Dundrukuitgave van het volledige werk, met uitzondering van "Durée et simultanéité".

Haciendo uso de paquete informático Bibliometrix y de la Guía Prisma, se desarrolló un análisis bibliométrico de la literatura proveniente de la Web of Science sobre la competencia digital docente universitaria. Se delimita la investigación a través de tesauros de Eric. Se plantearon preguntas de investigación relacionadas con las fuentes de datos, los autores y las redes de colaboración. La investigación evidencia incrementos en la producción a partir del año 2019, la nacionalidad de los autores y la filiación de instituciones (...) resaltan a través de redes de investigaciones extendidas en Iberoamérica. Es necesario ampliar este estudio a otras bases científicas. (shrink)

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La Barbarie à visage humain de Bernard-Henri Lévy traduit le désenchantement d'une génération de jeunes intellectuels français aussi bien face au marxisme, à son enseignement théorique, à ses crédos politiques, à ses prétentions de révolutionner les rapports sociaux que face au capitalisme, fut-il répressivement tentaculaire et « rationnel » ou tout simplement énergumène. En rupture de ban avec ses « doctes maîtres », Althusser, Poulantzas, Deleuze ou Lyotard, Lévy pose que toute action politique militante, de gauche ou de droite, conduit (...) irrémédiablement, par delà ses mots d'ordre de libération et de progrès, à la reproduction du Prince, du Pouvoir, tout pouvoir par essence tendant à l'absolu et au totalitarisme. La Maîtrise est la loi de ce monde et toute théorie socio-politique, tout projet de société ne peuvent être que des masques truculents de promesses dont il faut bien s'affubler pour que s'opère dans l'espoir la circularité répétitive de cette Maîtrise. L'histoire à cet égard ne fait que tourner en rond et notre siècle n'est que l'ultime achèvement en extension, mais à « visage » humain cette fois, d'une barbarie plusieurs fois millénaire. Que reste-t-il au nouveau philosophe sinon de proclamer à tout jamais le divorce de l'Éthique et de la Politique, de la candeur et de l'imposture, du fond de sa retraite solipsiste et libertaire? (shrink)

The chapters collected in Henry Burnett’s Nietzsche, Adorno e um pouquinho de Brasil (Nietzsche, Adorno and a Little Brazil) focus on investigating various cultural tendencies in Europe and Brazil in terms of popular music, or Volkslied. This is Burnett’s focus not only because he wants to analyze Nietzsche’s failed alliance with Wagnerian art regarding the “rebirth of tragedy”—the concern of the first part of the book—but also because he wishes to reflect on music’s role as a guiding thread in (...) debates in early twentieth-century Western culture. In particular, in the second part of the book, Burnett considers the role of popular music as the modus operandi of cultural edification in Western capitalism. .. (shrink)

L'humanisme scientifique, par André George.--L'homme nietzschéen, par Henri Mandiney.--L'homme marxiste, par Pierre Hervé.--L'existence et la liberté humaine chez Jean-Paul Sartre, par Gabriel Marcel.--L'humanisme laïque: Gide, Valéry, Alain, Duhamel, par Paul Archambault.--L'homme chrétien, par le r. p. Boisselot.

“It is the spirit of humanity, that which animates both so-called savages and civilized nations, working through a man, and not the man expressing himself, that interests us most,” writes Henry Dav...

Este ensayo establece un estrecho diálogo entre la Filosofía, la Literatura y la Historia de las Ideas. Su problema base está relacionado con los sistemas de producción y consumo de nuestra sociedad moderna y de qué forma el hombre, en su condición humana, es definido dentro de la doctrina de la eficacia y el maquinismo que hemos heredado del siglo XVIII. Se trata de la noción del organismo social que coarta las posibilidades a nivel individual de cada sujeto. Y la (...) idea que aquí se problematiza en un principio es la del héroe de Tomas Carlyle. Frente a la noción del hombre exitoso y con espíritu de liderazgo, se propone una contraposición por medio de la figura de Henry Miller y sus novelas tituladas Trópico de Cáncer y Trópico de Capricornio. El héroe de Carlyle, que termina siendo uno de los fundamentos de inspiración para el Führer de Adolf Hitler, es pensado desde la óptica del vagabundo de Miller. Una reflexión filosófica que halla sus bases críticas en la literatura.  . (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.1 (2003) 231-240 [Access article in PDF] Rescuing the Rescuers in Philip Hallie's Ethical Sublime Patrick Henry "Only stories or visions of transcending personal isolation and indifference can move me... hope, joy lie only in the transcendence of self-absorption—in expansion." —Philip Hallie I THROUGHOUT HIS LIFE, Philip Hallie expressed strong distrust for abstract philosophy. He wanted his own philosophy constituted of flesh and blood, and (...) he believed in the centrality of narration in ethical writing. The personality of stories, the irrefutable nature of the individual's account had to form the essential basis in the teaching of ethics. It is no surprise, then, that in his posthumous Tales of Good and Evil, Help and Harm 1 Hallie leaves us with a series of powerful stories, biographical and autobiographical, as the final expression of his lifelong agonizing struggle to come to terms with his own ethical beliefs. There are no general proofs here. No abstract principles. No definitions of goodness and evil. Only stories that depict the being referred to by e. e. cummings as "manunkind" mysteriously achieving the "realizable ideal" of rescuer of strangers.Given Hallie's major work on the rescuers of Jews in the village of Le Chambon-sur-Lignon, Lest Innocent Blood Be Shed. The Story of the Village of Le Chambon and How Goodness Happened There, 2 it seems appropriate that he begin this particular account of "tales of good and evil" in that same [End Page 231] village. Thus, the first biography he presents is that of Magda Trocmé, the wife of the pastor of the Protestant Church in Le Chambon-sur-Lignon, André Trocmé, who, with his fellow pastor Edouard Theis, is said to have inspired the rescue mission in the village. Hallie underscores the communal nonviolent effort by clergy and villagers alike in this "city of refuge." While he admires both André and Magda as practitioners of the "great virtues," he more readily identifies with Magda's secularism than with her husband's piety. He celebrates her generosity, her refusal to turn anyone away from her door, her "quiet habit of efficacious compassion," and her terse explanation as to why the rescuers in the village did what they had done: "What do you mean? It had to be done, that's all."As much as Hallie related to Magda's secularism, he was unable to identify fully with her because he felt tainted by the killing he had done as an artillery man in the United States Army during World War II. "I was a helpful killer who violated the negative demand against killing ["Thou shalt not kill"] in order to obey the positive one to spread life. But Magda and her villagers! Their ethical purity was beyond me. They obeyed the negative demands of ethics by hating and hurting no one even while they obeyed the positive demands of ethics by saving [thousands of refugees]." Compared to Magda and the villagers, Hallie clearly saw himself as someone operating in the grey zone.With the introduction of Joshua James and the community of Hull, Massachusetts, we ascend from Hallie's personal quagmire of moral ambiguity to the realm of the "ethical sublime." Here the author relates the story of James, whose mother and sister died at sea in 1837 when he was 11 years old, and who would go on to a career of life-saving activity on the Massachusetts coast. James founded the Life-Saving Rescue Service, an organization that evolved into the Coast Guard (or more specifically The Search and Rescue Service of the Coast Guard). He spent his entire life in Hull (1826-1902) and over the course of nearly sixty years saved hundreds of sailor's lives and tens of thousands of dollars worth of property.Many coastal villages around the world, Hallie explains, profited greatly from shipwrecks. Their cargoes and the stuff the ships were made of were highly valuable to the generally poor people who inhabited such villages. Yet the village of Hull, the smallest village in the state, having roughly... (shrink)

1. To list Pound’s triumphs of recognition in the realm of art, music, or literature is by itself no more enlightening than to catalog his oversights. Thus, for example, his instant and almost uncanny responsiveness to the work of Henri Gaudier-Brzeska is not more informative than his bizarre ranking of Francis Picabia’s paintings above those of Picasso or Matisse. Clearly it is essential to know, with as much specificity as possible, exactly what Pound said about a particular work of art (...) or literature and, equally important, given the frequent shifts of emphasis and interest throughout his long career, just when these opinions were first formulated. Like every reader of the The Cantos, I am conscious of the enormous service rendered by Pound scholars whose research is giving us a more complete inventory of the poet’s various statements and positions, and it would be foolish to take my point here as a derogation of such efforts. But a list, no matter how complete, is not an argument, and an inventory, no matter how scrupulously assembled, is not an explanation; a recurrent problem in Pound studies is that too often the compoilation of discrete items of information is seen as a sufficient answer to problems of interpretation and understanding. In other words, I think it essential that discussions of pound and the Visual Arts move beyond the quagmire resulting from still another frain-storm of “factual atoms” chronicling his various passions and dislikes.2. Far from implying, however, that we must therefore simply accept Pound’s brilliant discoveries and pass over his “howling blunders,” my position would emphasize the need to take his ideas seriously enough to confront them, to test them against the material to which they are a response and for which they often seek to provide an explanatory account. There are times, as I have argued in an analogous context, when it is less demeaning to give a man credit for his worst errors than to remove from him the capacity to err.3. What we require, I believe, is less a catalog of all of Pound’s specific statements about various artists, with each utterance assigned a positive or negative prefix depending upon our own personal and currently sanctioned hierarchy of values, than a careful study of the place of those statements in the logic and texture of Pound’s own work. The attempt to focus attention on The Cantos’ network of artistic references—its invocation of masterpieces and privileged moments of cultural achievement—will yield only trivial results unless the inner dynamic linking Pound’s various exampla and the actual role these play in the poem’s argument become clearer in the process. Michael André Bernstein, associate professor of English and comparative literature at the University of California, Berkeley, is the author of The Tale of the Tribe: Ezra Pound and the Modern Verse Epic and Prima della Rivoluzione , a volume of verse. He is currently completing a study of the Abject Hero and literary genealogy. His previous contribution to. (shrink)

Cet article se donne pour tâche l’examen de la fécondité conceptuelle d’une réduction paradigmatique souvent effectuée par les études en phénoménologie contemporaines de la danse : la réduction du mouvement dansé aux _kinesthèses_ par lesquelles il devrait être immédiatement vécu. Nous entendrons montrer, au contraire, que les kinesthèses ne permettent pas de rendre compte du mouvement vécu parce qu’elles le transforment en un vécu de mouvement demeurant extérieur au sujet qui le vit. Cette critique nous amènera ensuite à repenser conjointement (...) le mouvement dansé comme véritable sujet de la danse et le corps dansant comme déposé par ce mouvement en lequel il est pris. (shrink)

Spanish translation of Henry of Ghent’s Sum, article 32, q. 4, the most important place in his work with regard to his opinion about Maimonides’ theory of the divine attributes.

RESUMEN En este documento se presenta la traducción al español de la obra de teatro A lover of animals, escrita hace 120 años por Henry Stephens Salt, intelectual inglés activista por el trato justo hacia los humanos y los animales. Se introducen elementos que permiten al lector acercarse a la discusión planteada en la obra y se enfatiza en el personaje Claud Kersterman, médico y vivisector que expone una serie de ideas sobre la medicina, la ciencia y el valor (...) de los animales que se pueden apreciar en la actualidad. Finalmente, se resalta el valor que la literatura teatral puede tener para analizar discusiones como las que suscita el trato hacia los animales en contextos generales o particulares como el de la vivisección. ABSTRACT This document presents the Spanish translation of the play A lover of animals, written 120 years ago by Henry Stephens Salt, an English intellectual activist in favor of humans and animals being treated fairly. Elements are introduced which allow the reader to understand the discussion which is set out in the play. Emphasis is placed on the character of Claud Kersterman, a doctor and vivisector who states a series of ideas on medicine, science and the importance of animals, which can be appreciated nowadays. Finally, it is highlighted the significance that theatre literature can have to analyze discussions such as the ones given rise to by the way animals are treated in general or specific contexts such as vivisection. (shrink)

En 1990, s'est tenu a Lyon le premier colloque explicitement consacré à Henri Maldiney. L'idée était de lui donner la parole, mais seulement après avoir entendu quelques-uns de ses anciens étudiants et de ses plus proches amis (Jacques Schotte, André du Bouchet, Roland Kuhn), réunis autour de questions centrales pour chacun d'eux. Encre Marine a publié les meilleures pages provenant de ces journées dans Existence : crise et création. En 2012, Henri Maldiney a eu cent ans. L'Association Internationale Henri Maldiney (...) (AIHM) a réuni un colloque d'une journée à Lyon organisé avec la Faculté de Philosophie de l'Université Jean-Moulin, là où Henri Maldiney a longtemps enseigné (dont les actes sont à paraître) et un autre de deux journées à Paris, rue d'Ulm, là où Henri Maldiney a été étudiant, organisé avec les Archives Husserl. Les contributions ici réunies montrent comment l'oeuvre de Maldiney est aujourd'hui lue à la fois par quelques-uns qui accompagnent son travail depuis longtemps déjà et par de tout nouveaux lecteurs - ce qui témoigne de la diffusion de sa pensée. Certains ont pu dire que, désormais, on peut lire Henri Maldiney "comme un classique". La reprise du texte de Maldiney Existence : crise et création " montre que décidément, même dans le retrait lié au grand âge, Henri Maldiney continue, à travers son oeuvre, d'exercer une singulière présence. (shrink)

MATTER AND LIGHT The New Physics By LOUIS DE BROGLIE. Originally published in 1937. TRANSLATORS NOTE: THE Author has in certain places modified the original French text for the English translation, for the sake of greater cohesion, and has also revised some passages, in order to bring them into accord with the results of later research. Occasional Translators Notes are shown in square brackets. The chapter on The Undulatory Aspects of the Electron has the special historical interest of having been (...) delivered as a Lecture on the occasion of the Authors receipt of the Nobel Award, while that on Wave Mechanics and its Interpretations was given as an Address at the Glasgow meeting of the British Association in 1928. I am indebted to Dr. J. E. Turner, of the University of Liver pool, for assistance with the translation and the proofs, and to Dr. C. Strachan, of the same University, I am indebted for valuable assistance in dealing with the equations and the more technical passages, as well as for reading the proofs. W. H. J. PREFACE: THE amiable insistence of my friend Andr George has induced me to collect in the present Volume a number of Studies on con temporary Physics written from both the general and the more metaphysical point of view. Each of these Studies forms an inde pendent whole, and can be read by itself. A slight degree of repeti tion which the reader is asked to overlook has been the inevi table result for on more than one occasion I have been compelled to duplicate a summary of the great fundamental stages of con temporary Physics, such as the classification of simple substances, the investigation of the photo-electric effect and the origin of the Theory of Light Quanta and of Wave Mechanics the subjects are somewhat technical, and I cannot well assume that they are common knowledge. But though the same subject is outlined in several of these Studies, I have tried to take up a different point of view in each, and have endeavoured to throw light on different aspects of the essential problems of Quantum Physics in order to facilitate a grasp of their importance. On comparing the different chapters the reader will observe that, while overlapping, they also complement one another and he will feel the fascination and greatness inherent in the vast structure of modern Physics. And while admiring the vast number and the extreme delicacy of experimental facts which laboratory physicists have succeeded in revealing, and the strange and brilliant concepts devised by theorists to explain them, he will appreciate to what a degree the methods and ideas of physicists have grown in subtlety during recent years, and how great has been the progress from the somewhat ingenuous Realism and the over-simplified Mechanics of earlier thinkers. The more deeply we descend into the minutest structures of Matter, the more clearly we see that the concepts evolved by the mind in the course of everyday experience especially those of Time and Space must fail us in an endeavour to describe the new worlds which we are entering. One feels tempted to say that the outlines of our concepts must undergo a progressive blurring, in order that they may retain some semblance of relevance to the realities of the subatomic scales. Time and Space, in other words, are too loose a dress for the elementary entities individuality becomes attenuated in the mysterious pro cesses of interaction, and even Determinism, the darling of an older generation of physicists, is forced to yield... (shrink)