Several lines of evidence suggest that children born via Cesarean section are at greater risk for adverse health outcomes including allergies, asthma and obesity. Vaginal seeding is a medical procedure in which infants born by C-section are swabbed immediately after birth with vaginal secretions from the mother. This procedure has been proposed as a way to transfer the mother's vaginal microbiome to the child, thereby restoring the natural exposure that occurs during vaginal birth that is interrupted in the case of (...) babies born via C-section. Preliminary evidence indicates partial restoration of microbes. However, there is insufficient evidence to determine the health benefits of the procedure. Several studies, including trial, are currently underway. At the same time, in the clinic setting, doctors are increasingly being asked to by expectant mothers to have their babies seeded. This article reports on the current research on this procedure and the issues it raises for regulators, researchers, physicians, and patients. (shrink)

Volume 20, Issue 7, July 2020, Page 150-152.

My students tend to rank Parfit’s Energy Policy and the Further Future1 among their favourite pieces. It is a marvellously argued, eye-opening paper. One of the most interesting passages comes right at the end, when Parfit suggests that we should act as if we had never realised that the non-identity problem exists: “When we are discussing social policies, should we ignore the point about personal identity? Should we allow ourselves to say that a choice like that of the Risky Policy (...) or of Depletion might be against the interests of people in the further future? This is not true. Should we pretend that it is? […] I would not want people to conclude that we can be less concerned about the more remote effects of our social policies. So I would be tempted to suppress the argument for this conclusion.” (2010 [1983], 119) In the paper, Parfit continuously stresses the implications of our views on personal identity. He differentiates between what he later, in his Reasons and Persons, calls a “narrow” and a “wide” person-affecting view (1984, ch. 18).2 On a narrow person-affecting view, we take seriously each person’s identity and assume that it is determined by its genome which is a product of a certain ovum and a certain sperm cell (112-113). On this view, we may then evaluate an action by considering its impact on each individual that is affected. An action is, thus, better or worse because it is better or worse for someone. Consequently, there may be alternative actions available to perform that seem better or worse, but aren’t really, as they are not better or worse for someone. One example that illustrates this point is the case of a 14 year-old who decides to have a child and, due to her age, gives the boy she conceives a bad start in life (113). In response, one may want to argue that she should have had a child later and that that child would have had a better start in life. This, however, overlooks that the boy that has been born to the young mother could not have been born later: the child she actually had could only come into existence because she decided to become a mother when she was 14. Hence, Parfit argues, we can “not claim that, in having this child, what she did was worse for him” (113, italics in the original). (shrink)

In the romantic tradition, music is consistently associated with madness, either as cause or cure. Writers as diverse as Kleist, Hoffmann, and Nietzsche articulated this theme, which in fact reaches back to classical antiquity and continues to resonate in the modern imagination. What John Hamilton investigates in this study is the way literary, philosophical, and psychological treatments of music and madness challenge the limits of representation and thereby create a crisis of language. Special focus is given to the decidedly (...) autobiographical impulse of the late eighteenth and early nineteenth centuries, where musical experience and mental disturbance disrupt the expression of referential thought, illuminating the irreducible aspects of the self before language can work them back into a discursive system. The study begins in the 1750s with Diderot's _Neveu de Rameau_, and situates that text in relation to Rousseau's reflections on the voice and the burgeoning discipline of musical aesthetics. Upon tracing the linkage of music and madness that courses through the work of Herder, Hegel, Wackenroder, and Kleist, Hamilton turns his attention to E. T. A. Hoffmann, whose writings of the first decades of the nineteenth century accumulate and qualify the preceding tradition. Throughout, Hamilton considers the particular representations that link music and madness, investigating the underlying motives, preconceptions, and ideological premises that facilitate the association of these two experiences. The gap between sensation and its verbal representation proved especially problematic for romantic writers concerned with the ineffability of selfhood. The author who chose to represent himself necessarily faced problems of language, which invariably compromised the uniqueness that the author wished to express. Music and madness, therefore, unworked the generalizing functions of language and marked a critical limit to linguistic capabilities. While the various conflicts among music, madness, and language questioned the viability of signification, they also raised the possibility of producing meaning beyond significance. (shrink)

In the romantic tradition, music is consistently associated with madness, either as cause or cure. Writers as diverse as Kleist, Hoffmann, and Nietzsche articulated this theme, which in fact reaches back to classical antiquity and continues to resonate in the modern imagination. What John Hamilton investigates in this study is the way literary, philosophical, and psychological treatments of music and madness challenge the limits of representation and thereby create a crisis of language. Special focus is given to the decidedly (...) autobiographical impulse of the late eighteenth and early nineteenth centuries, where musical experience and mental disturbance disrupt the expression of referential thought, illuminating the irreducible aspects of the self before language can work them back into a discursive system. The study begins in the 1750s with Diderot's _Neveu de Rameau_, and situates that text in relation to Rousseau's reflections on the voice and the burgeoning discipline of musical aesthetics. Upon tracing the linkage of music and madness that courses through the work of Herder, Hegel, Wackenroder, and Kleist, Hamilton turns his attention to E. T. A. Hoffmann, whose writings of the first decades of the nineteenth century accumulate and qualify the preceding tradition. Throughout, Hamilton considers the particular representations that link music and madness, investigating the underlying motives, preconceptions, and ideological premises that facilitate the association of these two experiences. The gap between sensation and its verbal representation proved especially problematic for romantic writers concerned with the ineffability of selfhood. The author who chose to represent himself necessarily faced problems of language, which invariably compromised the uniqueness that the author wished to express. Music and madness, therefore, unworked the generalizing functions of language and marked a critical limit to linguistic capabilities. While the various conflicts among music, madness, and language questioned the viability of signification, they also raised the possibility of producing meaning beyond significance. (shrink)

Logical Forms explains both the detailed problems involved in finding logical forms and also the theoretical underpinnings of philosophical logic. In this revised edition, exercises are integrated throughout the book. The result is a genuinely interactive introduction which engages the reader in developing the argument. Each chapter concludes with updated notes to guide further reading.

Describes Bradley's doctrine of 'immediate experience' as a starting point of knowledge, then traces the development of the of subject and object out of immediate experience, with the question of independence, and with the precise meaning of the term 'objectivity.'.

Книга предназначена для философов, правоведов и специалистов по естественным наукам, а также для заинтересованных читателей.

Книга предназначена для философов, правоведов и специалистов по естественным наукам, а также для заинтересованных читателей.

Memoirs and papers presented at a conference held on the occasion of the 90th birthday of the Mongolian philosopher Ts. Balkhaajav.

We explicitly compute, following the method of Weyl, the commutator [Q, P] of the position operatorQ and the momentum operatorP of a particle when the dimension of the space on which they act is finite with a discrete spectrum; and we show that in the limit of a continuous spectrum with the dimension going to infinity this reduces to the usual relation of Heisenberg.

В монографии рассматриваются возможности применения обобщенной релевантной логики к проблеме моделирования рассуждений. Для научных работников, аспирантов, студентов, специалистов в философской логике, аргументации и компьютерной науке.

Издание посвящено проблемам образной семантики, которые затрагивают четыре явления - когнитивные модели сравнительных конструкций, метафорические структуры языка, культурно значимая фразеология и поэтический дискурс.

Recently we have studied quantum mechanics of bounded operators with a discrete spectrum. In particular, we derived an expression for the commutator[Q, P] of two bounded operators whose spectrum is discrete, and we showed that in the limit of a continuous spectrum the commutator becomes the standard one of Heisenberg. In this paper we show that the angular momentum operator and the phase operator satisfy the new commutation relation. We also briefly discuss the problem of the canonical phase operator conjugate (...) to the number operator. (shrink)