The sentence ὢσπερ γxs22EFρ οxs1F31… xs1F04γουςιν as it stands, seems to be unsatisfactory. The meaning is left too vague. We except some such subject as βουκxs22EFλοι or ποιμxs22EFνες after οxs1F31, and the object of xs1F02γουσιν is placed awkwardly next to that of προσεíοντες. We feel that προσεíοντες goes too closely with xs1F02γουσιν to have anything to do with the article. It may be entirely detached by taking it more or less as a parenthetical remark.

As far as I know, Kaibel is the only champion of the soundness of our text in this passage. In his edition of the Electra he has the following note : ‘Zu τòν xs22EFxs025Bxs22EF πατρóς ist, wie Haupt gezeigt hat , der Nominal-begriff aus dem Verbum zu ergäanzen, genau wie in μxs22EFανδικxs22EFζxs025Bιν, διττxs22EFν παxs1FD6σαι u. a. statt des Adjektivs steht das durch den Artikel gestützte Adverbium, vgl. Arist. Ran. 191 νxs025Bναυμxs22EFχηκxs025B τxs22EFν πxs025Bρxs22EF τxs22EFν κρxs025Bxs22EFν und das sprüchwörtliche τòν πxs025Bρxs22EF ψυχ࿆ς (...) τpεXειv. So ist auch der Komikervers ganz in Ordnung εγω Tov αλλov, αvδρεs, εTεθvηkη πáλaι aπavθ', ôv εζηv, wo zu εζηv und also auch zu ετεθvηkη sich ein Nominal-begriff wie βιóv oder χρóvov von selbst ergánzt; denn auf ein bestimmtes Nomen kommt nichts an, da kein Grieche thatsáchlich ein Nomen ergánzte, sondern den Begriff aus dem Verbum heraushörte.’ He concludes: ‘So unzweifelhaft richtig Haupts Erklärung ist, so pflegt man sie neuerdings doch wieder zu ignoriren oder zu verwerfen und die allerungläublichsten “Emendationen” zu bevorzugen.’ With the latter part of his assertion I fully agree, and am prepared to throw all emendations that have been so far suggested overboard. But with due diffidence I beg to try my hand once more at emending this passage, as I firmly believe that Sophocles has not written it as handed down to us. τóv aεì…στεváχovσ' is intolerably weak. It is far more likely that we have here a case of the wrong division of words. In uncials we should have read: HAEKTPATON, which ought to have been transcribed ΉHλεkτρ’. (shrink)

πóθεν θράος η Θρενό ηχειρì ΤÈΚνων σÈθΕνΚαρδα τε λήψηδεινàν πpoσáγονσα τóλμαν.

The sentence ὢσπερ γ⋯ρ οἱ… ἄγουςιν as it stands, seems to be unsatisfactory. The meaning is left too vague. We except some such subject as βουκ⋯λοι or ποιμ⋯νες after οἱ, and the object of ἂγουσιν is placed awkwardly next to that of προσεíοντες. We feel that προσεíοντες goes too closely with ἂγουσιν to have anything to do with the article. It may be entirely detached by taking it more or less as a parenthetical remark.

So MSS. For xs03D5ερετε metri causa Scaliger proposed xs03D5ερετι, an emendation rightly accepted by editors. In the preceding line καιδή conceals a corruption.Wilamowitz reads:και μήν παιδωμ ταδε δή.The change,however, is too violent to recommend itself on palaeographic grounds. In his notatio critica Murray says: Fortasse παισι.

In a previous article I have cited these lines in support of my emendation ‘Ηλεκτρατον for the MS. text Ηλεκτρα τοκν, v. 1075. With Jebb I tacitly agreed that the word-order ωδ’ ακορεστον οίμωγáν was correct. The metre of vv. 138–9 οντε γools ορτε λίταίσιν must therefore be defective.

This is the first complete, one-volume English translation of the ancient Chinese text Xunzi, one of the most extensive, sophisticated, and elegant works in the tradition of Confucian thought. Through essays, poetry, dialogues, and anecdotes, the Xunzi articulates a Confucian perspective on ethics, politics, warfare, language, psychology, human nature, ritual, and music, among other topics. Aimed at general readers and students of Chinese thought, Eric Hutton’s translation makes the full text of this important work more accessible in English than ever (...) before. Named for its purported author, the Xunzi has long been neglected compared to works such as the Analects of Confucius and the Mencius. Yet interest in the Xunzi has grown in recent decades, and the text presents a much more systematic vision of the Confucian ideal than the fragmented sayings of Confucius and Mencius. In one famous, explicit contrast to them, the Xunzi argues that human nature is bad. However, it also allows that people can become good through rituals and institutions established by earlier sages. Indeed, the main purpose of the Xunzi is to urge people to become as good as possible, both for their own sakes and for the sake of peace and order in the world. In this edition, key terms are consistently translated to aid understanding and line numbers are provided for easy reference. Other features include a concise introduction, a timeline of early Chinese history, a list of important names and terms, cross-references, brief explanatory notes, a bibliography, and an index. (shrink)

Traditionally, empathy is conceived of as a cognitive function that governs how people think during social interactions, and is considered as largely impervious to change. However, developments in psychology and neuroscience show that empathy is grounded in neural substrates of emotionally communicative behaviour and so is learned through imitation and other forms of cultural learning. This also means that abnormal patterns of empathic function can develop through adverse life experiences, or that empathy may fail to develop in young people with (...) neurodevelopmental disorders. Nevertheless, by focussing on empathy as a quality of social interaction and affective expression in the here and now, and by appreciating that it is as a special form of sensorimotor skill, pathways to training and fostering better development of empathy can be identified. (shrink)

The plan for this volume emerged during the international Leipzig conference commemorating the centenary of the death of Gustav Fechner.

Aischylos darf als der eigentliche Schöpfer der Tragödie als literarischer Kunstform gelten, so sehr diese im 5. vorchristlichen Jahrhundert auch an ihren kultischen Ursprung gebunden bleibt. Aischylos führt den zweiten Schauspieler ein und nutzt technische Erfindungen zur Steigerung szenischer Effekte. Außerdem ist er der große Gestalter der tetralogischen Komposition, d.h. der Verbindung dreier Tragödien und eines Satyrspiels zu einer Handlungseinhait, die es ihm ermöglicht, die Verkettung von Hybris, Ate und Dike an ganzen Geschlechtern über Generationen hin zur Darstellung zu bringen. (...) Im Mittelpunkt seines Denkens steht die notwendig schuldhafte Existenz des handelnden Menschen, für den die Erfüllung einer überpersönlichen Forderung zugleich den Verstoß gegen eine andere, ebenso gültige Norm bedeutet. Überbrückt wird diese tragische Weltsicht im Glauben an die von Zeus repräsentierte Weltordnung, die den Menschen im einzelnen zwar unbegreiflich bleibt, deren grundsätzliche Sinnhaftigkeit sich ihm jedoch im Leiden erschließt. Adäquaten Ausdruck findet dieses Denken in einer urtümlichen und gewaltigen Sprache, deren Übersetzung in der hier vorliegenden Ausgabe philologisch präzis ist und gleichzeitig das Verständnis des aischyleischen Dramas erleichtert. (shrink)

In the present essay we attempt to reconstruct Newtonian mechanics under the guidance of logical principles and of a constructive approach related to the genetic epistemology of Piaget and García. Instead of addressing Newton’s equations as a set of axioms, ultimately given by the revelation of a prodigious mind, we search for the fundamental knowledge, beliefs and provisional assumptions that can produce classical mechanics. We start by developing our main tool: the no arbitrariness principle, that we present in a form (...) that is apt for a mathematical theory as classical mechanics. Subsequently, we introduce the presence of the observer, analysing then the relation objective–subjective and seeking objectivity going across subjectivity. We take special care of establishing the precedence among all contributions to mechanics, something that can be better appreciated by considering the consequences of removing them: the consequence of renouncing logic and the laws of understanding is not being able to understand the world, renouncing the early elaborations of primary concepts such as time and space leads to a dissociation between everyday life and physics, the latter becoming entirely pragmatic and justified a-posteriori, changing our temporary beliefs has no real cost other than effort. Finally, we exemplify the present approach by reconsidering the constancy of the velocity of light. It is shown that it is a result of Newtonian mechanics, rather than being in contradiction with it. We also indicate the hidden assumption that leads to the contradiction. (shrink)

We present an epistemological schema of natural sciences inspired by Peirce's pragmaticist view, stressing the role of the \emph{phenomenological map}, that connects reality and our ideas about it. The schema has a recognisable mathematical/logical structure which allows to explore some of its consequences. We show that seemingly independent principles as the requirement of reproducibility of experiments and the Principle of Sufficient Reason are both implied by the schema, as well as Popper's concept of falsifiability. We show that the schema has (...) some power in demarcating science by first comparing with an alternative schema advanced during the first part of the 20th century which has its roots in Hertz and has been developed by Einstein and Popper. Further, the identified differences allow us to focus in the construction of Special Relativity, showing that it uses an intuited concept of velocity that does not satisfy the requirements of reality in Peirce. While the main mathematical observation connected with this issue has been known for more than a century, it has not been investigated from an epistemological point of view. A probable reason could be that the socially dominating epistemology in physics does not encourage such line of work. We briefly discuss the relation of the abduction process presented in this work with discussions regarding ``abduction'' in the literature and its relation with ``analogy''. (shrink)

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.