Ėstetika antichnosti -- Ėstetika srednikh vekov -- Ėstetika vozrozhdenii︠a︡ -- Ėstetika frant︠s︡uzskogo prosveshchenii︠a︡ -- Ėstetika nemet︠s︡kogo prosveshchenii︠a︡ -- Ėstetika angliĭskogo prosveshchenii︠a︡ -- Ėstetika "Buri i natiska" -- Nemet︠s︡kai︠a︡ klassicheskai︠a︡ ėstetika.

Everyone interested in Arabic and Persian literature, in Islam and in comparative religion, regrets the death of Arthur J. Arberry, Sir Thomas Adams's Professor of Arabic in the University of Cambridge. Arberry combined rare human qualities and exceptional professional attainment, and this enabled him to make a unique contribution both to learning and to mutual understanding between East and West. He had a deep sense of vocation, which he brought to his unremitting labours as a skilled editor of texts, especially (...) in the field of Islamic mysticism, and as an imaginative translator of these texts of the Koran and of Arabic and Persian poetry, and as a sympathetic interpreter of Sūfism. (shrink)

В сборнике рассматриваются важные проблемы социального и духовного развития России. Для специалистов.

Scale invariance is considered in the context of gravitational theories where the action, in the first order formalism, is of the form S=∫ L 1 Φ d 4 x+∫ L 2 $\sqrt{-g}$ d 4 x where the volume element Φ d 4 x is independent of the metric. For global scale invariance, a “dilaton” φ has to be introduced, with non-trivial potentials V(φ)=f 1 eαφ in L 1 and U(φ)=f 2 e 2αφ in L 2 . This leads to non-trivial (...) mass generation and a potential for φ which is interesting for inflation. Interpolating models for natural transition from inflation to a slowly accelerated universe at late times appear naturally. This is also achieved for “Quintessential models,” which are scale invariant but formulated with the use of volume element Φ d 4 x alone. For closed strings and branes (including the supersymmetric cases), the modified measure formulation is possible and does not require the introduction of a particular scale (the string or brane tension) from the begining but rather these appear as integration constants. (shrink)

Издание содержит: хрестоматия; философы; психологи; литературоведы, искусствоведы; мастер изобразительного искусства и др.

В книгу вошли высказывания об искусстве и воображении философов, эстетиков, психологов, искусствоведов и мастеров искусства.

I should like to qualify my remarks at the outset by saying that I lay no claim to a philosophical, rigorously scientific solution of the problem of the interaction between science and art. And although this problem has concerned me as an artist, for me it is, I must admit, even a bit uncomforatable to address an audience of philosophers with my random observations and notions on this subject. However, the problems posed by the development of modern science and technology (...) today concern all human beings; artists are no exception. Moreover, it is specifically from artists that many people await an explanatory presentation of today's "magi and sorcerers," upon whose activity so much in life now depends. In accordance with our capacities we, artists of the film, also seek to find some view of our own on the processes and changes currently occurring in the world. It is precisely for this reason , that I have been so bold as to undertake to share a number of my impressions, with the hope that the editors and readers of the journal will forgive my lack of training in philosophy. (shrink)

Classical Invariantism (CI): The truth-value of a given knowledge-ascribing (-denying) sentence is (a) invariant across conversational contexts and (b) independent of how important it is to the subject (S) that the relevant proposition (P) be true.

T. 1. 1920-1923 -- t. 2. 1924-1925 -- t. 3. 1925-1927 --t. 6. 1929-1931 -- t. 7. 1931-1933.