Anglophone musicologists read the cultural theorist Slavoj Žižek more than they read the French psychoanalyst Jacques Lacan, and they are more concerned with Žižekian academia than they are with Lacan’s clinical practice. Two major problems emerge: Lacan is conflated with Žižek, and Lacan is conflated with Kant. As a result, analytic discourse is confused with post-modern academia as well as an eighteenth-century master-discourse on the Sublime. According to the author’s argument, Lacanian musicology is a misnomer, for it in (...) fact refers to Žižekian musicology, and what musicologists call the Lacanian Real is not really Lacanian. The re-branding of the Kantian Sublime and/or the Thing as the Lacanian Real is not necessary; it is a symptom of confusion. The article concludes with a cautious recommendation, pertinent to the study of music and discourses. (shrink)

Of course, music performance has a long “artisanal” history. After all, the training of musicians to perform has been the mainstay of academies and conservatoria for centuries. But the discipline of music performance as part of an academic musicology is a much more recent invention. We argue that it arises some time in the 1960s, when scholars could begin to write comparative histories of performance and think difference choices as to performance style. Against the now sterile authentic/non-authentic, modern/post-modern debates (...) that characterise contemporary music studies, we propose that the various approaches might be classified according to the three Lacanian registers of the Imaginary, the Symbolic and the Real. We put forward a certain “Real” at stake in performance, although it could never be the basis of any practice, musical manifesto or even properly belong to a history of music performance. (shrink)

The concept of the sinthome - the construction which provides a unique structuring of jouissance, but which is divested of any symbolic meaning - arrived late in Lacan’s work, in his seminar on 1975-6. The sinthom’s most notable application in Žižek’s output is found in Part I of his The Sublime Object of Ideology, in which he explores the homology between the form of commodities and of dreams. It has since been used widely in discussions of literature, art, and cinema, (...) but is missing from musicology, aside from the occasional remark from Žižek himself. This paper demonstrates that the medial caesura which deflects the tonal trajectory of a sonata exposition, and not the themes themselves, should be identified as the locus of this aspect of Schubert’s compositional voice. Drawing on ideas emerging from Žižek’s critique of Hitchcock, the aim is to demonstrate how the Lacanian concept of the sinthom reveals a deeper, more fundamental intertextuality in Schubert’s compositional project than has hitherto been available. (shrink)

Alain Badiou has claimed that Quentin Meillassoux's book After Finitude (Bloomsbury, 2008) "opened up a new path in the history of philosophy." And so, whether you agree or disagree with the speculative realism movement, it has to be addressed. Lacanian Realism does just that. This book reconstructs Lacanian dogma from the ground up: first, by unearthing a new reading of the Lacanian category of the real; second, by demonstrating the political and cultural ingenuity of Lacan's concept of (...) the real, and by positioning this against the more reductive analyses of the concept by Slavoj Zizek, Alain Badiou, Saul Newman, Todd May, Joan Copjec, Jacques Ranciere, and others, and; third, by arguing that the subject exists intimately within the real. Lacanian Realism is an imaginative and timely exploration of the relationship between Lacanian psychoanalysis and contemporary continental philosophy. (shrink)

A Lacanian Conception of Populism takes issue with traditional theories of populism, which seek to equate populism with hegemony, arguing that these are not only different but even incompatible logics. Timothy Appleton contends that one of the main differences between populism and hegemony has to do with the social totality: whilst hegemony absolutises it, populism eviscerates it, setting in its place an - apparently paradoxical - dispersion of singular instances of 'the people'. The book considers the work of Laclau, (...) Badiou, Žižek and Rancière, before arriving at a novel conceptualisation that Appleton dubs 'the populism of singularities'. In the second half of the book, the author draws out the consequences of this concept for contemporary political theory: the question of how to define 'left' and 'right'; the question of popular enthusiasm and affect; 'truth' versus 'post-truth'; the question of leadership; populism and nationalism; and the relation between populism and political parties. A Lacanian Conception of Populism will be key reading for academics and scholars of political theory, political philosophy, post-Marxist thought, Discourse theory and psychoanalysis. It will also be of interest to those working in the areas of populism studies, cultural studies, gender studies and queer theory. (shrink)

Introduction: Locating the Lacanian left -- Antinomies of creativity : Lacan and Castoriadis on social construction and the political -- Laclau with Lacan on jouissance : negotiating the affective limits of discourse -- Žižek's 'perversions' : the lure of Antigone and the fetishism of the act -- Excursus on Badiou -- What sticks? : from symbolic power to jouissance -- Enjoying the nation : a success story? -- Lack of passion : European identity revisited -- The consumerist 'politics of (...) jouissance' and the fantasy of advertising -- Democracy in post-democratic times. (shrink)

Affect is a high-stakes topic in psychoanalysis, but there has long been a misperception that Lacan neglected affect in his writings. We encounter affect at the beginning of any analysis in the form of subjective suffering that the patient hopes to alleviate. How can psychoanalysis alleviate such suffering when analytic practice itself gives rise to a wide range of affects in the patient’s relationship to the analyst? Lacanian Affects: The Function of Affect in Lacan’s Work, is the first book (...) to explore Lacan’s theory of affect and its implications for contemporary psychoanalytic practice. In it, Colette Soler discusses affects as diverse as the pain of existence, hatred, ignorance, mourning, sadness, "joyful knowledge," boredom, moroseness, anger, shame, and enthusiasm. Soler’s discussion culminates in a highlighting of so-called enigmatic affects: anguish, love, and the satisfaction related to the end of an analysis. Lacanian Affects provides a unique and compelling account of affect that will prove to be an essential text for psychoanalysts, psychiatrists, psychotherapists, psychologists, and social workers. (shrink)

Although Robert Zemeckis’s film Beowulf is a re-writing of the Old English epic Beowulf with a shifting of perspective, certain details in the film can only be understood by referring to the poem. That is, a better understanding of the film is tied closely to an awareness of certain narrative elements in the epic. The emphasis on Beowulf in the poem shifts to the Mother in the film. This shift obviously leads to a recontextualization of the narrative elements of the (...) former text. In the epic, Grendel is left without a father; however, in the film, he is fathered by Hrothgar but this biological fathering does not lead to linguistic castration. In their case, things are reversed: rather than the infant being castrated by the Law/language, the biological father is led to a psychic regression due to the son. This appears to be a dramatization of the conflicts between the Other and the shared Other/the representative of the paternal metaphor: that is, Hrothgar. This time, the Other conquers the representative of the paternal metaphor and annuls his masculinity, which radically changes the way in which we evaluate the course of events in the film. These departures make more sense if they are analyzed against the background of Lacanian epistemology. This paper aims to explore the film’s departures from the poem by approaching it from a Lacanian perspective. (shrink)

In his article How Did Marx Invent the Symptom? Žižek discusses his project of a critique of ideology, he proposes, since the concept of real abstraction by Sohn-Rethel, that are a virtual dimension that structure the practices, which, in turn, the beliefs or the subjectivity is submitted to. On contrary to the classical critique of ideology, that step in the levels of practices or the subjectivity, in Žižek’s project the subjectivity is just a rebound effect of the practices and the (...) the practice is what are ideological, then the critique of ideology must to act over the practices, nor on the believes. And, the way to do this is acting over the real abstraction, or, the phantasy, the ideological phantasy. Our propose in this article is to show how this project of a critique of ideology fits in the lacanian structure known as Graph of Desire. In this way, the lacanian graph will be a generic topology to a critique of ideology or phantasy. (shrink)

The current rise in new religions and the growing popularity of New Ageism is concomitant with an increasingly anti-philosophical sentiment marking our contemporary situation. More specifically, it is philosophical and psychoanalytic reason that has lost standing faced with the triumph of post-secular "spirituality". Combatting this trend, this treatise develops a theoretical apparatus based on Hegelian speculative reason and Lacanian psychoanalysis. With the aid of this theoretical apparatus, the book argues how certain conceptual pairs appear opposed through an operation of (...) misrecognition christened, following Hegel, as "diremption". The failure to reckon with identities-in-difference relegates the subject to more vicious contradictions that define central aspects of our contemporary predicament. The repeated thesis of the treatise is that the deadlocks marking our contemporary situation require renewed engagement with dialectical thinking beyond the impasses of common understanding. Only by embarking on this philosophical-psychoanalytic "path of despair" will we stand a chance of achieving "joyful wisdom". Developing a unique dialectical theory based on readings of Hegel, Lacan and Zizek, in order to address various philosophical and psychoanalytic questions, this book will be of great interest to anyone interested in German idealism and/or psychoanalytic theory. (shrink)

This paper examines some French feminist uses of Lacanian psychoanalysis. I focus on two Lacanian influenced accounts of psychological oppression, the first by Luce Irigaray and the second by Julia Kristeva, and I argue that these accounts fail to meet criteria for an adequate political psychology.

Drawing conceptually and directly on music notation, this book investigates landscape architecture's inherent temporality. It argues that the rich history of notating time in music provides a critical model for this under-researched and under-theorised aspect of landscape architecture, while also ennobling sound in the sensory appreciation of landscape. It makes available to a wider landscape architecture and urban design audience the works of three influential composers - Morton Feldman, Gyorgy Ligeti and Michael Finnissy - presenting a critical evaluation of their (...) work within music, as well as a means in which it might be used in design research. Each of the musical scores is juxtaposed with design representations by Kevin Appleyard, Bernard Tschumi and William Kent, before the author examines four landscape spaces through the development of new landscape architectural notations. In doing so, this work offers valuable insights into the methods used by landscape architects for the benefit of musicians, and by bringing together musical composition and landscape architecture through notation, it affords a focused and sensitive exploration of temporality and sound in both fields. (shrink)

This article attempts to explain the ambiguous association of Lacanian psychoanalysis with materialism. Resisting attempts to divide Lacan’s work into discrete periods, I argue that, throughout his work, Lacan was concerned with articulating aspects of language and subjectivity that resist incorporation into networks of idealised meaning or sense, and that it is this emphasis on the materiality of language, routed through the concept of the Real, that makes up theparticular ‘materialism’ of Lacanian theory. The emergence of this strain (...) of thinking is located in Lacan’s radical reworking of Freud’s theses on primary narcissism. (shrink)

This article aims to develop a Lacanian approach to bioethics. Point of departure is the fact that both psychoanalysis and bioethics are practices of language, combining diagnostics with therapy. Subsequently, I will point out how Lacanian linguistics may help us to elucidate the dynamics of both psychoanalytical and bioethical discourse, using the movie One flew over the Cuckoo’s Nest and Sophocles’ tragedy Antigone as key examples. Next, I will explain the ‘topology’ of the bioethical landscape with the help (...) of Lacan’s three dimensions: the imaginary, the symbolical and the real. This will culminate in an assessment of the dynamics of bioethical discourse with the help of Lacan’s theorem of the four discourses. Bioethics, I will argue, is not a homogeneous discourse. Rather, four modalities of bioethical discourse can be distinguished, all of them displaying specific weaknesses and strengths, opportunities and threats. This will be elucidated with the help of two case studies, namely the debates on human reproductive technologies and on the use of animals as biomedical research models. (shrink)

This paper examines some French feminist uses of Lacanian psychoanalysis. I focus on two Lacanian influenced accounts of psychological oppression, the first by Luce Irigaray and the second by Julia Kristeva, and I argue that these accounts fail to meet criteria for an adequate political psychology.

This article discusses how decentered understandings of addiction might benefit from ongoing debates in Lacanian psychoanalysis. Departing from recent critiques in critical addiction studies, it claims that psychoanalysis offers a framework that both challenges abstract, essentialist ontologies and recognises addiction as a valid phenomenon. Crucial to this framework is a notion of freedom linked to the symbolic break with bodily enjoyment, which, according to Lacan, lies at the origin of the constitution of subjectivity and which neither presupposes the existence (...) of a conscious will nor rejects freedom as a mere product of abstract bio-political governmentality. The article explores how, in Lacanian psychoanalysis, addiction is seen as a way of denying this freedom through the realisation of an enjoyment independent of the symbolic order. Moreover, the article argues that its definition of addiction allows for both a decentered understanding of addiction and a critical challenging of current societal processes of addictification. (shrink)

Jacques Lacan's impact upon the theory and practice of psychoanalysis worldwide cannot be underestimated. _Lacanian Psychoanalysis_ looks at the current debates surrounding Lacanian practice and explores its place within historical, social and political contexts. The book argues that Lacan’s elaboration of psychoanalytic theory is grounded in clinical practice and needs to be defined in relation to the four main traditions: psychiatry, psychology, psychotherapy and spirituality. As such topics of discussion include: the intersection between psychoanalysis and social transformation a new (...) way through deadlocks of current Lacanian debate a new approach to ‘clinical structures’ of neurosis, perversion and psychosis _Lacanian Psychoanalysis_ draws on Lacan's work to shed light on issues relevant to current therapeutic practice and as such it will be of great interest to students, trainees and practitioners of psychoanalysis, psychotherapy, counselling and other domains of personal and social change. (shrink)

Jacques Lacan’s theorization of the imaginary has been regarded generally as an organic part of the crucial development of psychoanalytic theory in its post-Freudian stage. This article situates the Lacanian imaginary in the context of contemporary discussions of ‘theory after poststructuralism’, arguing that it moves radically beyond the poststructuralist terrains of deconstruction and discourse-analysis, and is able to off er new insights on various studies. Especially, it can help (re)examine some aporias in the field of Sinology. This article devotes (...) its main body to demonstrating that the Lacanian account of the imaginary is powerful in exploring the assumptions and expectations of modern Sinophone intellectual discourse. Deconstructive discourse-analysis alone is insufficient for understanding the underlying forces that have been fundamentally shaping the contours of modern Chinese intellectuality, and attention needs to be paid to the psychological dimension of Chinese thought. With the aim of tracing and interrogating these underlying forces, this article seeks to show how the fervor for discussing the ‘problem of China’ reveals a hidden psychical mechanism. (shrink)

Lacan: Television – let’s proceed like idiots; let’s take this title literally and ask ourselves a question, not the question, “what can we learn about TV from Lacan’s teaching?” which would get us on the wrong path of so-called applied psychoanalysis, but the inverse question, “what can we learn about Lacan’s teaching from the TV phenomenon?” At first sight, this seems as absurd as the well-known Hegelian proposition defining phrenology, “the spirit is the bone”: the equalization of the most sublime, (...) elusive theory with the vulgar mass-cultural phenomenon. But perhaps, as in the Hegelian proposition, there is a “speculative truth” beneath the obvious banality – perhaps certain peculiarities of the American TV program allow us to grasp the fundamental Lacanian proposition that psychoanalysis is not a psychology: the most intimate beliefs – even the most intimate emotions such as compassion, crying, sorrow, laughter – can be transferred, delegated to others without losing their sincerity. (shrink)

The author employs current theories from psychology and sociology to examine how recorded music is made and how we listen to it. Setting out a framework for the study of recorded music and record production, he explains how recorded music is fundamentally different to live performance, how record production influences our interpretation of musical meaning and how the various participants in the process interact with technology to produce recorded music. The book combines ideas from the ecological approach to perception, embodied (...) cognition and the social construction of technological systems to provide a summary of theoretical approaches that are applied to the sound of the music and the creative activity of production. (shrink)

Jacques Lacan's thinking revolutionised the theory and practice of psychoanalysis and had a major impact in fields as diverse as film studies, literary criticism, feminist theory and philosophy. Yet his writings are notorious for their complexity and idiosyncratic style. Emphasising the clinical basis of Lacan's work, _An Introductory Dictionary of Lacanian Psychoanalysis_ is an ideal companion to his ideas for readers in every discipline where his influence is felt. The _Dictionary _features: * over 200 entries, explaining Lacan's own terminology (...) and his use of common psychoanalytic expressions * details of the historical and institutional context of Lacan's work * reference to the origins of major concepts in the work of Freud, Saussure, Hegel and other key thinkers * a chronology of Lacan's life and works. (shrink)

Aesthetics of Music: Musicological Approaches is an anthology of fourteen essays, each addressing a single key concept or pair of terms in the aesthetics of music, collectively serving as an authoritative work on musical aesthetics that remains as close to 'the music' as possible. Each essay includes musical examples from works in the 18th, 19th, and into the 20th century. Topics have been selected from amongst widely recognised central issues in musical aesthetics, as well as those that have been somewhat (...) neglected, to create a collection that covers a distinctive range of ideas. All essays cover historical origins, sources, and developments of the chosen idea, survey important musicological approaches, and offer new critical angles or musical case studies in interpretation. (shrink)

"The work of Jacques Lacan is associated more with literature and philosophy than mainstream American psychology, due in large part to the dense language he often employs in articulating his theory - often at the expense of clinical illustration. As a result, his contributions are frequently fascinating, but their utility in the therapeutic setting can be difficult to pinpoint. Lacanian Psychotherapy aims to fill in this clinical gap by presenting theoretical discussions in clear, accessible language and applying them to (...) several chapter-length case studies, thereby demonstrating their clinical relevance. The central concern of this book is the application of Lacan’s notion that the unconscious is structured like, and by, language. This implies a peculiar manner of listening ("to the letter") and intervention, which Miller applies to a number of common clinical concerns - including case formulation, dreams, transference, and diagnosis - in the context of psychotherapy"–Provided by publisher. (shrink)

The Second Vatican Council, taking into account the modern needs of mankind, called for the mutual tolerance of denominations, reforms and compromise in church traditions and practices. This was a response to the practical life of the Ukrainian church in the diaspora. For the Eastern Churches, the Council adopted a separate Decree "The Constitution for the Eastern Churches" 1, on the basis of which a conference of the UCP bishopric, led by the Supreme Archbishop Joseph Slipy, was convened on December (...) 14, 1966 in Rome. It discussed a number of issues, including the case of Divine Liturgy, the liturgical language, the introduction of the Ukrainian spoken language, some reductions in the Service of God, and the reformation of church singing. It was for this purpose that the dioceses established Liturgical Commissions, in particular at the Chicago Department in the United States, which included the musicologist, composer, and musical culture activist of the Diaspora Myron Fedorov. One of the tasks of the commission was to preserve the traditional self-made singing, so that he "did not disappear, but he lived and developed under different kinds: single-handed, double-voiced or in choral works, which most would be out of the richness and beauty of our rite". (shrink)

I suggest in this article that there are several aspects of the Lacanian Real that so-called Lacanian literature has not adequately addressed, or barely did so. In this pursuit, I present a deconstructing reading of a number of Lacanian texts. My deconstructive reading suggests that three key features characterize the literature on the Real. First, there always is resistance that is involved in thinking about, and in experiencing the effects of, the Real. Second, the Real is most (...) characteristically thought of in negative terms. Third, the Real is more or less thought of as a limit that cannot be transgressed. A deconstruction of these features leads to two arguments. First, I propose that the deployment of the Real as khôra within a discourse is an originary performativity which speaks of retroactively positing of a have-always-been-there Real. Second, I argue that the Real is the impossible–possible event which is at the heart of ‘saying the Real’. The deconstruction thus leads to a reconfiguration of the Real as a ‘ saying the Real ’ qua event in the discourse. (shrink)

This book brings Jacques Lacan's work on the problem of anxiety into a jarring and fruitful confrontation with phenomenology, existentialism, and the 'jargon' of authenticity. Brian Robertson masterfully upends a host of received philosophical truths - most notably, and crucially, the idea that anxiety 'lacks an object.'.

This book proposes a taxonomy of jurisprudence and legal practice, based on the discourse theory of Jacques Lacan. In the anglophone academy, the positivist jurisprudence of H.L.A. Hart provides the most influential account of law. But just as positivism ignores the practice of law by lawyers, even within the academy, the majority of professors are also not pursuing Hart's positivist project. Rather, they are engaged in policy-oriented scholarship - that tries to explain law in terms of society's collective goals - (...) or in doctrinal legal scholarship - that does not try to describe what law is, or to supply justifications for it - but which examines the 'internal' logic of law. Lacan's discourse theory has the power to differentiate the various roles of the practicing lawyer and the legal scholar. It is also able to explain the striking lack of communication between diverse schools of legal scholarship and between legal academia and the legal profession. Although extremely influential in Europe and South America, Lacanian theory remains largely unexplored outside of the field of comparative literature. In taking up the jurisprudential ramifications of Lacan's work, _The Four Lacanian Discourses_ thus constitutes an original contribution to current theoretical and practical understandings of law. (shrink)

Lacan's return to Descartes -- The graph of desire -- Objet petit a and fantasy -- Guilt -- The law -- Judgement -- Misrecognising the other -- Loving thy neighbour -- Beyond difference -- Ethics and the other -- The impossibility of ethical examples -- Eating the book.

Cet article revient sur la notion de « sujet » chez Lacan en la distinguant de toute référence à l’identité. Il reprend la question « Qui parle? » posée par Michel Foucault en 1969 et y répond avec Lacan. En psychanalyse, il ne s’agit pas de négation du sujet, mais de dépendance du sujet par rapport au signifiant. Lacan a remis en question les « privilèges du moi », mais a sauvé la dimension du sujet en concevant un sujet de (...) l’inconscient. L’identité en psychanalyse n’est pas une identité déterminée par des normes sociales. C’est une identité au niveau du dire du sujet et de sa souffrance. Cet article montre finalement que le sujet lacanien est à la fois un sujet marqué par le signifiant et un sujet articulé à la pulsion. L’expérience de la psychanalyse conduit à une remise en question des identifications, permettant d’appréhender la marque traumatique au niveau du réel. (shrink)

The theorization of the relays and relationships between the psychic and the social, as well as between the cognitive and the expressive, is still obstructed by the resilience of the egocentric and logocentric subject invented by the discourse of modernity. This article examines the possibilities opened up by the work of Lichtenberg Ettinger for breaking free of phallogocentrism in its various forms as one condition for subverting the normative truths of power/knowledge. It focuses on the sonic dimension of being-in-the-world as (...) one approach that indicates new avenues for research. (shrink)