"Organização" é um conceito amplamente empregado nos romances filosóficos de Sade. O sentido do termo, contudo, parece mudar conforme a teoria do personagem. Tal polissemia não é uma invenção de Sade, pois pode-se discernir, em obras filosóficas dos séculos XVII e XVIII, pelo menos cinco significados diferentes para a palavra: um sinônimo de máquina cartesiana, uma disposição específica da matéria que possibilita a vida, a forma com que a matéria viva se dispõe num todo contínuo, um mero arranjo (...) geométrico de partículas, uma propriedade da matéria. O objetivo deste artigo é esclarecer problemas de interpretação do romance sadiano referentes ao uso do conceito de organização pelos personagens. Para isso, será preciso, primeiro, examinar os principais sentidos do conceito nos séculos XVII e XVIII para aplicar, em seguida, os diferentes significados aos discursos dos libertinos. Trata-se de analisar como a plurivocidade do conceito na Idade Moderna se estende ao romance sadiano e de que maneira um sentido específico de organização modifica teorias acerca de um mesmo objeto ou acorda discursos sobre assuntos diferentes. (shrink)

Escrito em 1963, três anos depois do seminário sobre A ética da psicanálise, o texto de Jaques Lacan, Kant com Sade, possibilita férteis discussões a respeito da prática analítica. Quais os limites desta prática? Qual é a razão que a sustenta? A prática analítica é um saber, uma ética ou uma terapêutica? Quais os pressupostos que orientam a sua ação? É evidente que não dispomos de condições necessárias e suficientes para respondermos a tais perguntas no limite de um artigo, (...) tampouco temos a pretensão de fazê-lo. Entretanto, as tomaremos como bússola em busca de pistas sobre a prática analítica lacaniana e o solo em que repousa até a década de 1960. A partir do texto Kant com Sade e do Seminário VII, A ética da psicanálise, ambos escritos por Lacan, buscaremos as semelhanças e diferenças irreconciliáveis entre a lei moral kantiana, a vontade de gozo sadeana e a ética psicanalítica, apontando que é a partir das consequências práticas, efetuadas pelo Marquês de Sade, da aplicação de uma razão pura, tal qual proposta por Kant, que Lacan buscará um novo horizonte para a prática analítica não mais baseada no desejo puro. Nesse sentido, tanto o filósofo alemão Immanuel Kant quanto o escritor francês Marquês de Sade, contemporâneos dos ares da modernidade, expõem um princípio universal pelo qual a ação é valorada. Princípio cuja execução evidencia sua dimensão ética, política e, com Lacan, clínica. Nessa pista, faremos uma discussão a propósito da perversão e da melancolia como limites à prática analítica. (shrink)

Dans une lettre à son épouse, Sade fait l'éloge de la bizarrerie et l’élève au rang de catégorie esthétique sous le nom de « principe de délicatesse ». Cela peut sembler paradoxal, comme l'a bien remarqué Michel Delon, que celui qui énonce le devoir de délicatesse est celui-là même dont le nom est devenu synonyme de brutalité. Le terme est en effet ambigu et possède dans l'oeuvre du marquis plusieurs sens: de l'échange de soins entre Juliette et sa maîtresse (...) préférée La Durand, en passant par une simple manie sexuelle, jusqu'à la fantaisie « la plus bizarre et la plus singulière de toutes », celle qui dépend d'une richesse fastueuse et qui ne s'achève que sur un tas de corps baignés de sang. Il s'agit d'abord d'examiner les différents sens du terme chez Sade ; puis d'analyser les interprétations que Roland Barthes, Annie Le Brun et Michel Delon donnent de la délicatesse scélérate ; enfin de mettre en évidence sa spécificité par rapport à la prodigalité luxurieuse. (shrink)

This study takes up the discussion held by Philippe Sabot in Foucault, Sade and the Enlightenment when it came the Marquis de Sade's work uses in studies conducted by Michel Foucault from Madness and Civilization to The Will to Knowledge. What interests us know of this relationship? This is the main question that guided our study.

Este texto mostra como, no primeiro volume do que atualmente chamaríamos de “trilogia”: Justine ou les Infortunes de la vertu (1787), Justine ou les Malheurs de la vertu (1791) e La Nouvelle Justine ou les Malheurs de la vertu, suivie de l'Histoire de Juliette, sa soeur (1797), Sade foi o último protagonista do grande debate filosófico e moral que percorre a Ilustração, dos primórdios ao seu final.

Resumo: Neste artigo, pretendemos trabalhar, a partir de uma leitura de Zizek e Lacan, a perspectiva radical de liberdade como superação da dialética entre a Lei moral kantiana e o gozo sádico. Para isso, procuramos primeiramente mostrar como Lacan articula a relação de Kant com Sade, para, em seguida, pensar como, segundo Zizek, o psicanalista encontra uma saída para o princípio de liberdade kantiana, a partir da ética do desejo puro, o que nos permitirá pensar um Kant sem (...) class='Hi'>Sade.: In this article, based on a reading of Zizek and Lacan, we discuss the radical perspective of freedom as an overcoming of the dialectic between the Kantian moral law and sadistic joy. We first try to show how Lacan articulates Kant's relationship with Sade, and then consider how, according to Zizek, the psychoanalyst finds an outlet for the Kantian principle of freedom based the ethics of pure desire, which allows us to think of a Kant without Sade. (shrink)

New translations tracing decades of Beauvoir's leftist political engagement during the turbulent era of decolonization, from articles exposing conditions in fascist Spain and Portugal in 1945 and hard hitting attacks on right-wing intellectuals in the 1950s, to a 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article calling for the 'two state solution' in Israel. The texts range from a surprising 1952 defense of the misogynistic 18th c. pornographer, the Marquis de Sade, to the transcription (...) of a co-written 1974 documentary film on the aged in France. (shrink)

Political Writings offers an abundance of newly translated essays by Simone de Beauvoir that demonstrate a heretofore unknown side of her political philosophy. The writings in this volume range from Beauvoir's surprising 1952 defense of the misogynistic eighteenth-century pornographer, the Marquis de Sade, to a co-written 1974 documentary film, transcribed here for the first time, which draws on Beauvoir's analysis of how socioeconomic privilege shapes the biological reality of aging. The volume traces nearly three decades of Beauvoir's leftist political (...) engagement, from exposés of conditions in fascist Spain and Portugal in 1945 and hard-hitting attacks on right-wing French intellectuals in the 1950s, to the 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article arguing for what is now called the "two-state solution" in Israel. Together these texts prefigure Beauvoir's later feminist activism and provide a new interpretive context for reading her multi-volume autobiography, while also shedding new light on French intellectual history during the turbulent era of decolonization. (shrink)

Readers of post-war French theory cannot but help notice the way in which de Sade is repeatedly returned to by a broad range of writers and philosophers. This work has been the focus of a small but...

The author of the article addresses sadism as an ontological problem and analyses the primordial way of solving the problem of human existence in the works of the Marquis de Sade, citing similarities and differences. To substantiate his thesis, the author analyses the correlation between corporeality and the ontological place of libertines and victims, proving that the ontological status is located in the body. Through the consideration of sadism and masochism, the author shows the transition of sadism into masochism, (...) the transfusion of energy flows of pain and pleasure, which are constituted by the will to power. This transfusion became the basis for the formation of the superbody. The superbody is formed as a result of the union of true and semi-real bodies. Accordingly, the author compares the World Female with the sadistic macrocosm, primordial man with the character of the Marquis de Sade, to demonstrate the coincidences in primordial and sadistic types of thinking. The author concludes that it is important for the Sade's character to transcend any corporeality, and his cosmos is completely subordinated to Thanatos. (shrink)

Resumé : Présentation des approches théoriques qui permettent de repenser sous un nouveau jour l’extrême singularité de l´oeuvre sadienne qui nous défie. Consideration que l’oeuvre littéraire-philosophique du Marquis de Sade a été essentiellement soutenu par des thèses conçus par J. O. de La Mettrie et E. Condillac. Plus encore, que Sade produit une sorte de mélange des deux matérialistes du XVIII e siècle, desquelles, comme nous le verrons, il diffère aussi. Que Sade illustre, particulièrement à travers de (...) l’orgie, la pleine réalisation de leurs thèses, ce qui les conduit à un matérialisme plus que radical, en effet, à des conséquences ultimes. Pour le démontrer, je réfléchis aux notions suivantes : Nature ; Nature humaine ; Matière ; Raison ; Plaisir ; Pédagogie –comme education libertine ; et enfin, sur le concept d’Entropie. C´est-à-dire, une situation de chaos, de désordre maximal, une situation d'écoulement. Elle reconnaît la tendance universelle de tous les systèmes de passer d’un état d’ordre à un état de désordre croissant qui conduit dans un second temps à l’impossibilité même de garder une certaine forme de vie. Bien, toutes réunies ici pour justifier le concept, que j´ose construire, d’« Orgie ». Utilisant lettre majuscule pour le distinguer. Enfin, cette aventure a pour but de souligner les influences de Sade, ainsi que l’originalité de son oeuvre et sa contribution à l’histoire de la philosophie moderne et contemporaine. Mots-clés : Siécle XVIII ; Matérialisme ; Sade ; Orgie ; Entropie.: Presentation of the theoretical approaches that allow rethinking in a new light the extreme uniqueness of Sade's work that challenges us. Consideration that the literary and philosophical work of the Marquis de Sade was mainly supported by the materialistic theses by J.O. La Mettrie and E. Condillac. Sade produces a kind of mixture of both materialists from the eighteenth century, which, as we shall see, also differs from theirs. Sade shows, especially through the orgy, the full realization of his theses, professing a more than radical materialism, in fact, to the ultimate consequences. To demonstrate this, I will reflect on the following concepts: Nature, Human nature, Matter, Reason, Pleasure, Libertine Education and, finally, the concept of Entropy, understood as a situation of chaos, of maximum disorder, of flow of energy flow. It recognizes the universal tendency of all physical systems to lead to a state of increasing disorder, resulting in the inability to maintain any form of life. Well, all these concepts are gathered here to justify the "Orgy", distinguished by the upper-case letter. Finally, this adventure intends to highlight the influences of Sade and the originality of his work, as well as his contribution to the history of modern and contemporary philosophy. Keywords : Eighteenth century; Materialism; Sade; Orgy; Entropy. (shrink)

It is possible to argue that the first world is presently living through a period of radical global reaction against the social democratic consensus of the twentieth century. In this context, the use of Slavoj Zizek's Lacnaian theory of ideology to critique the traditions of thought which inform this reaction becomes a vital task. In this paper, I use Zizek's Lacanian theory of ideology to critically analyse de Maistre's remarkable work: particularly his 'Considerations on France'. Zizek's emphasis on the role (...) of the Real in ideology, it is argued, allows us unique purchase on de Maistre's ideological position. It allows us to show, furthermore, how reactionary conservatism does not 'conserve' the symbolic Other of the discourse of the master, since it is animated by fear and trembling that the symbolic can no longer hold in conditions of secularisation. In this context, the proximity of de Maistre with de Sade emerges as something that goes beyond superficially similar celebrations of the role of violence in human affairs. What is minimally at stake in reactionary thought per se, this paper argues, is the attempt to reground lost authority in the unmediated Real, a procedure in which the laying down of the law verges into the need to divide and sacifice others for the Jouissance of the Other. In this way, Lacan's comment that right-wing intelectuals are knaves who, if pushed, are willing to do whatever it takes to preserve power is vindicated and also elaborated. For De Maistre, the paper shows, was nothing if not a
collosally royal knave
. (shrink)

A fundamentação filosófica permeada na obra literária do Marquês de Sade está intimamente ligada às teses materialistas, em especial, às obras dos filósofos E. de Condillac e La Mettrie que exerceram tamanha influência sob o Marquês. Nos diálogos dos personagens de Sade, encontramos o desmembramento radical das teses propostas por La Metrrie, em principal, quando adere a uma fisiologia muscular, na qual está relacionada a noções de irritabilidade muscular e de sensibilidade nervosa, bem como a tese central de (...) Condillac, quando explica a natureza humana a partir do prazer e do desprazer, principalmente no que tange ao detalhamento das sensações como responsáveis pela composição de faculdades como a atenção, a memória, a imaginação e o juízo. Ao radicalizar, Sade transita por um caminho obscuro da natureza humana guiado unicamente por um prazer sexual egoísta. Sade se apropria do conceito de Estado de Natureza proposto por Thomas Hobbes para justificar a conduta libertina, porém diferente de Hobbes que reconhece no Estado de Natureza a necessidade da constituição do Estado representado por um soberano para coordenar a ordem em favor da vida de cada indivíduo, Sade, por sua vez, ao reconhecer o Estado de Natureza, onde perdura a guerra de todos contra todos, identifica a predominância da lei do mais forte. A figura do soberano libertino se apresenta para constituir a organização social denominada Orgia, cujos indivíduos adeptos reconhecem-no como o mais forte, e assim, submetem-se ao seu domínio por possuírem algo em comum: a busca de um grau elevado de prazer. (shrink)

This Very Short Introduction aims to disentangle the 'real' Marquis de Sade from his mythical and demonic reputation of the past two hundred years. Phillips examines Sade's life and work: his libertine novels, his championing of atheism, and his uniqueness in bringing the body and sex back into philosophy.

Violence occupies a regal position in the work of de Sade. It manifests itself in two forms: sexual persecution and enlightened reasoning. De Sade uses his most precious instrument as a semblance, by creating a magic spectacle of a gothic novel, and as truth, when he presents himself as a metaphysician and moralist. What kind of reading of de Sade deserves the title of the most adequate one? Does de Sade exist in text only? Is he (...) the liberator, so praised by surrealists? Or does his transgressive nature go beyond the postulates of moral or social-political liberalism and penetrate the sphere of existence, demanding such actions that could be performed only by an individual consciously aiming at its doom? In his theatrum of passions and arguments, de Sade returns to the motif of rivalry between good and evil, simulating various narrative positions: from impulsive libertinism to dark Gnosticism, and reaches for complementary means of expression: from apology of crime to a lyrically tinted martyrological emphasis. Reading de Sade need not cause indignation. If one remembers that he is a transhistorical philosopher, one can deal with him in the way suggested by Chantal Thomas – euphorically. The reading of de Sade, like all other texts, depends on the times; in his case, the best atmosphere is provided by the mental and political atmosphere created by liberal democracy. He can be read there with open mind and physically relaxed, lightly – as becoming for a comoedia. (shrink)

In 1795 the Marquis de Sade published his La Philosophic dans le boudoir, in which he proposed the use of induced abortion for social reasons and as a means of population control. It is from this time that medical and social acceptance of abortion can be dated, although previously the subject had not been discussed in public in modern times. It is suggested that it was largely due to de Sade's writing that induced abortion received the impetus which (...) resulted in its subsequent spread in western society. (shrink)

The Marquis de Sade is famous for his forbidden novels like _Justine, Juliette_, and the _120 Days of Sodom_. Yet, despite Sade's immense influence on philosophy and literature, his work remains relatively unknown. His novels are too long, repetitive, and violent. At last in _The Philosophy of the Marquis de Sade_, a distinguished philosopher provides a theoretical reading of Sade. Airaksinen examines Sade's claim that in order to be happy and free we must do evil things. (...) He discusses the motivations of the typical Sadean hero, who leads a life filled with perverted and extreme pleasures, such as stealing, murder, rape, and blasphemy. Secondary sources on Sade, such as Hobbes, Erasmusm, and Brillat-Savarin are analyzed, and modern studies are evaluated. _The Philosophy of the Marquis de Sade_ greatly enhances our understanding of Sade and his philosophy of pain and perversion. (shrink)

The Marquis de Sade is famous for his forbidden novels like _Justine, Juliette_, and the _120 Days of Sodom_. Yet, despite Sade's immense influence on philosophy and literature, his work remains relatively unknown. His novels are too long, repetitive, and violent. At last in _The Philosophy of the Marquis de Sade_, a distinguished philosopher provides a theoretical reading of Sade. Airaksinen examines Sade's claim that in order to be happy and free we must do evil things. (...) He discusses the motivations of the typical Sadean hero, who leads a life filled with perverted and extreme pleasures, such as stealing, murder, rape, and blasphemy. Secondary sources on Sade, such as Hobbes, Erasmusm, and Brillat-Savarin are analyzed, and modern studies are evaluated. _The Philosophy of the Marquis de Sade_ greatly enhances our understanding of Sade and his philosophy of pain and perversion. (shrink)

Feminist philosophers of religion have drawn attention to desire as a neglected category for approaching the sources and concerns of religion. This paper extends this discussion by engaging with one particularly disturbing aspect of the writings of the Marquis de Sade. In a world where ultimate sexual pleasure is derived from destruction of the Other, Sade glories in describing the suffering of mothers, often at the hands of their own children. This paper offers one possible reading of these (...) dark desires through employing aspects of psychoanalytic theory to suggest that, rather than isolate him from the majority of humanity, we might consider possible connections between the desires he details and our own. This involves considering the ambivalence of the mother, and thus challenging the idealization of the all-caring, all-nurturing mother. (shrink)

In this essay, the author joins a conversation started by Martin regarding gender and education seeking to extend the conversation to address sexuality. To do so, the author brings a reading of the Marquis de Sade to challenge the emphasis on reproduction in education as it relates to gendered and sexual norms. The author, following Martin’s approach in Reclaiming the Conversation, reads one particular text of Sade’s—Philosophy in the Bedroom—to argue for queer possibilities that Sade brings to (...) the conversation around gender and sexuality within twenty-first century education. The Marquis de Sade may viscerally seem an inappropriate choice to return to and use to join the conversation, but his novelic imagination incites complications in the conversation. Following in the footsteps of Martin’s re-reading of historic philosophical texts the author offers not only another layer of thinking about “female education,” but also opens up space for engaging gender and sexuality in the history and philosophy of education. As issues around gender and sexed bodies become ever more present and contested in educational discourses, does Sade continue the conversation in ways that corrupt the reproductive aims of education? (shrink)

El siguiente texto busca dar cuenta del lugar que tiene la figura del Marqués de Sade en el trabajo que lleva a cabo Foucault en Les mots et le choses. Se trata de una figura que va a mostrar el límite de la representación y de la conciencia, elementos desbordados por lo inabarcable del deseo y sumergidos en la inmensidad irrepresentable de la historia. Para ello, el texto recoge como antecedente, la función que se le otorga a Sade (...) en Histoire de la folie, como una muestra del retorno de la experiencia trágica de la locura que había sido convertida en objeto de conocimiento por la modernidad. Finalmente, el trabajo presenta algunos elementos que Foucault elabora en torno a Sade como figura de la trasgresión. (shrink)

Este artículo se propone examinar la caracterización ficcional de la mujer filósofa durante el siglo XVIII, concentrándose en la novela Histoire de Juliette, ou les prospérités du vice de Donatien Alphonse François de Sade. Sostendremos como hipótesis que las heroínas filósofas de Histoire de Juliette se habrían construido a base de la exaltación de la figura de la hetaira de la Grecia Clásica. Analizaremos dos referencias a las hetairai que aparecen en la obra: la caracterización de Clairwil, una de (...) las tutoras libertinas de Juliette, y la participación de Aspasia, Phryné y Lais como parte del séquito de libertinas de la protagonista de la novela. (shrink)

The review identifies the components of H. M. Lloyd’s contextual intellectual reconstruction of Marquis de Sade’s philosophical system in the context of the Enlightenment. The fundamental importance of the Enlightenment discourse of sensibility, its influence on the theory of natural law and moral philosophy of the eighteenth century is established. The main stages of reconstruction of Sade’s “system” are demonstrated, namely: 1) philosophical context (ontology and epistemology) as a discourse of sensibility; 2) particularities of the “roman philosophique” as (...) a genre; 3) the moral philosophy of the era and the Sade's response to it; 4) Sade’s theories of corporeal sensibility and affective self-cultivation, that isits philosophical askesis; 5) understanding of Sade in the context of the development of contemporary philosophy. It is noted that such reconstruction problematizes of the formal and substantive components of philosophical discourse in the academic environment. (shrink)

Reading Beauvoir's “Must We Burn Sade?” alongside the chapter called “Sexual Initiation” in The Second Sex, I argue that the problem with Sade is not his perversity, but his perpetual virginity. In The Second Sex, Beauvoir advances a new understanding of sexual initiation as a physical and spiritual movement toward the other, disqualifying any purely physical machination as sufficient to initiate one into “authentic erotic reality.” Sade's refusal of Eros as described in “Must We Burn Sade?” (...) demonstrates that the Marquis's commitment to his characteristic Sadism in fact condemned him to a barren promiscuity, a trenchant and joyless virginity that he elected to perpetuate. Finally, I argue that we should reread Sadism not as a perversion but as based on the Greek model of the “virgin ailment.” As such, Sadism may turn out to be a more genuine and widespread threat than we ordinarily acknowledge. (shrink)