This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

The name the “Prague school of Brentano” refers to three generations of thinkers who temporarily or permanently lived in Prague, bound together by teacher/student relationships, and who accepted the main views of Franz Brentano’s philosophy. This chapter discusses central aspects of the philosophical work done in the School.

Two sextants constructed for Tycho Brahe are preserved in the National Technical Museum in Prague. One was constructed by Erasmus Habermel, the other by Jost Bürgi. Both were made in the year 1600. To overcome the observational errors, several improvements were made in the construction of these instruments, especially in the case of Bürgi's sextant. It would appear both from these instruments and from his tables of sines that Tycho wanted to reduce the errors to one minute of arc. (...) A replica of Bürgi's sextant, which is currently under construction, will allow the accuracy of the instrument to be tested. (shrink)

At a time when a "return to Sartre" is being heralded in France and elsewhere in preparation for the celebration of the centennial of his birth, it seems appropriate to ponder the nature and tenor of this renewal. To which aspects of Sartre's work are we returning as the centennial approaches, and are we doing so with fresh eyes or with the same critical prejudices that have obscured our appreciation of this work in the past? If one looks for answers (...) to Bernard-Henri Lévy (aka BHL), the principal instigator of this current renewal, with specific regard to the genre that interests us in these pages—the theater—one is going to be sorely disappointed. For while Lévy considers Sartre "the first [writer]—the only [writer]—to know how to split himself equally well between being a theoretician and an accomplished storyteller," he lavishes this praise solely on the theory and practice of Sartre's novels: "The concept of engagement is not a political concept stressing the social duties of the writer; it is a philosophical concept highlighting the metaphysical powers of language. … Sartre … has never really written a novel with a [totalizing] thesis or message" (BHL 85, 86). (shrink)

Two stages are discernible in S.H. Bergman's philosophical development. The early Bergman differs from the later Bergman as much in the philosophical method as in the choice of the fields of research and problems to deal with. The early Bergman acted predominantly as a philosopher of science, focussing his attention on the ultimate presuppositions of scientific thinking. In the second stage this gave way to speculations of a rather anthropological character. The laterBergman sought to solve the riddle of human existence (...) by a theory centering on the social nature of human rationality and claiming a theological explanation of its emergence. (shrink)

The European Legacy, Volume 17, Issue 3, Page 424-425, June 2012.

This paper attends to the curious affair of Jacques Derrida in Prague when he was arrested by the Czechoslovakian police on charges of drug smuggling. It reads two images by Valerio Adami and Nicolas Poussin, entitled, ‘The Massacre of the Innocents’, Tom Stoppard's play, Professional Foul about dissident philosophers in Prague, and a section from Ken McMullen's film Ghost Dance on Kafka. It turns around the question of what ‘innocence’ might mean in politics and reading.

Farmers’ markets are a relatively recent phenomenon in Prague, Czechia. The first of them was opened in the autumn of 2009, but the real boom started in the spring/summer of 2010. The survey introduced in this paper is concerned with the study of alternative food networks and farmers’ markets. It offers the results of methodological triangulation based on: (1) the data obtained via the questionnaire survey, (2) market organizers’ reflections on the customer structure, motivation for shopping at farmers’ markets (...) and the question of social exclusivity of farmers’ markets in Prague as revealed in interviews, and (3) the field notes from the participant observation at the markets under study. The results show that farmers’ markets are emerging all around Prague in localities of different social status, so the poorer citizens are not necessarily excluded from the access to markets. The differences between markets, in terms of size, range of goods, and term seem to follow the inner city/hinterlands divide rather than the socio-spatial differentiation of the city. New consumer patterns clearly result from the cultural environment, specific context, and also from the different development path of the post-socialist consumer society. (shrink)

An exercise in humour noir, this essay explores relations between the Paris and Prague surrealist groups from André Breton and Paul Éluard's visit to “the magic capital of old Europe” in 1935 to the aborted “Prague Spring” of 1968. It focuses on the famous “starry castle” of Breton's Mad Love — which Czechs know better as Letohrádek Hvězda at Bílá hora, the White Mountain — as a signifier whose wanderings, over the period, encapsulate the mutual myths and misunderstandings (...) that were constitutive of this most poignant of surrealist love affairs. The essay ends by suggesting that what makes the Czech capital a fitting object of the surrealist imagination (and a rich source of surreal art and literature in its own right) is less the “historic charms” that so seduced Breton in 1935 than the “geographical, historical, and economic considerations” of the city's modernity that he blithely put to one side. (shrink)

This study is about Carl Stumpf's achievements during his stay in Prague (1879-1884). It can be considered a piece of sociology of knowledge that is meant to uncover the institutional mechanisms used by Brentano from Vienna in order to implement his philosophical program in Prague. I claim that Stumpf and Marty have been instrumental in Brentano's plans and strategies to consolidate his hold on philosophy and its institutions in Austria. There are also several aspects of Stumpf's and Marty's (...) scientific activities in Prague, which I will also examine in this paper, including their scientific collaborations and exchanges with Ernst Mach, Ewald Hering, Gottlob Frege, and William James during Stumpf's stay in Prague (1879-1884). The last part of this study pertains to the circumstances surrounding Stumpf's departure from Prague and Brentano's reaction to Stumpf's arguments. (shrink)

This article considers the uncommon situation surrounding the acceptance of Darwinism in nineteenth-century Bohemia, when the diffusion and interpretation of Darwin’s teachings were first undertaken, above all by two professors of aesthetics at Prague – Josef Durdík and Otakar Hostinský. Although they somewhat simplified the theory of natural selection, they understood Darwin’s theory to be the arrival of a new paradigm in contrast to contemporary biologists working in the Bohemian Lands. This article presents and compares both aestheticians’ interpretations of (...) Darwinism, mainly their stance on the theory of natural selection, the possibilities of applying this theory to aesthetics and art, as well as their relationship to Darwin’s interpretation of aesthetic phenomena in nature. (shrink)

The paper describes the situation of teaching mathematics and its position at Prague University in the second half of the 18th century. In order to be able to adequately present the specific changes during this period, I first explain the development of the role of mathematics as a modern science among the Prague Jesuits in the two centuries before. It is pointed out that the Jesuits initially assigned only a very minor importance to mathematics. From the middle of (...) the 17th century, however, there was significant development. In the middle of the 18th century, under the influence of the Enlightenment, state reforms set in, which also significantly influenced the structure and content of education at Prague University. I describe the consequences of these reforms – that also led to the dissolution of the Jesuit Order – for mathematics. Finally, I deal with the life and work of mathematicians and astronomers at Prague University in the second half of the 18th century. (shrink)

On 1 to 4 October 1991, the international symposion “Vienna-Berlin-Prague. The Rise of Scientific Philosophy” took place on the occasion of the centenaries of three prominent representatives of logical empiricism, organized by the newly founded Institute ‘Vienna Circle’ together with the Institut far Wissenschaft and Kunst and supported by the Austrian Federal Ministries for Science and Education. In the following report, most attention will be paid to German-speaking authors, as the English-language presentations are published in the present Yearbook,whereas the (...) German material has appeared separately in the volume Wien — Berlin — Prag, published this year by Hölder-Pichler-Tempsky Verlag in Vienna. (shrink)