With a preface by Gianni Vattimo, this book offers both an overview of contemporary Italian philosophy and a new interpretation of Nietzsche’s ‘God is Dead’ in connection with the notion of freedom as the original dynamic of the will to power.

With a preface by Gianni Vattimo, this book offers both an overview of contemporary Italian philosophy and a new interpretation of Nietzsche’s ‘God is Dead’ in connection with the notion of freedom as the original dynamic of the will to power.

In the lecture Nietzsche: l’homme devant la mort de dieu, Gabriel Marcel highlights the extraordinary topicality of Nietzsche’s thought and figure. The French philosopher seems to say to his hearers: Nietzsche is here, among us, he does not belong to the past, but, on the contrary, he is the most contemporary of contemporaries. Nietzsche’s philosophy of the death of God is a mine of ideas and insights that need to be enhanced. There is still much about him to be (...) discovered. Nietzsche, then – and nihilism as such – is by no means outdated, precisely because, Marcel exclaims, before claiming to have left him behind, it is better to make sure we have reached him. (shrink)

What is the meaning of life? In today's secular, post-religious scientific world, this question has become a serious preoccupation. But it also has a long history: many major philosophers have thought deeply about it, as Julian Young so vividly illustrates in this thought-provoking second edition of _The Death of God and the Meaning of Life_. Three new chapters explore Søren Kierkegaard’s attempts to preserve a Christian answer to the question of the meaning of life, Karl Marx's attempt to translate (...) this answer into naturalistic and atheistic terms, and Sigmund Freud’s deep pessimism about the possibility of any version of such an answer. Part 1 presents an historical overview of philosophers from Plato to Marx who have believed in a meaning of life, either in some supposed ‘other’ world or in the future of this world. Part 2 assesses what happened when the traditional structures that give life meaning began to erode. With nothing to take their place, these structures gave way to the threat of nihilism, to the appearance that life is meaningless. Young looks at the responses to this threat in chapters on Nietzsche, Heidegger, Sartre, Camus, Foucault and Derrida. Fully revised and updated throughout, this highly engaging exploration of fundamental issues will captivate anyone who’s ever asked themselves where life’s meaning really lies. It also makes a perfect historical introduction to philosophy, particularly to the continental tradition. (shrink)

Nietzsche's importance -- Nietzsche's ideas -- Nietzsche's legacy -- Aphorisms, 1875-1889 -- On truths and lies in an extramoral sense, 1873 -- On the uses and disadvantages of history for life, 1874 -- Human, all too human, 1878 -- The gay science, 1882 -- Thus spoke Zarathustra, 1883-1884 -- Beyond good and evil, 1886 -- On the genealogy of morals, 1887.

This book presents a reading of Martin Heidegger's philosophy as an effort to strike a middle position between the philosophies of Plato and Friedrich Nietzsche. Duane Armitage interprets the history of Western philosophy as comprising a struggle over the meaning of "being," and argues that this struggle is ultimately between materialism and idealism, and, in the end, between atheism and theism. This work therefore concerns the question of the meaning of the so called "death of God" in the context (...) of contemporary Continental Philosophy.. (shrink)

This paper explores the death of God narrative through the lens of kenosis, drawing insights from thinkers such as Marcel, Heidegger, Vattimo, and Girard. It investigates the implications of kenotic thought for contemporary religious and philosophical discourse, exploring various interpretations of kenosis, ranging from Altizer and Žižek’s apocalyptic views to Vattimo’s more hopeful perspective. Through critical engagement with these viewpoints, this paper advocates for a nuanced understanding of kenosis inspired by Hegel, one that bypasses both radical theology and excessive (...) optimism. Methodologically, this study adopts a hermeneutic approach, analyzing key texts and engaging in philosophical dialogue. This paper concludes that rethinking kenotic thought could provide a robust framework for grappling with the death of God in the contemporary context, offering avenues for ethical reflection, social critique, and speculative renewal. (shrink)

In this essay, we analyze the Black Mirror episode "Arkangel" alongside Nietzsche’s critique of religion. After providing an overview of his critique, we argue that the episode demonstrates how a world enframed by technology itself ends up being just as decadent, or just as pathological, repressive, corrupt, anti-life, and unredemptive as Nietzsche accuses Christianity of being. Nietzsche thought, at one point, that science and technology might provide a non-metaphysical or non-theological solution to what he calls our “metaphysical need.” However, Arkangel (...) shows how technology does not overcome problems of idolatrous forms of religion and can be just another tool for manipulation that produces the same kinds of pathologies. Nietzsche insists that the only way to overcome religion as an oppressive system is to “philosophize with a hammer,” or to deconstruct its idolatrous strictures and the “all too human” forces behind it. Ultimately, this deconstruction requires declaring “the death of God.”. (shrink)

What is the meaning of life? In the post-modern, post-religious scientific world, this question is becoming a preoccupation. But it also has a long history: many major figures in philosophy had something to say on the subject, as Julian Young so vividly illustrates in this thought-provoking book. Part One of the book presents an historical overview of philosophers from Plato to Hegel and Marx who have believed in some sort of meaning of life, either in some supposed 'other' world or (...) in the future of this world. Part Two looks at what happened when the traditional structures that provided life with meaning ceased to be believed. With nothing to take their place, these structures gave way to the threat of nihilism, to the appearance that life is meaningless. Julian Young looks at the responses to this threat in the work of Nietzsche, Heidegger, Sartre, Camus, Foucault and Derrida. This compelling and highly engaging exploration of fundamental values will captivate anyone who's ever asked themselves where life's meaning really lies. It also makes a perfect historical introduction to philosophy. (shrink)

Nietzsche famously proclaimed the “death of God,” but in so doing it was not God’s death that was really notable—Nietzsche assumes that most reflective, modern readers realize that “the belief in the Christian god has become unbelievable” —but the implications of that belief becoming unbelievable, namely, “how much must collapse now that this faith has been undermined,” in particular, “the whole of our European morality”. What is the connection between the death of God and the death (...) of morality? I argue that Nietzsche thinks the death of God will undermine the “moral egalitarianism” that is central to modern morality, in both its deontological and utilitarian forms. I offer an account of how Nietzsche sees the connection, arguing that no one has yet offered a nontheistic defense of moral egalitarianism. I conclude with some skeptical considerations about whether Nietzsche was right that atheism would, in fact, undermine morality. (shrink)

Although declarations of the death of God seem to be provocations announcing the end of the era of theology, this announcement is actually central to the Christian revelation in its most classic forms, as well as to its reworkings in contemporary religious thought. Indeed provocative new possibilities for thinking theologically open up precisely in the wake of the death of God. Already Hegel envisaged a revolutionary new realization of divinity emerging in and with the secular world through its (...) establishment of a total order of immanence. However, in postmodern times this comprehensive order aspired to by modern secularism implodes or cracks open towards the wholly Other. A hitherto repressed demand for the absolute difference of the religious, or for “transcendence”, returns with a vengeance. This difference is what could not be stated in terms of the Hegelian System, for reasons that poststructuralist writers particularly have insisted on: all representations of God are indeed dead. Yet this does not mean that they cannot still be powerful, but only that they cannot assign God any stable identity. Nietzsche’s sense of foreboding concerning the death of God is coupled with his intimations of the demise of representation and “grammar” as epistemologically bankrupt, but also with his vision of a positive potential for creating value in the wake of this collapse of all linguistically articulated culture. He points the way towards the emergence of a post-secular religious thinking of what exceeds thought and representation. (shrink)

This introductory essay addresses Nietzsche's famous claim that God is dead, develops his arguments for it, and examines its potential implications for contemporary religious and ethical thought.

This is a clear and lucid account of Nietzsche's philosophy of art, combining exegesis, interpretation and criticism in a judicious balance. Julian Young argues that Nietzsche's thought about art can only be understood in the context of his wider philosophy. In particular, he discusses the dramatic changes in Nietzschean aesthetics against the background of the celebrated themes of the death of God, eternal recurrence, and the idea of the Übermensch. Young then divides Nietzsche's career and his (...) philosophy of art into four distinct phases, but suggests that these phases describe a circle. An attempt at world-affirmation is made in the central phases, but Nietzsche is predominantly influenced at the beginning and end of his career by a Schopenhauerian pessimism. At the beginning and end art is important because it 'redeems' us from life. (shrink)

The eternal recurrence of the same. Simmel's critique ; Awareness ; Evidence ; Significance ; Coherence -- Demon or god? Deathbed revelation ; Daimonic prophecy ; Dionysian doctrine ; Diagnostic test -- The dwarf and the gateway. The gateway to Hades ; The dwarf's interpretation ; Zarathustra's cross-examination ; The inescapable cycle ; Crossing the gateway ; No time until rebirth ; The ancient memory ; Midnight swan song -- The great noon. Two conclusions ; Tragic end and analeptic satyr (...) play ; Zarathustra's hour ; Noon crucifixion ; Seventh-day convalescence ; Last temptation ; Third-day resurrection -- The laughing lions. Revaluation of values ; Dawn reunion ; Morning consecration ; Call to arms ; Final farewell and last will ; Zarathustra's great destiny -- The shepherd and the serpent. The eternally recurring human ; The future human ; Zarathustra the dragon-slayer ; The decapitation ; The heavy hammer ; No longer shepherd -- Circulus vitiosus deus. Impotence and revenge ; Backward-willing ; Self-redemption ; The third transformation ; The child spirit ; No longer human ; Zarathustra's dying gift -- Post-Zarathustra. Nietzsche and Zarathustra ; Reversing the bad conscience ; Atheism and the death of God ; Countering the ascetic ideal. (shrink)

In Nietzsche's Kind of Philosophy, Richard Schacht provides a holistic interpretation of Friedrich Nietzsche's distinctive thinking, developed over decades of engagement with the philosopher's work. For Schacht, Nietzsche's overarching project is to envision a "philosophy of the future" attuned to new challenges facing Western humanity after the "death of God," when monotheism no longer anchors our understanding of ourselves and our world. Schacht traces the developmental arc of Nietzsche's philosophical efforts across Human, All Too Human, (...) Daybreak, Joyful Knowing (The Gay Science), Thus Spoke Zarathustra, Beyond Good and Evil, and On the Genealogy of Morality. He then shows how familiar labels for Nietzsche-nihilist, existentialist, individualist, free spirit, and naturalist-prove insufficient individually but fruitful if refined and taken together. The result is an expansive account of Nietzsche's kind of philosophy. (shrink)

In contrast to positivistic assignations of influence in Nietzsche-studies, this article considers the possibility of “conversational” reconstructions of contexts, where the focus is less on “whether” and “when” Nietzsche read a text, and concentrates instead on “how” and “why” he read it. This method is exemplified by the case of Philipp Mainländer, a contemporary about whom Nietzsche says almost nothing of philosophical importance. This article shows that six key leitmotifs of the Zarathustrazeit happen to form direct solutions to dangers entailed (...) by Mainländer’s system: the Death of God, the Übermensch, the Last Man, Will to Power, Eternal Return, and Amor Fati. That each of these tropes serves as a neat solution to Mainländer suggests that Nietzsche was engaged in a sort of competitive intellectual conversation with his philosophy. And as such, Mainländer’s influence on Nietzsche, even if mostly negative, should not continue to be neglected. (shrink)

the present article intends to outline feuerbach's humanism in his the essence of christianity in dialogue with the nietzschean notion of the death of god. for it is with the death of god and the fall of all idols that it is possible to glimpse god, not as the absolute transcendent, but as a human creation, all too human. a projection of the self into a safe and magnanimous outside, anchorage of all human desires, from magical and miraculous (...) powers to the rapture of body and soul in a sanctifying and eternal peace. as god, man works the miracle of existing in the comforting fantasy of a supreme being, nothing more than himself. (shrink)

Gabriel Marcel’s writings stand in a complex relationship to Nietzsche’s thought. Paying homage to Nietzsche’s influence as one of the most eminent representatives of the existential thought, Marcel is aware that he deals with a thinker who is as distant from him as he is very close. Marcel’s references to Nietzsche’s thought are tied to Nietzsche’s expression “God is dead”, and the end of the divine is the theme that simultaneously highlights the greatness and the tragedy of Nietzsche. Marcel accepts (...) the contradictions of Nietzsche’s philosophical thought as both dangerous and fruitful. (shrink)

One hundred years ago the expression "God is dead" was first used by Nietzsche. Now, Nietzsche was reared in a christian home, but at the university he decided there was no god.Now, this philosophy began to pervade German thought. And I believe that history is going to say that this philosophy … contributed to a religious, moral and intellectual vacuum, and into that vacuum came Nazism and the concept of the super race that produced Hitler and the second World War.Now, (...) if we in America reject the idea of god and all that that means, we're going to have a vacuum in which either a fascist type or a communist type of ideology is going to come in … that could eventually lead, in my opinion, to anarchy and chaos.The... (shrink)

“God is dead!” This is one of the most famous claims in Nietzsche’s philosophy, difficult to fully affirm. While the higher men fail to overcome the ghost of God, Zarathustra joyfully affirms God’s death. This affirmation deconstructs the metaphysical and moral concept of “divinity,” turning it into a metaphor. The new metaphor of the divine, mainly developed through the figure of Dionysius, expresses the capacity of affirming life beyond the old values, related to the dead God. It also involves (...) the creation of a higher body beyond the body of despair, associated with these values. The purpose of this paper is to study the relationship between the death of God and the body in Nietzsche’s account by analyzing the meanings of this death for the higher men, the question of the divine in Zarathustra’s account, and the status of the Dionysian body. (shrink)

This is a clear and lucid account of Nietzsche's philosophy of art, combining exegesis, interpretation and criticism in a judicious balance. Julian Young argues that Nietzsche's thought about art can only be understood in the context of his wider philosophy. In particular, he discusses the dramatic changes in Nietzschean aesthetics against the background of the celebrated themes of the death of God, eternal recurrence, and the idea of the Übermensch. Young then divides Nietzsche's career and his (...) philosophy of art into four distinct phases, but suggests that these phases describe a circle. An attempt at world-affirmation is made in the central phases, but Nietzsche is predominantly influenced at the beginning and end of his career by a Schopenhauerian pessimism. At the beginning and end art is important because it 'redeems' us from life. (shrink)

This paper covers the theme of the death of God considered from a Hegelian standpoint. For Aristotle, the image of God as ‘thought thinking itself’ was an image of the knowledge aspired to in philosophy. With the notion of God becoming man and his insistence on the icon of the Cross, Hegel challenged the Aristotelian goal of philosophy as immutable knowledge of an ‘ultimate’ reality. Hegel viewed the crisis of normativity as strictly linked to the conception of the self. (...) It is Nietzsche who is best known for alluding to the full significance of this image for modern life, but Hegel’s thought on the complex relations of philosophy and religion in the modern world can be regarded as an attempt to think through this same historical phenomenon. In this paper, I focus on the philosophical relevance of Hegel’s notion of the death of God. I argue that unpacking the significance of the ‘truths’ presented symbolically in modern Christianity is crucial in unders.. (shrink)

Heideggerian interpretation of the “Death of God” that not only includes Nietzsche, but the whole modern philosophy, it entails the essential importance of a movement according to which Metaphysics is overcome. In Heidegger’s words, after Nietzsche “the only road for Philosophy is its perversión and denaturalization, so we have no other alternatives in view for her”. This overcoming indicates the consummation of Onto-Theology like fundamental mark of Metaphysics, of which Hegel offers his more radical interpretation when he thinks the (...) absolute one as concept. This way, the “Death of God” it means, according to Jean-Luc Marion’s denomination, the “idolatry of concept”. This paper examines the “Death of God” in the light of the postulate of Onto-Theology as Essence of Metaphysics, and in the line of a overcoming of idolatry, with the purpose of resuming the divinity in the contemporary thought. (shrink)

Nietzsche's critique of Christianity is approached by asking how far it implicitly relies upon Christian concepts and resources in implementing its criticisms. The essay first looks in detail at the parable of the madman in Gay Science, focussing in particular on its double address to theists as well as atheists; I explore its implicit invocation of Macbeth, as well as its articulation of an implicit theology of Holy Saturday, which roots the thought of God's death in Christian conceptions (...) of the full implicationsof the Incarnation. The second half of the essay examines the Genealogy of Morality, itfocusses on Nietzsche's implicit admiration for the will to power implied in the slave revolt, his conception of himself as speaking against Christianity from a position prepared by it, and the ways in which his account of that revolt reiterates the structure of the Christian account of the Fall. (shrink)

Among the deeper strata of Rorty’s philosophy is what I call his aversion to normative violence. Normative violence occurs when some specific group presents itself as having a privileged relation to reality. The alternative to normative violence is recognizing that cultural politics has priority over ontology. I trace this Rortyan idea to its origins in Nietzsche and Sellars. Rorty’s contribution is to combine Nietzsche on the death of God and Sellars on the Myth of the Given. However, I conclude (...) with a suggestion that Rorty ultimately goes too far in thinking that avoiding normative violence requires abstaining from metaphysics and epistemology as such. (shrink)

Nietzsche’s Ecce homo, Notebooks and Letters: 1888-1889 / Translation by Daniel Fidel Ferrer. ©2023 Daniel Fidel Ferrer. All rights reserved. -/- Ecce homo: How One Becomes What One Is (Ecce homo: Wie man wird, was man ist). -/- Who should read Nietzsche? You can disagree with everything Nietzsche wrote and re-read Nietzsche to sharpen your attack. Philosophy. Not for use without adult supervision (required). Philosophy is a designated area for adults only. Read at your own risk. You have the pleasure (...) of reading and of course disagree with all philosophy. Warning philosophical ideas are present. Reading Nietzsche does not mean you will gain anything, in fact, you might lose your previous ideas. -/- Nietzsche does not call this book an autobiography (he has written many short autobiographical sketches before); but rather, uses the expression “I tell myself my life”. -/- Nietzsche was the past philosopher who wrote about our future, “The time is coming when the struggle for the domination of the earth will be waged - it will be waged in the name of basic philosophical doctrines.” KGWB/NF-1881, 11[273]. The world has seen plenty of wars and death, since 1881. The process of the domination of the earth and world is still on-going. -/- What is Nietzsche’s overall project with Ecce homo? -/- Main Leitmotifs in Ecce homo. -/- Christianity as the denial of the will to life, revaluation of all values (Umwerthung aller Werthe), Amor fati, Dionysus as a god and his philosophy (future project for Nietzsche), overthrowing idols, two worlds (“true world" finally became a fable) against Plato eternal world and forms, eternal recurrence or the eternal return of the same (Nietzsche heaviest thought, also his most abysmal thought “abgründlichsten Gedanken”), opposite and counterpart to type of person decadent (décadent), “I count the overcoming of pity among the noble virtues”, against the concept of God (Christian), overman or superman (Übermensch), Will to Power (Wille zur Macht), great politics, immoralist, morality of the Christian church, and Declaration of war (“Kriegserklärung”). -/- Table of Contents -/- Motto [page 3]. Epigraph [pages 4-6]. -/- Preface to the Translation of Ecce homo [pages 7-16] -/- Major Leitmotifs in Nietzsche [pages 17-24]. -/- Translations from Nietzsche’s German to English include. -/- 1). Ecce homo: How One Becomes What One Is (Ecce homo: Wie man wird, was man ist. [pages 25-113]. -/- 2). This poem was included in the first publications of Ecce homo (1908). Glory and Eternity (Ruhm und Ewigkeit). [pages 114-124]. -/- 3). These are all of Nietzsche’s last notebooks (complete) they are numbered 21, 22, 23, and 24. There are a total of 82 notes. Final notes by Nietzsche from the Nachlass (Nachlaß). Sometime in German called the Notizheft. Nietzsche’s notebooks that include some drafts for Ecce homo and other topics he was thinking during his last writings. Dating from October 1888 until early Janurary 1889. [pages 125-191]. -/- 4). Nietzsche’s Letters Regarding Ecce homo. Nietzsche’s letters starting at the end of October 1888 discussing Ecce homo. These are not always the complete letters but include all of the passages of Nietzsche discussing Ecce homo. Complete translation of the last letter Nietzsche wrote. Dated until BVN-1889. #1256. Letter to Jacob Burckhardt in Basel. Turin, about 6 January 1889. [pages 192-223]. -/- Bibliographies [pages 224-254]. -/- Nietzsche’s Philosophy Final Thoughts [pages 255-259]. -/- Enjoy reading Nietzsche's last book. (shrink)

Herman Melville was so estranged from the religious beliefs of his time and place that his faith was doubted during his own lifetime. In the middle of the twentieth century some scholars even associated him with nihilism. To date, however, no one has offered a detailed account of Melville in relation to Nietzsche, who first made nihilism a topic of serious concern to the Western philosophical tradition. In this essay, I discuss some of the hitherto unexplored similarities between Melville’s ideas (...) and Nietzsche’s reflections on and reactions to the death of God and the advent of nihilism in the West. (shrink)

This paper has three sections. 1) For Hegel, the true infinite is the fundamental concept of philosophy. The true infinite challenges current non-metaphysical interpretations of Hegel, as it challenged Kant’s restriction of cognition to finitude and attack on metaphysics. The consciousness of limit implies a transcendence of limit, and an infinite opposed to the finite shows itself to be finite. 2) Hegel accepts Kant’s approach to the God-question through practical reason, but rejects Kant’s postulates as incoherent. The content of the (...) God-postulate contradicts the subject-relative form of the postulate. Kant’s moral God is a spurious infinite. The true infinite is a self-determining, self-realizing, inclusive whole which sublates the subjective ‘ought to be’ of the postulate. 3) For both Hegel and Nietzsche the moral god is dead; both pursue the question of theology after the death of God. I explore Hegel’s account of tragedy and his conception of tragic reconciliation. The latter is not a comic, but an “anguished reconciliation, a disquieted bliss in disaster.” The death of God and reconciliation include negation and suffering, and are closer to tragic reconciliation than to Dante’s Divine Comedy with its impassible absolute that lacks serious opposition. (shrink)

Approaches to Nietzsche’s political philosophy abound. In this article, however, we explore the possibility of identifying not only a political philosophy, but also a political-theological reading in Nietzsche’s texts. In fact, such a political-theological reading already has something of a genealogy. In the 1960s, “radical theology” appropriated the Nietzschean topic of the death of God, which engendered a transferred radical political theology consisting in radical democracy. The first part of this article explores twentieth-century political theologies surrounding the death (...) of God. We ask herein if this is the only possible political-theological reading of Nietzsche’s texts. The second part argues that, in fact, we can ascribe to Nietzsche a “theological” intention that is transferable to his political theory in a way that differs from the attempts of radical political theology and other political theologies surrounding the death of God. We conclude that, in any case, Nietzsche’s political theology aims to counterbalance St. Paul’s nihilism more than to constitute a determined political view. (shrink)

The word “nihilism” today is everywhere. A staple of common speech ever since its coinage by Friedrich Heinrich Jacobi in the eighteenth century, is there any other term of philosophical provenance more descriptive of our times? Finding Meaning: Essays on Philosophy, Nihilism, and the Death of God deepens the longstanding and ongoing debate about the problem of nihilism. Drawing upon a wide range of philosophical and theological schools, traditions, and figures, the eleven specially commissioned essays by international scholars enrich (...) the discussion of how to meet the challenge of nihilism. Fundamental problems and topics include the existence of God, the origins and status of morality, the nature and meaning of history, the relation between reason and faith, the status and role of philosophical knowledge, the place of art and religion in society, the future of modernity, the nature of postmodernity, the perils of technology, the specter of transhumanism, and the history of philosophy from Augustine to Kant and Hegel, Nietzsche to Kierkegaard and Dostoevsky, and Heidegger to Sartre and Camus. Based on a popular series of online essays published at London artist and philosopher Richard Marshall’s 3:16 AM, Finding Meaning is essential reading for students and scholars of philosophy and theology, and for anyone with a genuine interest in making sense of what it means to be human in an age of nihilism. (shrink)

This paper states that as there is the “death of God” (Nietzsche), there is also the "death of man" (Foucault). The first will be interpreted either as the truth of the God who dies (theologies of the death of God), or as the death of the principle (Heidegger), or as the death of the living God and of his resurrection power (Nietzsche's true interpretation). The second one can certainly consecrate the human as an “fabricated (...) problem” (Foucault), but even more this way can open up the new power relationship of the Übermensch. Therefore, after the fold of the "forces of finitude" comes the fold of the "new creative infinity" (Deleuze). It is in this way, and only by thinking about “the thread of the body”, that we will perhaps move away from the death of man (Foucault) and the death of God (Nietzsche). Going down to Freud’s “es”, but also reaching Nietzsche’s “Self” will be the condition to echo the power of the Übermensch and of the " Über God". Man does not only stand on the “back of the es” like the rider on his horse (Freud), but also on the “back of the Self” like the “back of the tiger” that cannot be tamed (Nietzsche). (shrink)

Nietzsche's notorious declaration of God's death and his consubstantial atheism seems to be out of question. However, a closer attention to his philosophy should brush this commonplace off to see him as a strange atheist. Had he really arrived at a conclusive position on the ultimate reality? His instinctive atheism is on behalf of a visceral rejection to give a face or to take possession of that faceless and unutterable divine by any particular religion. But, being rather against (...) a 'mono-tonous-theism,' Nietzsche shortens his distance from the infinite and the eternal and the 'infinite fire' in his defense of polytheism. Nietzsche would will and love the divine by itself, not as a redeemer or a savior, or a personal and incarnate guarantee; perhaps, the divine's transient dancing footprints and flashes; but, the divine both transcendent and immanent? (shrink)

What is it that makes Nietzsche Nietzsche? In The Shortest Shadow, Alenka Zupancic counters the currently fashionable appropriation of Nietzsche as a philosopher who was "ahead of his time" but whose time has finally come -- the rather patronizing reduction of his often extraordinary statements to mere opinions that we can "share." Zupancic argues that the definitive Nietzschean quality is his very unfashionableness, his being out of the mainstream of his or any time.To restore Nietzsche to a context in which (...) the thought "lives on its own credit," Zupancic examines two aspects of his philosophy. First, in "Nietzsche as Metapsychologist," she revisits the principal Nietzschean themes -- his declaration of the death of God, the ascetic ideal, and nihilism -- as ideas that are very much present in our hedonist postmodern condition. Then, in the second part of the book, she considers Nietzsche's figure of the Noon and its consequences for his notion of the truth. Nietzsche describes the Noon not as the moment when all shadows disappear but as the moment of "the shortest shadow" -- not the unity of all things embraced by the sun, but the moment of splitting, when "one turns into two." Zupancic argues that this notion of the Two as the minimal and irreducible difference within the same animates all of Nietzsche's work, generating its permanent and inherent tension. (shrink)

The place of God in Nietzsche’s thought remains central and controversial. Nietzsche’s proclamation of 'the death of God' is one of the most famous slogans in modern philosophy, seeming to encapsulate the nineteenth-century loss of religious faith in the affirmation that God has "turned out to be our oldest lie" and yet the nature of Nietzsche’s own ‘theology’ is far from clear. This volume engages with Nietzsche’s arguments about God, theology, and religion. The volume extends the discussion to an (...) engagement of Nietzsche with alternative models of God, with ancient Greek religions, and with discussions of diversity in dis/conjunction with religion. The chapters examine Nietzsche’s genealogy of religion and his claims about the place of God and theology in the history of Western thought, as well as his engagements with alternative conceptions of God. The volume also examines the historical and contemporary reception of Nietzsche’s arguments about God by religious and non-religious thinkers, asking to what extent Nietzsche’s philosophy of God speaks to the challenges of today's globalized philosophy and religion. (shrink)

The place (or absence) of God in Nietzsche's thought remains central and controversial. Nietzsche's proclamation of 'the death of God' is one of the most famous (and parodied) slogans in modern philosophy, seeming to encapsulate the nineteenth-century loss of religious faith in the affirmation that God has "turned out to be our oldest lie" and yet the nature of Nietzsche's own 'theology' is far from clear. This volume engages with Nietzsche's arguments about God, theology, and (...) religion. The volume extends the discussion to an engagement of Nietzsche with alternative models of God, with ancient Greek religions, and with discussions of diversity (race, class, gender, sex) in dis/conjunction with religion. The chapters examine Nietzsche's genealogy of religion and his claims about the place of God and theology in the history of Western thought ("that faith of the Christians, which was also Plato's faith"), as well as his engagements with alternative conceptions of God. The volume also examines the historical and contemporary reception of Nietzsche's arguments about God by religious and non-religious thinkers, asking to what extent Nietzsche's philosophy of God speaks to the challenges of today's globalized philosophy and religion. (shrink)

When, in The Gay Science, Nietzsche poses the question of how the natural sciences are possible, he insists that they depend not on a principle that is natural but on the will to truth, the will not to deceive even oneself, with which, he holds, ?we stand on moral ground.? Yet, that the natural sciences stand on ground that is moral also means, for Nietzsche, that their origin is to be located in ?a faith that is thousands of years old,? (...) a faith that, in the Genealogy of Morals, he develops as presupposing what he calls the ascetic ideals of Judaism and Christianity. Further, in holding that the natural sciences have their origin in principles that are biblical, Nietzsche goes on to indicate that, like the natural sciences, his own critical position, unconditionally honest atheism, is, in forbidding itself ?the lie involved in belief in God,? not opposed to, but is rather an expression of, Judaism and Christianity's ascetic ideals. In addressing the interrelationships among the religious, the secular, and the natural sciences in light of Nietzsche, I argue that the natural sciences have their origin in principles that are not natural but that are no less religious than secular. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Crisis of Meaning in Sartor Resartus—Thomas Carlyle's Pioneering Work in Articulating and Addressing the Existential ConfrontationFrank Martelawhat i call an "existential confrontation" is the encounter with the possibility that human life is absurd: created for no purpose and devoid of any lasting value or meaning. It is "the hour of terror at the world's vast meaningless grinding" that William James (Will to Believe 173) examines, described by Todd May (...) (xi) as "the confrontation of our need for meaning with the unwillingness of the Universe to yield it to us." This confrontation with the existential void and the potential absurdity of human existence is often not just an intellectual dilemma, but felt as a deep personal crisis accompanied by melancholia, angst, nausea, or even suicidal thoughts. Young William James confessed in a letter to a friend that "all last winter" he "was on the continual verge of suicide" (quoted in Gunnarsson), writing later that "too much questioning" leads "to the edge of the slope" wherein lies "nightmare or suicidal view of life" (James, "Is Life Worth Living?" 6). Similarly, Leo Tolstoy (54) reports how his inability to identify a lasting meaning of life drove him to a "state of lunacy" where "the best I could do was to hang myself."Despite a few earlier allusions—most famously the Book of Ecclesiastes proclaiming that "all is vanity and a striving after wind," and Shakespeare's Macbeth lamenting that life is "a tale told by an idiot … signifying nothing"—the existential confrontation is predominantly a modern phenomenon (Martela, A Wonderful Life). The modern history of descriptions of existential confrontations start at the turn of the nineteenth century, and includes Søren Kierkegaard's Sickness Unto Death, Leo Tolstoy's A Confession, Fyodor Dostoevsky's Notes from Underground, Camus's Outsider, Sartre's Nausea, and T. S.Eliot's The Waste Land.There are many responses that the confrontation with the existential void has generated. Sartre embraced the lack of values imposed from outside and [End Page 80] emphasized human freedom. Human beings are "cast into this world … condemned to be free" without any "luminous realm of values" providing "justification or excuse," as Sartre famously summarized in "Existentialism Is a Humanism" (29). Other responses range from Søren Kierkegaard's leap of faith and William James's will to believe to Albert Camus's happiness from absurdity.While some of the responses end up finding a new way of connecting with God and faith, and others are explicitly atheistic, embracing the "death of God," a common thread in most responses is an acknowledgment of the situatedness of human experience and an emphasis placed on human subjectivity and the opportunity to live one's life more authentically. While existentialism, broadly conceived, is often seen as the central philosophical tradition dealing with the existential void, the confrontation was very much alive in the United States as well, visible in both literature and philosophy. As already alluded, William James had an existential confrontation in his youth, writing about the topic in "Is Life Worth Living" and other essays in Will to Believe. There has also been much back-and-forth between Europe and the United States around these themes, with the influences crossing the Atlantic on many occasions. For example, William James cites Thomas Carlyle in Will to Believe, while Sartre cites William James in Nausea, when discussing themes related to the existential confrontation. Similarly, Emerson inspired Nietzsche who inspired Josiah Royce. Typically, the histories tracing the early encounters with the existential confrontation acknowledge Friedrich Nietzsche, Søren Kierkegaard, and Fyodor Dostoevsky as key nineteenth-century predecessors to Existentialism, as all faced directly the question of the meaning of life and the dreadful possibility that life might not have any meaning or value to it.However, there is a key author usually not mentioned in these histories, despite the fact that he played a pivotal role in introducing existentialist themes to the English-speaking audience, coining the phrase "meaning of life" in the English language. Thus, in writing the prehistory of Existentialism, we need to examine Thomas Carlyle and his Sartor Resartus, which has been described by literary historians as "one of... (shrink)

This paper traces the origins of the phrase “God is dead!” back to Hegel and Luther. It proceeds in the following four steps: Section I investigates the appearance of the theme of God’s death in Lutheran theology. Section II elaborates on Hegel’s adaptation of this theme in the context of his early work Faith & Knowledge. In section III, the paper continues on how the theme of the death of God developed from Luther to Nietzsche via Hegel, before (...) concluding, in section IV, by indicating the link between Protestantism and modern atheism. (shrink)

Nietzsche's Voices, the latest volume of John Sallis's Collected Writings, presents his two-semester lecture course on Nietzsche offered in the Philosophy Department of Duquesne University during the school year 1971-72. "Nietzsche is easy to read; his is apparently the easiest of all the great philosophies. Yet the easy intelligibility is deceptive. Nietzsche's writings make us believe we have understood when in fact we have not. His philosophy is actually the exact opposite of easy," says Sallis. He first discusses (...) Nietzsche's life and the relevance of the classical Greeks to his thought. Then, in invigorating detail, Sallis discusses Nietzsche's views on truth, morality, and the death of God. The final lecture covers Thus Spoke Zarathustra, Nietzsche's influential but highly debated work of philosophical fiction. Nietzsche's Voices represents an essential introduction to the thought of Friedrich Nietzsche, as presented by one of today's most significant philosophers. (shrink)

Nietzsche famously attacked traditional morality, and propounded a controversial ethics of 'life-enhancement'. Simon May presents a radically new view of Nietzsche's thought, which is shown to be both revolutionary and conservative, and to have much to offer us today after the demise of old values and the 'death of God'.

In the present article, the author analyses the interpretation of the phenomenon of Christ by Dostoevsky and Nietzsche. The author uses comparative and hermeneutic methods of historical and philosophical research. Dostoevsky's Christ and Nietzsche's Jesus are interpreted as “conceptual characters” (G. Deleuze), occupying an important place in the philosophical constructions of both thinkers. Stating the epoch-making event of the “death of God” in European culture, they discover the origins of nihilism in Christianity itself and attempt (each in his (...) own way) to recreate the original, pristine Christianity. Reconstruction of the original image of Christ makes it possible to comprehend not only the historical destiny of Christianity and the European portion of humanity, but also the prospects for overcoming the crisis of European and Russian (in the case of Dostoevsky) self-consciousness. It is argued that both interpretations, although far from orthodox Christianity, play the role of a central link in the development of the philosophic thinking of the Russian writer and German philosopher from the critical deposition of European humanism and metaphysics to new projects of human existence in the world. The conceptual images of Dostoevsky's Christ and Nietzsche's Jesus personally embody the spiritual attitudes and models of life that are timeless in nature, and at the same time serve as an expression of the “fundamental metaphysical positions” (M. Heidegger) of existential thinkers. The assertion of the absolute genuineness and beauty of the moral ideal of Christ allows Dostoevsky to return transcendence to the godless world – to substantiate the neo-Christian version of metaphysics, the religious-existential ontology. The “Glad Tidings” of Jesus, his life and death, appear in Nietzsche’s works as a practical elimination of transcendence, the Platonic dualism of the “true” and “visible” worlds. The spiritual attitude of Jesus reveals a direct affinity to Nietzsche's anti-metaphysical “philosophy of becoming”. (shrink)

Nietzsche wrote The Gay Science, which he later described as 'perhaps my most personal book', when he was at the height of his intellectual powers, and the reader will find in it an extensive and sophisticated treatment of the philosophical themes and views which were most central to Nietzsche's own thought and which have been most influential on later thinkers. These include the death of God, the problem of nihilism, the role of truth, falsity and the will-to-truth in (...) human life, the doctrine of the eternal recurrence, and the question of the proper attitude to adopt toward human suffering and toward human achievement. This volume presents the work in a new translation by Josefine Nauckhoff, with an introduction by Bernard Williams that elucidates the work's main themes and discusses their continuing philosophical importance. (shrink)

In the ‘Rectoral Address’, of 1933, Martin Heidegger indicates that the crisis of the West, articulated by Nietzsche as the ‘death of God’, was a central concern in his attempt to rethink and reform higher education in 1933–1934. While Heidegger soon thereafter appears to have abandoned serious efforts at any practical transformation of the modern university, his reflection on Nietzsche, the ‘death of God’, and ‘European nihilism’ becomes deeper and more urgent throughout the 1930s and 1940s. The question (...) then arises: What are the consequences of this confrontation with Nietzsche and the problem of nihilism for our thinking about the current state and task of education? The following article takes up this question through a consideration of Heidegger’s essay, ‘Nietzsche’s Word: “God is Dead”’. (shrink)