De Maïmonide à Hannah Arendt en passant par Ibn Gabirol, Yehuda Halévi et Rosenzweig, ce recueil d'articles donne un panorama époustouflant de la philosophie juive à travers les âges. Esther Starobinski-Safran nous fait voyager à travers l'hébreu, l'allemand et le français pour nous révéler la richesse et la diversité de cette tradition.

If we are looking for an Ur-explanation for the persistence of the Ur-myth, or any other myth, in our literature, could we not more directly find it in the structure of a mind which does not have to remember in order to imitate? The occasion of both myth and literature is the social life of the species which, in Starobinski's sense, is a history of continual eviction; but as regards the apparatus of thought by which this social life is (...) reflected in art it is more a history of assimilation and repetition. "The work of the brain," to cite a recent article in Scientific American, "is to create a model of a possible world rather than to record and transmit to the mind a world that is metaphysically true…Different worlds are presumably constructed by similar species."1 And, presumably, similar worlds are constructed by similar species. Weisinger hints briefly at something like this in his essay "The Mythic Origins of the Creative Process," but one has the clear impression, as his title suggests, that he would like to have the [myth/ritual] cart before the creative horse.2 However much this may satisfy our longing to crown our literature, if not creativity itself, with a mythic genealogy, it seems a wistful hypothesis. One might just as well look upon the remains of early man's shelters, marvel that they too had roofs, just like ours, and conclude that therefore our roofs have their origin in theirs.· 1. Harry J. Jerison, "Paleoneurology and the Evolution of Mind," Scientific American, January 1976, p. 99.· 2. Herbert Weisinger, The Agony and the Triumph: Papers on the Use and Abuse of Myth , p. 250.Bert O. States, professor of dramatic arts at the University of California at Santa Barbara, is the author of Irony and Drama: A Poetics and The Shape of Paradox: An Essay on "Waiting for Godot.". (shrink)

Este artículo plantea la posibilidad de entender la melancolía como un paradigma hermenéutico. En concreto, se enfatiza su idoneidad como tal para interpretar aquellos textos construidos desde la voz de un Yo. Los diversos trabajos que Jean Starobinski ha dedicado a dicho concepto y, sobre todo, su texto capital L’encre de la mélancolie (2012), serán el eje en torno al cual gire esta propuesta –esta tentativa crítica–; desde esta obra, remitiremos a otros autores esenciales, como Aristóteles, Sigmund Freud, Julia (...) Kristeva o Roger Bartra. Nuestra argumentación se divide en tres etapas: primero indagamos en el juego de contrarios que ha lastrado la historia conceptual de la melancolía, después ahondamos en el desplazamiento, el desdoblamiento y el exceso como núcleos de sentido del paradigma hermenéutico propuesto, y culminamos con una aplicación analítica, que nos conducirá a unas conclusiones en torno a la crítica. (shrink)

Jean Starobinski, one of Europe's foremost literary critics, examines the life that led Rousseau, who so passionately sought open, transparent communication with others, to accept and even foster obstacles that permitted him to withdraw into himself. First published in France in 1958, Jean-Jacques Rousseau remains Starobinski's most important achievement and, arguably, the most comprehensive book ever written on Rousseau. The text has been extensively revised for this edition and is published here along with seven essays on Rousseau that (...) appeared between 1962 and 1970. (shrink)

Two centuries after they were published, Kant's ethical writings are as much admired and imitated as they have ever been, yet serious and long-standing accusations of internal incoherence remain unresolved. Onora O'Neill traces the alleged incoherences to attempts to assimilate Kant's ethical writings to modern conceptions of rationality, action and rights. When the temptation to assimilate is resisted, a strikingly different and more cohesive account of reason and morality emerges. Kant offers a "constructivist" vindication of reason and a moral vision (...) in which obligations are prior to rights and in which justice and virtue are linked. O'Neill begins by reconsidering Kant's conceptions of philosophical method, reason, freedom, autonomy and action. She then moves on to the more familiar terrain of interpretation of the Categorical Imperative, while in the last section she emphasizes differences between Kant's ethics and recent "Kantian" ethics, including the work of John Rawls and other contemporary liberal political philosophers. (shrink)

This is how Montaigne explains the principles which he followed in his role as mayor, a statement whose very expression casts all the light needed on the nature of what has been called Montaigne's conservatism. In Montaigne's political language, to conserve is defined by its opposition to innovate. Conservation receives its lexical “value” from its contrasting relation with innovation and with “novelties.” This semantic pair, common in sixteenth-century French and in most European languages, is profoundly different from the present system. (...) In today's language, the concept of conservatism (itself of recent formation) is defined principally in terms of the notion of progress or (because of the symmetry of the suffixes) of progressionism, in the sense which it had taken on during the 18th century, but the antonym innovation has not ceased contributing to the “value” of conservation. Today's semantic system cannot avoid attributing to “conservatism” an essentially antithetic function in reference to historic “progress,” or to theories of progress in which innovation is generally seen in a favorable light. (shrink)

The Reveries sur la nature primitive de l'homme are one of the important books of the dawn of the nineteenth century. In this text, Senancour limns an image of the world in accordance with the scientific thought of his time. It is a disenchanted image, dominated by mechanical necessity, and in it the distinction between good and evil no longer holds. God is absent; the world is not his creation. And Senancour expresses no regret:Everything in nature is indifferent, for everything (...) is necessary: all is beautiful, for all is determined. The individual is nothing, as a being apart: his cause and his end lie beyond him. Only the whole exists absolutely, invincibly, with no other cause, with no other end beyond itself, with no laws but those of its nature, with no other product than its permanence…. The beautiful, the true, the just, evil, and disorder exist only for the weakness of mortals…. The same earth contains happy orchards and ruinous volcanoes. The villain triumphs, the hero dies; the orchard withers, the volcano is snuffed out; one and the same destruction devours both the animate and the inanimate, shrouded in the same oblivion; and in a world reborn, there remains not a trace of what was abhorred or deified in a bygone world. (shrink)

When the world reveals a part of its beauty, what should our reaction be? How can we respond adequately? Is not our initial reaction one of a “discrepancy between our impressions and their habitual expression?” It is this question that Proust poses in one of the crucial passages early on in his masterpiece. Describing his walks along Méséglise's Way, and “the humble discoveries” he made there, the narrator details for us the overwhelming, decisive impression made on him by a shaft (...) of sunlight:After an hour of rain and wind, against which I had struggled cheerfully, as I came to the edge of the Montjouvain pond, beside a little hut with a tiled roof in which M. Vinteuil's gardener kept his tools, the sun had just reappeared, and its golden rays, washed clean by the shower, glittered anew in the sky, on the trees, on the wall of the hut and the still wet tiles of the roof, on the ridge of which a hen was strutting. The wind tugged at the wild grass growing from cracks in the wall and at the hen's downy feathers, which floated out horizontally to their full extent with the unresisting submissiveness of light and lifeless things. The tiled roof cast upon the pond, translucent again in the sunlight, a dappled pink reflection which I had never observed before. And, seeing upon the water, and on the surface of the wall, a pallid smile responding to the smiling sky, I cried out aloud in my enthusiasm, brandishing my furled umbrella: “Gosh, gosh, gosh, gosh!” But at the same time I felt that I was in duty bound not to content myself with these unilluminating words, but to endeavor to see more clearly into the sources of my rapture. (shrink)

It was a tenacious dream: the first language spoken by man was music, poetry and science, all at the same time. In the beginning the same word, given by God or dictated by Nature, stood for things, feelings and laws. And in the cherished image of this dawning faculty not only had the distinction between word and song, the difference between expressive power and objective designational power (or “referential function,” as the linguists say) not yet appeared, but the sacred and (...) profane uses of speech had not yet established their separate kingdoms: in the great festival of the earliest days each word was a celebrant and contained the substance of reality. The word, invested with an integral meaning, hit the mark and rejoiced at the contact. Everything to which man gave a name was a god to him or the delegate of a god, so that by virtue of a benevolent revelation or of an exact inspiration the earliest vocal expression combined the fullness of knowing with the musical fullness of its expressive power. But this language of Paradise, witness to an age when man was not separated from man or removed from Nature or from God, has long been forgotten, dismembered, dispersed. Multiple and incompatible idioms have taken its place. The clear light of meaning has become clouded. (shrink)

The day is one of the fundamental experiences of our natural existence. The obvious cycle of the sun, the alternation of sleep and being awake provide a link between the life of the body and the great regularity that assigns their successive moments to light and to darkness. Only a simplified abstraction allows us to consider time lived as an homogeneous flow. Our existence, in its proper substance and in its larger environment, is dominated by the rhythm of days and (...) nights. Our very experience of the reality of objects is subject to it: the universe of things depends on the light of day that reveals it. It shrivels and becomes uncertain when night falls, with terror and dreams taking its place. The evidence that appears with the clarity of day is not of the same order as apparitions that arise from the depth of darkness. (shrink)

De Frescobaldi, à l'édition musicale, en passant par l'histoire de l'interprétation, la grammaire baroque des affects et l'esthétique, ce livre rend hommage à la pensée d'Etienne Darbellay dans un recueil d'études qui captive par la variété et la rigueur des savoirs. From Frescobaldi to music editions, from the history of performance to the baroque language of affect and aesthetic, the present work in honour of Etienne Darbellay is a collection of essays remarkable for the breadth and depth of their scholarship.

Two centuries after they were published, Kant's ethical writings are as much admired and imitated as they have ever been, yet serious and long-standing accusations of internal incoherence remain unresolved. Onora O'Neill traces the alleged incoherences to attempt to assimilate Kant's ethical writings to modern conceptions of rationality, action and rights. When the temptation to assimilate is resisted, a strikingly different and more cohesive account of reason and morality emerges. Kant offers a `constructivist' vindication of reason and a moral vision (...) in which obligations are prior to rights and in which justice and virtue are linked. O'Neill begins by reconsidering Kant's conceptions of philosophical method, reason, freedom, automony and action. She then moves on to the more familiar terrain of interpretation of the Categorical Imperative, while in the last section she emphasises differences between Kant's ethics and recent 'Kantian' ethics, including the work of John Rawls and other contemporary liberal political philosophers. This reassessment will add significantly to the understanding of Kantian practical philosophy. (shrink)

While most business ethics texts focus exclusively on individual decision making--what should an individual do--this resource presents the whole business ethics story. Highly realistic, readable, and down-to-earth, it moves from the individual to the managerial to the organizational level, focusing on business ethics in an organizational context to promote an understanding of complex influences on behavior. The new Fifth Edition is the perfect text for students entering the workplace, those seeking to become professionals in training, communications, compliance, in addition to (...) chief ethics officers, corporate counsel, heads of human resources, and senior executives. (shrink)

The strongest version of the principle of the Identity of Indiscernibles states that of necessity, there are no distinct things with all their universals in common (where such putative haecceities as being Aristotle do not count as universals: I use 'universal' rather than 'property' here and in what follows for the simple reason that 'universal' is the term of art that most safely excludes haecceities from its instances). It is commonly supposed that Max Black's famous paper 'The identity of indiscernibles' (...) (2) refutes this thesis. (Armstong's [1], chapter 9 is representative here.) Black argues ([2], p. 156) that it is perfectly possible that there be a world consisting solely of two indiscernible spheres at some distance to each other and that this world constitutes a counterexample to the principle above. The strongest version of the bundle theory of substance claims that of necessity, the substances that make up the world are bundles of universals.1 It is commonly supposed that a consequence of Black's defeat of the principle of the Identity of Indiscernibles is that this bundle theory of substance is mistaken. (Again, Armstong's [1] is representative.) I shall argue that Black's thought experiment does not defeat the bundle theory and that, as a result, the bundle theory can be used to salvage the principle of the Identity of Indiscernibles. (shrink)

The twelve specially written essays in this volume investigate the neglected topic of mental action, and show its importance for the metaphysics, epistemology, and phenomenology of mind. The essays investigate what mental actions are, how we are aware of them, and what is the relationship between mental and physical action.

Providing a vibrant four-color design, market-leading BUSINESS ETHICS: ETHICAL DECISION MAKING AND CASES, Ninth Edition, thoroughly covers the complex environment in which managers confront ethical decision making. Using a proven managerial framework, this accessible, applied text addresses the overall concepts, processes, and best practices associated with successful business ethics programs--helping readers see how ethics can be integrated into key strategic business decisions. Thoroughly revised, the new ninth edition incorporates coverage of new legislation affecting business ethics, the most up-to-date examples, and (...) the best practices of high-profile organizations. It also includes 20 all-new or updated original case studies. (shrink)

Conventional wisdom suggests that the Platonist philosophers of Late Antiquity, from Plotinus (third century) to the sixth-century schools in Athens and Alexandria, neglected the political dimension of their Platonic heritage in their concentration on an otherworldly life. Dominic O'Meara presents a revelatory reappraisal of these thinkers, arguing that their otherworldliness involved rather than excluded political ideas, and he reconstructs for the first time a coherent political philosophy of Late Platonism.

The Almoravid and Almohad Empires. By Amira K. Bennison. The Edinburgh History of the Islamic Empires. Edinburgh: Edinburgh University Press, 2016. Pp. xiv + 382. $150, £90 ; $49.95, £29.99.

Art historians have long viewed southern Italy, especially the Salento region in Apulia, as a Byzantine artistic province even centuries after Byzantine rule ended there in c. 1070. The Orthodox monastery of Santa Maria di Cerrate, near Lecce, is widely considered to possess some of the region’s “most Byzantine” paintings (twelfth to fourteenth centuries). Yet a close examination of these frescoes reveals significant iconographic and stylistic differences from alleged Byzantine norms. A historiographic synopsis and review of problematic definitions of “Byzantine” (...) art are followed in this article by a critique of reductionist labels. Embracing the concept of vagueness offers an alternative way to think about Cerrate and similar borderline cases—not in terms of fixed categories (“Byzantine” or “Western”), but as points on an art-historical continuum that is enriched by acknowledging complexity. (shrink)

Friends of the Emir: Non-Muslim State Officials in Premodern Islamic Thought. By Luke B. Yarbrough. Cambridge: Cambridge University Press, 2019. Pp. xiv + 361. $120 ; $32.99.