business ventures, are the "life forces" of the community, these men who contrive this ominous moment in our national life. (shrink)

Autobiography and phenomenology: Preface for Germans (1934).--Phenomenology and theory of knowledge: Sensation, construction, and intuition (1913). On the concept of sensation (1913). Consciousness, the object, and its three distances (1916).--Phenomenology and esthetics: An essay in esthetics by way of a preface (1914). Esthetics on the streetcar (1916).--An esthetics of historical reason: The idea of theater: an abbreviated view (1946). Reviving the paintings (Velázquez, chapter I) (1946).

Es ist klar, dass jede Gemeinschaft bereits Organisation ist und der Mensch ist, ob er will oder nicht, Glied einer Gesellschaft und leistet in ihr Dienste. Jedoch: wenn ein Volk sich die Organisation seines Kollektivlebens als Hauptaufgabe stellt, so tut es das um den Preis der Individualität seiner Mitglieder. Es stellt sich heraus, dass Organisation im Allgemeinen das individuelle Leben der Menschen ausschaltet; man verlangt von dem Menschen, dass er aufhört, Individuum zu sein. Organisation entmenschlicht in gewissem Sinne den Menschen; (...) das Amt ist eine Rolle, eine "Maske". Der Verfasser erörtert dann das schwere Problem der Gegenwart: ob oder in welchem Masse das Kollektive menschlich ist und ob Gemeinschaft, Gesellschaft, Staat allzu abstrakte Dinge sind, als dass wir sie jederzeit gegenwärtig haben könnten. Er behandelt ferner die Frage: ist eine 'Gemeinschaft' von Individuen nicht eine Gemeinschaft von 'Individuen', das heisst von Menschen, individuellen Existenzen? Und wenn diese herunterkommen, ist es nicht klar, dass dann auch die Gemeinschaft herunterkommt? Die bis jetzt ziemlich romantische Frage, ob man sich für die kollektivistischen oder für die individualistischen Theorien zu entscheiden gedenkt, nimmt so eine neue und und spannende Gestalt an, ob nämlich die gegenwärtigen Gesellschaften nicht an sich von kollektiver Verfassung sind und, ihrer eigenen Schwerkraft überlassen, das persönliche Leben schliesslich ersticken und zu menschlichen Ameisenhaufen werden lassen müssen. Im Laufe des 19. Jahrhunderts machte man den Versuch einer Analyse der Gesellschaft und begann ein Buch unter dem Titel 'Soziologie; aber es kam nicht über die ersten Zeilen hinaus; wahrscheinlich glich die neue Wissenschaft nicht genügend der Physik. Und dank diesem Umstand befinden wir uns heute in einer Lage in der es von höchster Dringlichkeit wäre, klare Vorstellungen davon zu haben, was das Soziale oder was ein Kollektivum ist und in welcher Beziehung es zu dem Menschen steht. Ortega y Gasset schlägt schliesslich eine Rundfrage vor um mit aller Strenge die Vorstellungen festzustellen zu suchen, welche die einflussreichsten Männer des Erdballes mit Vokabeln wie 'Gesellschaft', 'Kollektivität', 'Masse', 'Brauch', 'öffentliche Meinung', 'menschliches Individuum', 'Revolution', 'Staat' u.s.w. verbinden. Das Ergebnis wäre niederschmetternd, besonders wenn man die urweltliche Grobheit dieser Ideen dann mit der Präzision der naturwissenschaftlichen Begriffsbildung vergleicht. Die wirtschaftliche Krise hat ausserdem die Unzulänglichkeit der Nationalökonomie blossgelegt. Der Verfasser vermutet, die Mangelhaftigkeit der herkömmlichen Wirtschaftslehre möchte vielleicht daher rühren, dass sie eine soziale Spezialwissenschaft ist, deren Fundamente in der Luft hängen, solange es keine soziologische Grundwissenschaft gibt; genau wie keine gute Optik oder Akustik möglich ist, wenn man keine gute Mechanik hat. (shrink)

The first edition was published in 1948 under the title "The Dehumanization of Art, and Notes on the Novel", translated by Helene Weyl from the Spanish original, "La Deshumanizacion del arte e Ideas sobre la novela," published by Revista de Occidente, 1925. In addition to the two title essays, "The Dehumanization of Art" and "Notes on the Novel," this second expanded edition contains three other essays: "In Search of Goethe from Within" (Goethe desde dentro, 1932); "On Point of View in (...) the Arts" (Sobre el punto de vista en las artes, 1924); and "The Self and the Other" (Ensimismamiento y alteración, 1945). (shrink)

Excerpt from El Tema de Nuestro Tiempo; El Ocaso de las Revoluciones; El Sentido Histórico de la Teoría de Einstein LA primera parte de este libro contiene la redacción un poco ampliada de la lección universitaria con q'ue ínaugaré mi curso habitual en el ejercicio de 7927-22. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to (...) digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

Excerpt from Personas, Obras, Cosas Un cenobita con sayal del color de la tierra abre un portón; entramos. Dos hileras de cipre ses ensimismados con su follaje recio, de un verde casi negro, conducen a la íglesuca y al apo sento del capellán. En la sacristía se ven dos cua dros que figuran una antítesis dolorosa: es uno la imagen horrenda de una pobre ánima del purga torió ardiendo en llamas de ocre; en un rincón del lienzo está escrito: Alma (...) en pena. En el otro cuadro se lee: Alma en gracia; representa una mujer tan bella, con unos ojos tan azules, unos cabellos tan augustos y dorados y unos labios tan deleitosos, que a no hallamos tamaña altura so bre el nivel del mar y de los instintos, alguna in quietud nos sobrecogería. Luego conviene dejarse ir, lasa la voluntad, por el campo austero que se abre en derredor. Las ermitas están desparramadas en la cima, ocul tas en la espesura. Cada una tiene su huerto, largo de algunos pasos, ceñido por blanca tapia que se recala entre las chaparras y las higueras. Cada una tiene un ciprés y una espadaña. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

Original: José Ortega y Gasset, „No ser hombre de partido”, w: idem, Obras completas, t. IV, 306–313. The consent for the translation and its publication was expressed by the heirs of Ortega, represented by Andreas Ortega Klein The essay „No ser hombre de partido” by José Ortega y Gasset was published for the first time in the Argentinian magazine La Nación. It has been divided into two parts. The first was published on May 15, 1930. The (...) second was June 3, 1930. The subject of reflection is the problem of “partisanism,” which is considered from two perspectives — metaphysical and social. The first one makes “partisanism” a manifestation of compensation, falsification of one’s being and lack of acceptance for one’s own vocation. The second one indicates that “partisanism” is a historical phenomenon, the beginning of which is the nineteenth century. Then, for the first time, society is understood as a permanent and eternal struggle. This requires as a consequence the constitution of fighting groups, called parties. Ortega, on the other hand, wants to overcome both versions of “partisanism.” Therefore, it is on the side of the authenticity of our individual life and independent of the party, ideas, feelings and values. (shrink)

Appearing in English for the first time, this book comprises two of Ortega’s most important works, ¿Qué es conocimiento? and the essay “Ideas y creencias.” This is Ortega’s attempt to systematically present the foundations of his metaphysics of human life and, on that basis, to provide a radical philosophical account of knowledge. In so doing, he criticizes idealism and overcomes it. Accordingly, this book goes well beyond a treatise on epistemology; in fact, as understood in modern philosophy, this (...) discipline and its questions are shown to be derivative and, in that sense, they are transcended here by Ortega’s systematic effort. -/- Written during the time of his maturity, these works are representative of his fruitful and radical period. Both ¿Qué es conocimiento? and “Ideas y creencias” are equally decisive not only for the understanding and radical completion of Ortega’s work, but also for their relevance to the work of continental philosophers during the same period and for years to come (e.g., Husserl, Jaspers, Heidegger, Sartre, and others). (shrink)

Translation of "Unas lecciones de metafísica," based on a course given at the University of Madrid in 1932-1933, and published by Revista de Occidente in 1966.

The dehumanization of art.--Notes on the novel.--On point of view in the arts.--In search of Goethe from within.--The self and the other.

Excerpt from Meditaciones del Quijote: Meditación Preliminar, Meditación Primera Nada que de éste provenga puede ser nos simpático. El rencor es una emana ción de la conciencia de inferioridad. Es la supresión imaginaria de quien no pode mos con nuestras propias fuerzas real mente suprimir. Lleva en nuestra fantasía aquel por quien sentimos rencor, el aspec to lívido de un cadáver; lo hemos matado, aniquilado con la intención. Y luego al ha llarlo en la realidad firme y tranquilo, nos parece (...) un muerto indócil, más fuerte que nuestros poderes, cuya existencia signi fica la burla personificada, el desdén vi viente hacia nuestra débil condición. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

The article focuses on the ideas of psychiatrist Sigmund Freud and his theories and ideas on human thought and desire. It is suggested that even though some consider Freud as a genius regarding ideas of the unconscious mind, others believe that it was just propaganda. Included in the article are opinions on many of Freud's ideas on dreams, personality, conflict, repressions and the unconscious. The author questions whether or not Freud's ideas will continue to be used in science in the (...) future in an attempt to understand the human psyche. (shrink)

Contents: Translator's preface – Concord and Liberty (Del imperio romano) – Notes on Thinking: Its Creation of the World and its Creation of God (Apuntes sobre el pensamiento, su teurgía y su demurgía) – Prologue to a History of Philosophy (Prólogo a una filosofía) – A Chapter from the History of Ideas: Wilhelm Dilthey and the Idea of Life (Guillermo Dilthey y la idea de la vida).

Es ist klar, dass jede Gemeinschaft bereits Organisation ist und der Mensch ist, ob er will oder nicht, Glied einer Gesellschaft und leistet in ihr Dienste. Jedoch: wenn ein Volk sich die Organisation seines Kollektivlebens als Hauptaufgabe stellt, so tut es das um den Preis der Individualität seiner Mitglieder. Es stellt sich heraus, dass Organisation im Allgemeinen das individuelle Leben der Menschen ausschaltet; man verlangt von dem Menschen, dass er aufhört, Individuum zu sein. Organisation entmenschlicht in gewissem Sinne den Menschen; (...) das Amt ist eine Rolle, eine "Maske". Der Verfasser erörtert dann das schwere Problem der Gegenwart: ob oder in welchem Masse das Kollektive menschlich ist und ob Gemeinschaft, Gesellschaft, Staat allzu abstrakte Dinge sind, als dass wir sie jederzeit gegenwärtig haben könnten. Er behandelt ferner die Frage: ist eine 'Gemeinschaft' von Individuen nicht eine Gemeinschaft von 'Individuen', das heisst von Menschen, individuellen Existenzen? Und wenn diese herunterkommen, ist es nicht klar, dass dann auch die Gemeinschaft herunterkommt? Die bis jetzt ziemlich romantische Frage, ob man sich für die kollektivistischen oder für die individualistischen Theorien zu entscheiden gedenkt, nimmt so eine neue und und spannende Gestalt an, ob nämlich die gegenwärtigen Gesellschaften nicht an sich von kollektiver Verfassung sind und, ihrer eigenen Schwerkraft überlassen, das persönliche Leben schliesslich ersticken und zu menschlichen Ameisenhaufen werden lassen müssen. Im Laufe des 19. Jahrhunderts machte man den Versuch einer Analyse der Gesellschaft und begann ein Buch unter dem Titel 'Soziologie; aber es kam nicht über die ersten Zeilen hinaus; wahrscheinlich glich die neue Wissenschaft nicht genügend der Physik. Und dank diesem Umstand befinden wir uns heute in einer Lage in der es von höchster Dringlichkeit wäre, klare Vorstellungen davon zu haben, was das Soziale oder was ein Kollektivum ist und in welcher Beziehung es zu dem Menschen steht. Ortega y Gasset schlägt schliesslich eine Rundfrage vor um mit aller Strenge die Vorstellungen festzustellen zu suchen, welche die einflussreichsten Männer des Erdballes mit Vokabeln wie 'Gesellschaft', 'Kollektivität', 'Masse', 'Brauch', 'öffentliche Meinung', 'menschliches Individuum', 'Revolution', 'Staat' u.s.w. verbinden. Das Ergebnis wäre niederschmetternd, besonders wenn man die urweltliche Grobheit dieser Ideen dann mit der Präzision der naturwissenschaftlichen Begriffsbildung vergleicht. Die wirtschaftliche Krise hat ausserdem die Unzulänglichkeit der Nationalökonomie blossgelegt. Der Verfasser vermutet, die Mangelhaftigkeit der herkömmlichen Wirtschaftslehre möchte vielleicht daher rühren, dass sie eine soziale Spezialwissenschaft ist, deren Fundamente in der Luft hängen, solange es keine soziologische Grundwissenschaft gibt; genau wie keine gute Optik oder Akustik möglich ist, wenn man keine gute Mechanik hat. (shrink)

Originally published 1961. Translation of "Meditaciones del Quijote :Meditacion preliminar. Meditacion primera." (1914). Contents: Reader...; Preliminary Meditation; First Meditation (Brief Treatise on the Novel).

Argues that human thought follows preconceived patterns based on the thought processes of ancient Greek philosophers and that a new model of human reasoning must be developed.

Considers whether psychology can be established as a scientific discipline, briefly looks at the history of psychology, and attempts to clarify the nature of truth.

José Ortega y Gasset publicó en 1939, en la colección Austral, este ensayo filosófico que obtuvo una gran repercusión internacional en su día y sigue siendo en la actualidad una de las obras clave del pensamiento orteguiano. Esta edición conmemora los setenta años transcurridos desde entonces y ofrece la única edición autorizada y revisada personalmente por el autor.

Este libro sintetiza el pensamiento de un intelectual del siglo XX que ha tomado el pulso a su epoca. Su concepcion de Espana, la revision de los mitos en los que hemos sido educados, su raciovitalismo, su teoria del amor o sus meditaciones una valiosa aproximacion a un tiempo, el nuestro, que no es sino nuestro destino.