Event of Signature formulates a new philosophical problem which focuses on the handwritten signature as sign of legal identification. Author Michaela Fišerová works with three metaphysical expectations, which are shared in discourses of graphology and forensic analysis. The first expectation tends to reveal the signer's soul: a handwritten signature "naturally" mirrors the unique psychological qualities of the signer. The second expectation tends to guarantee the originality of the signer's trace: a handwritten signature proves physical contact between the signed document and (...) the writing tool "authentically" moved by the signer's hand. The third expectation tends to recognize the signer's legal identity: a handwritten signature is expected to reproduce the signer's personal style, which enables identification by legal authorities. In a methodologically inventive and semiotically-based dialogue with Derrida's deconstruction, Fišerová situates this triple expectation in the interval between life and law. Challenging coverage of this topic finally shows that none of the metaphysical expectations will ever be fulfilled in the event of manual signing. Legal uses of handwritten signature are characterized by the complex aporia of repeating the unrepeatable. (shrink)

According to Kant, the opacity of human motivation takes two distinct forms – a psychological form: man ‘can never, even by the most strenuous self-examination, get entirely behind [his] covert incentives’ – and a social form: ‘everyone in our race finds it advisable to be on his guard, and not to reveal himself completely’. In other words, first, men's ‘interior’ cannot be entirely revealed to themselves and, second, they tend not to reveal their ‘interior’ to others. A number of Kant (...) scholars have acknowledged the importance of the first form of opacity in Kant's thought and have attempted to draw out from it implications for moral deliberation and ethics in general. The aim of this paper is to examine the second, social form of opacity and draw out its anthropological implications, an issue that has been overlooked in the literature. To do so, I focus on Kant's contrast between men and beings that I would like to call ‘sincere aliens’. These sincere aliens are beings who have the opposite features of man's opacity, namely beings who cannot but reveal their ‘interior’ both to others and to themselves. (shrink)

We live today within a system in which state and corporate power aim to render space flat, transparent, and uniform, for only then can it be truly controlled. The gaze of power and the commodity form are capable of infiltrating even the darkest of corners, and often, we invite them into our most private spaces. We do so as a matter of convenience, but also to placate ourselves and cope with the alienation inherent in our everyday lives. The resulting dominant (...) space can best be termed totalitarian. It is space stripped of uniqueness, deprived of the “spatial aura” necessary for authentic experience. In Totalitarian Space and the Destruction of Aura, Saladdin Ahmed sets out to help us grasp what has been lost before no trace remains. He draws attention to that which we might prefer not to see, but despite the bleakness of this indictment of reality, the book also offers a message of hope. Namely, it is only once we comprehend the magnitude of the threat to our spatial experience and our own complicity in sustaining this system that we can begin to resist the totalizing forces at work. (shrink)

The ArgumentIn the summer of 1783, a trial took place in the French city of Arras. One M. de Vissery, a resident of the nearby village of St. Omer, was appealing a decision by his local aldermen, who required him to remove a lightning rod he had put on his chimney. His young defense lawyer was Maximilien Robespierre, who made a name for himself by winning the case. In preparation, Robespierre and his senior colleague corresponded with natural philosophers and jurisconsultants. (...) Robes- pierre then persuasively resolved the crucial problem, namely, the proper relations of scientific to legal authority. He exploited the empiricist dogma common to contemporary physics and jurisprudence to argue that judges need not defer to scientific experts, but must only consider the facts, which required no expertise. It was a first approximation of an argument Robespierre would make with mounting authority over the next decade. (shrink)

The chapters of Rousseau’s Social Contract devoted to republican Rome prescribe institutions that obstruct popular efforts at diminishing the excessive power and influence of wealthy citizens and political magistrates. I argue that Rousseau reconstructs ancient Rome’s constitution in direct opposition to the more populist and anti‐elitist model of the Roman Republic championed by Machiavelli in the Discourses: Rousseau eschews the establishment of magistracies, like the tribunes, reserved for common citizens exclusively, and endorses assemblies where the wealthy are empowered to outvote (...) the poor in lawmaking and elections. On the basis of sociologically anonymous principles like generality and popular sovereignty, and by confining elite accountability to general elections, Rousseau’s neo‐Roman institutional proposals aim to pacify the contestation of class hierarchies and inflate elite prerogative within republics – under the cover of more formal, seemingly more genuine, equality. (shrink)

Abstract Feminists have interpreted Rousseau's attitudes to women as characteristic of a patriarchal ideology in which passion, nature and love are associated with the feminine and repressed in favour of masculine reason, culture and justice. Yet this reading does not cohere with Rousseau's adulation of nature, nor with the repression of writing and culture in favour of natural speech which Derrida finds in his texts. This paper uses Rousseau's accounts of his personal experiences to resolve this conflict and to develop (...) a more complex understanding of Rousseau's attitudes to women. The reading emphasizes that Rousseau operated with a triadic picture in which reason, the passions of the heart and the passions of the body are distinguished. The discussion of Derrida's reading of Rousseau gives rise to some reflections on the relationship of speech and writing to subjectivity, autonomy and women's oppression. (shrink)

Rousseau's Julie, ou La Nouvelle Héloïse is two novels in one: a story of wifely virtue and a counterstory of women's friendship. Whereas the virtue story exemplifies what feminist readers since Mary Wollstonecraft have considered to be the most oppressive of Rousseau's prescriptions for women, the friendship counterstory questions the ethical foundations and social manifestations of the model of patriarchal authority that Rousseau ordinarily defends. In this essay, I read the novel with an eye for both stories and the tension (...) between them. (shrink)

Rousseau's Julie, ou La Nouvelle Héloise is two novels in one: a story of wifely virtue and a counterstory of women's friendship. Whereas the virtue story exemplifies what feminist readers since Mary WoRstonecraft have considered to be the most oppressive of Rousseau's prescriptions for women, the friendship counterstory questions the ethical foundations and social manifestations of the model of patriarchal authority that Rousseau ordinarily defends. In this essay, I read the novel with an eye for both stories and the tension (...) between them. (shrink)

Pessimism today is poorly understood. Indeed, such is the disdain that pessimism engenders, that it often has difficulty being taken seriously as a theoretical position. Yet pessimism, which is distinct from skepticism and nihilism, has much to offer those who have discarded the Enlightenment's expectation of progress. Through an examination of Rousseau, Schopenhauer and Unamuno, this paper traces out some of the common themes of pessimistic thought. Pessimism, it is argued, is con-cerned with the burden of time and with the (...) problem of organizing the best kind of human life in the absence of a promise of progress, happiness, or salvation for society as a whole. But it need not urge passivity or resignation in response to these conditions. The figure of Don Quixote, first appealed to in this context by Unamuno, illustrates pessimism's capacity to craft a positive ethic of personal conduct for life in a disordered and disenchanted world. Key Words: Miguel de Cervantes • Don Quixote • history • nihilism • pessimism • progress • Jean-Jacques Rousseau • Arthur Schopenhauer • time • Miguel de Unamuno. (shrink)

Rousseau maintains that the spectacle isolates us at the very same moment when it brings us together. This article argues that this striking remark must be understood within the more general framework of a critique of the spectacular nature of modern society. But if the spectacle is not simply an occasional form of entertainment, but a social relationship that pervades modern society as a whole, how can we escape from it? Rousseau’s homeopathic strategy, according to which we should fight an (...) evil through small doses of that very same evil, offers a solution that is crucial for grasping the scope of Rousseau’s critique of the spectacle as well as for rethinking the possibility of democracy. (shrink)

À peu près tout le monde a déjà fait l’expérience intuitive de l’authenticité, d’un moment qui semble révéler une lueur de sa véritable identité. Pourtant, en posant l’existence d’un «vrai moi», l’idée d’authenticité pose des défis métaphysiques qui mettent en lumière les complexités de l’individualité. J’avance que pour être bien examinée, l’authenticité exige une structure essentialiste qui tend à s’appliquer à l’identité personnelle. J’examine ensuite les trois types d’approches les plus influents dans les discussions philosophiques modernes contre cette position : (...) le romantisme et ses héritiers contemporains, l’existentialisme tardif et les conceptions de la vertu. Cette analyse met en doute la possibilité de générer une conception philosophique complète de l’authenticité. (shrink)

With the publication of the First Discourse, Rousseau initiated a famous debate over the social value of the arts and sciences. As this debate developed, however, it transformed into a question of the value of the intellectuals as a social class and touched upon questions of identity formation. While the philosophes were lobbying to become a new cultural aristocracy, Rousseau believed the ideological glorification of intellectual talent demeaned the peasants and working classes. This essay argues that amour propre, as put (...) forth in the Second Discourse, was in part designed to address this concern and is an attempt to highlight the dangers of making talent the measure of a human. (shrink)