Ideal for students and scholars alike, this edition of _Zhuangzi _ includes the complete Inner Chapters, extensive selections from the Outer and Miscellaneous Chapters, and judicious selections from two thousand years of traditional Chinese commentaries, which provide the reader access to the text as well as to its reception and interpretation. A glossary, brief biographies of the commentators, a bibliography, and an index are also included.

Brook Ziporyn's carefully crafted, richly annotated translation of the complete writings of Zhuangzi—including a lucid Introduction, a Glossary of Essential Terms, and a Bibliography—provides readers with an engaging and provocative deep dive into this magical work.

Despite increasing interest being given to dysfunctional customer behavior in multiple service sectors, it is unclear how and why different types of dysfunctional customer behavior affect frontline employees’ emotional labor during the service interactions. Drawing upon the conservation of resources theory, we propose a conceptual model in which verbal abuse, disproportionate demand, and illegitimate complaint differentially influence frontline employees’ emotional labor strategies. Further, the boundary conditions of these relationships are considered by introducing perceived organizational support and customer orientation as moderators. (...) Using survey data from 436 frontline employees of five call centers in China, hypotheses were tested through a hierarchical regression analysis. The results indicated that verbal abuse and illegitimate complaint exerted positive effects on surface acting. Particularly, these positive effects were weaker when frontline employees perceived organizational support was high. Also, verbal abuse’s positive effect on surface acting was weaker when frontline employees’ customer orientation was high. Customer’s verbal abuse, disproportionate demand, and illegitimate complaint negatively influenced frontline employees’ deep acting. The negative effect of disproportionate demand on deep acting was weaker when perceived organizational support was high. However, when frontline employees’ customer orientation was high, the negative effects of disproportionate demand and illegitimate complaints on deep acting were weaker. (shrink)

Stories in the Zhuangzi detailing expert artisans and other extraordinary people are often read as celebrations of “skills” or “knacks.” In this paper, I will argue that they would be more accurately understood as “coping” stories. Taken as a celebration of one’s “skill” or “knack” they transform the Zhuangzi into an implicit advocate of conforming to, or even identifying with, one’s social roles. I will argue that the stories of artisans and extraordinarily skilled people are less about cultivating (...) one’s talents so as to “find one’s calling,” better fulfill social expectations, or achieve oneness with Dao, than they are concerned with developing strategies for coping with natural and social contingencies. Read in this way, there is much to learn from the Zhuangzi when reflecting on contemporary social and political issues, especially those related to meritocratic hubris. (shrink)

Playfulness and humor are often recognized as key components of the Zhuangzi. Despite this, the text itself is rarely read in a playful or humorous manner. It is commonly treated, even in its most...

In lieu of an abstract, here is a brief excerpt of the content:The Zhuangzi:Personal Freedom and/or Incongruity of Names?Paul J. D'Ambrosio (bio)Tao Jiang's Origins of Moral-Political Philosophy in Early China: Contestation of Humaneness, Justice, and Personal Freedom (hereafter Origins) has sparked much scholarly debate. Already numerous presentations, various types of discussions, and reviews have appeared based on Origins. The present review focuses specifically on the Zhuangzi chapter. The entire project actually began, Jiang writes, fifteen years ago as a (...) book on the Zhuangzi. Through his research Jiang realized he needed to learn more about the objects of philosophical ridicule and critique in the Zhuangzi. Origins is the result of this decade-and-a-half study.Origins provides a somewhat novel framework for reading Warring States period philosophy. Summarizing the basic structure of his project Jiang writes: "I make the case that the philosophical dialectics between the partialist humaneness and imperialist justice formed the fundamental dynamics underlying the mainstream moral-political project during the classic period, with the musing on personal freedom as the outlier" (p. 35). As Karyn Lai puts it, Origins revolves around a "predictable set of inherited pre-Qin texts associated with key figures, traditionally called the "Masters" (zi 子) text" (Lai 2022, p. 181). Some models inherited by the "masters," such as yinyang 陰陽 thinking or ming 名 (names) and shi 實 (actualities), are nearly absent in Origins and would cast new light on the project as well [End Page 458] as the tradition. In this review I will first outline Jiang's reading of the Zhuangzi before considering how a richer appreciation of the Chinese tradition, especially its own methodological tools, frameworks, and concepts, could bolster the exciting contributions Origins stands to make. We will start with Jiang's big picture view of the Zhuangzi.In Origins the Zhuangzi is taken to be a completely unique text. It does not engage in the moral and political discourse the other "masters" texts are subsumed by, and instead of supporting either partialist humaneness or impartialist justice it "muses" on personal freedom. Jiang defines: "Personal freedom is understood as the appreciation and cultivation of personal space wherein one can be left alone and enjoy the company of like-minded friends without being entangled in the sociopolitical world" (p. 36). There are two significant points to note about Jiang's understanding of freedom. First, it is almost a word-for-character definition of how the "Seven Worthies of the Bamboo Grove" have been described by many. Research on these philosophical works could significantly enrich Jiang's reading, albeit from a different angle. Second, Guo Xiang's 郭象 (d. 312) emphasis on, and philosophical explorations of, du 獨 (an interconnected type of "lone") would further fill out how freedom and relationality—which are both attributed to the Zhuangzi by Jiang—are connected.In addition to a "fierce advocacy for personal freedom" Jiang classifies the Zhuangzi as a "singular outlier" for ridiculing the "misguided character of [the contestations between humaneness and justice] and warn[ing] against their potential for inhumanity and injustice" (p. 49). Indeed, the Zhuangzi does demonstrate that these discussions can elicit "the very opposite of what was intended by the participants of the mainstream discourse" (p. 49). Its criticisms are even more penetrating when we appreciate its deeper point about "names being the guests of actualities" (Zhuangzi 1:4). From this perspective the Zhuangzi is not against systems of humaneness or justice as such. It rather points out that humaneness does not have a single referent, nor could that referent be reliably distinguished. The name "humane" does not guarantee humane action, or really anything in particular. The same is true for "justice." We will return to these points below.Jiang's chapter on the Zhuangzi begins by defending moral and political readings of the text. It is an outlier from the perspective of the "humanity-justice" framework, but this only means that the moral-political discourse Zhuangists were engaged in was different. The result was that already by the early Han and by the time of Sima Qian 司馬遷 (d. 86 b.c.e.) "Zhuangzi's teachings were … of little use to contemporary political discourse" (p. 288). Jiang should be delighted to know that the Wei-Jin period, which had inestimable... (shrink)

This article explores how aspects of traditional Chinese thought regarding creativity can influence and enrich contemporary thought about related topics: specifically, how creativity can be construed as an epistemic or intellectual virtue, and the benefits of considering it as such. It proceeds in three parts. First, I review a conception of creativity suggested by aspects of the Zhuangzi that centrally involves forms of spontaneity and adaptivity engendered by embracing you 遊, or “wandering”, contrasting it with more conventional conceptions of (...) creativity that emphasize novelty or originality. Second, I explain how this conception of creativity illuminates how creativity can be an epistemic virtue of a surprising sort: one that concerns a disposition to—borrowing an expression from Chris Fraser—“ride along with things”. This “riding along” is ironically engendered by letting go of what David Wong has characterized as “the obsession with being right”, about which the Zhuangzi expresses concern. I argue that, while this conception of creativity eschews fixed goals, including epistemically-oriented goals like apprehending truth or developing knowledge, there are nevertheless good reasons to count creativity (so understood) as an epistemic virtue. Third, I connect these explorations with current conversations (begun by Matthew Kieran and C. Thi Nguyen) that already treat creativity or, relatedly, play as an epistemic or intellectual virtue, and explore how engaging the Zhuangzi in the manner outlined promises to help extend them. (shrink)

You 遊 is a crucial term for understanding the Zhuangzi . Translated as “play,” “free play,” and “wandering,” it is usually defined as an ideal, playful Zhuangzian way of being. There are two problems with this definition. The first is logical: the Zhuangzi cannot consistently recommend playfulness as an ideal, since doing so vitiates the essence of you —it becomes an ethical imperative instead of an activity freely undertaken for its own sake. The second problem is performative: arguments (...) for playful Zhuangzi as exemplar resemble those of the logicians and philosophers who appear to come in for Zhuangzian criticism. This essay addresses these tensions by demonstrating how the Zhuangzi ambiguates the nature and value of you . Apparent endorsements of you are not freestanding, instead occurring in grudging replies of teachers to overly zealous students. In light of this recontextualization, a new version of you is offered that accommodates “non-playful” ways of being. (shrink)

Some argue that animals and non-human figures in the Zhuangzi help displace the significance of humans. According to others the Zhuangzi suggests a certain time of ‘animalism,’ asking us to be more like various types of fauna and flora that do not share our self-centeredness. In this paper the use of non-human characters in the Zhuangzi will be examined through a survey of traditional Chinese commentary, comparisons with the Lunyu, and placing the use of non-human characters within (...) the larger context of the Zhuangzi. Thus we find that while anti-anthropocentric and animalistic perspectives can be philosophized with the Zhuangzi, the text itself is not overly concerned with these subjects. Animals and non-human characters are mainly allegorical or metaphorical, allowing the Zhuangzito 1) make broadly applicable arguments; 2) playfully discuss ideas that may be unappealing at first glance, and; 3) create a distance that allows the text to resist ossification. (shrink)

Some argue that animals and non-human figures in the Zhuangzi help displace the significance of humans. According to others the Zhuangzi suggests a certain time of ‘animalism,’ asking us to be more...

Abstract:Qi has been both understood separately as substance and as field. This essay argues that qi in the Zhuangzi is both substance and field together. This qi field-substance is bidimensional where its vertical axis is that of substance and its horizontal axis that of field. This essay argues that the vertical dimension does not imply a substance dualism but a holism where qi differs in degrees of refinement; it argues that the horizontal dimension is composed of interrelated yinyang forces (...) that constitute an "empty" field. It also argues that at the center of this qi field-substance is the heart-mind and the body and, by drawing on rich resonances between the Zhuangzi and phenomenology, that human beings bring the fields of qi that they are situated in into certain coherences. (shrink)

The Zhuangzi offers quite a few stories that centre on performance: a bellstand maker who selects wood to create wonderful bellstands; a ferryman who steers through rough waters; a cicada catcher who uses a stick, as if it were his hand, to catch cicadas; and a wheelmaker who, in using his chisel, feels it in his hand and responds with his heart. What is the role of the stick, for the cicada catcher, and the chisel, for the wheelmaker? What (...) do these masters know? I situate these questions within the intellectual context of the Zhuangzi, highlighting the text’s opposition to prevailing conceptions of a flourishing life. I draw on recent debates in extended mind and cognition to suggest that they offer interesting ways of understanding the knowledgeable practices of these masters. The frameworks and vocabulary of extended mind allow me to bring out how and why the Zhuangzi’s examples of mastery are apt and insightful reasons for rejecting the then current views on good government. The dialogue benefits both Chinese and Western traditions: the examples in the Zhuangzi help to diversify contemporary Western philosophy’s understanding of knowledge. (shrink)

Abstract:This article contextualizes the thought of the Zhuangzi 莊子 via the Classic of Poetry (Shijing 詩經), the most canonical textual tradition from the Warring States (fifth century to 221 b.c.e.) into the early imperial period. First, it reads the fantastical vignettes from the opening of chapter 1 "Free-and-Easy Wandering" (Xiaoyao you 逍遙遊), as parodies of Shi poetics. Second, it argues that the themes of "wandering" (you 遊) and "lodging" (yu 寓) stand as critical alternatives to the Shi preoccupation with (...) homeward, ruler-centric movements. Such connections open up new ways of understanding the development of Zhuangzian thought. (shrink)

There is a tendency in academia to read early Chinese masters as consistent philosophers. This is to some extent caused by the specific form in which these masters have been studied and taught for more than a century. Convinced of the influence that the form of transmission has on the content, this article studies the more fragmented parts of the book Zhuangzi—instruction scenes or dialogues—and more specifically their formal traits rather than the philosophical content conveyed in them. The focus (...) is on one fragment in Chapter 7 which portrays Liezi, a shaman and Master Calabash. The persons and stages of the instructions scenes in the Zhuangzi seem to promote a non-teaching, in which the learner learns while the teacher does not teach. The non-availability of the teacher and his unwillingness to teach are, paradoxically, at the core of the teaching, although not presented as a valuable alternative. (shrink)

In this study, I clarify and defend the critique of the ‘sages’ and ‘robbers’ that is found in the _Zhuangzi_. As detailed in Chapter 8 of the _Zhuangzi_, both the (non-Daoist) ‘sages’ and ‘robbers’ are equally responsible for society’s ills. This is because both the ‘sages’ and ‘robbers’ are perceptually alienated from nature. This perceptual alienation involves the inability to perceive nature as fundamentally indeterminate (_wu_, 無). The Daoist alternative to the ‘sages’ and ‘robbers’ is to cultivate awareness of our (...) interdependence with nature. This study calls this process an ‘attunement to nature’ or, as Chapter 8 describes it, to not depart from ‘the actuality of their endowed circumstances’ (其性命之情) and to ‘see oneself when you see others/things’ (自見而見彼). Attunement involves an awareness of how nature primordially forms an indeterminate continuum (_wu_). (shrink)

The Zhuangzi, a 4th century BCE Chinese text, is optimistic about life unrestrained by entrenched values. This paper contributes to existing debates on Zhuangzian freedom in three ways. First, it reflects on how it is possible to enjoy the freedom envisaged in the Zhuangzi. Many discussions welcome the Zhuangzi’s picture of release from life shaped by canonical visions, without also giving thought to life without these driving visions. Consider this scenario: in a world with limitless possibilities, would (...) it not be fraught, not knowing how to interpret situations? I suggest that freedom in the Zhuangzi is possible only if one succeeds in reorienting herself to the new ‘normal’. Second, I introduce and develop the idea of working with constraints. This focuses on an agent's maximizing the fit between relevant conditions, on the one hand, and their capabilities, on the other. Finally, I propose that self-directed practice, an important expression of agency, is required for building capabilities that enable such freedom. I examine the idea of risk involved in these firsthand experiences, articulating an account of agency that sits at the heart of hard-won Zhuangzian freedom. (shrink)

The Zhuangzi, a 4th century BCE Chinese text, is optimistic about life unrestrained by entrenched values. This paper contributes to existing debates on Zhuangzian freedom in three ways. First, it reflects on how it is possible to enjoy the freedom envisaged in the Zhuangzi. Many discussions welcome the Zhuangzi’s picture of release from life shaped by canonical visions, without also giving thought to life without these driving visions. Consider this scenario: in a world with limitless possibilities, would (...) it not be fraught, not knowing how to interpret situations? I suggest that freedom in the Zhuangzi is possible only if one succeeds in reorienting herself to the new ‘normal’. Second, I introduce and develop the idea of working with constraints. This focuses on an agent's maximizing the fit between relevant conditions, on the one hand, and their capabilities, on the other. Finally, I propose that self-directed practice, an important expression of agency, is required for building capabilities that enable such freedom. I examine the idea of risk involved in these firsthand experiences, articulating an account of agency that sits at the heart of hard-won Zhuangzian freedom. (shrink)

This paper is an analysis of the term ming in the Inner Chapters of the Zhuangzi. I show that though ming does involve the realization of the fundamental unity of opposites, the realization of this unity does not force the Zhuangzi to endorse a 'radical relativist' stance on morality, since the perspective of the Sage through ming is shown to be a privileged perspective. Overall, the Zhuangzi does not endorse any normative stance on morality. Rather, it endorses (...) a way of life that will ensure one's own personal survival and the survival of this fundamental unity of opposites. The stories of the useless tree in Chapter 4, the skillful cook in Chapter 3, and the death of Hundun in Chapter 7 serve as examples for my interpretation. (shrink)

New Visions of the Zhuangzi edited by Livia Kohn presents thirteen different essays on the Zhuangzi that will appeal to readers from any number of different backgrounds. The eclecticism of these essays, ranging in content from neuroscience to fashion shows, highlights the ever-increasing scope and relevance of ancient Chinese works like the Zhuangzi to contemporary life and thought. Also, the enterprising move of some essays away from a traditional schools-based approach also serves as an inspiration for future (...) scholarly work. The essays will be discussed in this review by grouping several according to overlapping themes, leaving the more stand-alone contributions to be addressed last.First of all, the cripple... (shrink)

This paper is an analysis of the term ming ('clarity, 'illumination') in the Inner Chapters of the Zhuangzi. I show that though ming does involve the realization of the fundamental unity of opposites, the realization of this unity does not force the Zhuangzi to endorse a 'radical relativist' stance on morality, since the perspective of the Sage through ming is shown to be a privileged perspective. Overall, the Zhuangzi does not endorse any normative stance on morality. Rather, (...) it endorses a way of life that will ensure one's own personal survival and the survival of this fundamental unity of opposites. The stories of the useless tree in Chapter 4, the skillful cook in Chapter 3, and the death of Hundun in Chapter 7 serve as examples for my interpretation. (shrink)

이 글에서는 당대(唐代) 회화론 속에 반영된 『장자』를 통해 이 시기 회화가 지향한 예술적 이상의 도가 미학적 측면을 분석해 본다. 『역대명화기(歷代名畵記)』, 『당조명화록(唐 朝名畵錄)』, ｢필법기(筆法記)｣ 등 당대 화론에서는 『장자』 수양론의 핵심을 이루는 개념들이 다양한 회화 창작의 맥락에 적용되어 그 미학적 함의를 확장하는 과정을 살펴볼 수 있다. 화론에서 『장자』가 말하는 기술의 도(道)의 핵심은 회화 창작 과정에 차용된다. 포정(庖丁)이나 윤편(輪扁)의 일화가 상징하는 기술의 도가 회화의 도와 맞닿아 있는 것으로여겨지는 것이다. 이상적 회화의 도는 인위적 노력의 개입 없이 무위한 천지조화와 같이이루어지는 것이며, 그러한 회화의 도에 다다르기 (...) 위한 도야의 과정 또한 『장자』의 기술의도의 핵심과 맞닿아 있다. 또한 당대의 화론은 회화 창작에서 주체와 대상의 관계성뿐만 아니라 감상자의 심미적감응의 기제 또한 장자 의 사상을 통해 설명한다. 회화의 도가 발휘될 수 있는 마음의 상태는 ｢각의(刻意)｣의 순일하고 고요한 마음 및 좌망(坐忘)에 빗대어 설명된다. 진인(眞人) 의 수양의 경지와 화가가 갖추어야 할 마음의 상태가 유비를 이루는 것이다. 더 나아가 당대의 문인들이 회화를 단순한 기예로만 보는 것이 아니라 정신 수양의 방법으로 여기기 시작한 경향 또한 화론에 반영된 장자 를 통해서 이해할 수 있다. 창작 주체의 삶의 태도, 정신적 경지 등이 예술 평가의 중요한 기준으로 대두되면서 도가 사상이지향하는 탈속적 가치관은 문인 예술창작의 핵심으로 자리 잡아 갔다. 기존의 화풍을 탈피해 보다 대담하고 자유로운 용묵을 구사했던 당대 화가들의 초탈적 정신성 또한 해의반박(解衣般礴)이나 심재(心齋) 등 『장자』의 사상을 통해 대변된다. 당대를 거치며 회화의 기술보다는 그것을 창작한 화가의 자질과 그 창작 과정에 초점을 맞추는 경향이 점차 두드러진다. 이 과정에서 회화예술의 다양한 맥락에 적용되어 변주되는 『장자』의 이야기들은 그림과 화가의 역할에 대한 인식 변화를 반영하고 설명하는 매개가 되었던 것이다. (shrink)

The significant role of skill in Zhuangzi’s good life has been argued by most Zhuangzi scholars. However, there is ongoing debate concerning the psychological and behavioral mechanisms that underwr...

The ethics of the Zhuāngzi is distinctive for its valorization of psychological qualities such as open-mindedness, adaptability, and tolerance. The paper discusses how these qualities and their consequences for morality and politics relate to the text’s views onskepticism and value. Chad Hansen has argued that Zhuangist ethical views are motivated by skepticism about our ability to know a privileged scheme of action-guiding distinctions, which in turn is grounded in a form of relativism about such distinctions. Against this, Icontend that the (...) Zhuāngzi’s skepticism and its ethical stance jointly rest on a metaethical view of value as inherently plural, perspectival, heterogeneous, and contingent. This view provides grounds for moral consideration toward others and for political liberalism. It also explains how the psychological qualities valorized in the Zhuāngzi contribute to the value of our individual lives, by showing what their absence costs us. (shrink)

In this article, we present an account of ming 明 in the Zhuangzi's Neipian in light of the disagreements among the thinkers of the time. We suggest that ming is associated with the Daoist sage's vision: he sees through the debaters' attempts to win the debates. We propose that ming is primarily a meta-epistemological stance, that is, the sage understands the nature of the debates and does not enter the fray; therefore he does not share the thinkers' anxieties. The (...) sage takes his stance at the pivot of dao and, from there, responds to the different views limitlessly. (shrink)

This paper examines the role of the imagination in the Zhuangzi. There are many avenues through which the various types of imaginations in the Zhuangzi could be investigated, but this paper will concentrate on only one, namely the use of imagination to criticize Confucius’ way. Specifically, the Zhuangzi finds Confucius’ views on virtuosity, moral cultivation, and social roles to include exceedingly limited imagined restrictions. The Daoist classic thereby creates stories to inspire the imagination of its readers, with (...) the goal of broadening the ways in which people understand morality, society, and themselves. Accordingly, the Zhuangzi suggests that people can ‘zigzag’ through life, temporarily taking on different perspectives or roles, without cultivating a corresponding sense of self. Imagination is key for promoting this type of existential mode of existence—what the Zhuangzi calls ‘genuine’. (shrink)

Might traditional Chinese thought regarding creativity not just influence, but also enrich, contemporary European thought about the same? Moreover, is it possible that traditional Chinese thought regarding creativity might enrich contemporary thought both in a more broad, holistic sense, and more specifically regarding the nature and role of creativity as it pertains to scientific inquiry? In this paper, I elucidate why the answer to these questions is: yes. I explain in detail a classical Chinese conception of creativity rooted in Zhuangist (...) philosophy and which centrally involves spontaneity engendered by embracing yóu遊, or “wandering”, rather than novelty or originality. I then illustrate how this conception of creativity can be used to enrich contemporary thought regarding the nature and role of creativity both in general and as it pertains to scientific inquiry in particular, as well as how to engender creativity, by arguing that it might allow us to: i) more easily remove what is frequently an obstacle to creativity, and; ii) better understand creative agents as being more intimately connected with, and as processes within and products of, their environments. Finally, I conclude by briefly remarking on how exploring various cultural perspectives on creativity promises to help us to better comprehend and promote creativity, by encouraging us to become more creative about creativity itself. (shrink)

New Visions of the Zhuangzi is a collection of thirteen essays on the ancient Daoist philosophical work, presenting new angles and approaches. It overcomes the traditional division of schools in favor of topics, sheds new light on key philosophical notions, examines Zhuangzi's use of language, and explores issues of his use of language. In addition, it also applies modern neuroscience to its instructions, explores its vision of the ideal mind, and connects Zhuangzi's teachings to issues of education (...) and community relevant in contemporary society. (shrink)

Philosophers in China during the Warring States period generally saw themselves as investigators into the Dao—the uniquely authoritative Way to live and to flourish. Certain voices found in the Zhuangzi, however, offer a radical response to this project by rejecting the premise that there exists such a uniquely authoritative Dao. Instead, they argue that there exist myriad, diverse dao, none of which has absolute moral authority. Yet the very texts that undermine the idea of an authoritative Dao simultaneously make (...) positive ethical suggestions regarding how to live and flourish. In this paper I explore texts in the Zhuangzi that discuss the diversity of dao and sagely flourishing, and I argue that these two themes come together to form the basis of a comprehensive ethical view that I call Zhuangist pluralism. (shrink)

Three views of psychological emptiness, or xū, can be found in the Zhuāngzĭ. The instrumental view values xū primarily as a means of efficacious action. The moderate view assigns it intrinsic value as an element of one Zhuangist vision of the good life. The radical view also takes it to be an element of the ideal life, but in this case the form of life advocated is that of the Daoist sage, who transcends mundane human concerns to merge with nature (...) or the Dào. The instrumental and moderate views articulate a relatively commonsensical position, on which the agent continues to pursue at least some characteristically human projects. On the radical view, by contrast, the agent ceases to exercise agency and lives a life hardly recognizable as human. The three views thus signal a tension in Zhuangist ethics, and the unattractiveness of the radical view poses a potential obstacle to the application of Daoist ideas in contemporary ethical discourse. The paper argues that there are principled grounds within Zhuangist thought for detaching the instrumental and moderate views from the radical view and rejecting the latter. (shrink)

The Zhuangzi is one of China's greatest literary and philosophical masterpieces, yet its complexities make it a challenging read. This English translation leads you confidently through the comic scenes and virtuoso writing style, introducing all the little stories Zhuangzi invented and unpicking its philosophy through close commentaries and helpful asides. In Graziani's translation, the co-founder of Daoism emerges as a remarkable thinker. It is a must-read for anyone coming to Chinese philosophy or the Zhuangzi for the first (...) time, and one that reminds us of the importance of thinking beyond our limited, everyday perspectives. (shrink)

Moral relativism familiar in the Western philosophical tradition, according to David Lyons, is either agent relativism or appraiser relativism or appraiser group). As Lyons has convincingly argued, they are both problematic. However, in the ancient Chinese Daoist classic, the Zhuangzi, we can find a different type of moral relativism, which I call patient relativism. In the essay, I aim to argue in what sense Zhuangzi is a patient relativist and how patient relativism can avoid the problem of agent (...) relativism and appraiser relativism. (shrink)

I have been developing an ethics that I initially identified in the text of the Zhuangzi and which I have characterized in different ways under different names. First, in contrast to the moral Golden Rule, which asks us to do unto others as we would like to have done unto us, I call it the moral Copper Rule: do unto others as they would like to have done unto them. Second, in contrast to the ethics of commonality, I call (...) it ethics of difference. Ethics of Commonality is a general term I use to include the moral Golden Rule, Kantian ethics, and even Rorty’s anti-Kantian ethics... (shrink)

Books 8-10 and sections of books 11-16 of the Zhuangzi anthology represent an important and underappreciated contribution to Warring States ethical and political philosophy, known as “primitivism.” This article offers a general introduction to Zhuangist primitivism. It focuses on primitivism’s exploration and development of a normative conception of human nature, particularly xing 性, as well as primitivism’s subsequent rejection of the elaborate moral, social, political, and cultural artifices championed by their philosophical opponents, chiefly the Ruists and the Mohists. After (...) a brief introduction to Zhuangist primitivism and the limited scholarship on them, I divide this discussion into three parts pertaining to the primitivists’ three distinct approaches to and uses of human nature, which in turn serve as the basis for primitivist ethics and political thought. (shrink)

In this article, we present an account of ming 明 in the Zhuangzi's Neipian in light of the disagreements among the thinkers of the time. We suggest that ming is associated with the Daoist sage's vision: he sees through the debaters' attempts to win the debates. We propose that ming is primarily a meta-epistemological stance, that is, the sage understands the nature of the debates and does not enter the fray; therefore he does not share the thinkers' anxieties. The (...) sage takes his stance at the pivot of dao (daoshu 道樞) and, from there, responds to the different views limitlessly. (shrink)

In this essay I explore the controversial issue of sense perception in the Zhuangzi 莊子. Although scholars have not explicitly addressed this aspect of the Chinese text, a common assumption is that the Zhuangzi proposes a mysticism that undermines sense perception in favour of a transcendent self. After an overview of this interpretation, and after analysing some key passages of the text that deal with heart fasting (xinzhai 心齋), sitting and forgetting (zuowang 坐忘) and skill mastery, I demonstrate (...) that some interpreters of the Zhuangzi read the text as if it has a metaphysical bent, recommending that sense perception be transcended as a prerequisite to perfection. In contrast, my thesis is that the text does not propose a withdrawal from the senses and from the world, but rather warns about the danger of abiding to doctrinal knowledge, which has the consequence of a person losing their responsive awareness. Indeed, in the Zhuangzi, sense perception is not an impediment on the way to a supersensible reality, but an integral part of one's own being in the world. Through my analysis, I object to the idea that the Zhuangzi proposes a mystical union with something not immediately available, which moreover needs to be achieved by transcending the lived world that is encountered through sense perception. My view is that such a move not only postulates union with a transcendent entity, it also forces a dualism between a person's capacities. This is problematic because the Zhuangzi does not point to another world–in a two worlds theory–where one must ideally attain the condition of a transcendent self. On the contrary, in rejecting a univocal ethos, the text suggests one should keep responding to changing circumstances without turning one's perceptual awareness into entrenched habits. Thus, the Zhuangzi shows how sense perception should be seen, not as a “problem” but as an ethical possibility through which the univocity of doctrinal knowledge can be undermined. (shrink)

An extraordinary horde of aberrant, deformed, and grotesque beings inhabits the writings collected in the Zhuangzi. Crippled, malformed, hideous, foolish, eccentric, and even outlawed individuals conquer the central place of philosophical narration, traditionally proscribed for them, and create one of the most important and intriguing voices echoing through the text. Yet, for all their undeniably significant presence, scholars of ancient Chinese philosophy have paid surprisingly little attention to the topic of monsters. Structured into three sections and adopting a critical, (...) strictly philosophical standpoint, this paper aims to draw attention to the crucial role played by monsters in the Zhuangzi. The first section underlines the essential characteristics of these monsters and, most particularly, their disruptive dimension together with the challenge they pose to philosophical thinking. The second section offers a detailed review of the recent bibliography on the Zhuangzi with regard to analysis of these aberrant figures. Finally, based on contributions in the work of Jacques Rancière, the third section highlights the political scope embodied by the monstrous beings of the Zhuangzi. (shrink)

What is time? Is time real, or a mere illusion? We seem to feel the passage of time in our consciousness but are doomed to encounter great difficulty when trying to get a deeper grip on the nature of time. As Augustine famously remarked, "if no one asks me about what time is, I know what it is, but if I wish to explain it to him who asks, I do not know". The present essay does not aim so much (...) at giving a complete answer to this intricate and difficult question as to focus on Zhuangzi to excavate the idea of time inherent in his philosophical writings. A second aim is to show how it relates to some of the contemporary concerns about time. More specifically, our concern is not about... (shrink)

In order to highlight the significance of the book I'm reviewing here, let me recount a recent academic experience: A conference on the Zhuangzi is hosted by a leading scholar in the field with the sponsorship of a major university in mainland China. Several prominent scholars present papers focusing on various different passages of the text. The addresses cover the mystical, the performative, the epistemological, the ethical and several other facets of Zhuangzian thought. Yet one topic is conspicuous by (...) its absence: the political. Not a single paper addresses this matter. Romain Graziani's book effectively rectifies this situation by perceptively showing how Zhuangzian thought ran counter to many of the political... (shrink)

This book presents a systematic account of the role of the personal spiritual ideal of wu-wei--literally "no doing," but better rendered as "effortless action"--in early Chinese thought. Edward Slingerland's analysis shows that wu-wei represents the most general of a set of conceptual metaphors having to do with a state of effortless ease and unself-consciousness. This concept of effortlessness, he contends, serves as a common ideal for both Daoist and Confucian thinkers. He also argues that this concept contains within itself a (...) conceptual tension that motivates the development of early Chinese thought: the so-called "paradox of wu-wei," or the question of how one can consciously "try not to try." Methodologically, this book represents a preliminary attempt to apply the contemporary theory of conceptual metaphor to the study of early Chinese thought. Although the focus is upon early China, both the subject matter and methodology have wider implications. The subject of wu-wei is relevant to anyone interested in later East Asian religious thought or in the so-called "virtue-ethics" tradition in the West. Moreover, the technique of conceptual metaphor analysis--along with the principle of "embodied realism" upon which it is based--provides an exciting new theoretical framework and methodological tool for the study of comparative thought, comparative religion, intellectual history, and even the humanities in general. Part of the purpose of this work is thus to help introduce scholars in the humanities and social sciences to this methodology, and provide an example of how it may be applied to a particular sub-field. (shrink)