In this essay, I argue that though symbolism performs many roles in different cultures, it has a uniquely moral one in Igbo land. That unique role which symbolism performs in the pristine communalistic Igbo society concerns the regulation of human freedoms and actions in order to maintain social order. But is this something that can be sustained in a modern Igbo society that is more individualistic than communalistic? This paper is of the view that through the proper maintenance (...) of such symbolism: social control between individuals and groups shall be more coordinated in the contemporary Igbo world; regulate and checkmate the Igbo moral consciousness of oneness; control some cultural maladjustment and bring more about social unity in Igbo land. Keywords: Symbol, Symbolism, Social Order, Igbo, Oji. (shrink)

In the framework of his transcendental philosophy, Kant strictly separates morality from aesthetics. The pleasure in the good and the pleasure in the beautiful are two different kinds of pleasure (Arten des Wohlgefallens). As a consequence, a moral act as such cannot be beautiful. It is only in a second step that Kant indicates possible connections, in his comments on aesthetic ideas, symbolism, the sensus communis, and education in general. In Confucius on the other hand we do not find (...) such a radical separation between beauty and morality. Ritual is a source of both. Moral acts can be beautiful. One might wonder whether Confucius missed a point, or whether Kant overdid the separation. Or is it that their conceptions are so fundamentally different that they cannot easily be translated and identified across different philosophical traditions? (shrink)

Trucage then exists when there is deceit. We may agree to use this term when the spectator ascribes to the diegesis the totality of the visual elements furnished him. In films of the fantastic, the impression of unreality is convincing only if the public has the feeling of partaking, not of some plausible illustration of a process obeying a nonhuman logic, but of a series of disquieting or "impossible" events which nevertheless unfold before him in the guise of eventlike appearances. (...) In the opposite case, the spectator undertakes a type of spontaneous sorting out of the visible material of which the filmic text is composed and ascribes only a portion of it to the diegesis. The services of the department of agriculture have worked more quickly because they were approached in an appropriate manner: this amounts to the diegesis. The film makes light of this sudden rapidity; ironically, it exaggerates it: here is the intention, which amounts to the enunciation. In the exact degree to which this perceptible bifurcation is maintained, the connotated will be unable to pass for denotated, and there is no trucage. The optical effect has not merged with the usual game of the photograms, the entire visual material has not been mistaken for the photographic, the diegetization has not been total. Christian Metz, one of the foremost French theorists of the cinema, is the author of Essais sur le signification au cinéma, Propositions méthodologiques pour l'analyse du film, and Langage et cinéma. He is Sous-Directeur d'Etudes Suppléant à l'Ecole Pratique des Hautes Etudes, Paris. This is the first English translation of "Trucage et cinéma," which appeared in Essais sur la signification au cinéma . Francoise Meltzer [the translator of this essay] is a professor of French literature and of comparative literature at the University of Chicago. She is the author of The Trial of Psychoanalysis, Salome and the Dance of Writing, and Hot Property: The Stakes and Claims of Literary Originality. Her essay, "Color as Cognition in Symbolist Verse," is published in Critical Inquiry in the Winter 1978 issue. (shrink)

This contribution deals with Ernst Cassirer's appreciative attitude to the philosophical anthropology of his time and its self-conception. The question of the relationship between Cassirer's philosophical anthropology and his philosophy of culture with its basis in the theory of symbolism presuppose or explain one another is investigated on the basis of four critical points. The unpublished texts on the subject (ECN 6) and in particular the concluding remarks revolve around the question of the interrelationship between the biological and the (...) symbolic or cultural dimensions of human existence. The final demonstration of six possible anthropological »constants« of human existence serve to supplement the methodological discussion with substantive issues. (shrink)

Gott ist schon seit Nietzsche tot? aber was ist mit dem Teufel? Woher kommt er, wie hat er seine bekannte Gestalt angenommen, und warum kann auch er nichts weiter als ein Produkt menschlicher Abstraktion sein? Erstmals in der Historie der Philosophie wird die Vermenschlichung des Teufels umfassend und interdisziplinär aufgeschlüsselt, um ihn als das zu entschleiern, was er ist: eine menschliche Kopfgeburt, die lediglich ein hässliches Abziehbild von uns selbst ist. Diese Erkenntnis mündet in den anthropologischen Adiabolismus, die anthropologische Teufelsverneinung: (...) Der Teufel ist nur die leere Hülle des ausgelagerten menschlich Bösen. Anhand vielfältiger Disziplinen wie Anthropologie, Theologie, Kunstgeschichte, Literatur und Volkskunde wird die riesige Anthropomorphismus-Matrix des Teufels religionsphilosophisch enthüllt. Von Feuerbachs wegweisender Religionskritik ausgehend weitet Matthias Christian Friedel den Blick auf Teufelsbilder der gesamten Religionsgeschichte und gelangt über die grossen Teufelscharaktere der Literatur bis zum Teufelsbild im wörtlichen Sinne: Den Abschluss seiner umfassenden Teufelsstudie bildet ein 57-seitiger Katalog, der mit vielen der bemerkenswertesten Teufelsabbildungen, von Blake und Doré bis Goethe, die Entstehungsgeschichte unserer heutigen Vorstellungswelt illustriert. (shrink)

Résumé Avec la cosmologie de la philosophie de l’organisme, Whitehead poursuit son enquête sur les principes de la connaissance naturelle, dans l’idée de faire se correspondre les données phénoménologiques directes et la physique de son temps. En prenant pour modèle le corps percevant, cette métaphysique fait des individus durables les centres d’où s’élabore la connaissance objective. Nous y gagnons sécurité et cohérence dans un monde en perpétuel devenir où les lois de la nature sont elles-mêmes contingentes. Mais le parcours génératif (...) du sens qu’étudie la partie III de Process and Reality interroge : en amont de toute ontologie, l’espace tensif dans lequel la théorie des préhensions inscrit la discussion ne relève-t-il pas plutôt de l’existence sémiotique? (shrink)

The essay explores the special features of French Symbolist aesthetics, which consist of the conceptions of symbolization as correspondence between the spiritual and objective worlds, suggestion, artistic synthesis and synesthesia, beauty, the beautiful and the sublime. The author analyzes the main trends of Symbolist aesthetics in France – the Neoplatonic/Christian and the Solipsistic symbolism – and traces their influence on art. She shows that the attitude toward aesthetic philosophy inherent in French Symbolism turned out to be the (...) backbone for Euro-American culture in the twentieth and twenty-first centuries. (shrink)

Light and darkness were central motives in the Bible and in the Platonic tradition . First and foremost light was the essential element and the basic principle of existence and cognition in the philosophy of Pseudo-Dionysius Aeropagite. His metaphysics of light contained imagery that inspired builders of French cathedrals and provided Christian thought with rich presuppositions and themes. Th e main purpose of the article is to highlight the Gnostic aspect of the refl ection on light in the writings (...) of Pseudo-Dionysius. Th e author of the Divine names speaks of light in a fi gurative sense and compares its physical properties to the process of transmission of knowledge. He uses the term “light” to describe the actualizing powers of God or God’s sovereignty over the world that he identifi es with goodness. Th is goodness is also described as “supersubstantial light” which as a transcendent Unity permits divine intellects to partake of the supreme knowledge about themselves. Th us light is shown as essential to the transmission of knowledge. It constitutes the process of enlightenment and supports the hierarchical process of transmissionof knowledge. Assuming that this is a correct reading of Pseudo-Dionysius Aeropagite theauthors conclude that contrary to the predominant interpretation his philosophy Pseudo-Dionysius did not describe emanations of beings but transmission of knowledge. Which in turn indicates that he developed his theory as a part of Christian philosophy rather than neoplatonic thought. (shrink)

The postmodern emphasis on human finitude encourages the reconsideration of religious traditions, and more particularly of Christianity. The doctrine of a vulnerable God dying on a cross speaks to postmodern civilization. Jesus Christ infuses transcendence into the realm of immanence by assuming the human predicament to its bitter end. The present essay critiques the recent attempts of deconstructionist philosopher John D. Caputo and systematic theologian Roger Haight to provide postmodern expositions for the Christian doctrine on the person of Jesus (...) Christ. With the help of the fundamental notion of agapeic love, we demonstrate that in Jesus Christ, Caputo's philosophy of the event and Haight's theology of the symbol can be meaningfully integrated and human finitude responsibly overcome. (shrink)

The postmodern emphasis on human finitude encourages the reconsideration of religious traditions, and more particularly of Christianity. The doctrine of a vulnerable God dying on a cross speaks to postmodern civilization. Jesus Christ infuses transcendence into the realm of immanence by assuming the human predicament to its bitter end. The present essay critiques the recent attempts of deconstructionist philosopher John D. Caputo and systematic theologian Roger Haight to provide postmodern expositions for the Christian doctrine on the person of Jesus (...) Christ. With the help of the fundamental notion of agapeic love, we demonstrate that in Jesus Christ, Caputo's philosophy of the event and Haight's theology of the symbol can be meaningfully integrated and human finitude responsibly overcome. (shrink)

During the precolonial period Zulu identity was based on a set of cultural markers defined by the royal family. But European linguists extended the borders of Zulu, as a written language, to include the peoples living to the south of the Tugela river in the colony of Natal. Folklorists, anthropologists, historians, and other social scientists, as well as European employers, adopted this view of the Zulu as a people or Volk. Following the defeat of the Zulu kingdom in 1879, and (...) the decline of the royal family, migrant workers increasingly returned home with this new notion of what it meant to be Zulu. This essentially European interpretation of the word was embraced and spread by Christian converts who, in the twentieth century, sought to mobilize an ethnic political following.Chief Mangosuthu Buthelezi has continued with this tradition. In his speeches he represents the Zulu in primordial terms as a bounded group that historically has occupied both Natal and the old precolonial kingdom. The bantustan of KwaZulu, delineated and defined by the policy of apartheid, is presented as the natural heir to the Zulu kingdom and the Inkatha Freedom Party is portrayed as the guardian of the essence of Zuluness. An attractive historical self-imagery encourages people to define themselves in an exclusive manner as Zulu. Firm values and standards provide an ontological security and a network of assistance for sons abroad. Through a martial imagery, Buthelezi has represented the seven million Zulu as historically the most powerful obstacle to white supremacy. But since the resurgence of nationalist politics in the mid-1980s, and especially since the democratization started in 1990, Inkatha has attempted to attract the Zulu as a people in opposition to the ANC and their allies. This has most visibly resulted in a violent struggle for power; but it has also led to a virulent struggle over what it means to be Zulu. (shrink)

A peculiarity of early medieval geometrical texts was that alongside Euclid's Elements they transmitted remnants of the corpus of Roman land surveyors and metaphysical digressions extraneous to geometry proper. Rather than dismissing these additions as irrelevant, this essay attempts to elucidate the cultural grounds for the indiscriminate mixture of the three disciplines -- geometry, surveying, and metaphysics. Inquiry into the broader context of early medieval culture suggests that neither geometry nor surveying was treated as an independent discipline. Texts on geometry (...) and surveying were studied mainly because they were thought to provide good opportunities for enlarging the scope of meditation on spiritual subjects. Accordingly, the main concern of this essay is to show how Christian symbolism influenced both the composition and the study of geometrical texts. The essay is based on a wide range of sources: treatises on geometry and surveying, pictorial representations of Creation, and philosophical literature in which geometry was used in arguments about ontological doctrines. (shrink)

Throughout his career as an academic theologian, Karl Rahner never explicitly set himself the task of working out a theory of language. Nonetheless, the seminal insights for such a theory were formulated in his extensive corpus as functions of other, more properly theological concerns. These consist chiefly of the development of religious doctrine and the cult of the Sacred Heart (See DD, BH, ST, TM, ULM). Other important insights appear in his treatment of the hermeneutics of eschatological statements and the (...) relation between Christianity and poetry (See HES, PC, PP). All these theological concerns have received scholarly attention (See Barnes 1994, Bonsor 1987, Callahan 1985, Corduan 1978, Doud 1983, Hines 1989, Phan 1988, Thompson 1992, Walsh 1977). As for Rahner’s theory of language, scholarship has shown how a coherent system can be constructed from the disparate sources that contain it (See Masson 1979, 224–33; and 1980, 266–72). In developing this previous work, the present article will ex plain how Rahner’s theory is derived from his distinctive meta physics of the symbol. Scholarship is only beginning this discussion, although the centrality of symbolism in Rahner’s thought has been well treated. [See Callahan 1982, Fields 2000 (esp. 6–16, 92–97), Motzko 1976, H. Rahner 1964, Wong 1984.] In addition, this paper will also suggest that an origin of Rahner’s symbolic view of language lies in Heidegger’s aesthetics. Bringing this origin to the fore will lead to a concluding discussion about the debt that Rahner owes his mentor at Freiburg University. (shrink)

The prominence and peculiarity of color in French symbolist verse have often been noted. Yet the dominance of color in symbolism is not the result of aesthetic preference or mere poetic technique, as has been previously argued; rather, color functions, with the synaesthetic poetic context of which it is an integral part, as the direct manifestation of a particular metaphysical stance. Color leads to the heart of what symbolism is, for it is the paradigmatic literary expression of a (...) general spiritual crisis—a crisis in epistemology. The nineteenth century extended seventeenth-century empiricism—an empiricism which had invented mathematical measurement as the gauge of reality and which resulted in a predilection to see most authentic knowledge as quantifiable. The logical corollary of such a predilection is that all sensory experience is regarded as suspect. Newtonian physics had rationalized the laws of the universe in reducing its properties to atomical structures and laws of motion. Nothing, it seemed, was left unexplained. Those areas of perception which remained unquantifiable were dispelled as illusion or attributed to the necessary limitations of the human mind. The theories of John Locke act as a kind of historical watershed in this regard: they are the classic philosophic expression of the disjunction between sensory experience and knowledge which, in its nineteenth-century versions, would lead to the symbolist revolt. Françoise Meltzer is a professor of French literature and of comparative literature at the University of Chicago. Her previous contribution to Critical Inquiry is the translation of Christian Metz's "Trucage and the Film" . She is the author of The Trial of Psychoanalysis, Salome and the Dance of Writing, and Hot Property: The Stakes and Claims of Literary Originality. (shrink)

The late Ananda K. Coomaraswamy, curator of Indian art at the Boston Museum of Fine Arts, uniquely combined art historian, philosopher, orientalist, linguist, and expositor in his person. His knowledge of the arts and handcrafts of the Orient was unexcelled and his numerous monographs on Oriental art either established or revolutionized entire fields. He was also a great Orientalist, with an almost unmatched understanding of traditional culture. He covered the philosophic and religious experience of the entire premodern world, east and (...) west, and for him primitive, medieval European, and classical Indian experiences of truth and art were only different dialects in a common language. Finally, Coomaraswamy was a provocative writer, whose erudition was expressed in a delightful, aphoristic style. The nine essays in this book are among his most stimulating. They discuss such matters as the true function of aesthetics in art, the importance of symbolism, and the importance of intellectual and philosophical background to the artists; they demonstrate that abstract art and primitive art, despite superficial resemblances, are completely divergent; and they deal with the common philosophy which pervades all great art, the nature of medieval art, folklore, and modern art, the beauty inherent in mathematics, and the union of traditional symbolism and individual portraiture in premodern cultures. (shrink)

This book is the second part of the second volume of Ricœur's projected three volume work, La Philosophie de la Volonté. The first volume has already been translated as The Voluntary and the Involuntary and the first part of the second volume, which is titled generally Finitude et Culpabilité, has been translated as Fallible Man. The third part of the second volume has been projected as an Empirics of the Will, while the third volume has been broadcast as a Poetics (...) of the Will. The entire project moves from phenomenology to thought, in an attempt to give an account of man from the standpoint of Will, or more dramatically put, from the standpoint of human freedom and all the vicissitudes of existence that come with this freedom. Evil is one of the more portentous consequences of human freedom, and this book is concerned to explore it in a fashion which is initially phenomenological. But it moves toward the reflective thought that will emerge full blown in the Empirics. There Ricœur will offer a transcendental validation of the hermeneutic he has adopted to explain man through interpreting the way man presents himself to himself in his prereflective language and comportment with the world. In the first part of the book Ricœur picks up the leading symbols of evil, given through the phenomenon of confession, and follows them in their dialectical progression from evil as defilement, through evil as sin, to evil as guilt. His discussions of the Sumerian, Babylonian, and Hebrew writings, as they witness to these stages in the symbolization of evil, are exceptionally sensitive and thoroughly informed by the scholarship. Ricœur then turns his attention to the systematization of these symbols in the various archaic myths, giving first a typology of these myths and, finally, a dynamics of the myths. In the latter his Christian as well as his hermeneutical standpoints begin to assert themselves more explicitly. The preferred myth on evil, for Ricœur, is the Adamic myth, and he moves outward from there to the tragic myth, as expressed in the Greek dramatists, to the theogonic myth as expressed in Hesiod and the Sumerian and Babylonian literature, and finally to the orphic myth of the exiled soul. In addition to sustaining the development of the main thesis about the way in which a phenomenology of the symbols of evil gives rise to thought, Ricœur has many individual analyses and insights that are extremely exciting. His consideration of Plato's supposed dualism, which he interprets along the lines of Pauline dualism, which is to say, as not being an ontological dualism, is one of the more striking of these analyses. The combined rigor of argument and richness of material in this book signal a high place for it in the recent philosophical literature in general.--E. A. R. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Integrating Christ and the Saints into Buddhist Ritual:The Christian Homa of Yogi ChenRichard K. PayneConcern with dual belonging reflects the increasing religious pluralism of European and American societies. This pluralism has included both an increasing variety of religious traditions from outside the monotheistic mainstream of Abrahamic religions as well as new movements and sects within that mainstream. Awareness that religious pluralism is a reality and that many people (...) have come to see this pluralism as offering viable religious alternatives has fostered much reflection, both scholarly and popular. This increasing variety of religions present in Europe and America results from broader social trends. Discussion of these broader social trends, however, lies outside the scope of this essay, which is an examination of the utility of the concept of dual belonging for the sociology of religion.1Dual belonging (also known as double belonging, multiple religious belonging, and so on) becomes a specifically religious issue against the background of theological responses to the reality of religious pluralism. These theological responses include, first, the comparative theology of the nineteenth and early twentieth centuries, then theology of religions as developed in the middle to late twentieth century, and then the “new” comparative theology2 that has developed from the end of the twentieth into the present century.3 Another dimension that has influenced the discussion of dual belonging has been the efforts of Buddhist-Christian dialogue.4 The concern on the part of religious authorities, theologians, and, one should add, parents has been not just that “they” are now “here,” but that awareness of other religions also creates the opportunity for them to be actively embraced as viable alternatives to more familiar, mainstream religious traditions.5 While conversion has been one of the motivating concerns, another can perhaps be described as the fear of impurity. As Meredith B. McGuire has noted, in contrast to “the Western image of a religion as a unitary, organizationally defined, and relatively stable set of collective beliefs and practices” stands the reality that “extensive religious blending and within-group religious heterogeneity are the norm, rather than the exception.”6 This reality conflicts [End Page 37] with legitimating rhetorics of purity and authenticity, and constitutes a challenge to the authority of those who claim the right to define and defend what they hold as the pure and authentic.yogi chen and religiously hybrid practiceThe discourse regarding dual belonging has largely focused on Christians residing in the cultural West, where they are members of the dominant society and dominant religious culture, but who also identify with Buddhism.7 This reflects the predominant role played by theological concerns in the creation and application of the category of dual belonging. Thus it seems appropriate that Wendy Cadge has asked whether the concept and its cognates can be employed as a “descriptive term for understanding issues of religious globalization and their expression at the level of individual religious commitment.” In order to answer this question, the concept of dual belonging needs to be evaluated, testing whether it is applicable to those who are not members of the demographic that has largely been the subject of study so far. Here we reverse the lens to look at someone who is both not originally a Christian, but who integrates Christian symbolism into his practice, and not part of the dominant culture, an immigrant, a minority both socially and religiously. This instance allows us to examine the category for wider application than to those to whom it has been applied to date.8 Our test case will be a Chinese Buddhist teacher known as Yogi Chen.Yogi Chen (1906–1987) was a Chinese practitioner of esoteric Buddhism who immigrated to the United States in 1972 and practiced in the San Francisco Bay Area for the last decade and a half of his life. Like many modern Chinese teachers, he claimed to bring together all of the teachings and practices of the Theravada, Mahayana, and Vajrayana strains of Buddhism. In addition to practicing in retreat in Hunan, he also studied and practiced with the expatriate Tibetan community in India. During the final period of his life, as an immigrant in the United States, he... (shrink)

Despite the way we think of saints as belonging to a certain historical period and confronting specific historical obstacles, we tend to see their acts as being universally meaningful, and therefore, that these acts are practices which should be imitated in some manner. However this understanding carries with it a significant difficulty: namely, there is a risk of interpreting the lives and actions of saints as providing rules of conduct to be followed, as if their enactment was an end in-itself. (...) In other words, a simplistic notion of imitation can lead to the problem of voluntarism, where the intention to imitate an action is viewed to be sufficient or equal to actualizing goodness or piety. But there is a further, perhaps more significant problem with this understanding, and this involves how we tend to conflate the performance of actions with their meaning. Does an action, especially that of a saint, have a meaning that is identical to its effect? Or, does the action itself produce a sense of meaning that outruns its effect? If the answer to this last question is affirmative, then the actions of a saint can be said to predicate an emergent meaning, that is, a meaning that has not yet been articulated, let alone realized. A saint would therefore be less a figure of convention and more a figure of innovation. In this chapter, I employ Paul Ricoeur’s theory of symbol to show how, beyond the historical specificity of the lives of saints, their actions can be understood to offer new ways of understanding the possibility for being, which I will unapologetically link to the Christian notion of “the New Being.” My discussion will first include a summary of Ricoeur’s theory of symbol, turning next to an application of this theory to saints and the contrasting context of the Prophet in the Hebrew Bible. The chapter will conclude with an elaboration of a symbolic understanding of action in relation to the New Being. (shrink)

The one clear insight which can be gleaned from the discussions of religious language by both theologians and philosophers is that its reference is to the transcendent. This is almost axiomatic in Philosophy of Religion nowadays, and we feel that the remarks of Milton's archangel to the first man are most appropriate when he insists that all the conceptions we have of God or of the spiritual world are but inadequate symbols. Though this view has a long history, it does (...) not seem to have been at all general in antiquity. It may be said to have begun with Plato and then to have continued through later generations in Neo-Platonism till it mingled with the Christian tradition. We can see how easily such traditions were fused when we look at the fusion of Platonism and Judaism in Philo of Alexandria. This is how he expounds the Exodus passage where Moses is allowed to see the back, but not the face, of God: Everything which is subsequent to God the virtuous man may apprehend: God alone is inapprehensible. That is to say, God is not apprehensible by direct frontal approach—for such approach would imply God's being disclosed such as He is: but He is apprehensible through the Powers which are consequent upon His being; for those Powers do not present His being, nature, essence but only His existence from the resultant effects. (shrink)

The content of Christian spirituality that made waves since the inception of the early church soon took on different contours as the faith got adapted to different gentile contexts. The expression of this faith, along with its liturgical symbolism and sacramental observances, is still gaining momentum in African Christianity. The emerging practice of the use of ‘anointing oil’ in its religious expression is receiving more attention than the Christ of the Gospel. In this article, we argue that against (...) its primitive intent, the use of the ‘anointing oil’ by the African Church is a mere display of fetish ancestral religion that expresses its unique African traditional religious root rather than a true expression of Christian spirituality. Our thesis is framed on the basis that the manner in which some African churches apply the purported ‘anointing oil’ is discriminatory vis-à-vis its ancient understanding and purpose. In our attempt to address this damaging practice to true Christian spirituality, also standing as a huge challenge for pastoral theology, we undertook a careful historical–theological analysis of the extant biblical data and its contextual interpretation vis-à-vis its distortion today. We concluded that what pastoral theologians have to deal with within the Christian community in Africa is offering the right biblical perspective against the distorted mode of the application of the contemporary purported ‘anointing oil’ that is falsely projecting the Christian faith and belief in a bad light. Contribution: The application of the anointing oil in contemporary Christian religion in Africa is, to say the least, not an inherent textually prescribed requisite criterion for Christian spirituality, but merely an outburst of fetish ancestral religious worldview that stands contra the hermeneutics of the biblical text and its ancient tradition. That no Old Testament prophet, not even Jesus nor Paul, mentioned the subject, makes its contemporary application textually and theologically suspect, and therefore, heretically infectious for the spiritual health of the community of faith. These insights sit quite well with the textual hermeneutics within the mainline transdisciplinary religious and multidisplinary theological perspective of this journal. (shrink)

Entries explore the history of Christian thought from Catholic, Prostestant, and Orthodox perspectives, and discuss regional and national traditions, various denominations, theological topics, symbolism, and controversial issues.

In lieu of an abstract, here is a brief excerpt of the content:AN ANTHROPOLOGICAL VISION OF CHRISTIAN MARRIAGE GERMAN MARTINEZ Fordham University Bronx, New York VIEWED FROM the institutional, interpersonal, or religious standpoint, marriage is not a distinctively Christian phenomenon, but it is a human partnership with inherently religious symbolism. Consider the complexity of its dimensions : it is a personal bond that is consummated in a sexual relationship; yet its full human reality contains different levels of (...) meaning which point to a transcendent mystery; it is secular and social and at the same time spiritual and personal. Philosophical anthropology and the phenomenology of religion explore these dimensions and stress the complexity of marriage. An entire range of questions stem from the nature and mystery of the conjugal bond as well as from the multiplicity of forms in which this human partnership has been realized in different historical periods and cultures. Precisely because marriage actually takes place in a concrete historico-cultural context, theological reflection must recognize the complexity of this human experience, and this calls for interdisciplinary study. Theological anthropology sees a profound meaning in the created reality of marriage, for it recognizes therein the essential components of a community of love open toward God. An understanding of human values reveals how the experience of marriage touches the roots of people's lives; an understanding of redemption reveals how marriage belongs to both the order of creation and the order of redemption. An anthropological approach is essential. " In good theology one can no longer adopt the simplistic distinction between ' natural mar451 452 GERMAN MARTINEZ riage' and 'sacramental marriage....'" 1 Marriage is not only a meaningful sign of an anthropological reality but also the expression of the human response toward transcendence. Furthermore, the lived experience of marriage in modern society makes us more and more conscious of human existential needs, and theology has to interpret and respond to them in correlation with the content of faith. Against the background of the human sciences and our awareness of the present historical reality, study of this complex experience that is marriage calls for constructive reflection on its anthropological roots. That is where the sacramental mystery is anchored. The crisis in the theological understanding of marriage stems primarily from a crisis of culture, and new anthropological perspectives can establish the possibility of a more personal theology. In fact, the underestimation of its human values or, more precisely, the lack of a personalist anthropology and of an adequate theological consideration of sexuality has been at the root of the weakness of the traditional approach to marriage.z As Theodore Mackin puts it, " The marriage sacrament, like all sacraments, has as its matrix a complex human experience. And there is no understanding of the sacrament unless we first understand its 1 W. Ernst, "Marriage as Institution and the Contemporary Challenge to It," in Contemporary Perspectives on Christian Marriage, ed. R. Malone and J. R. Connery (Chicago: Loyola University Press, 1984), p. 69. The following studies are especially valuable in terms of an anthropological approach to Christian marriage: J. Ratzinger, "Zur Theologie der Ehe,'' in Theologie der Ehe, ed. H. Greven (Regensburg 1972), pp. 81-115; H. Doms, "Zweigeschlechtlichkeit und Ehe,'' in Mysterium Salutis, ed. J. Feiner and M. Lohrer, vol. 2, pp. 707-750; T. Mackin, "How to Understand the Sacrament of Marriage,'' in -Commitment to Partnership; Explorations of the Theology of Marriage, ed. W. P. Roberts (New York: Paulist Press, 1987), pp. 34-60. z Two major Catholic documents of the magisterium insist on the need for further theological reflection in terms of the personalistic reason behind the theology of marriage: John Paul II, The Apostolic Exhortation on the Family (see Origins, 2 (1981): 438-467); Gaudium et Spes, 47-52 (ed. W. M. Abbot, pp. 249-259). " The beginning, the subject and the goal of social institutions is and must be the human person, which for its part and by its very nature stands completely in need of social life" (Gaudium et Spes, 25; Abbott ed., p. 224). VISION OF CHRISTIAN MARRIAGE 453 matrix-experience." 3 In theological terms, the covenant v1s1on governs the partnership reality, but that divine call without this created reality would be meaningless. While the present essay does not include all the... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 20 (2000) 311-315 [Access article in PDF] Book Review Fire and Water: Basic Issues in Asian Buddhism and Christianity Fire and Water: Basic Issues in Asian Buddhism and Christianity. By Aloysius Pieris, S. J. Maryknoll: Orbis Books, 1996. Aloysius Pieris, Jesuit priest and Buddhist scholar, is well known in theological and interreligious dialogue circles in Asia, and this is the third collection of essays of his (...) to be published in the Faith Meets Faith Series of Orbis Books. The eighteen essays which make up this book, all previously published elsewhere, are conveniently put together in three sections, under the following headings: 1) Women and Religion: Buddhist and Christian Appropriation of Feminist Criticism; 2) issues in Theology, Religion and Society; and 3) questions of Spirituality and Human Liberation. To merely summarize the content of the essays and offer a third-party critique would do injustice to the book, and could even mislead one who peruses such a summary into thinking one thereby "knows" what the book or Pieris is about. Such a hasty conclusion would deprive a would-be reader of the powerful experience that awaits in wrestling with Pieris through each essay of this volume. Judith Berling puts it well in her blurb at the back, pointing out that the author "uses poetry, evocative symbolism, and humor to offer a theological call to action in a voice that is liberationist, Asian, and feminist." Indeed, this volume invites one to a way of seeing that can also transform one's way of being in this world marked by increasing violence, poverty, and a systemic kind of oppression dehumanizing to both the perpetrators as well as the victims.The title of the present volume, Fire and Water, alludes to a dynamic dipolarity, masterfully sketched for the reader by Paul Knitter in his foreword, which underlies the author's vision of reality and vivifies much of his writing. The masculine and the feminine, the (Buddhist) gnostic and the (Christian) agapeic, the metacosmic (transcendent) [End Page 311] and the cosmic (immanent), the prophetic and the mystical, are different ways of naming this dipolarity. The way to ultimate liberation is in the effective embrace of both poles in complementarity and mutual interplay, whereas taking one pole in preference over the other results in a warped vision or mode of being, in imbalance, or even in abuse.In this review I would like to simply echo some key themes that will jump at one perusing the essays, reiterating that the very act of reading them can of itself be a transformative experience for an open-minded, open-hearted, and open-handed reader.The thrust of the six essays comprising the first section can perhaps be summed up in the thesis as formulated by the author himself: "Religion cannot survive in the future without appropriating the feminist critique, just as feminism cannot achieve its liberative goal without the aid of a religion so critiqued" (p. 62). Behind this statement is Pieris' emphatically critical stance, on the one hand, against all forms of patriarchal religion, whether Christian, Buddhist, Hindu, or other, which has justified, lent a hand in, or continued to perpetrate the physical, psychological, and especially religious abuse of women, and on the other hand, against secularist (or anti-religious) kinds of feminist theory that take off on what he enumerates as "five false starts" (pp. 50-51), which only result in unnecessary dichotomies that truncate the understanding of the goal of liberation, and consequently of the human as such.Pieris offers a vision of liberation centered on what he terms the humanum. This refers to the point of ultimate perfection to which the human, that is, "whatever pertains to men and women as self-conscious, other-oriented, and dreaming components of the cosmos," has the capacity to carry the cosmos. In this context, the human is no other than "this self-transcendent capacity immanent in the cosmos, this power to unfold within itself the Other, which is ever present from the first moment of evolution." To be human is inherently to be endowed... (shrink)

Food - what we eat, how much we eat, how it is produced and prepared, and its cultural and ecological significance- is an increasingly significant topic not only for scholars but for all of us. Theology on the Menu is the first systematic and historical assessment of Christian attitudes to food and its role in shaping Christian identity. David Grumett and Rachel Muers unfold a fascinating history of feasting and fasting, food regulations and resistance to regulation, the (...) class='Hi'>symbolism attached to particular foods, the relationship between diet and doctrine, and how food has shaped inter-religious encounters. Everyone interested in Christian approaches to food and diet or seeking to understand how theology can engage fruitfully with everyday life will find this book a stimulus and an inspiration. (shrink)

In this article the main stress is on the fact that symbol and myth are the means of the formation of personality and the realization of person’s spirituality in Christianity. It is also observed that sacred symbolism and art represent people’s attitude to God and provide psyche of the faithful with cathartic emotional processes.

The wealth of scholarship on Christian mysticism attests an enduring interest in this subject matter. Amidst the immense collection of commentaries on Christian mysticism lies this valuable book by Nelstrop, Magill, and Onishi. Their book, far from merely offering a survey of current theories on Christian mysticism, does make significant inroads in teasing out logical connections amongst interpretive theories and interpreted themes.Four different theories on mysticism, namely, perennialist, contextualist, performative language, and feminist, are set to work on (...) examining themes within the Christian tradition such as Neoplatonic influences, apophatic language, erotic imagery, scriptural symbolism and exegesis, self-introspection, church hierarchy, female mysticism, and imaginative meditations. The first two parts of the book range over the readings of these themes through the lenses of the four mentioned theoretical approaches. The last chapter of part two presents viewpoints of the four. (shrink)

The rebirth of Christian fundamentalism in the U.S. since 1945 must be acknowledged as a key shift in the post-World War II American political scene. Every president from Truman to Reagan, in one way or another, has recognized the power of Christian symbolism and values as a legitimating animus for the Pax Americana underwritten across the globe by American technology, military force, and culture. While Christian religiosity figured prominently in the classic republican myths of America's Puritan (...) founding and its divine writ of manifest destiny, the U.S. did not officially pledge itself to be “one nation, under God,” or collectively in “In God We Trust,” until the mid-1950s, following congressional action in the age of Ike and Senator McCarthy. (shrink)

The main conclusion of Nigel Hiscock's important but ill‐arranged book is that the ground plans of abbeys and cathedrals of the tenth and eleventh centuries incorporate Platonic wisdom—hence the “wise” in the title catchwords, which come from Paul's first letter to the Corinthians . There Paul likens himself to a sapiens architectus who lays the foundations on which others erect the building. In three of the four translations in The Complete Parallel Bible, however, Paul does not declare himself wise but, (...) rather, “skilled” or “trained.” The discrepancy makes an emblem for Hiscock's investigation: Did the architects deliberately express geometrical ratios significant in Platonic philosophy in their designs or did they proceed by applying their practical skill and training to the lie of the land and the resources available? A subsidiary question is also symbolized in Paul's verse: Was the designer a wise cleric who set the proportions and left the heavy work to someone else?Hiscock builds his answers in two ways. For one, he delivers a chrestomathy of Platonic snippets known in the tenth century and a few telling quotations from wise clerics—the latter concern the expression of significant numbers in the church fabric: a baptistery is octagonal because of an association between creation and the number eight, and a church with a half‐dozen altars is complete because of the perfection of the number six. But, Hiscock emphasizes, numerology does not account for floor plans, and to test the wisdom of the designers he scrutinizes plans of two dozen churches, especially those associated with monastic reformers. He expresses his results in color‐coded lines superposed on the plans, some one hundred of which comprise a valuable appendix.An example will indicate the interest of the findings and the riskiness of the business. The crossing of the transept at St. Michael's Abbey, Hildesheim, makes a square ABCD, proceeding clockwise from A in the northeast corner. AD and BC prolonged give the line of nave piers, AB and DC prolonged that of the arms of the transept. Lines drawn from B at angles of 54° and 60° with BC cut CD extended in E and F, respectively, locating the end piers in the side aisles. Now 60°, as the invariable angle of a three‐sided figure all of whose parts are equal, carries a cornucopia of Platonic and Christian symbolism. Also 54°, because derivable from a pentagon, has the pregnant significance of the figure five, which is the sum of the first male and first female numbers. Repetition of the transept square fixes the nave piers. Then lines between piers, pillars, and pilasters make the special angles with the north‐south and east‐west lines of the grid all over the plan.How much of this construction is mere coincidence? Requiring the intervals between piers in the same line to be equal, we have DE = FE = FD/2. And so it is: / = 0.51. Otherwise put, if angle FBC is 60° and E divides FD equally, angle EBC must be 54° without reference to a pentagon. Against such arguments, Hiscock observes that his analysis has uncovered previously unknown relations between churches confirmed by documents and that his technique, when applied to large nineteenth‐century buildings with repeated bays such as the Crystal Palace, picks out relatively few structurally significant elements.Hiscock is senior lecturer on the design, theory, and history of architecture at Oxford Brookes University and a master craftsman. His scrupulously prepared color‐coded drawings contain much of interest and pleasure for a geometer. Has he definitively answered the old vexed question whether the sapiens architectus intended to express ancient wisdom in his plans? If the architect thus proposed, did his builder faithfully dispose? Paul again may give guidance. “The Lord knows the thoughts of the wise, that they are futile”. (shrink)

Given the renewed interest in Dionysian scholarship in the last decade, one wonders what new things can be said of the enigmatic figure known as "Pseudo-Dionysius the Areopagite." Rorem's book has much to add to the present state of scholarship. The author intends to present the treatises of the Areopagite--The Divine Names, The Mystical Theology, The Celestial Hierarchy, The Ecclesiastical Hierarchy, and The Epistles--as a coherent whole. He rightfully maintains that medieval readers often "ripped" their favorite material from the Dionysian (...) garment resulting in a patchwork unreflective of the whole. Accordingly, traditional interpretations of the corpus areopagiticum, to switch metaphors, often lost the forest for the trees. Rorem contends that the treatises' material unity results from Dionysius' pervasive concern for the symbols of the liturgy and of the Bible, whether in its names for God or in its descriptions of the angels. These symbols, as outlined in the Mystical Theology, are painted on the backdrop of the Neoplatonic notions of "Procession" and "Return." Hence: "Christian symbolism, whether ritual acts or scriptural language in general, is a divine self-revelation which proceeds 'down' into the human categories of thought and sense perception." This procession allows for a return which uplifts the faithful: initially, to a higher conceptual realm, through the negation and interpretation of all perceptual symbols; then, to the very Godhead, through the negation of all interpretations, all language, and even all thought. (shrink)

Ananda K. Coomaraswamy (1877-1947) was a pioneer in Indian art history and in the cultural confrontation of East and West. Finding a universal tradition in past cultures ranging from the Hellenic and Christian to the Indian, Islamic and Chinese, Coomaraswamy collated his ideas and symbols of ancient wisdom into essays. THE DOOR IN THE SKY is a collection of his writings on myth drawn from his METAPHYSICS and TRADITIONAL ART AND SYMBOLISM.

Gustav Aulen's starting point in this book is that God can only reveal himself in the form of symbols; in himself he remains beyond our comprehension. The symbols we use will determine our image of God. A bewildering variety of such images is to be found in modern literature, but the Christian image of God is inseparably linked with the drama of Christ.

In classical and Christian literature mountain symbolism takes many forms deriving from height and center. In so far as mountains are tall, lofty, and rise abruptly to touch heaven, they form part of the symbolism of transcendence and, in so far as they are often numinous places where the gods have revealed their presence, they share in the symbolism of manifestation. According to Gospel’s tradition, in Nonnus’ Paraphrase of St. John’s Gospel, the mountain, visible home of (...) the invisible God, situated next to the deity on account of its high peak and solitude, takes on a symbolic value in revealing the role of Christ and his future elevation on the Cross. (shrink)

Available from UMI in association with The British Library. Requires signed TDF. ;The reconstruction of Paul Ricoeur's philosophical project presented in this thesis endeavours to bring together his various ideas concerning human willing in order to assess the contribution they are able to make to contemporary Christian theology. This critical assessment identifies the field of concepts and issues that comprise Ricoeur's Kantian account of willing; it also challenges his reliance on a paradoxical account of the human subject as being (...) both temporal and non-temporal. ;Ricoeur's dual-aspect account of willing assumes that the human subject is not merely passive in receiving the intuitions of experience but is actively involved in the constitution of objective experience and in the self-recognition of human freedom as 'a captive free will'. Human freedom, then, can only be adequately understood in terms of the symbolism of 'captivity' and 'deliverance'. For Ricoeur it is the Judaeo-Christian 'myths' concerning the origin and the end of evil which uniquely symbolise the experience of deliverance from captivity by representing Jesus Christ as the decisive figure of hope for a transformation of human consciousness and circumstances. ;However, at the same time as offering this positive assessment it is argued that Ricoeur's dual-aspect account of human willing--privileging, as it does, the conceptual hypostases of 'the temporal' and 'the non-temporal'--is founded upon a transcendental idealist problematic. In order to go beyond adherence to an abstract and possibly mystifying view of 'the non-temporal' the ultimate emphasis in this thesis is placed upon the transformative and transignifying possibilities of the dual reconstructive process which both constitute and are constituted by Ricoeur's 'hermeneutics of suspicion' and 'hermeneutics of faith'. An authentic faith--and thus the paramount condition of an authentic theology itself--depends, in Ricoeurian terms, upon both a critical and restorative reconstruction and reconstitution of the human bond with the sacred. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS The Glory of the Lord: A Theological Aesthetics, III: Studies in Theological Style: Lay Styles. By HANS URS VON BALTHASAR. Translated by Andrew Louth, John Saward, Martin Simon, and Rowan Williams. Edited by John Riches. San Francisco : Ignatius Press, 1986. Pp. 524. In this third volume of the Ignatius Press translation of Herrlichkeit, von Balthasar examines the more significant developments within the tradition of theological aesthetics-as (...) ancient as Irenaeus-from the failure of " clerical " theology in the late medieval period down to the early twentieth century. He treats here of Dante, John of the Cross, Pascal, Hamann, Soloviev, and Peguy, finding in each of them a relatively freestanding and harmonious exploitation of themes emerging from the coincidence of free historicity and lucid rationality which is the splendor of the Christian revelation, of the forma Christi. Von Balthasar's interest in these "lay " theologians focuses upon their failure or success in providing an aesthetic resolution of the problems posed by the fact, no longer capable of being ignored or transmitted, of human solidarity. This solidarity, in sin and in redemption, challenges the very possibility of a theological aesthetics, for it requires an aesthetically satisfying integration of the divine justice and the divine mercy, of the human community as simul justus et peccator, redeemed and yet capable of damnation. This is finally the problem of reconciling divine and human freedom, and no theology which fails to face it is worthy of the name. The theologians under discussion in this volume did face it, however unsuccessfully for the most part, and their having done so constitutes their interest. Other issues provide a variable framework for the posing of this radically Christocentric question: the relation of grace and nature, the sinfulness or not of the Church, the tension between a Platonizing reading of the Pauline marital symbolism and the covenantal content of that symbolism, the debate with the Reformation's refusal of theological aesthetics, and a rationalist reduction of beauty to formal necessity. It is also notable that the aesthetic stress of these theologians upon the concrete individual tends to locate them in the Neoplatonic-Augustinian hermeneutic whose ontological expression is a universal hylemorphism, in which matter and form express the paradoxical dichotomies of being rather than its logical integration as in the Aristotelian-Thomist hermeneutic governed by the act-potency analysis. In fact the rejection of the 710 BOOK REVIEWS 711 sterility of the essentialist logic of the latter hermeneutic is a frequent,.even an insistent, theme among these theologians. Perhaps the identification of the fundamental problem of theological aesthetics as the aesthetic integration of our solidarity with the damned is most evident in the first and last authors discussed, but even in John of the Cross, whose refusal of historical content to the faith is almost Bultmannian, the emphasis upon the experiential dimension of our appropriation of the revelation is maintained, and therefore, at least by implication and in the breach, the question of the experiential or aesthetic synthesis of God's redemptive love with his justice is in issue. The theological problem which emerges with clarity in this profoundly instructive inquiry is more properly that of our human solidarity in sin and in redemption, in the first Adam and in the last. This emphasis is of course a Pauline inheritance, whose initial exploration by way of the theological aesthetics of Irenaeus is the beginning of Christian theological aesthetics, but the task of integrating the dialectic of our human solidarity, as at once in the sin and death caused by the disobedience of the first Adam, and in the redemption and resurrection worked by the obedience of the last Adam, constitutes now as then the permanent because fundamental question before any theology which would be responsive, as an aesthetics, to the "ancient beauty, forever new," whose aesthetic integration von Balthasar considers to be the single responsibility and therefore the hallmark of any adequate Christian theology. The perennial attempts to meet this responsibility have forced Christian theology to abandon the cosmological preoccupations inherited from Plato and Aristotle as the price of loyalty to the free historical context which is alone possible for theology whether it be labelled systematics or aesthetics... (shrink)

The spread of evangelical Christianity across the globe is characterized by both a high degree of similarity in liturgy, symbolism and methods of organization and communication, and at the same time a remarkable ability to plug in to local indigenous rituals, symbols and practices related to possession and magic, to disease and healing. This poses complex questions for understanding ethnicity and also cultural globalization, which are explored using contemporary and historical sources relating to South and West Africa and to (...) Brazil. The ability of those evangelical churches which advertise their ability to transmit healing powers most insistently, to transpose healing from individual to community, to replace mystery with transparency, is set against their opportunistic and clientelistic political involvements and lack of transparency in their organization. (shrink)

Alchemy is central to Jung's hypothesis of the collective unconscious. In this volume he begins with an outline of the process and aims of psychotherapy, and then moves on to work out the analogies between alchemy, Christian dogma and symbolism and his own understanding of the analytic process. Introducing the basic concepts of alchemy, Jung reminds us of the dual nature of alchemy, comprising both the chemical process and a parallel mystical component. He also discusses the seemingly deliberate (...) mystification of the alchemists. Finally, in using the alchemical process as providing insights into individuation, Jung emphasises the importance of alchemy in relating to us the transcendent nature of the psyche. (shrink)

English summary: Gilduin (1155) was, from 1113, the first abbot of the community of the Canons Regular of St Augustine, soon to become an abbey, under the auspices of St Victor of Marseille, on the left bank of the river Seine. After the death of his confrere Hugh, who was of German descent and the leading figure of the Victorines, on 11 February 1141, abbot Gilduin took care that the writings of Hugh were collected and compiled in a representative complete (...) edition. This 'Gilduin-edition' - as it is called in Medieval scholarship - comprises four volumes, the first of which is reconstructed herewith and presented in print. This volume follows the 2008 edition of Hugh's theological summa, De sacramentis christiane fidei. Then as now we are dealing with a critical albeit historical text. This new volume contains nine works, among which the first ever complete edition of Hugh's Cronica surely stands out. German description: Gilduin (+ 1155) war ab 1113 der erste Abt der einige Jahre zuvor gegrundeten und bald zur Abtei erhobenen Gemeinschaft von Augustinerchorherren unter dem Patronat des hl. Victor von Marseille, auf dem linken Ufer der Seine. Nach dem Tode seines Mitbruders Hugo, des aus Deutschland stammenden fuhrenden Kopfes der Viktoriner, am 11. Februar 1141 hat Abt Gilduin dafur gesorgt, daa die Schriften Hugos gesammelt und in einer reprasentativen Gesamtausgabe zusammengestellt werden. Diese in der internationalen mediavistischen Forschung so genannte,Gilduin-Ausgabe' der Werke Hugos von Saint-Victor umfaat vier Bande, deren erster hiermit rekonstruiert und im Druck vorgelegt wird. Dieser Band folgt somit auf unsere im Jahre 2008 besorgte Ausgabe der theologischen Summe Hugos, De sacramentis christiane fidei. Damals wie heute handelt es sich um einen kritischen, wenngleich historischen Text. Dieser neue Band umfaat neun Werke, unter denen insbesondere die uberhaupt erste vollstandige Ausgabe von Hugos Cronica hervorzuheben ist. (shrink)