Does anybody know what love is? This question, the title of a love song by the Motown singer Irma Thomas, echoes through the series Black Mirror. This chapter seeks to answer this question by studying how love, as defined by both Thomas Aquinas and Irma Thomas, appears and disappears in the universe of the show. We learn that most people don't know that love is the total giving of the self to another. But if they did know what love is, (...) as a few characters in the show do, they'd be happier. (shrink)

Despite the advent of CRISPR, safe and effective gene editing for human enhancement remains well beyond our current technological capabilities. For the discussion about enhancing human beings to be worth having, then, we must assume that gene-editing technology will improve rapidly. However, rapid progress in the development and application of any technology comes at a price: obsolescence. If the genetic enhancements we can provide children get better and better each year, then the enhancements granted to children born in any given (...) year will rapidly go out of date. Sooner or later, every modified child will find him- or herself to be “yesterday’s child.” The impacts of such obsolescence on our individual, social, and philosophical self-understanding constitute an underexplored set of considerations relevant to the ethics of genome editing. (shrink)

INTRODUCTION I have purposely limited myself to a rather brief statement in this introduction, in order that the summing up be not misrepresented for the ...

Modern historical criticism of the gospels and Christian origins began in the seventeenth century largely as an attempt to debunk the Christian religion as a pious fraud. The gospels were seen as bits of priestcraft and humbug of a piece with the apocryphal Donation of Constantine. In the few centuries since Reimarus and his critical kin, historical criticism has been embraced and assimilated by many Christian scholars who have seen in it the logical extension of the grammatico-historical method of the (...) Reformers. The new views of New Testament exegesis and of early Christian history are important and well known. Many New Testament scholars would now hold with Schweitzer and Bultmann that Jesus was a preacher of the imminent end of the world. He may have secretly considered himself to be the Messiah, or he may have simply sought to pave the way for another, the apocalyptic Son of Man. After his execution, his disciples' experiences of his resurrection forced on them a conclusion already implicit in his teachings and personal piety: that Jesus was indeed, or had become, the Messiah, and was in fact God's Son. They expected he would soon return as the Son of Man he had predicted. (shrink)

As we await the Second Coming of President Donald Trump, it is important to understand that his conservative Evangelical supporters view him not as a new Christ but as a new Constantine, a guardian of Western Civilization in a crucial period when we face threatened conquest by foreign enemies and infiltrators, Postmodern Neo-Marxism, and Militant Islam Thus he should be seen also as a new Charles Martel. He need not be a Bible-reading pietist to fulfill these roles, so Christians need (...) not be ashamed of him if he isn’t. (shrink)

ROBERT M. PRICE replies to Sciabarra's criticism that Carol Selby Price and Robert Price's Mystic Rhythms erroneously classifies Rush lyricist Neil Peart as "conservative." "Conservative" may imply limitation of individual freedom by the government—or by organized religion. Peart leans more toward a non-religious libertarianism and Rand's Objectivism, which may be considered "conservative" in the same narrow sense. Ironically, Randian thinkers share with religion the use of the Hero Myth archetype. Price focuses on recent Rand-type comic book superheroes, including (...) Steve Ditko's Mister A and The Question, and Alan Moore's parody on these, Rorschach. (shrink)

Price replies to Sciabarra's criticism that Carol Selby Price and Robert Price's Mystic Rhythms erroneously classifies Rush lyricist Neil Peart as "conservative." "Conservative" may imply limitation of individual freedom by the government—or by organized religion. Peart leans more toward a non-religious libertarianism and Rand's Objectivism, which may be considered "conservative" in the same narrow sense. Ironically, Randian thinkers share with religion the use of the Hero Myth archetype. Price focuses on recent Rand-type comic book superheroes, including Steve Ditko's Mister (...) A and The Question, and Alan Moore's parody on diese, Rorschach. (shrink)

This study examines the outcomes of a four-year faculty learning community (FLC) that aimed to transform departmental ethics curriculum by supporting Earth Sciences faculty members as they ethically inquired into their teaching of ethics and refined existing courses in alignment with an Integrated Community-Engaged Learning and Ethical Reflection (ICELER) framework. We present ethnographic case studies that unpack processes through which three faculty members transformed undergraduate courses. We assembled case studies by triangulating interview data, course artifacts, and faculty reflections. We examine (...) how faculty (1) built awareness around teaching ethics, (2) took responsibility for and made judgments about teaching ethics, (3) experimented by designing and implementing ICELER-inspired courses, and (4) interrogated the outcomes of their ethics teaching, utilizing findings to enhance awareness and revise courses. The paper closes by introducing a model detailing how instructors inquire into ethics teaching and how model components might inspire future educational practice and research. (shrink)