Este artículo evalúa los constituyentes primordiales de esta obra en cuanto a lo que es: una propuesta de lenguaje narrativo. Se demuestra que su calidad se apoya en los méritos expresivos elaborados para su enunciación y, por ello, se concentra en la identificación textual de las formas artísticas que le confieren categoría estética. Se registran los resultados del proceso receptivo de un enunciatario que ingresa en sus codificaciones y que interpreta este proceso. Se hace presente que esta actividad se realiza (...) en medio de un contexto comunicacional contemporáneo que tiene como rasgos distintivos una velocidad progresiva y una consiguiente desprolijidad analítica. This article evaluates the main constituents of the work in relation to what it is: a proposal of narrative language. It is demonstrated that its quality is supported by the expressive merits elaborated for its enunciation and, due to this, it concentrates on the textual identification of the artistic forms which give it an aesthetics category. We record the results of the receptive process of an enunciator that enters in its codes and interprets this process. It must be pointed out that this activity is developed within a contemporary communicational context which has as distinctive features a progressive speed and as a consequence an inaccurate analysis. (shrink)

Resumen: Este artículo intenta visibilizar algunos aspectos del rol fundacional de la narrativa de Juan Emar en las letras nacionales, en particular, su fecundo diálogo con la antipoesía de Parra. Se propone que tanto en Miltín 1934 de Emar como en la Antipoesía de Parra asistimos a la práctica de una carnavalización del motivo de lo divino-sublime. En esta dirección, ambas poéticas vanguardistas modulan en el espacio hispanoamericano una de las aristas del “proyecto inconcluso de la modernidad” (...) : la muerte nietzscheana de Dios y de su espacio simbólico; connotado por el tópico de la música de las esferas. Tópico que en ambos autores se da en el marco de un cuestionamiento a una estética de lo sublime que predominaba en la crítica de la época.: This article attempts to draw attention to the foundational role of the literary production of Juan Emar in the national letters, in particular, its fruitful dialogue with the antipoesía de Parra. It is proposed that both in Miltín 1934 and the Antipoesía de Parra we attend the practice of carnivalization of the divine-sublime. In this direction, both avant-garde poetics modulate one of the edges the “unfinished project of modernity” : the simbolic death of God and the simbolic space; connotated by the topico of the spheres music. Topico that in both authors is given in a questioning of a critique of an aesthetic of the sublime; that prevailed in criticism of that period. (shrink)

En el apartado Noche 3 de Umbral, Juan Emar se vale de la estrategia de la hibridez genérica al construir una novela-drama que resignifica aportes de la vanguardia metaficcional. Nuestra hipótesis es que mediante la “refuncionalización paródica” (Hutcheon) de la diferencia conceptual entre historia y ficción se despliega una poética vanguardista que acoge el simultaneísmo temporal y espacial. Se trabaja con el enfoque postestructuralista foucaultiano que distingue entre una Historia Global, el metarrelato moderno y una Historia General; la (...) que estudia las discontinuidades en las series temporales. En efecto, la poética de la simultaneidad es en la narrativa emariana un mecanismo dislocador de una serie de oposiciones binarias de la episteme moderna: obra dramática v/s representación teatral, espacio escénico v/s sala de espectadores, autor v/s obra, pasado v/s futuro, arte v/s vida, entre otros. Emar despliega así en forma magistral una propuesta vanguardista que da cuenta de la heterogeneidad de tradiciones culturales como impronta de escritura de un sujeto latinoamericano. In paragraph Night 3 of his novella Umbral, Juan Emar utilices hybridism as a generic strategy in the construction of a novella-drama that assign new meanings to the contributions of the metafictional Avant Garde. Our hipothesis is that throught a “parodic refunctionalization” of the distinction between history and fiction is conveying an Avant Garde poetics that promote the spatial and temporal simultaneity. We work with the foucaultian postestructuralism focus which make a distinction between Global History; the modern metanarrative and a General History; that studies the discontinuities in temporals series. The simultaneity poetic’s is in their narrative a mechanism that dislodges a series of binary oppositions as: dramatic work vs. theatrical representation, scenic space vs auditorium, author vs. work, past vs. future, art vs. life, among others. Emar deploys in a masterly way, his Avant Garde proposal of the heterogeneity of cultural traditions as writing impronta of a Latin-American subject. (shrink)

I argue that free indirect discourse should be analyzed as a species of direct discourse rather than indirect discourse. More specifically, I argue against the emerging consensus among semanticists, who analyze it in terms of context shifting. Instead, I apply the semantic mechanisms of mixed quotation and unquotation to offer an alternative analysis where free indirect discourse is essentially a quotation of an utterance or thought, but with unquoted tenses and pronouns.

Karttunen observes that a presupposition triggered inside an attitude ascription, can be filtered out by a seemingly inaccessible antecedent under the scope of a preceding belief ascription. This poses a major challenge for presupposition theory and the semantics of attitude ascriptions. I solve the problem by enriching the semantics of attitude ascriptions with some independently argued assumptions on the structure and interpretation of mental states. In particular, I propose a DRT-based representation of mental states with a global belief-layer and a (...) variety of labeled attitude compartments embedded within it. Hence, desires and other non-doxastic attitudes are asymmetrically dependent on beliefs. I integrate these mental state representations into a general semantic account of attitude ascriptions which relies on the parasitic nature of non-doxastic attitudes to solve Karttunen’s puzzle. (shrink)

I provide a novel semantic analysis of proper names and indexicals, combining insights from the competing traditions of referentialism, championed by Kripke and Kaplan, and descriptivism, introduced by Frege and Russell, and more recently resurrected by Geurts and Elbourne, among others. From the referentialist tradition, I borrow the proof that names and indexicals are not synonymous to any definite description but pick their referent from the context directly. From the descriptivist tradition, I take the observation that names, and to some (...) extent indexicals, have uses that are best understood by analogy with anaphora and definite descriptions, that is, following Geurts, in terms of presupposition projection. The hybrid analysis that I propose is couched in Layered Discourse Representation Theory. Proper names and indexicals trigger presuppositions in a dedicated layer, which is semantically interpreted as providing a contextual anchor for the interpretation of the other layers. For the proper resolution of DRSs with layered presuppositions, I add two constraints to van der Sandt's algorithm. The resulting proposal accounts for both the classic philosophical examples and the new linguistic data, preserving a unified account of the preferred rigid interpretation of both names and indexicals, while leaving room for non-referential readings under contextual pressure. (shrink)

This paper deals with the semantics of de dicto , de re and de se belief reports. First, I flesh out in some detail the established, classical theories that assume syntactic distinctions between all three types of reports. I then propose a new, unified analysis, based on two ideas discarded by the classical theory. These are: (i) modeling the de re/de dicto distinction as a difference in scope, and (ii) analyzing de se as merely a special case of relational de (...) re attitudes. The resurrection of these ideas takes place in a dynamic setting. My formalization of the first idea involves a modification of the presupposition-as-anaphora resolution algorithm for DRT. The second involves treating acquaintance relations as second-order presuppositions, to be bound in the context by means of higher-order unification, or accommodated if necessary. The resulting framework requires no syntactic distinctions between different modes of attitude, with the exception of a specific subclass of de se reports characterized by special ‘ de se pronouns’ (i.e. PRO and logophors). These special pronouns are handled in syntax; everything alse is passed on to the pragmatic resolution module as it appears on the surface. The more sophisticated contextual resolution process nonetheless ensures adequate output truth conditions for a variety of classical and novel puzzles. In particular, I compare the new pragmasemantic system to the classical, syntactic analysis with respect to iterated and quantified reports, and monstrously shifted indexicals. (shrink)

Novels like Fight Club or American Psycho are said to be instances of unreliable narration: the first person narrator presents an evidently distorted picture of the fictional world. The film adaptations of these novels are likewise said to involve unreliable narration. I resist this extension of the term ‘unreliable narration’ to film. My argument for this rests on the observation that unreliable narration requires a personal narrator while film typically involves an impersonal narrator. The kind of ambiguous story-telling that we (...) find in literary fiction with unreliable narrators, where for certain descriptions it is unclear whether what we’re told is an accurate account of what’s happening in the story world or not, can instead be achieved by conventionalized filmmaking techniques for reporting the contents of mental states, like the point of view shot, but especially the more ambiguous blended perspective shot. (shrink)

Pure quotation, as in ‘cat’ has three letters, is a linguistic device designed for referring to linguistic expressions. I present a uniform recon struction of the four classic philosophical accounts of the phenomenon: the proper name theory, the description theory, the demonstrative theory, and the disquotational theory. I evaluate the strengths and weaknesses of each proposal with respect to fundamental semantic properties like compositionality, productivity, and recursivity.

A number of puzzles about propositional attitudes in semantics and philosophy revolve around apparent referential dependencies between different attitudes within a single agent’s mental state. In a series of papers, Hans Kamp offers a general framework for describing such interconnected attitude complexes, building on DRT and dynamic semantics. I demonstrate that Kamp’s proposal cannot deal with referential dependencies between semantically conflicting attitudes, such as those in Ninan’s puzzle about de re imagination. To solve the problem I propose to replace Kamp’s (...) treatment of attitudes as context change potentials with a two-dimensional analysis. (shrink)

Linguistics and philosophy have provided distinct views on the nature of reference to individuals in language. In philosophy, in particular in the tradition of direct reference, the distinction is between reference and description. In linguistics, in particular in the tradition of generative grammar, the distinction is between pronouns and R-expressions. I argue for a third conception, grounded in dynamic semantics, in which the main watershed is between definites, which trigger presuppositions that want to be bound, and indefinites, which set up (...) new discourse referents. On this view, proper names, indexicals, and definite descriptions are all analyzed as presupposition triggers. (shrink)

A fictional text is commonly viewed as constituting an invitation to play a certain game of make-believe, with the individual sentences written by the author providing the propositions we are to imagine and/or accept as true within the fiction. However, we can’t always take the text at face value. What narratologists call ‘unreliable narrators’ may present a confused or misleading picture of the fictional world. Meanwhile there has been a debate in philosophy about so-called ‘imaginative resistance’ in which we are (...) inclined to resist imagining (or even accepting as true in the fiction) what’s explicitly stated in the text. But if we can’t take the text’s word for it, how do we determine what’s true in a fiction? We propose an account of fiction interpretation in a dynamic setting (a version of DRT with a mechanism for opening, updating, and closing temporary ‘workspaces’) and combine this framework with belief revision logic. With these tools in hand we turn to modelling imaginative resistance and unreliable narrators. (shrink)

Fictional names pose a difficult puzzle for semantics. We can truthfully maintain that Frodo is a hobbit, while at the same time admitting that Frodo does not exist. To reconcile this paradox I propose a way to formalize the interpretation of fiction as ‘prescriptions to imagine’ (Walton 1990) within an asymmetric semantic framework in the style of Kamp (1990). In my proposal, fictional statements are analyzed as dynamic updates on an imagination component of the interpreter’s mental state, while plain assertions (...) are updates on a belief component. Proper names – regular, empty, or fictional – are uniformly analyzed as presupposition triggers. The possibility of different attitude components referentially depending on each other is what ultimately allows us to account for the central paradox mentioned above. (shrink)

I argue that emojis are essentially little pictures, rather than words, gestures, expressives, or diagrams. ???? means that the world looks like that, from some viewpoint. I flesh out a pictorial semantics in terms of geometric projection with abstraction and stylization. Since such a semantics delivers only very minimal contents I add an account of pragmatic enrichment, driven by coherence and nonliteral interpretation. The apparent semantic distinction between emojis depicting entities (like ????) and those depicting facial expressions (like ????) I (...) analyze as a difference between truth-conditional and use-conditional pictorial content: ???? depicts what the world of evaluation looks like, while ???? depicts what the utterance context looks like. (shrink)

The use of black box algorithms in medicine has raised scholarly concerns due to their opaqueness and lack of trustworthiness. Concerns about potential bias, accountability and responsibility, patient autonomy and compromised trust transpire with black box algorithms. These worries connect epistemic concerns with normative issues. In this paper, we outline that black box algorithms are less problematic for epistemic reasons than many scholars seem to believe. By outlining that more transparency in algorithms is not always necessary, and by explaining that (...) computational processes are indeed methodologically opaque to humans, we argue that the reliability of algorithms provides reasons for trusting the outcomes of medical artificial intelligence. To this end, we explain how computational reliabilism, which does not require transparency and supports the reliability of algorithms, justifies the belief that results of medical AI are to be trusted. We also argue that several ethical concerns remain with black box algorithms, even when the results are trustworthy. Having justified knowledge from reliable indicators is, therefore, necessary but not sufficient for normatively justifying physicians to act. This means that deliberation about the results of reliable algorithms is required to find out what is a desirable action. Thus understood, we argue that such challenges should not dismiss the use of black box algorithms altogether but should inform the way in which these algorithms are designed and implemented. When physicians are trained to acquire the necessary skills and expertise, and collaborate with medical informatics and data scientists, black box algorithms can contribute to improving medical care. (shrink)

We propose to analyze well-known cases of "imaginative resistance" from the philosophical literature (Gendler, Walton, Weatherson) as involving the inference that particular content should be attributed to either: (i) a character rather than the narrator or, (ii) an unreliable, irrational, opinionated, and/or morally deviant "first person" narrator who was originally perceived to be a typical impersonal, omniscient, "effaced" narrator. We model the latter type of attribution in terms of two independently motivated linguistic mechanisms: accommodation of a discourse referent (Lewis, Stalnaker, (...) Kamp) and 'cautious' updating as a model of non-cooperative information exchange (Eckardt). (shrink)

This thesis deals with the phenomenon of attitude reporting. More specifically, it provides a unified semantics of de re and de se belief reports. After arguing that de se belief is best thought of as a special case of de re belief, I examine whether we can extend this unification to the realm of belief reports. I show how, despite very promising first steps, previous attempts in this direction ultimately fail with respect to some relatively recent linguistic data involving quantified (...) and infinitival reports, logophoric constructions, and monstrously shifted indexicals. Formalizing my idea of a contextual resolution of acquaintance relations in a dynamic framework, I arrive at an alternative analysis that handles all these data. (shrink)

It appears that in mixed quotations like the following, the quoted expression is used and mentioned at the same time: (1) George says Tony is his ``bestest friend''. Most theories seek to account for this observation by assuming that mixed quotations operate at two levels of content at once. In contradistinction to such two-dimensional theories, we propose that quotation involves just a single level of content. Quotation always produces a change in meaning of the quoted expression, and if the quotation (...) is mixed the shift is, to a first approximation at least, from '...' to ``what x calls '...''', where x is a variable whose value is determined by the context. We argue that quotation is generally context dependent in various ways, and that some of these ways are presuppositional in nature; we present a detailed analysis of the presuppositions in question. (shrink)

The phenomenon of mixed quotation exhibits clear signs of both the apparent transparency of compositional language use and the opacity of pure quotation. I argue that the interpretation of a mixed quotation in- volves the resolution of a metalinguistic presupposition. The leading idea behind my proposal is that a mixed-quoted expression, say, “has an anomalous feature”, means what x referred to with the words ‘has an anomalous feature’. To understand how this solves the paradox, I set up a precise grammatical (...) framework, explicitly connecting various levels of linguistic analysis: phonological forms, categorial syntax, and a dynamic picture of the semantics–pragmatics interface. In this framework I formalize and evaluate a presuppositional account of mixed quotation. Finally, I address the phenomenon of unquotation and argue that it is an essential ingredient for empirically adequate analysis of mixed quotation in natural language. (shrink)

We propose an extension of Discourse Respresentation Theory (DRT) for analyzing pictorial narratives. We test drive our PicDRT framework by analyzing the way authors represent characters’ mental states and perception in comics. Our investigation goes beyond Abusch and Rooth (2017) in handling not just free perception sequences, but also a form of apparent perspective blending somewhat reminiscent of free indirect discourse.

We argue that contrastive statements have the same underlying semantics and affect the context in the same way as denials. We substantiate this claim by giving a unified account of the two phenomena that treats contrast as a subtype of denial. This analysis crucially requires a dynamic semantics view of context-dependence with a multi-dimensional representation of information.

This paper contributes to two debates: (i) the debate about whether or not ancient Greek has Free Indirect Discourse (FID), and (ii) the debate about how we should analyze FID semantically. We do this by showing that there is a distinction between FID and what we call Unembedded Indirect Discourse (UID). The semantic analysis that we develop for the latter shows that the two phenomena, though superficially similar, are semantically fundamentally different. We conclude that UID would have been more deserving (...) of the title ‘free indirect discourse’ than the more quotative and direct discourse-like narrative technique that is now confusingly called so. 1. (shrink)

The general objective of this essay is to systematize Jean-Luc Nancy’s post- deconstructive reflections on the concept of evidence. A general claim of this paper is that the post-deconstructive concept of evidence is genuinely an epistemic concept of evidence insofar as it refers to structures involved in verification processes. Evidence is the presentation of a state of affairs that relates the presentation not only to what we claim about this state of affairs but also to the singular circumstances of its (...) production. Verification (the production of a claim’s truth) results directly from the singularities involved in the production or presentation of evidence. This means that evidence is never exhausted in the truth it produces or the knowledge it validates but remains a priori exposed or available to produce and validate unknown knowledge about unknown states of affairs. (shrink)

Inspired by Schlenker's (2003) seminal 'Plea for Monsters', linguists have been analyzing every occurrence of a shifted indexical by postulating a monstrous operator. My aim in this paper is to show that Kaplan's (1989) original strategy of explaining apparent shifting in terms of a quotational use/mention distinction offers a much more intuitive, parsimonious and empirically superior analysis of many of these phenomena, including direct--indirect switches in Ancient Greek, role shift in signed languages, free indirect discourse in literary narratives, and mixed (...) quotation. Format: . (shrink)

I present a concrete DRT-based syntax and semantics for the representation of mental states in the style of Kamp. This system is closely related to Recanati’s Mental Files framework, but adds a crucial distinction between anchors, the analogues of mental files, and attitudes like belief, desire and imagination. Attitudes are represented as separate compartments that can be referentially dependent on anchors. I show how the added distinctions help defend the useful notion of an acquaintance-based mental file against Ninan’s :368–377 2015) (...) recent challenge involving counterfactual de re attitudes. (shrink)

The quotational theory of free indirect discourse postulates that pronouns and tenses are systematically unquoted. But where does this unquotation come from? Based on cases of apparent unquotation in direct discourse constructions (including data from Kwaza speakers, Catalan signers, and Dutch children), I suggest a general pragmatic answer: unquotation is essentially a way to resolve a conflict that arises between two opposing constraints. On the one hand, the reporter wants to use indexicals that refer directly to the most salient speech (...) act participants and their surroundings (Attraction). On the other hand, the semantics of direct discourse (formalized here in terms of event modification) entails the reproduction of referring expressions from the original utterance being reported (Verbatim). Unquotation (formalized here also in terms of event modification), allows the reporter to avoid potential conflicts between these constraints. Unquotation in free indirect discourse then comes out as a special case, where the salient source of attraction is the story protagonist and her actions, rather than the reporting narrator and his here and now. (shrink)

The communication of de se attitudes poses a problem for “participant- neutral” analyses of communication in terms of propositions expressed or proposed updates to the common ground: when you tell me “I am an idiot”, you express a first person de se attitude, but as a result I form a different, second person attitude, viz. that you are an idiot. I argue that when we take seriously the asymmetry between speaker and hearer in semantics this problem disappears. To prove this (...) I propose a concrete model of communication as the transmission of information from the speaker’s mental state to the hearer’s. My analysis is couched in Discourse Representation Theory, a formal semantic framework that linguists use for modeling conversational common ground updates, but that can also be applied to describe the individual speech participants’ dynamically changing mental states. (shrink)

Semantics traditionally focuses on linguistic meaning. In recent years, the Super Linguistics movement has tried to broaden the scope of inquiry in various directions, including an extension of semantics to talk about the meaning of pictures. There are close similarities between the interpretation of language and of pictures. Most fundamentally, pictures, like utterances, can be either true or false of a given state of affairs, and hence both express propositions (Zimmermann, 2016; Greenberg, 2013; Abusch, 2015). Moreover, sequences of pictures, like (...) sequences of utterances, can be used to tell stories. Wordless picture books, comics, and film are cases in point. In this paper I pick up the project of providing a dynamic semantic account of pictorial story-telling, started by Abusch (2012) and continued by Abusch & Rooth (2017); Maier & Bimpikou (2019); Fernando (2020). More specifically, I propose here a semantics of speech and thought bubbles by adding event reference to PicDRT. To get there I first review the projection-based semantics for pictures (section 1), noting the fundamental distinction between symbolic and iconic meaning that makes speech bubbles especially interesting (section 2). I then review the dynamic PicDRT framework for pictorial narratives (section 3), add events (section 4), and propose an account of speech bubbles as quotational event modification (section 5). I end with a brief look at other conventional, symbolic enrichments in comics (section 6). (shrink)

We propose to characterize imaginative resistance as the failure or unwillingness of the reader to take a fictional description of a deviant reality at face value. The goal of the paper is to explore how readers deal with such a breakdown of the default Face Value interpretation strategy. We posit two distinct interpretative ‘coping’ strategies which help the reader engage with the resistance-inducing fiction by attributing the offending content to one of the fictional characters. We present novel empirical evidence that (...) shows that actual readers use these strategies and we flesh out the exact workings of these strategies by integrating them into a general formal semantic framework for interpreting fiction. (shrink)

This article aims to develop a new account of scientific explanation for computer simulations. To this end, two questions are answered: what is the explanatory relation for computer simulations? And what kind of epistemic gain should be expected? For several reasons tailored to the benefits and needs of computer simulations, these questions are better answered within the unificationist model of scientific explanation. Unlike previous efforts in the literature, I submit that the explanatory relation is between the simulation model and the (...) results of the simulation. I also argue that our epistemic gain goes beyond the unificationist account, encompassing a practical dimension as well. (shrink)

Shows that both anaphoricity and egocentric de se binding play a crucial role in the interpretation of tense in discourse. Uses the English backwards shifted reading of the past tense in a mistaken time scenario to bring out the tension between these two features. Provides a suitable representational framework for the observed clash in the form of an extension of DRT in which updates of the common ground are accompanied by updates of each relevant agent's complex attitudinal state.

In this paper I present a linguistic investigation of the literary style known as free indirect discourse within the framework of formal semantics. I will argue that a semantics for free indirect discourse involves more than a mechanism for the independent context shifting of pronouns and other deictic elements. My argumentation is fueled by literary examples of free indirect discourse involving what I call language shifts: -/- Most of the great flame-throwers were there and naturally, handling Big John de Conquer (...) and his works. How he had done everything big on earth, then went up tuh heben without dying atall. Went up there picking a guitar and got all de angels doing the ring-shout round and round de throne...that brought them back to Tea Cake. How come he couldn’t hit that box a lick or two? (Hurston 1937, Their Eyes Were Watching God) -/- Free indirect discourse combines elements of both, but it seems decidedly closer to direct discourse. I examine the reigning semantic analysis of free indirect discourse, a variant of the demonstrative account of direct discourse featuring “double context dependence” (Banfield 1982,Schlenker 2004). After showing that this type of account has fundamental difficulties with language shift data like (1), I close with a brief sketch of an alternative analysis based on “mixed quotation.”. (shrink)

A language is a system of signs used for communication, and linguists are tasked with, among other things, uncovering the syntax and semantics of such systems. In this paper I explore to what extent pictures fit this characterization of a language and hence would fall within the domain of linguistics. I conclude that at the very least there are well-defined systems of depiction for which we can give a precise semantics, in a familiar possible worlds framework, although pictorial propositions are (...) not derived via the linguistically familiar lexicon and recursive composition rules, but via geometric projection. I then show how sequences of pictures, like sequences of utterances, can be used to form coherent discourses. I explore in some detail extensions of the formal discourse semantics of Segmented Discourse Representation Theory to deal with comics, i.e. storytelling through picture sequences. I focus specifically on the representation of events in comics, and the integration of both symbolic and iconic elements. (shrink)

Quotation exhibits characteristics of both use and mention. I argue against the recently popular pragmatic reductions of quotation to mere language use (Recanati 2001), and in favor of a truly hybrid account synthesizing and extending Potts (2007) and Geurts and Maier (2005), using a mention logic and a dynamic semantics with presupposition to establish a context-driven meaning shift. The main advantages are an account of error neutralization and shifted indexicality under quotation. The current paper addresses the problematic data involving quoted (...) non-constituents. (shrink)

Mixed quotation exhibits characteristics of both mention and use. Some even go so far as to claim it can be described wholly in terms of the pragmatics of language use. Thus, it may be argued that the observed shifting of indexicals under all quotation shows that a monstrous operator is involved. I will argue the opposite: a proper semantic account of quotation can be used to exorcize Schlenker's monsters from semantic theory.

Lying and fiction both involve the deliberate production of statements that fail to obey Grice’s first Maxim of Quality (“do not say what you believe to be false”). The question thus arises if we can provide a uniform analysis for fiction and lies. In this chapter I discuss the similarities, but also some fundamental differences between lying and fiction. I argue that there’s little hope for a satisfying account within a traditional truth conditional semantic framework. Rather than immediately moving to (...) a fully pragmatic analysis involving distinct speech acts of fiction-making and lying, I will first explore how far we get with the assumption that both are simply assertions, analyzed in a Stalnakerian framework, i.e. as proposals to update the common ground. (shrink)

We propose a view of identity beyond the individual in what we call interpersonal interidentities (IIIs). Within this approach, IIIs comprise collections of entangled stabilities that emerge in recurrent social interaction and manifest for those who instantiate them as relatively invariant though ever-evolving patterns of being (or more accurately, becoming) together. Herein, we consider the processes responsible for the emergence of these IIIs from the perspective of an enactive cognitive science. Our proposal hinges primarily on the development of two related (...) notions: enhabiting and coenhabiting. First, we introduce the notion of enhabiting, a set of processes at the individual level whereby structural interdependencies stabilise and thereafter undergird the habits, networks of habits, and personal identities through which we make sense of our experience. Articulating this position we lean on the notion of a tendency towards an optimal grip, though offering it a developmental framing, whereby iterative states of selective openness help realise relatively stable autonomous personal identities with their own norms of self-regulation. We then extend many of the notions found applicable here to an account of social coenhabiting, in particular, we introduce the notion of tending towards a co-optimal grip as central to the development of social habits, networks of habits, and ultimately IIIs. Such structures, we propose, also emerge as autonomous structures with their own norms of self-regulation. We wind down our account with some reflections on the implications of these structures outside of the interactions wherein they come into being and offer some thoughts about the complex animations of the individual embodied subjects that instantiate them. (shrink)

Does self-control require willpower? The question cuts to the heart of a debate about whether self-control is identical with some psychological process internal to the agents or not. Noticeably absent from these debates is systematic evidence about the folk-psychological category of self-control. Here, we present the results of two behavioral studies (N = 296) that indicate the structure of everyday use of the concept. In Study 1, participants rated the degree to which different strategies to respond to motivational conflict exemplify (...) self-control. Participants distinguished between intra-psychic and externally-scaffolded strategies and judged that the former exemplified self-control more than the latter. In Study 2, participants provided various solutions to manage motivational conflict and rated their proposals on effectiveness. Participants produced substantially more intra-psychic strategies, rated them as more effective, and advised them at a higher rate than externally-scaffolded strategies. Taken together, these results suggest that while people recognize a plurality of strategies as genuine instances of self-control, purely internal exercises of self-control are considered more prototypical than their externally-scaffolded counterparts. This implies a hierarchical structure for the folk psychological category of self-control. The concept encompasses a variety of regulatory strategies and organizes these strategies along a hierarchical continuum, with purely intra-psychic strategies at the center and scaffolded strategies in the periphery. (shrink)

Many philosophical accounts of scientific models fail to distinguish between a simulation model and other forms of models. This failure is unfortunate because there are important differences pertaining to their methodology and epistemology that favor their philosophical understanding. The core claim presented here is that simulation models are rich and complex units of analysis in their own right, that they depart from known forms of scientific models in significant ways, and that a proper understanding of the type of model simulations (...) are fundamental for their philosophical assessment. I argue that simulation models can be distinguished from other forms of models by the many algorithmic structures, representation relations, and new semantic connections involved in their architecture. In this article, I reconstruct a general architecture for a simulation model, one that faithfully captures the complexities involved in most scientific research with computer simulations. Furthermore, I submit that a new methodology capable of conforming such architecture into a fully functional, computationally tractable computer simulation must be in place. I discuss this methodology—what I call recasting—and argue for its philosophical novelty. If these efforts are heading towards the right interpretation of simulation models, then one can show that computer simulations shed new light on the philosophy of science. To illustrate the potential of my interpretation of simulation models, I briefly discuss simulation-based explanations as a novel approach to questions about scientific explanation. (shrink)