The miniseries Frank Herbert’s Dune (2000) and Frank Herbert’s Children of Dune (2003) offer a stark warning that people must think for themselves rather than relying on authority. In particular, they warn against overreliance on leaders and on religious authorities. The series tell the story of how, in the far future, Paul Atreides becomes dictator and religious leader over the human race, bringing slaughter and oppression in his wake. The chapter will consider the views of philosophers (...) like Plato, who believed that power should be concentrated in the hands of leaders with absolute authority, along with the views of philosophers who advocated democracy, like John Locke, John Stuart Mill, and John Dewey. The chapter will also examine the views of philosophers on religion, especially philosophers critical of religion, such as Locke, Thomas Paine, and Bertrand Russell. It is argued that the series present a strong case against allowing others to think for us, because the story they tell matches the historical record of the real world. When leaders have been given the power to be arbiters of truth, they have too often exploited those beneath them, using their positions to accumulate wealth, power, and glory. When too much trust has been placed in religious authority, it has likewise too often led to exploitation and repression. What is worse, the power of religion is uncontrollable, easily leading to violence and destruction. Having said that, the series fail to reflect that religion does good in the world. This chapter argues that, as maintained by W. K. Clifford, whether people should accept religious views depends on whether they have good grounds to believe that these views are true. This implies that people must not accept religious views without thinking the views through for themselves. (shrink)

Frank Herbert’s Dune is the biggest-selling science fiction story of all time; the original book and its numerous sequels have transported millions of readers ...

Dune, released in 1984 and directed by David Lynch, from his own adaptedscreenplay of Frank Herbert’s epic science-fiction novel, provides a rich examplefor a reception study on ideas of authorship. On the one hand, Herbert’s 1960scult bestseller has evolved into a franchise and is thus regarded by Duneenthusiasts as a sacrosanct text. From a Lynch perspective, though, the film isusually seen as his least personal work – an event movie no less – and as such itholds the (...) rank of the most uncared for text in his filmic canon. It is the goal ofthis paper to analyse Dune’s meanings in relation to critical writings foundedupon the tenets of early auteurism so we might explore its function as areception preference for the predisposed reader. But rather than simply dismissauteurism as humanist idealism , the outcome of this paper seeks to also take account ofthe writing pleasures the author might bring to the interpretation of filmed texts. (shrink)

Like philosophy itself, Dune explores everything from politics to art to life to reality, but above all, the novels ponder the mysteries of mind. Voyaging through psychic expanses, Frank Herbert hits upon some of the same insights discovered by indigenous people from the Americas. Many of these ideas are repeated in mainstream American and European philosophical traditions like pragmatism and existential phenomenology. These outlooks share a regard for mind as ecological, which is more or less to say that (...) minds extend beyond the brain into the rest of the body and the surrounding environment. -/- The cross-cultural strands in Dune tie closely to Herbert’s life and interests. An outdoorsman born in the Pacific West, he had an abiding bond with a friend from the Quileute tribe, Howie Hansen. Herbert advocated for aboriginal rights and crafted well-intentioned if slightly stereotypical tales about indigenous characters, partly based on his visits with Northwest tribes. Carl Jung (1875-1961), whose idea of collective consciousness echoes aboriginal views, was among Herbert’s European influences. So was existential phenomenology, especially as developed by Martin Heidegger (1889-1976). The names of characters in one of Herbert’s novels—The Santaroga Barrier—in fact coincide with terms that Heidegger used to articulate how emotionally colored coping with our environment defines our existence. Many indigenous philosophers have treated phenomenology and its American cousin pragmatism in approving ways. Indeed, the ideas of North America’s first inhabitants seem to have been absorbed by pragmatists and even earlier by transcendentalists like Ralph Waldo Emerson (1803-1882) and Henry David Thoreau (1817-1862). -/- These different philosophies all advance a place-based psychology. Anne Waters, herself of mixed tribal heritage, generalizes the mindset of her people this way: “American Indian consciousness, and hence American Indian identity is … interdependent with our land base.” Lee Hester, a Choctaw thinker, adds that practices—not mere beliefs—are most important for native thought. American transcendentalists and pragmatists, as well as European phenomenologists, similarly see hands-on practices and environmental interactions as the core of experience. Extending this a little, they sometimes suggest experience isn’t individual but instead cultural. “Culture” is here understood as interactions within communities that define our worlds and experiences, as when we talk about the “French experience,” “culture” or “world,” or the “experience of parenthood.” This theme also shows up in indigenous thought. -/- Exploring the Dune universe, we find everything from land-based concepts of personal identity, to the idea of sharpening the mind through hands-on training, to collective notions of experience in cooperative tribes or through the genetic memory of central characters. The stories explore fate versus free will in cosmic contexts, introducing views from indigenous thought and the pragmatic philosophy of William James (1842-1910). Different forms of spiritualism mingle to shape minds and cultural mixtures around the globe, and the same occurs in the Dune series. The customs and personalities of characters fuse elements from Buddhism, Christianity, Hinduism, Judaism, Taoism, and especially Islam. The series not only highlights that religion shapes psychology, but also that faith connects to place, especially paralleling Judeo-Christian-Islamic desert faiths. In capturing these points, the Dune novels show that “our values, our lifestyles and even the ways we think and feel have been strongly influenced by our locations in history and geography. The study of the human mind is fundamentally the study of place.”. (shrink)

Frank Herbert's gholas are a curious twist on the golem, a creature inspired by Jewish theology and folklore. Although Herbert's gholas differ in interesting ways from the traditional golem, the historic similarities can enrich and add to our appreciation of these creatures, especially Dune 's most famous and enduring ghola, Duncan Idaho. As is often the case with good science fiction, Herbert demonstrates remarkable foresight for many scientific and technological developments that had yet to occur when (...) he wrote the Dune series. This chapter explores Herbert's gholas from both of the perspectives; gholas as an extension of the golem tradition and as the anticipation of contemporary breakthroughs in biological science. The creators of the gholas, the Tleilaxu, retain their closely guarded, highly secretive knowledge, just as the golem creators of the legends. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Dune(s)Michel Pierssens, co-founder of SubStance (bio)Any great work of art, be it literary or otherwise, is made of intricate enigmas that admit infinite solutions, indifferent to their content, true or false, since no one holds the key (or Occam style razor) to judge, not even its author. In the best of cases, indeed, the author has produced his œuvre precisely to confront the unknown and face the deadly (...) monsters that make the labyrinths worth exploring in the first place. The reader of the work, or watcher of the painting or film, cannot escape the perilous attraction of the cognitive maelstrom he, hesitantly or trustfully, enters at his own risk. Every word or stroke on canvas or chord or instant shutter of the camera or unending gros plan may hide unexpected doors to impossible worlds, each of them possible nonetheless. Love, hate, crime, lust, power, etc.: every facet of human experience can become scary or exciting forces to be faced, for just an instant or for an inconclusive lifelong struggle. Time is possibly the most intractable of those forces as only unconceivable gods can make of it their plaything. Similar to the desert planet of Frank Herbert's Dune, it harbors unpredictable monsters that destroy anything that moves—unless one learns to dance in an equally unpredictable fashion, winning a reprieve only to end up inescapably a fatality, having met the unavoidable fatum.SubStance has been travelling a much populated and cacophonic desert for fifty years, maintaining, despite the times' ubuesque twists and turns, its acrobatic démarche and tracing its empirical path through the intellectual dunes of two or three generations, collecting as it went many stimulating spices that it shared, avoiding its sale to the highest academic bidder. Editing a journal cannot be compared to the creation of a work of art, but it partakes in its aspiration to question the Known and face the Unknown, with the support of an army of minds devoted to the intriguing study of any cognitive coup de dés. [End Page 13]Michel Pierssens Michel Pierssens is co-founder of SubStance, with Sydney Lévy, and co-founder of the journal Histoires littéraires. He is Emeritus Professor of French literature, Université de Montréal.Copyright © 2023 Johns Hopkins University Press and SubStance, Inc.... (shrink)

This is an interesting reinterpretation of masculine and feminine that speaks to contemporary perspectives on to what extent gender is a spectrum, especially when we consider the fates of all the so‐called "masculine" men in Dune. On one level, in Denis Villeneuve's Dune women become empowered, while the men become emasculated. Examining gender in Dune would be incomplete without a look at Baron Harkonnen, who, in both Frank Herbert's book and in David Lynch's 1984 film, is (...) clearly depicted not just as gay, but as embodying a sort of deviant sexuality. So, it appears that the traditional masculine/feminine gender binary is challenged throughout Villeneuve's part one, with many of the male characters embodying a feminized masculinity and with most of the female characters existing within a feminine imaginary to the point that Dune 's society borders on the androgynous. (shrink)

The worlds of Dune forbid the creation of “thinking machines,” due to an ancient war, called the Butlerian Jihad, which was fought to keep humans from using such machines. The relationship between humanity and forbidden technology in Dune touches on two basic possibilities for the relationship of humans and technology: social construction of technology and technological determinism. Life on Arrakis and under the Imperium is filled with technologies that range from the very realistic to the fantastical. Societies in (...) the Dune universe tend to value a variety of everyday and cutting‐edge technologies. Understanding the reasons why some technology is forbidden in Dune depends on understanding how Herbert views human beings. The cultures of the Dune universe place great cultural value on technology in its importance for everyday lives. (shrink)

History was a continuous cycle driven by the gods. Societies began by being small, impoverished, and insignificant, then became great, then proud and decadent, and finally were overthrown by a different small, impoverished people, with the cycle beginning anew. Herbert's historical universe in Dune is bound within a series of ever repeating cycle. Herbert's themes about human action, fatalism versus free will, and the repetition of religious motifs across vast distances of space and time. Greek mythology and (...) tragedy appear on the very first page of Dune with the use of a single word: Atreides. Much like in the Dune series, History emerged in the ancient Greek world by combining mythology, epic narrative, and tragedy. The Golden Path is the death of the constant cycles of imperialism and the freeing of humanity from constantly repeating old mistakes. (shrink)

Frank Herbert's novel Dune not only warns us about charismatic leadership, it looks to answer a very crucial question: What happens when ethics, religion, and politics intertwine? According to Muslim philosophers, or Falasifah as they were known by the Muslim public, this was a very important philosophical question. The combination of divine and secular leadership, which we see both in Paul Atreides and Leto II, was also a trait of Prophet Mohammed. His roles as the bearer of revelation (...) and founder of the Islamic government made him a natural, charismatic leader in his lifetime. Paul's spiritual and political influence created a similar miraculous elevation for the Fremen people and, in turn, a similar degeneration and demoralization. The core of Ibn Khaldun's political realism is acceptance of the idea that even political sovereignty founded on religion must pass through all the phases marked by a secular society. (shrink)

Leto II discusses not just the meaning of life for individuals as for ancient Earth philosophers from the Buddha and Socrates to Albert Camus and Susan Wolf, but the meaning of life for humanity itself. In God Emperor of Dune, Leto II talks with the Duncans, Moneo, and Hwi Noree not just about the meaning of life for individuals, but for humanity as a whole, across vast reaches of time. So for the Buddha, the meaning of life is to (...) end suffering. But for Socrates the meaning of life is to examine life. Frank Herbert was trying – in his own imperfect way – to imagine a multicultural future for humanity, one not dominated by Western cultures To wander back onto the Golden Path, Herbert's imperfect efforts, as well as Leto's example in God Emperor of Dune, show that learning from all of humanity is a key to the meaning of life. (shrink)

Both Georg W.F. Hegel and Martin Heidegger would find the lack of art in Frank Herbert's distant future more disturbing than merely the loss of technique and beauty. The experience of truth through art is to see the elements of the artwork of Thatched Cottages at Cordeville not with the same eyes as if we were walking by this scene in person. The point of Cottages at Cordeville the Duniverse version of this painting owned by Taraza, Mother Superior Odrade, (...) and then Sheeana – as revealing a truth beyond understanding is highlighted in its brief appearance in Chapterhouse: Dune. Despite Hegel and Heidegger's bad news that “art is dead,” the gholas and their destinies make it seem as though the vast cycle of the play called Dune is ready to begin yet again – surely good news. (shrink)

Politics and religion certainly ride together throughout the Dune saga. Rationales were given to support twentieth century dictator ships, whose citizens were encouraged to see their leaders as infallible. In this way, politics in a totalitarian state resembled a religion, with a community of faithful followers and its own special theology to justify the dictator's authority. This chapter, draws parallels between the religious dimensions of politics in Frank Herbert's Dune novels and some philosophers’ views on tyranny and (...) justice here on Earth. Even in democratic countries, leaders still tend to think of themselves as in service to some higher, impersonal standard, like a set of principles, a tradition, a flag, or a constitution. Plato's readers have sometimes described the relation between the higher plane of reality of universals and the world of everyday experience in terms of the relation between heaven and earth in the Abrahamic religions. (shrink)

In God Emperor of Dune, Leto II explains to Moneo why people destroyed thinking machines in the Butlerian Jihad: "Humans had set those machines to usurp our sense of beauty, our necessary selfdom out of which we make living judgments." The Orange Catholic Bible (OCB), the key religious text in the Dune universe, forbids the creation of machines that imitate human thinking: "Thou shalt not make a machine in the likeness of a man's mind." The OCB focuses on (...) human mental abilities – especially computation, reason, and logic – that have a status that machines should not emulate. In Frank Herbert's universe, divine imitation and creation are presented in conflicting ways: on the one hand, they are strictly prohibited, on the other, they are aspirations for key characters. Mentats replace machines by use of hard, cold, logical thinking and reasoning with machine‐like efficiency. (shrink)

The deceptive strangeness of prescience in Dune is typical of Herbert's ideas. The ancient Babylonians were able to systematically predict astronomical events, but contemporary astrophysicists can forecast distant events beyond the Babylonians’ wildest dreams. Herbert describes the prescience of characters like Paul as a hyperawareness of possibilities and probabilities given certain choices, rather than being able to examine a fixed future. Common sense suggests that prescience should help us live together better. The Prisoner's Dilemma can be interpreted (...) in different ways, but the basic logic is always the same. The Prisoner's Dilemma is an imaginary interaction between “prisoners,” but it actually might make more sense with prescient characters from the Duniverse. Stuart Hampshire argued that self‐knowledge tends to have the opposite effect – that it makes us freer. Prescience is a vastly expanded understanding of possible and probable consequences given information and choices, not the observation of a fixed future. (shrink)

El escritor Frank Herbert describió, en su trilogía de ciencia ficción Dune, un tipo de existencia humana situada en un planeta desértico, Arrakis, donde el agua es el bien más preciado. Allí cada individuo debe vivir reciclando permanentemente todos sus fluidos corporales para poder obtener el agua que requiere para sobrevivir y cuando alguien muere toda el agua que contiene su cuerpo es reciclada para uso de la comunidad. En ese lugar llorar a los muertos es el símbolo (...) de máxima prodigalida.. (shrink)

The large number of writers who have in recent years attacked the problem of the logical nature of commands appear generally in agreement in accepting the distinction of common grammar between imperative and declarative sentences as representing, albeit in no clear one-to-one manner, some real difference in the logical character of the two types of expression, and possibly in the psychological sign-functioning mechanism itself. The crucial logical difference adduced is that commands can apparently rot be classified as true or false. (...) One is then, however, confronted with the problem of interpreting arguments involving imperatives which appear syllogistic in form, such as:Keep your promises!You promised to pay on Wednesday.Pay on Wednesday! (shrink)

In “Belief in the Face of Controversy,” Hilary Kornblith argues for a radical form of epistemic modesty: given that there has been no demonstrable cumulativeprogress in the history of philosophy – as there has been in formal logic, math, and science – Kornblith concludes that philosophers do not have the epistemic credibility to be trusted as authorities on the questions they attempt to answer. After reconstructing Kornblith's position, I will suggest that it requires us to adopt a different conception of (...) philosophy's epistemic value. First, I will argue that ‘progress’ has a different meaning in logic, science and philosophy, and that to judge one of these disciplines by the standards appropriate to one of the others obscures the unique epistemic functions of all. Second, I will argue that philosophy is epistemically unique in that it is a non-relativistic but historically determined excavation of foundations. Finally, drawing on Frank Herbert's Dune, I will suggest that Kornblith leaves us with a choice between two epistemic ideals: the hyper-logical ‘Mentat,’ or the historically informed ‘pre-born.’. (shrink)

ABSTRACT Science fiction is a literary genre that has spread around the world due, among other reasons, to its popularity; narratives contain exotic characters and fantastic intrigue. It is considered by the circle of scholars and critics, however, a “minor” literature; for discourse linguists, its aesthetic attributes remain in the background. The theory of points of view (POV), for example, can contribute to a better assessment of the genre. This article aims to study this literary genre via enunciation. First, we (...) talk about studies in narratology to delimit the place of science fiction (or sf) in the universe of narratives. Secondly, we talk about concepts and notations from POV theory within narratological studies to trigger a dialogical analysis of literary discourse. Thirdly, we analyze a fragment from Dune, by Frank Herbert, in its version into Brazilian Portuguese (2017). Finally, we propose that “superpowers” held by characters in this genre can be explained linguistically. (shrink)

A study of problems, all revolving around the subject of intellect in the philosophies of Alfarabi, Avicenna, and Averroes, this book starts by reviewing discussions in Greek and early Arabic philosophy which served as the background for the three Arabic thinkers. Davidson examines the cosmologies and theories of human and active intellect in the three philosophers and covers such subjects as: the emanation of the supernal realm from the First Cause; the emanation of the lower world from the transcendent active (...) intellect; stages of human intellect; illumination of the human intellect by the transcendent active intellect; conjunction of the human intellect with the transcendent active intellect; prophecy; and human immortality. Davidson shows that medieval Jewish philosophers and the Latin Scholastics had differing perceptions of Averroes because they happened to use works belonging to different periods of his philosophic career. (shrink)

My response to commentators includes a suggestion that an additional principle be added to the list presented in the target article: the notion of human society as a complex adaptive system with emergent properties. In addition, I clear up several misunderstandings shared by several commentators, and explore some themes concerning future directions in the unification of the behavioral science. (Published Online April 27 2007).

Concept of meditation in Tibetan Buddhism.

Thought, Fact, and Reference was first published in 1978.Against a background of criticism of alternative accounts, Professor Hochberg presents an analysis of thought, reference, and truth within the tradition of logical atomism. He analyzes G. E. Moore's early attack on idealism and examines the influence of Moore on the development of Bertrand Russell's and Ludwig Wittgenstein's logical atomism. He traces an early divergence between Russell and Wittgenstein, on the one side, and Moore and Gottlob Frege on the other, into variants (...) recently advocated by Wilfrid Sellars, Gustav Bergmann, and others. The work will be of interest to professional philosophers, graduate students in philosophy, and linguists with interests in philosophy. (shrink)

Explores the place of consciousness in nature, drawing on new ideas in physics to argue that consciousness is a fundamental process of nature like light and electricity, rather than something that appears only in humans. 20,000 first printing.

The paper considers recent proposals by Armstrong, Dretske, and Tooley that revive the view that statements of laws of nature are grounded by the existence of higher order facts relating universals. Several objections to such a view are raised and an alternative analysis, recognizing general facts, is considered. Such an alternative is shown to meet a number of the objections raised against the appeal to higher order facts and it is also related to views of Hume and Wittgenstein. Further objections (...) are then raised to all the non-Humean "realist" attempts to provide special facts to ground the laws of nature. (shrink)

CHAPTER I INTRODUCTORY THE history of mankind is to be studied epoch by epoch, nation by nation, but philosophy, science and religion must survey it as a ...