Nietzsche wrote The Gay Science, which he later described as 'perhaps my most personal book', when he was at the height of his intellectual powers, and the reader will find in it an extensive and sophisticated treatment of the philosophical themes and views which were most central to Nietzsche's own thought and which have been most influential on later thinkers. These include the death of God, the problem of nihilism, the role of truth, falsity and the will-to-truth in human life, (...) the doctrine of the eternal recurrence, and the question of the proper attitude to adopt toward human suffering and toward human achievement. This volume presents the work in a new translation by Josefine Nauckhoff, with an introduction by Bernard Williams that elucidates the work's main themes and discusses their continuing philosophical importance. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Adrian Del Caro PAUL CELAN'S UNCANNY SPEECH On October 22, 1960, Paul Celan was in Darmstadt, West Germany, to accept the prestigious Georg-Bûchner-Preis. Winners of this prize are required by custom to give a speech on some aspect of Georg Büchner's writings, and Celan followed suit with a speech entitled "Der Meridian." The speech itself, as an address given in German in Germany to German listeners, was (...) uncanny, but it was Celan's "uncanny" discourse that had earned him this prize in the first place. In his poetry die uncanny takes on a life of its own. In the Meridian speech, dimensions of the uncanny in Büchner's writings are explored for the purpose of shedding light on the artistic impulse, and on poetry in particular. The poetic of Paul Celan is difficult to define from the aggregate of his poems, and hardly transparent in the Meridian speech, either. But it is the concentration on the uncanny in "Meridian" that makes the effort worthwhile. I will use the Meridian speech, examples from German literature, and examples of Celan's poems to unpack this uncanny. "Meridian," like so many words chosen by Celan, is full. Among the things it can mean are highest point, prime of life, circle from pole to pole, and lines numbered according to degrees of longitude. We speak also of a prime meridian, namely Greenwich, having the property of a center, of a locus from which we determine our bearings. Celan the linguist and etymologist knew and considered all meanings. "Uncanny" as a translation of German das Unheimliche is not quite sufficient, but it is a good starting point. German heim is English home, and unheimlich, unheimisch would be unhomely or unhomey—at least in the etymological spirit. When things are not as they are at home, they are unheimlich. Grimm's dictionary tells us that it wasn't until die end of Philosophy and Literature, © 1994, 18: 211-224 212Philosophy and Literature the eighteenth century that an emotive quality was added to this formerly cognitive adjective; it began at diis time to be associated with feelings of terror, dread, and anxiety. The Romantic Ludwig Tieck was among the first German writers to treat supernatural, uncanny themes, and as unheimlich became associated with the supernatural, it began to lose its sense of homeliness. Later on, E. T. A. Hoffmann became a master of die uncanny in his numerous weird tales. English "uncanny," which is still the best translation we have for unheimlich, experienced a similar development away from its origins in Scottish, where canny meant quiet, snug, cozy, and pleasant. The Oxford English Dictionary tells us that "supernatural, mysterious, uncomfortably strange or unfamiliar" were properties ascribed to "uncanny" after 1850. Poe's writings are uncanny in this modern sense. Freud devoted an essay to the uncanny in 1919. He made die point diat das Unheimliche is merely das Heimliche that we have repressed. Ifwe romanticize this idea, dien in the beginning all things were heimlich or homey to us, and it is only after consciousness thatwe become alienated from our home in nature, a condition which makes us feel unheimlich. Celan certainly had strong reason to focus on the earliest meaning of unheimlich, since he experienced homelessness in virtually every conceivable sense of the word, but then, so did his people, dieJews; first in their experience of the Diaspora, then in their "final" eradication during the Holocaust. The people without Boden or land became, by 1945, a people no longer of die earth. Freud linked the concept of das Unheimliche to its origin in heimlich. After exhaustively quoting the lexicologists Sanders and Grimm, Freud concluded that only Schelling had added a new dimension to das Unheimliche: "Uncanny would be everything that is supposed to remain a secret, remain concealed, but has emerged."1 This is credible enough, and fits Freud's repression theory. Freud's statement at the conclusion of the first part of his long essay would have appealed to Celan: "Heimlich is a word according to whose meaning an ambivalence develops until finally it corresponds in any uncanny way with its opposite. Unheimlich is somehow a kind ofheimlich... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Nietzsche’s Rhetoric on the Grounds of Philology and HermeneuticsAdrian Del Caro"The philosopher believes the value of his philosophy lies in the whole, in the structure: posterity finds it in the stone with which he built."Human, All Too Human, 1.201"All science only achieved continuity and constancy when the art of correct reading, that is philology, reached its height."Human, All Too Human, 1.270The complexity of Nietzschean rhetoric demands first a (...) basic working definition of rhetoric. In the etymological sense of Greek rhe¯torike¯, the art of oratory, and extrapolated to include the art of communicating effectively through writing, Nietzsche's rhetoric is a highly stylized, deeply self-aware manner of expression designed to convey meaning and to appeal. In the more limited sense of my essay, Nietzschean rhetoric is furthermore a discourse whose communicative and appealing aspects are aimed at the earth for the purpose of grounding human beings. By "rhetoric" I do not mean the negative connotation associated with "insincere or grandiloquent language" (Webster's), though it is certainly the case that Nietzsche's rhetoric frequently takes flight and requires grounding. It is to be expected that a classical philologist by training, and both a teacher and a writer by profession, would have a close understanding and practiced application of rhetoric; the particular challenge in explicating Nietzsche's rhetoric lies in the task to which his rhetoric is put, as well as in the zeal with which he pursued his task. I am not primarily concerned with what Nietzsche had to say about rhetoric while lecturing at the University of Basle, though I agree that Gilman, Blair, and Parent are right to emphasize the importance of rhetoric for the interpretation of Nietzsche's writings and in its own right as a competitor with philosophy (1989, xii, xvi, xx), rather, I am concerned [End Page 101] with the practice of rhetoric that distinguishes Nietzsche's writings from the early 1870s until the so-called Wahnsinnszettel (postcards and letters of madness) written in early January 1889. I also agree with Moore, who analyzes the specifically biological and medical idiom of Nietzsche and concludes "that new light can be thrown on [Nietzsche's] thought by situating it within the historical context of nineteenth-century theories of evolution and degeneration" (Moore 2002, 1-2).1In an early aphorism entitled "Origin of faith" Nietzsche concluded: "Habituation of spiritual principles [Grundsätze] without grounds [Gründe] is called faith."2 I provide the German to demonstrate that whenever possible, Nietzsche drew on the Germanic Grund in his discussions of grounding, even though he was keenly aware of Greek and Latin alternatives and could have used them. So for example Nietzsche's translator (say Holling-dale) could have chosen to use English "grounds" for German Gründe, but chose instead to use "reasons," which is also correct though not exactly in the spirit of Nietzsche's etymological nuance.3 Grundsätze, literally "grounding propositions," given idiomatically as "principles," has no comparable etymology in English. What one becomes accustomed to or adopts as a habit based on faith versus grounds, cannot by definition be grounded, whether or not it is a principle. Based on this example, living with grounds or reasons is living with foundation, with base and support. Living without grounds is simply acquiring habits, living by faith, living groundlessly. A similar usage is involved in English "grounds for dismissal," whereby "grounds" equals "reasons." Even the words founded and unfounded preserve some of the strength of "grounded" and "ungrounded" as I use them. In German "unfounded" is unbegründet or grundlos, participle and adjective respectively, and Nietzsche availed himself whenever possible of German expressions based on ground.The aphorism immediately following "Origin of faith" relies even more on Grund, and its translation into English deserves close attention. "Aus den Folgen auf Grund und Ungrund zurückgeschlossen" becomes "Reasons judged a posteriori on the basis of consequences,"4 which I would render as "grounds and ungrounds retroactively concluded from consequences." Nietzsche uses Grund twice already in the title, and in the body of this "aphorism" of thirty lines a variation of Grund occurs six more times (Gründe, Gr... (shrink)

With the publication of Parerga and Paralipomena in 1851, there finally came some measure of the fame that Schopenhauer thought was his due. Described by Schopenhauer himself as 'incomparably more popular than everything up till now', Parerga is a miscellany of essays addressing themes that complement his work The World as Will and Representation, along with more divergent, speculative pieces. It includes essays on method, logic, the intellect, Kant, pantheism, natural science, religion, education, and language. The present volume offers a (...) new translation, a substantial introduction explaining the context of the essays, and extensive editorial notes on the different published versions of the work. This readable and scholarly edition will be an essential reference for those studying Schopenhauer, the history of philosophy, and nineteenth-century German philosophy. (shrink)

Under the symbol of Dionysus, god of annihilation, metamorphosis, tragedy, Nietzsche succeeded in fusing elements of the mythological with a new philosophical world view culminating in an anti-ethic «beyond good and evil». «Dionysian Aesthetics» delves into the three periods of Nietzsche's productivity, systematically analyzing the relationships between major works and adhering closely to Nietzsche's «Werdegang». The focus for an understanding of the aesthetic is shifted from «Die Geburt der Tragödie» to the late works of the philo- sophical-Dionysus period.

The superhuman (Übermensch) is a human being attuned to his or her environment in such a way that human and environment function as a whole, in keeping with Zarathustra’s prophecy that the superhuman is the meaning of the Earth. Nietzsche’s rhetorical embrace of the Earth in Thus Spoke Zarathustra is actually grounded in the works of the 1870s, in particular Human, All Too Human, whichdoes not receive its due in critical engagement but which requires serious critical revisitation if the ecological (...) Nietzsche is to be heard above his own rhetoric. When Nietzsche’s writings are considered from the standpoint of ecology, it emerges that the phrase “the superhuman shall be the meaning of the Earth” is not so much focused on a debatable vision of future humanity, but instead addresses strategies for inhabiting our finite Earth in a spirit of creativity, partnership, and meaningful daily interaction. The hotly debated doctrine of will to power, for example, undergoes clarification and grounding when subjected to ecological standards, resulting in a will to empowerment whose beneficiaries are not only humans who assume proper stewardship of the Earth, but all Earthly life forms insofar as the meaning of Earth must include them. (shrink)

The superhuman (Übermensch) is a human being attuned to his or her environment in such a way that human and environment function as a whole, in keeping with Zarathustra’s prophecy that the superhuman is the meaning of the Earth. Nietzsche’s rhetorical embrace of the Earth in Thus Spoke Zarathustra is actually grounded in the works of the 1870s, in particular Human, All Too Human, whichdoes not receive its due in critical engagement but which requires serious critical revisitation if the ecological (...) Nietzsche is to be heard above his own rhetoric. When Nietzsche’s writings are considered from the standpoint of ecology, it emerges that the phrase “the superhuman shall be the meaning of the Earth” is not so much focused on a debatable vision of future humanity, but instead addresses strategies for inhabiting our finite Earth in a spirit of creativity, partnership, and meaningful daily interaction. The hotly debated doctrine of will to power, for example, undergoes clarification and grounding when subjected to ecological standards, resulting in a will to empowerment whose beneficiaries are not only humans who assume proper stewardship of the Earth, but all Earthly life forms insofar as the meaning of Earth must include them. (shrink)

Nietzsche regarded 'Thus Spoke Zarathustra' as his most important work, and his story of the wandering Zarathustra has had enormous influence on subsequent culture. Nietzsche uses a mixture of homilies, parables, epigrams and dreams to introduce some of his most striking doctrines, including the Overman, nihilism, and the eternal return of the same. This edition offers a new translation by Adrian Del Caro which restores the original versification of Nietzsche's text and captures its poetic brilliance. Robert Pippin's introduction (...) discusses many of the most important interpretative issues raised by the work, including who is Zarathustra and what kind of 'hero' is he and what is the philosophical significance of the work's literary form? The volume will appeal to all readers interested in one of the most original and inventive works of modern philosophy. (shrink)

This is a review of Friedrich Wilhelm Nietzsche, Adrian Del Caro, trans. The Joyful Science / Idylls from Messina / Unpublished Fragments from the Period of The Joyful Science (Spring 1881– Summer 1882): Volume 6 (The Complete Works of Friedrich Nietzsche). Stanford: Stanford University Press, 2023. x + 772 pp. $28.00, paper, ISBN 978-1-5036-3232-5.

Resumen: El presente artículo constituye un aporte al conocimiento del arte en su vinculación con la filosofía y el psicoanálisis, en tanto aborda la tensión entre la representación y la construcción simbólica de la imagen artística en el contexto cultural/estético contemporáneo, mediante la relación entre lo Real lacaniano y la estática negativa de Adorno. Dicha relación encuentra su punto de articulación en el fenómeno estético de lo Bello, entendido como lo que encara al sujeto con el vacío de su deseo (...) radical, sin engañarlo y que permite integrar la negatividad propia de lo Real con los elementos formales que componen la obra artística, así como con los conceptos de radicalidad y autenticidad de la propuesta adorniana. La articulación entre la estética negativa de Adorno y el efecto estético de lo Bello de Lacan, se ejemplifica con una interpretación en clave psicoanalítica de la obra de la artista colombiana Doris Salcedo. Abstract: This article constitutes a contribution to the knowledge of art in its connection with philosophy and psychoanalysis, as it approaches to the tension between the representation and the symbolic construction of the artistic image in the contemporary cultural / aesthetic context, through the relationship between the Lacanian Real and Adorno's negative aesthetic. This relationship finds its articulation point in the aesthetic phenomenon of the Beautiful, understood as what confronts the subject with the emptiness of its radical desire, without deceiving it and that allows to integrate the Real´s negativity with the formal elements that make up the artistic work, as well as the Adornian proposal concepts of radicality and authenticity. At the end, a psychoanalytic interpretation of colombian artist Doris Salcedo’s work is made, in which the negative aesthetics and the aesthetic effect of the Beautiful are integrated. (shrink)

Resumen: El presente artículo constituye un aporte al conocimiento del arte en su vinculación con la filosofía y el psicoanálisis, en tanto aborda la tensión entre la representación y la construcción simbólica de la imagen artística en el contexto cultural/estético contemporáneo, mediante la relación entre lo Real lacaniano y la estática negativa de Adorno. Dicha relación encuentra su punto de articulación en el fenómeno estético de lo Bello, entendido como lo que encara al sujeto con el vacío de su deseo (...) radical, sin engañarlo y que permite integrar la negatividad propia de lo Real con los elementos formales que componen la obra artística, así como con los conceptos de radicalidad y autenticidad de la propuesta adorniana. La articulación entre la estética negativa de Adorno y el efecto estético de lo Bello de Lacan, se ejemplifica con una interpretación en clave psicoanalítica de la obra de la artista colombiana Doris Salcedo. Abstract: This article constitutes a contribution to the knowledge of art in its connection with philosophy and psychoanalysis, as it approaches to the tension between the representation and the symbolic construction of the artistic image in the contemporary cultural / aesthetic context, through the relationship between the Lacanian Real and Adorno's negative aesthetic. This relationship finds its articulation point in the aesthetic phenomenon of the Beautiful, understood as what confronts the subject with the emptiness of its radical desire, without deceiving it and that allows to integrate the Real´s negativity with the formal elements that make up the artistic work, as well as the Adornian proposal concepts of radicality and authenticity. At the end, a psychoanalytic interpretation of colombian artist Doris Salcedo’s work is made, in which the negative aesthetics and the aesthetic effect of the Beautiful are integrated. (shrink)

Diseases of complex origin have a component of quantitative genetics that contributes to their susceptibility and phenotypic variability. However, after several studies, a major part of the genetic component of complex phenotypes has still not been found, a situation known as “missing heritability.” Although there have been many hypotheses put forward to explain the reasons for the missing heritability, its definitive causes remain unknown. Complex diseases are caused by multiple intermediate phenotypes involved in their pathogenesis and, very often, each one (...) of these intermediate phenotypes also has a component of quantitative inheritance. Here we propose that at least part of the missing heritability can be explained by the genetic component of intermediate phenotypes that is not detectable at the level of the main complex trait. At the same time, the identification of the genetic component of intermediate phenotypes provides an opportunity to identify part of the missing heritability of complex diseases. (shrink)

Basándome en la interpretación de Frederick Neuhouser 2014, examino varios aspectos usualmente no desarrollados en la literatura secundaria sobre una de las herramientas metódicas de la cual se sirve Rousseau en su _Discurso sobre el Origen de la Desigualdad entre los Hombres_ : la así llamada “historia conjetural”. En concreto, examino las respuestas que daría Rousseau a las siguientes tres preguntas: 1) ¿cuáles son los criterios de éxito de tal artefacto metódico? 2) ¿hasta qué punto Rousseau puede estar seguro de (...) la superioridad de su posición frente a teorías alternativas? 3) ¿hasta qué punto es admisible sin objeciones la imagen que Rousseau nos presenta del estado puro de naturaleza? Respecto a la primera pregunta, ofrezco dos criterios cuya inspiración es el falsacionismo de Karl Popper. Respecto a la segunda pregunta, discuto principalmente con la interpretación de Nicholas Dent 2005. Finalmente, en la tercera pregunta considero tanto una objeción kantiana como una objeción hegeliana al _DI_, mostrando al mismo tiempo que estas objeciones no aplican si entendemos con mayor precisión el proyecto del _DI_. (shrink)

El ensayo expone críticamente la fundamentación ontológica de la ética en Antonio Rosmini. Al mismo tiempo, propone una solución al problema de Hume sobre la deducción de proposiciones normativas a partir de las descriptivas. Rosmini parte del análisis del conocimiento. Desde aquí consigue acreditar el paso del pensamiento al ser, distinguiendo tres modos: ser real, ideal y moral. El filósofo identifica el tercero con una estructura agradable en todo lo naturalmente existente. Catalogar esta dimensión ontológica le permite definir el bien (...) universal como el orden amable del ser, y así conectar modernamente con la filosofía antigua. Mediante la contemplación del bien intrínseco de todo ente natural, del orden particular de su esencia, Rosmini puede validar también el salto del ser al deber ser. En efecto, pues del bien propio de cada realidad se desprende una necesidad objetiva, que a su vez aterriza en la constitución intelectiva y volitiva de la persona como necesidad subjetiva. El bien moral consistirá precisamente en el reconocimiento del sujeto de ese bien necesario. (shrink)

Trough an analysis of change based in the logical laws of Contradiction and of Excluded Middle, it's possible to demonstrate that the existence of the total state of the world at the present instant does not derive directly from the states of the world of any previous instant.

Resumen. El siguiente artículo muestra el estado actual de la Responsabilidad Empresarial enMéxico y su efecto en el Riesgo medido a través del Costo de Capital. Para ello, revisamos lasprincipales teorías que muestran que el uso de prácticas sociales en Estados Unidos provocandisminución del riesgo y por ende del Costo de Capital, Aras y Crowther, Richardson yWelker y Diamond y Verrechia. Con el fin de contrastar que las empresas SocialmenteResponsables tienen costos de capital menores consideramos como variable de desempeño social (...) eldistintivo que otorga el Centro Mexicano de Filantropía y por otra parte para calcular elriesgo consideramos el costo de capital a través de la metodología del Capital Asset Price Modelo. Encontramos que las empresas que son socialmente responsables tienen costos de capitalsuperiores que las que no son responsables y que el rendimiento de acciones es superior en lasempresas no responsables, por lo que el diferencial de riesgo vs rendimiento es superior en lasempresas no socialmente responsables. Lo anterior rechaza la hipótesis y contrasta con la realidadempírica de otros estudios.Palabras claves. Distintivo de ESR, CEMEFI, costo de capital, riesgo, rentabilidad de acciones,Bolsa de Valores. The following article shows the current status of the corporate responsibility inMexico and their effect on risk measured by the cost of capital. To do this, we review the maintheories that show that social practices in the United States leads to decrease risk and hence the costof Capital Aras and Crowther, Richardson and Welker and Diamond y Verrechia. In order to contrast that socially responsible companies have lower capital costs we considersocial performance variable the distinction conferred by the Mexican Center for Philanthropy and the cost of capital it estimate on the methodology of the Capital Asset Price model. We find that companies that are socially responsible have capital costs higher than thosethat are not responsible. It rejects the hypothesis and contrasts with the empirical reality of otherstudies.Keywords. CSR distintive, CEMEFI, cost of capital, risk, return in shares, Capital Market Securities. (shrink)

Son vastas y múltiples las dimensiones éticas del uso de la energía (dimensiones ético-políticas, poliéticas, para quienes pensamos que hay continuidad entre ética y política). Tras esbozar un mapa de este campo de problemas, nos centramos en las dificultades que afrontan las transiciones energéticas y argumentamos que solo encarando una profunda transformación de las formas de producción y los modos de vida se podrían evitar, quizá, los escenarios peores. Las técnicas humildes deberían desplegarse en marcos de ecofeminismo de subsistencia o (...) ecosocialismo descalzo. (shrink)

Este artículo tiene como objetivo identificar las violencias que sufren las mujeres porteadoras en las fronteras entre España y Marruecos. Desde 2015, la situación de las mujeres porteadoras se fue agravando debido a una multiplicidad de factores estructurales a las fronteras. Producto de estas circunstancias se iniciaron cambios en el circuito del porteo que llevaron a la apertura en un nuevo paso fronterizo en Ceuta especializado en mercancía y una precarización extrema de las condiciones laborales y de seguridad de las (...) porteadoras. Desde 2016 han muerto, al menos, 8 mujeres porteadoras en el desarrollo de su actividad laboral. La metodología ha sido cualitativa. La técnica de producción fue la etnografía y las entrevistas en profundidad. La técnica de análisis de datos ha sido el análisis de discurso. (shrink)

The trajectory of yoga has been long and steady. It was only natural that it would become an official item in the global discourse on well-being and health, leading to an International Day of Yoga. Nevertheless, there are various preconceptions about the practice, as well as different political and social issues that are worth querying. What and whose is yoga? What sort of disputes does this bear in the religious arena within India? Does the novel international celebration bridge the gap (...) between different cultural and geopolitical worlds? Is there an implied political agenda? This paper will offer both a brief account of the International Day of Yoga, and a critical view on all these issues with a view to foster a wider debate. (shrink)