The aim of this article is to investigate Hegel's reception of Jakob Böhme during the Jena period. In section 1, the Author analyses Fragment 46 and Fragment 49 of The Jena Wastebook, in which Hegel outlines a God's life-course inspired by Böhmian motives. For Hegel, the Böhmian theory of the wrath of God and fall of Lucifer expresses the opposition and reconciliation between nature and spirit. The relational model here developed is that of an external negativity, which annihilates nature's being-for-itself. (...) In section 2, the Author shows Hegel's use of the same relational model in The Jena Logic and Metaphysics, assuming a Kantian and Böhmian terminology. The part on the Highest Essence explains the opposition between the good and evil principles and their necessary unity. The introjection of the evil principle into the good principle is exactly what leads Hegel to investigate philosophically the myth of the fall. In sections 3 and 4, the emphasis is on the connection of this myth with the ideas of the wrath of God and fall of Lucifer: The Jena Logic and Metaphysics and The Phenomenology of Spirit consider Böhme's thought as a prefiguration of that self-relational negativity which discloses the development of the thing itself. (shrink)

Simon Critchley's first book, The Ethics of Deconstruction, was originally published to great acclaim in 1992. This edition contains three new appendices and a new preface where Critchley reflects upon the origins, motivation and reception of The Ethics of Deconstruction.

It is shown that the Hilbert-Bernays-Quine principle of identity of indiscernibles applies uniformly to all the contentious cases of symmetries in physics, including permutation symmetry in classical and quantum mechanics. It follows that there is no special problem with the notion of objecthood in physics. Leibniz's principle of sufficient reason is considered as well; this too applies uniformly. But given the new principle of identity, it no longer implies that space, or atoms, are unreal.

But this picture of a ‘block universe’, composed of a timeless web of ‘world-lines’ in a four-dimensional space, however strongly suggested by the theory of relativity, is a piece of gratuitous metaphysics. Since the concept of change, of something happening, is an inseparable component of the common-sense concept of time and a necessary component of the scientist's view of reality, it is quite out of the question that theoretical physics should require us to hold the Eleatic view that nothing happens (...) in ‘the objective world’. Here, as so often in the philosophy of science, a useful limitation in the form of representation is mistaken for a deficiency of the universe. (shrink)

I intend to argue that good friendship sometimes requires epistemic irresponsibility. To put it another way, it is not always possible to be both a good friend and a diligent believer.

Simone Weil is one of the most profound thinkers of the twentieth century. Her writings encompass an extraordinary breadth of subjects, including philosophy, religion, sociology, and politics. A political activist and resistance fighter, her accomplishments are even more astonishing in light of her death in 1943 at the age of thirty-four. Whilst Weil was concerned with deep philosophical questions - the nature of human thought and human faculties, the limits of language, and thought's contact with reality through mediation, science (...) and beauty - the full significance of her work has frequently been obscured by her categorization as a purely religious writer or Christian mystic. Simone Weil: Basic Writings is an expertly edited anthology of her most important writings, presenting Weil's philosophy as it relates to politics, the nature of work, human nature in its duality, necessity, beauty and goodness. D. K. Levy and Marina Barabas have translated all the extracts anew, including translations of important notes and references missing from existing English language editions of Weil's work. Following an extensive introduction by D. K. Levy which places Weil's life and thought in context, each section opens with a short introduction situating the chosen passages within Weil's oeuvre. Simone Weil: Basic Writings is an outstanding starting point for anyone seeking an introduction to Weil's philosophy, and also essential reading for students and scholars of Weil's thought in related disciplines. (shrink)

Kerngedachten uit de nagelaten manuscripten van deze jong gestorven schrijfster, doordrongen van een mystiek, die zich richt zowel op de schoonheid van de schepping als op de goddelijke volmaaktheid, en van medeleven met de lijdende mensheid.

I here defend microphysical manyism. According to microphysical manyism, each composite or higher-level object is a mere plurality of microphysical particles. After clarifying the commitments of the view, I offer two physicalist-friendly arguments in its favour. The first argument appeals to the Canberra Plan. Here I argue that microphysical particles acting in unison play the theoretical roles associated with composite objects - that they do everything that we think of composite objects as doing - and thus that composite objects are (...) to be identified with pluralities of microphysical particles. Along the way I rebut the objections that pluralities of particles don’t display the right emergent, ‘lingering’, or modal properties to be good candidates for identification with higher-level objects. In the second argument I claim that microphysical manyism is uniquely able to capture a compelling and widespread physicalist intuition concerning the intimate nature of the relationship between higher-level, composite objects and the microphysical world. (shrink)

What it means for conspiracy theories to become mainstream In debates about conspiracy theories, it is often claimed that conspiracy thinking is on the rise or has even become mainstream. In this article, I want to explore this claim conceptually, and argue that there are at least three ways to interpret the claim that ‘conspiracy thinking has become mainstream’. First, there is the individual level, where it is a matter of counting heads. Mainstream then means that the majority believes in (...) conspiracy theories. But there are two other levels. There is the institutional level, which is about whether conspiracy theories circulate within social institutions in an acceptable way. Is it acceptable to express conspiracy theories as a politician, scientist or journalist? Mainstream here means that dominant institutions in society view conspiracy thinking as an acceptable form of communication. Finally, there is the cultural level. Here the question is whether conspiracy thinking is a culturally acceptable way of speaking and thinking about society. Is it socially accepted as normal behavior, or is it rather a form of deviant behavior, accompanied by (informal) sanctions or demands for additional justification or proof? Mainstream here means that conspiracy thinking is seen as a normal way of speaking, without being accompanied by strange looks, shunning or the need to justify oneself as a conspiracy thinker. By making this distinction, we can think more clearly about whether conspiracy thinking is actually on the rise, and how we should deal with it. (shrink)

In the tradition of Roland Barthes' Mythologies and Walter Benjamin's aphoristic Theses on the Philosophy of History, Ed Simon's Furnace of this World is a fragmentary, digressive, impressionistic account of what the radical implications of goodness could possibly be in late capitalism. Furnace of this World interrogates the concept of goodness, while arguing that it's always more interesting and radical than its opposite. With neither hubris nor reductionism, Furnace of this World speaks of what it means to pursue justice in (...) a fallen world."--Amazon.com. (shrink)

Pierre Bourdieu is widely regarded as one of the most influential sociologists of his generation, and yet the reception of his work in different cultural contexts and academic disciplines has been varied and uneven. This volume maps out the legacy of Pierre Bourdieu in contemporary social and political thought from the standpoint of classical European sociology and from the broader perspective of transatlantic social science. It brings together contributions from prominent scholars in the field, providing a range of perspectives on (...) the continuing relevance of Bourdieu's oeuvre to substantive problems in social and political analysis. (shrink)

This book explores the role of integrity in business and discusses why all leaders seek to have it. The author argues that it is less about ‘having’ integrity as an attribute, and more about practising it. The Practice of Integrity in Business examines how taking responsibility for ideas, values and practices, as well as accountability and wider creative responsibility for sustaining business, all contribute to the perceived integrity of an organization or business leader. Providing methods through which integrity can be (...) learned, the author demonstrates the importance of practice, learning, dialogue and developing a narrative in forming the basis of trust. The book offers a view of integrity in which ideas, values and practice come together to make business and social sense, and to form the basis of mutual challenge and creativity. (shrink)

This book takes Hollywood's disaster movies and their codified versions of natural disaster, post-apocalyptic survival, and extra-terrestrial threat as the starting point for an analytical trajectory toward new understandings of how cinema shapes and informs our conceptions of disaster and catastrophe. This book examines a range of films from distinct regional and industrial contexts: Hollywood, indie movies, different kinds of documentaries, and auteurist-realist cinema. Moving across and beyond critical and industrial categories that inform thinking about cinema, it contends that different (...) approaches to film style can push us to imagine disaster in distinct ways, with distinct ethical connotations. (shrink)

Abstract:Contemporary common sense holds that authenticity is an ethical ideal: that there is something bad about inauthenticity, and something good about authenticity. Here we criticize the view that authenticity is bad because it detracts from the wellbeing of the inauthentic person, and propose an alternative moral account of the badness of inauthenticity, based on the idea that inauthentic behaviour is potentially misleading.

Ce recueil se veut un instrument de travail à l'intention de ceux qui s'interrogent sur les idéologies, ce qu'elles sont, d'où elles viennent et à quoi elles servent. Michel Simon y a réuni un certain nombre de textes qui ont marqué l'histoire et la réflexion sur l'idéologie et les idéologies et qui sont proposés comme autant de points de repères : Marx, Engels, Lénine, Lukacs, Mannheim, Korsch, Gramsci, Althusser chez les marxistes, mais aussi Jean Baechler et Pierre Ansart. Un commentaire (...) d'accompagnement situe ces textes dans leur contexte et fournit les explications nécessaires tandis que des tableaux récapitulatifs donnent une vue d'ensemble de chaque auteur. (shrink)

Ethics, religion, and spirituality -- Spirituality in care -- Spirituality and ethics -- Love -- The community of care : fit for purpose -- Values, virtues, and the patient -- Challenging faith -- Spirituality and the domain of justice.

This book offers a sustained critical assessment of Nietzsche's ethical thought and its significance for contemporary moral philosophy. Robertson develops an original, but critical, reading of Nietzsche's ethics, and uses it to address a range of longstanding issues to do with morality, moral psychology, value, and the good life.

Et pourtant rien au monde ne peut empècher l'homme de se sentir né pour la liberté. Jamais, quoi qu'il advienne, il ne peut accepter la servitude; car il pense. S. WeilÉcrit en 1934, cet essai propose une réflexion dont la profondeur surprend et dont les conclusions restent d'une actualité criante, dans un contexte où la défense des libertés face aux diverses sources d'oppression nécessite une attention permanente.

_An exploration of the relationship between contemporary art, politics, and activism, Artists Remake the World introduces readers to the political ambitions of contemporary art in the early twenty-first century and puts forward a new, wide-ranging account of art’s political potential. Surveying such innovations as evidence-driven art, socially engaged art, and ecological art, the book explores how artists have attempted to offer bold solutions to the world’s problems. Vid Simoniti offers original perspectives on contemporary art and its capacity as a force (...) for political and social change. At its best, he argues, contemporary art allows us to imagine utopias and presents us with hard truths, which mainstream political discourse cannot yet articulate. Covering subjects such as climate change, social justice, and global inequality, Simoniti introduces the reader to a host of visionary contemporary artists from across the globe, including Ai Weiwei, Olafur Eliasson, Wangechi Mutu, Naomi Rincón Gallardo, and Hito Steyerl. Offering a philosophy of contemporary art as an experimental branch of politics, the book equips the reader with a new critical apparatus for thinking about political art today. (shrink)

La notion d'obligation prime celle de droit, qui lui est subordonnée et relative. Un droit n'est pas efficace par lui-même, mais seulement par l'obligation à laquelle il correspond; l'accomplissement effectif d'un droit provient non pas de celui qui le possède, mais des autres hommes qui se reconnaissent obligés à quelque chose envers lui. L'obligation est efficace dès qu'elle est reconnue. Une obligation ne serait-elle reconnue par personne, elle ne perd rien de la plénitude de son être. Un droit qui n'est (...) reconnu par personne n'est pas grand'chose... (shrink)

L’objet principal de cette réflexion est d’examiner de manière approfondie la conception bourdieusienne de la « distinction sociale ». À partir d’une analyse détaillée de La distinction. Critique sociale du jugement (1979), cet essai passe au crible les forces et les faiblesses des explications élaborées par Pierre Bourdieu à propos des processus de différenciation symbolique et matérielle. L’analyse montre que La distinction contient dix tensions épistémiques significatives, dont l’étude critique permet de comprendre les contradictions fondamentales qui se trouvent au cœur (...) de la conception bourdieusienne de la « distinction sociale ». (shrink)

This collection of Weil's later writings captures her insightful philosophical explorations of the nature of value, moral thought, and the relation of faith and reason.

If critical momentum in European philosophy and theory has seemed to shift away from deconstruction over the past decade or so, nevertheless the indebtedness of contemporary key thinkers to Derrida's writing and the entire project of deconstruction is unquestionable, regardless of whether it is always fully acknowledged, and whether or not Derrida's influence manifests itself as a source of inspiration or the grounds of critical antagonism or opposition. Many of those who now reject deconstruction continue to write texts that engage (...) with Derrida's work, whether dismissively or not. In this context, how best to recall deconstruction as a continuing 'voice' across the various fields of the critical humanities, theory and philosophy? The starting point for this collection of essays is the idea that, rather than reduce deconstruction to an object of historical importance or memory, one might more fruitfully analyze its significance in terms of complex matrices of desire in which it continues to figure; ceaselessly provoked in this way, deconstruction may neither be dismissed as simply 'dead', nor unproblematically defended as still alive and well. Instead, it asks to be repositioned on the threshold of life-death (about which deconstruction has always had much to say), an intricate threshold which profoundly complicates its relationship to the 'present' field of critical thought. This is a field which-according to a highly complex set of desires-still struggles to memorialize, to inter, or indeed to cremate, reduce to ashes, the deconstructive corpus. This collection therefore brings together leading voices at the forefront of their critical fields, in order to address the question of the desires of deconstruction, in precisely these multiple senses. With contributions from Etienne Balibar, Catherine Malibou and Martin Hagglund, the volume includes key thinkers across various generations of scholarship: those whose careers took off in the 1960s, at the same time Derrida's importance was gaining acknowledgement; those who played their part in the Anglo-American reception and translation of Derrida in the subsequent two or three decades; those taught by him; and those who, without undue discipleship or hagiography, now seek to critically re-evaluate his work. (shrink)