Carl Stumpf

This study is about Carl Stumpf's achievements during his stay in Prague (1879-1884). It can be considered a piece of sociology of knowledge that is meant to uncover the institutional mechanisms used by Brentano from Vienna in order to implement his philosophical program in Prague. I claim that Stumpf and Marty have been instrumental in Brentano's plans and strategies to consolidate his hold on philosophy and its institutions in Austria. There are also several aspects of Stumpf's and Marty's scientific activities (...) in Prague, which I will also examine in this paper, including their scientific collaborations and exchanges with Ernst Mach, Ewald Hering, Gottlob Frege, and William James during Stumpf's stay in Prague (1879-1884). The last part of this study pertains to the circumstances surrounding Stumpf's departure from Prague and Brentano's reaction to Stumpf's arguments. (shrink)

Carl Stumpf, in his Spinozastudien, presents the Aristotelico-Scholastic thesis of the “parallelism” between mental acts and contents, i.e., the thesis that “the essential differences and divisions of the acts run in parallel to those of the contents, since they are determined in their specificity by the latter.” In his paper, Stumpf also distinguishes between passive and active accounts of intellection in the history of philosophy. Now, Stumpf, in his own theory of intentionality, has rather an active account of intellection: he (...) holds that the contents of abstract presentations and judgments are “products” of these acts. Stumpf does not explicitly give a historical precedent for his position. In this note, I would like to discuss Stumpf’s historical narrative concerning the active accounts of intellection, as well as to complete this narrative with information about some prior philosophical positions resembling Stumpf’s own views on psychic products. (shrink)

Though scholarship has explored Karin Costelloe-Stephen’s contributions to the history of psychoanalysis, as well as her relations to the Bloomsbury Group, her philosophical work has been almost completely ignored. This paper will examine her debate with Bertrand Russell over his criticism of Bergson. Costelloe-Stephen had employed the terminology of early analytic philosophy in presenting a number of arguments in defence of Bergson’s views. Costelloe-Stephen would object, among other things, to Russell’s use of an experiment which, as she points out, was (...) first conducted by Carl Stumpf. Russell appeals to Stumpf's experiment in his attempt to prove that sense data are terms in logical relations, a thesis presupposed by the project of logical analysis outlined in Our Knowledge of the External World. A reformulated version of Costelloe-Stephen's argument put forth by this paper shows that Russell's argument fails to provide adequate proof for his thesis. Further modifications of the argument can also address a reconstruction (based on contemporary reports) of Russell's reply to Costelloe-Stephen. In his reply, Russell would use, already in 1914, the term ‘analytic philosophy’ in contrasting his and Moore’s approach to a continental one, exemplified by Bergson and Costelloe-Stephen. (shrink)

Entry on the influence of Stumpf et Brentano on Husserl's early phenomenology during the Halle period.

© The Author 2017. Published by Oxford University Press on behalf of The Scots Philosophical Association and the University of St Andrews. All rights reserved. For permissions, please e-mail: [email protected] Fisette and Riccardo Martinelli have put together the most comprehensive, ambitious, and engaging collection of essays on the philosophy of Carl Stumpf to date. The volume is impressive in both scope and depth. It covers every single aspect of Stumpf's contribution to philosophy, including issues in the philosophy of mathematics, metaphysics, (...) epistemology, phenomenology, aesthetics, philosophy of language, and the theory of feelings. It draws on an extensive array of Stumpf's writings, both published and unpublished, and it even features a selection of archival materials, notably, the transcription of a lecture on metaphysics from the late 1880s and some correspondence between Stumpf and Brentano. Some might suspect that we should simply ‘catalogue [Stumpf's] work... (shrink)

Some Austro-German philosophers considered thoughts to be mind-dependent entities, that is, psychic products. Yet these authors also attrib- uted “objectivity” to thoughts: distinct thinking subjects can have mental acts with “qualitatively” the same content. Moreover, thoughts, once built, can exist beyond the life of their inventor, “embodied” in “documents”. At the beginning of the 20th century, the notion of “psychic product” was at the centre of the debates on psychologism; a hundred years later, it is rather at the margins of (...) the history of philosophy. While Twardowski’s theory of products has been fre- quently studied, those of Stumpf and the late Husserl have been much less dis- cussed. A presentation of the Austro-German debates about psychic products is all the more important since these discussions might be of direct interest for contemporary philosophy of mind and epistemology. This paper examines the Austro-German notion of psychic products in Stumpf, Twardowski, and the later Husserl. (shrink)

In this paper I will introduce the reader to Carl Stumpf’s philosophy through a discussion of a problem about simultaneous perception of several objects. This problem is at the heart of several of his works and therefore well suited for my purpose.

Overview of the complex relationship between Brentano and Stumpf.

This study focuses on the influence of the work of Carl Stumpf on the thought of Karl Bühler. Our working hypothesis is based on the philosophical program that Bühler attributes to Stumpf and to which several of his works are largely indebted. It is divided into five parts. The first is intended to establish a relationship between Bühler and the School of Brentano to which Stumpf belongs. In the second, I show that Bühler became aware of Brentano's ideas and of (...) Stumpf's program during a stay at the Institute of Psychology of Berlin during the winter semester 1904-1905, and I briefly comment, in the third part, Bühler's references to the work of Stumpf and two of his books in which he defends Stumpf's program against his critics. After having established the solid knowledge that Bühler had of Stumpf's work, I outline, in the fourth part, the main aspects of this program and evaluate, in the fifth, how Bühler uses it in the field of sensory phenomena (gestalt). I conclude this study with several remarks on Stumpf's positive evaluation of the work of Bühler. (shrink)

This paper consists in the Spanish translation of a manuscript by Franz Brentano, where he deals with “The Method of Study of Aristotle and, More Generally, the Method of Historical Research in Philosophical Field”. In these pages, Brentano challenges the Aristotelian studies of his time by criticizing the approach followed by E. Zeller and other scholars. Meanwhile, he suggests some hermeneutical rules in order to interpret Aristotle in the right way. The core of his proposal is the use of philosophical (...) hermeneutics, that is, the interpreter should philosophize following the Aristotelian arguments, like the Peripatetics used to do. In his introduction to the text by Brentano, the Spanish translator also recommends a new chronology for the manuscript, i.e. not much later than 1883. Complete title: «Franz Brentano: Sobre el método en los estudios aristotélicos y sobre el método de la investigación histórica en ámbito filosófico en general». Original title: Franz Brentano, «Zur Methode aristotelischen Studien, und zur Methode geschichtlicher Forschung auf philosophischem Gebiet überhaupt», in: 'Über Aristoteles. Nachgelassene Aufsätze', edited by Rolf George, Hamburg: Meiner, 1986, pp. 7-20. (shrink)

This study aims to account for the reception of the philosophy of Carl Stumpf since the turn of the twenty-first century and to emphasize the actuality of some of the aspects of his philosophy. The present text is subdivided into several sections, each corresponding to one of the main topics discussed in the recent literature on the work of Stumpf. In the first section, I try to show, using his classification of sciences, that Stumpf's empirical work is driven by a (...) unitary philosophical program. I then examine the ramifications of this program in several areas of philosophy that have been the subject of recent commentaries and publications. I begin with the commentaries on the recent publication of Stumpf's thesis on mathematical axioms, which stress Stumpf's contribution to the philosophy of mathematics and to theory of knowledge, and more specifically to the debate on logical psychologism that Frege and Husserl will address a few years later. I conclude this section by examining the second of two major themes in the work of Stumpf that have been the subject of several recent studies, namely, on the one hand, logic and the nature of states of affairs and, on the other hand, Stumpf's contribution to the mind-body problem and to the topic of relations. The third section is divided into two parts. In the first one, I try to briefly account for the vast literature on Stumpf's contribution to psychology understood broadly enough as to include his work on the psychology of sound, Gestalt psychology, animal psychology and the psychology of child development. I provide, in the second part of this section, a summary of his studies in the area of aesthetics and musicology in general, i.e. his contribution to the history of music and its origins, to ethnomusicology, and to acoustics. Although this study does not aim at being exhaustive, it provides an overview of the important aspects of Stumpf's contribution to philosophy. (shrink)

Introduction to a series of unpublished letters from Brentano and Stumpf.

This study is a commentary on Carl Stumpf's evaluation of Husserl's phenomenology as presented in the Logical Investigations and the first book of Ideas. I first examine Stumpf's reception of the version of phenomenology that Husserl presented in the Logical Investigations and I then look at §§ 85-86 of Ideas I, in which Husserl seeks to demarcate his "pure" phenomenology from that of Stumpf. In the third section, I analyze the criticism that Stumpf, in § 13 of his book Erkenntnislehre, (...) directs toward to the new version of phenomenology that Husserl develops in Ideas I, and in the fourth, I summarize the Spinozist interpretation of the noetico-noematical correlations that Stumpf proposes in his two studies on Spinoza. The last section addresses Husserl's self-criticism regarding the Cartesian aproach to the reduction in Ideas I and the parallelism that the late Husserl establishes between intentional psychology and transcendental phenomenology. I try to show that the version of phenomenology that Husserl develops during the Freiburg period anticipates in many respects Stumpf's criticism and partly confirms the latter's diagnosis of the version of phenomenology advocated in Ideas I. (shrink)

The purpose of this book is to highlight Carl Stumpf's contributions to philosophy and to assess some of the aspects of his work. This book brings together several specialists of Stumpf and the school of Franz Brentano, and includes fourteen original studies (in English and German) on the various aspects of Stumpf's philosophy, and some of his unpublished writings. This book is divided into four sections, and also includes a general introduction on the reception and actuality of Stumpf's philosophy. The (...) first section examines the historical sources of his philosophy, the second examines some of the central themes of his work and the third examines his relationship to other philosophers. The fourth section consists of notes taken by Husserl during Stumpf's lectures on metaphysics in Halle, Stumpf's introduction to the edition of his correspondence with Brentano, which he prepared in 1929, and some important letters pertaining to this correspondence. This book also provides a comprehensive bibliography of Stumpf's works. (shrink)

From the point of view of Husserl's critique of empiricist theories of abstraction in the Logical Investigations, it seems that Brentano and most of his students would have endorsed the presupposition of Locke's theory of abstraction, which Husserl labels as the 'psychological hypostatization of the general'. For Husserl himself, but also for most of his followers, the motivation behind this critique is that the descriptive psychology of the school of Brentano leads to psychologism if one doesn't accept Platonic ideal objects. (...) In the following article, I argue that Husserl's critique doesn't do justice to the accounts of abstraction developed in the school of Brentano. I take here the particular case of Carl Stumpf, showing that not only does Husserl's accusation miss its target, but also that it attributes indirectly to Stumpf a position that he didn't defend. I suggest that even before the Logical Investigations, Stumpf formulated the basis of an account of abstraction in terms of generalization, an account which will later turn out to be in many ways compatible with Husserl's theory of Spezies in the Logical Investigations, and which provide a viable alternative both to Platonism and to empiricism, thereby calling for a reassessment of the positions on abstraction in the School of Brentano. (shrink)

This essay aims at an analysis of Stumpf’s doctrine of categories. In Erkenntnislehre Stumpf argues that all categories empirically stem from outer and inner perception. Although Stumpf champions an empiricist explanation of the matter, he firmly rejects associationism. In his conception of the origin of categories, including substance, Stumpf builds on the assumption that human perception behaves dynamically. Sensory experience consists indeed essentially of perceptual wholes. The analysis of Stumpf’s theses is of great importance for our thorough understanding of his (...) philosophy. His theory regarding this crucial philosophical topic diverges considerably from Brentano’s. (shrink)

An Introduction to Carl Stumpf's influences over other philosophers.

Stumpf’s doctrine of the categories is of great importance for our understanding of his philosophy. This theme had been widely discussed among German thinkers after Kant; Brentano himself had repeatedly dealt with it since his early works. However, Stumpf considerably diverges from Brentano on this crucial philosophical topic. Although a systematic discussion can be found only in Stumpf’s posthumous Erkenntnislehre, his core ideas on the categories can be traced to his early work on space of 1873. In fact, Stumpf claims (...) that the peculiar relationship between extension and color is analogous to the relationship that holds between substance and accidents. Thus, like any other category, substance empirically stems from perception. Sensory experience, for Stumpf, is made up of perceptual wholes, whose attributes are typically bound to each other, rather than separately given in bundles, as Hume and other associationists used to assume. Thus, the achievements of Stumpf’s holist psychology effectively contributes a solution to this classic metaphysical problem. (shrink)

This essay addresses the interrelations between philosophy and experimental sciences that lie at the heart of Carl Stumpf’s epistemology. Following a biographical exposé demonstrating how Stumpf succeeded in acquiring a dual competence in both philosophical and scientific fields, we examine the vast array of academic disciplines encompassed by his research. Such a biographical treatment aims, indeed, to better promote the thrust of Stumpf’s assertion that philosophical enquiries should always be carried out in close connection with scientific practices, and underlines how (...) philosophico-scientific interactions established his work as a central pillar in the history of late nineteenth- and early twentieth-century German thought. (shrink)

An Introduction to the historical sources of the philosophy of Carl Stumpf.

An Introduction to the main themes of Carl Stumpf's Philosophy.

Carl Stumpf (1848–1937) is a key figure in the fin de siècle germanophone philosophy. Unfortunately, after the World War One, the interest towards Stumpf as a philosopher waned. One of the reasons was that already in the 1920s the attention of the mainstream philosophers shifted in direction of the rising rivalry between analytic and continental philosophy. The interest towards Carl Stumpf’s philosophy was revived only in the last twenty years or so. Great service in this provided the Neo-Brentanists. But while (...) the association of Carl Stumpf with Franz Brentano fostered Stumpf studies, it also gave rise of one-sided interpretations of Stumpf as a philosopher. In this way his importance and idiosyncrasy as philosopher remained in shadow. (shrink)

Au-delà de l’intérêt purement historiographique, nous tentons ici de dégager l’intérêt proprement philosophique de thèses fondamentales du philosophe Carl Stumpf : l’appel à une méthode intuitionniste, c’est-à-dire au retour à ce qui est effectivement donné ; le principe fondamental de l’autonomie de la sphère du sensible ou (dans la terminologie husserlienne) du domaine hylétique, c’est-à-dire son indépendance vis-à-vis des activités noétiques ; le dégagement d’un concept non purement empiriste et non atomiste de la sensibilité ; le principe anti-associationniste et anti-kantien (...) qui est inhérent à la méthode d’analyse des parties psychologiques (psychologische Theile) ou de contenus partiels (Theilinhalte) ; enfin, la désubjectivation de l’a priori, qui s’oppose de manière radicale à la conception kantienne de l’a priori qui l’identifie à l’élément formel de la connaissance, c’est-à-dire à une forme subjective. Et nous tentons de mettre en évidence mettre en évidence la manière dont ces principes œuvrent déjà au sein de l’analyse de l’origine de la représentation de l’espace, telle qu’elle se présente dans l’ouvrage de 1874 “Sur l’origine psychologique de la représentation de l’espace”. (shrink)

Pour les lecteurs désireux de comprendre ses Idées directrices a, Husserl a rendu la tâche extraordinairement difficile dans la mesure où des exemples adéquats, susceptibles d’éclaircir le type de connaissances qu’il a en vue, font tout bonnement défaut. On est obligé de les chercher soi-même selon les instructions de la théorie générale qui y est soutenue pour s’en représenter ainsi le sens...

As a philosopher, psychologist, and physician, the German thinker Hermann Lotze defies classification. Working in the mid-nineteenth-century era of programmatic realism, he critically reviewed and rearranged theories and concepts in books on pathology, physiology, medical psychology, anthropology, history, aesthetics, metaphysics, logic, and religion. Leading anatomists and physiologists reworked his hypotheses about the central and autonomic nervous systems. Dozens of fin-de-siècle philosophical contemporaries emulated him, yet often without acknowledgment, precisely because he had made conjecture and refutation into a method. In spite (...) of Lotze's status as a pivotal figure in nineteenth-century intellectual thought, no complete treatment of his work exists, and certainly no effort to take account of the feminist secondary literature. Hermann Lotze: An Intellectual Biography is the first full-length historical study of Lotze's intellectual origins, scientific community, institutional context, and worldwide reception. (shrink)

Cette étude porte sur l'influence exercée par les travaux de Carl Stumpf sur la pensée de Karl Bühler. Notre hypothèse de travail repose sur le programme philosophique que Bühler attribue à Stumpf et dont plusieurs de ses travaux sont largement redevables. Notre étude est divisée en cinq parties. La première cherche à établir une filiation entre Bühler et l'école de Brentano à laquelle appartient Stumpf. Dans la deuxième, nous montrons que Bühler a pris connaissance des idées de Brentano et du (...) programme de Stumpf durant un séjour à l'Institut de psychologie de Berlin au semestre d'hiver 1904-1905, et nous commentons brièvement, dans la troisième partie, les nombreuses références à Stumpf dans l'œuvre de Bühler et deux ouvrages dans lesquels il prend la défense de Stumpf contre ses critiques. Après avoir établi la connaissance profonde par Bühler des travaux de Stumpf, nous esquissons, dans la quatrième partie, les grandes lignes du programme de Stumpf et examinons, dans la cinquième, la manière dont Bühler l'applique dans le domaine des phénomènes sensibles (gestalt). Nous concluons cette étude avec quelques remarques sur l'évaluation positive par Stumpf des travaux de Bühler. (shrink)

The following investigation aims to determine the historical origins of the phenomenology of pain. According to my central thesis, these origins can be traced back to an enthralling discussion between Husserl and two of his most important teachers, Brentano and Stumpf. According to my reconstruction of this discussion, while Brentano defended the view that all feelings, including pain, are intentional experiences, and while Stumpf argued that pain is a non-intentional feeling-sensation, Husserl of the Logical Investigations provides compelling resources to resolve (...) the polemic between his teachers by showing how pain can be conceived as a pre-intentional experience. According to my argument, this largely forgotten discussion is of significance not only because it enriches our understanding of pain, but also because it modifies the phenomenological conception of consciousness. Thus in the concluding section, I show why the Husserlian resolution of the controversy between Brentano and Stumpf is of importance for our understanding of the central phenomenological theme—intentionality. (shrink)

The ancient Greeks already used to give ethnic names to their different scales, and observations on differences in music of the various nations always raised the interest of musicians and philosophers. Yet, it was only in the late nineteenth century that “comparative musicology” became an institutional science. An important role in this process was played by Carl Stumpf, a former pupil of Brentano’s who pioneered these researches in Berlin. Stumpf founded the Phonogrammarchiv to collect recordings of folk and extra-European music (...) and a dedicated journal, the Sammelbände für vergleichende Musikwissenschaft. Gifted in the field of science no less than in that of musicology, Stumpf developed an empirically-oriented approach to phenomenology, deeply divergent from Husserl’s and highly influential over the Berlin school of Gestalt psychology. A self-declared “outsider” among armchair philosophers, Stumpf experimentally investigated the perception of sounds and the origins of musical consonance. Developing the physiological studies of Ernst Weber on the sense of touch, Stumpf discovered that two sensations of tone, given at the same time, tend to mix in a certain degree. Musical consonance – he claimed – lays in this level of “tonal fusion”, not in the allegedly “natural” series of the harmonic partials of a vibrating chord, as suggested by the naturalists of all times from Pythagoras to Stumpf’s great contemporary Hermann Helmholtz. Accordingly, no musical system can claim for preponderance over the others: Stumpf’s researches in comparative musicology served to corroborate his theses on “tonal fusion” and the psychological foundations of consonance. Although Stumpf later revised and finally abandoned this theory, its permanent value lays in its opposition to dominant naturalistic approaches. The commitment for comparative musicology at the Berlin School is then no concession to a positivistic fashion for exoticism. The fundamentally Eurocentric stance of naturalistic theories of music is also fiercely contrasted by Stumpf’s pupil Erich Hornbostel, who suggests that music ought to be considered as culture, rather than as nature, and focuses attention on the eventually melting human cultures. The Berlin school flourished until the Nazis forced most of its exponents to emigration and, for tragically obvious reasons, heavily discouraged researches on these topics. (shrink)

Many nineteenth-century psychologists assume that the measurement of psychic intensity is a prerequisite to the development of a truly scientific psychology. In the first edition of the Psychology from an empirical point of view, Brentano deals with this question. He assumes that all psychic phenomena admit of a certain intensity. Later on, Brentano retreats this doctrine and claims that only sensible phenomena admit of an intensity, whereas intellectual presentations do not. As a consequence, Brentano introduces a radical gap between sensible (...) and noetic consciousness. By contrast, Stumpf maintains a continuity between sensations and presentations. The main difference between them is the degree of their intensity. The essay provides a discussion and a comparison of the above mentioned points of view. (shrink)

El artículo analiza la teoría de todos y partes de Carl Stumpf. Por un lado, se presentan los elementos básicos de su psicología descriptiva de la experiencia. Por otro lado, se analiza el desarrollo de la teoría de todos y partes sobre la base de dicha psicología descriptiva. El trabajo pretende probar dos tesis complementarias: primero, si bien la teoría mereológica de Stumpf es aún incipiente y no del todo explícita, constituye un auténtico punto de partida. Segundo, dicha mereología surge (...) a partir de una atenta descripción de la experiencia dada y no es algo impuesto a ésta. The article focuses on Carl Stumpf's theory of parts and wholes. On the one hand, I present the basic elements of his descriptive psychology of experience. On the other hand, I analyze the development of his theory of parts and wholes, which is based upon his descriptive psychology. The article aims to prove two different, yet complementary theses: firstly, despite the fact that Stumpf's mereological theory is still incipient and not quite explicit, it represents an authentic point of departure; secondly, this mereology arises out of an attentive description of given experience and not as an imposition to it. (shrink)

This study attempts to situate Carl Stumpf's theory of emotions with regard to that of his teacher, Franz Brentano, and to the sensualist theory of William James. We will argue that Stumpf's theory can be considered an attempt to reconcile James's sensualism, which emphasizes the role of bodily feelings, with what we will call, for the purposes of this study, Brentano's intentionalism, which conceives of emotions as intentional states. Stumpf claims that James's sensory feelings and Brentano's affective intentional states are (...) two sides of the same coin in that they constitute two essential ingredients of a full-fledged theory of emotions. The question is whether Stumpf's ecumenism avoids the objections that he himself raises against James's and Brentano's theories. The paper is divided into four parts: the first part presents Stumpf's classification of psychical functions; the second part presents his criticism of James's theory of emotions; the third part is a summary of Stumpf's complex debate with Brentano on emotions and sensory feelings; the last part examines Stumpf's attempt to incorporate into his theory of affects the phenomenological and intentional aspects of emotions. I conclude with a note on the unity of consciousness. (shrink)

The paper compares the ideas developed by Bozzi and Stumpf with regard to unity, identity, and causality. Although Bozzi’s formulation is independent from the one made by Stumpf in his Erkenntnislehre, these two positions share the same innovative importance granted to perceptual experience and to the problem of the origin of categories. Thus, despite different levels of awareness and formalization, in both authors we see the features of what we can call – analogous- ly to Bozzi’s naïve physics – a (...) “naïve metaphysics”, at whose core lie the refusal of intellectualism, and the determination of the origin of categories in the concrete stream of perception. (shrink)

Il lavoro analizza la tempestiva ricezione da parte di Cornelio Fabro della filosofia di Carl Stumpf, così come esposta nella postuma Erkenntnislehre. Fin dai lavori dei primi anni Quaranta Fabro adotta una concezione della ‘fenomenologia’ distante da quella di Husserl perché ricalcata sulla definizione stumpfiana. Più in generale, Fabro si ispira a Stumpf ancor più che allo stesso Brentano. A partire dalla distinzione tra ‘fenomeni' e ‘funzioni psichiche’ Stumpf è infatti capace di proseguire il rilancio dell’aristotelismo con coerenza ancor maggiore (...) del maestro, all’insegna di un pieno riconoscimento del significato conoscitivo della percezione contro gli tipici di eccessi di ogni forma di intellettualismo. (shrink)

This essay illustrates the main aspects of the discussion between Brentano and Stumpf about «tonal fusion». In his Tonpsychologie, Stumpf essentially moved from a Brentanian standpoint. Yet, he did not adopt Brentano’s subsequently developed new theory of «sensible qualities», so that a polemic eventually arouse between them. Far from representing a marginal issue, the episode is relevant to our understanding of their relationship. The discussion as to the mechanism of tonal fusion reveals a general divergence between Brentano and Stumpf concerning (...) the idea of human sensibility as a whole and of the method of psychology. (shrink)

Formal ontology as it is presented in Husserl`s Third Logical Investigation can be interpreted as a fundamental tool to describe objects in a formal sense. It is presented one of the main sources: chapter five of Carl Stumpf`s Ûber den psycholoogischen Ursprung der Raumovorstellung (1873), and then it is described how Husserlian Formal Ontology is applied in Fifth Logical Investigation. Finally, it is applied to dramatic structures, in the spirit of Roman Ingarden.

It is accepted that certain mereological concepts and phenomenological conceptualisations presented in Carl Stumpf’s Über den psychologischen Ursprung der Raumvorstellung and Tonpsychologie played an important role in the development of the Husserlian formal ontology. In the third Logical Investigation, which displays the formal relations between part and whole and among parts that make out a whole, one of the main concepts of contemporary formal ontology and metaphysics is settled: ontological dependence or foundation. My main objective is to display Stumpf’s concepts (...) of partial content, independent content, spatial wholes, sound wholes, and the different kinds of connection among parts, in particular, fusion. Second, I will show how Husserl improved this background, in particular with regards to the exact nature of the theory of manifolds, in discussion with Georg Cantor, the father of set theory. Third, I will focus on Ingarden’s use of formal ontology and on the different modes of being that can be justified by appealing to the concept of ontological dependence in its Ingardenian variations. If my interpretation is adequate, it should be inferred that formal ontology is the operative theory of phenomenological philosophy, and this must be acknowledged in its full significance with respect to the supposed independence of the phenomenological method since 1913. A further consequence, not developed in this essay, is that formal ontology can be mathematised. (shrink)

J?aborderai ici le problème de la passivité de l?esprit dans le cadre d?une analyse de la perception sensible 1 . La question qui m?occupera sera la sui­vante : quel est le rôle des matériaux sensoriels ou des phénomènes sensibles dans la perception ? Plus exactement : quel sens faut-il donner ? s?il faut en donner un ? à la notion de « champs sensoriels » ( Sinnesfelder ) dans l?ana­lyse intentionnelle de la perception ? Je commencerai par rappeler que l?ap­proche (...) intentionnelle, telle qu?elle est développée par Edmund Husserl ? mais aussi, notamment, par August Messer ?, implique une critique très vive du sensualisme, aussi bien dans sa version atomiste que dans sa version gestaltiste. J?examinerai ensuite une certaine difficulté de la conception intentionaliste exposée dans les Ideen I (1913). Cette difficulté a été mise en évidence, dans le champ de la psychologie expérimentale d?inspiration wundtienne, par Edward Titchener ( Systematic Psychology , 1929) et surtout, dans l?école brentanienne, par Carl Stumpf ( Er­kenntnislehre , 1939). Elle concerne le rôle des données sensibles ou de la « hylè sensuelle » au sein des prestations intentionnelles du sujet percevant . Le point que fait valoir Stumpf se résume à ceci : si l?étude des états mentaux perceptuels ne doit pas devenir une « phénoménologie sans phénomènes », alors il semble que l?on doive renoncer au concept éthéré. (shrink)

Within the book, he discussed the origin and forms of musical activity as well as various theories on the origin of music. This is the first time that this important work is available in English.