In this well-known passage of his Antiquitates Romanae, Dionysius of Halicarnassus describes how Romulus and his companions seized and married the Sabine virgins. Romulus justifies his actions by stating that this method of acquiring wives was a Greek custom:Dionysius' report of a Greek tradition adopted by Romulus is rather enigmatic. It has previously been noted that this passage bears similarity to passages of Plutarch and in particular his description of the Spartan marriage ceremony. This Spartan marriage ceremony (...) does bear some relation to the situation being described by Dionysius in that the women are captured before being married, but other elements of the ceremony—the bride having her hair cut off and being taken in a darkened room—are quite out of place here and would appear to be a peculiarly Spartan tradition. As Plutarch was writing some time after Dionysius, it is not possible for Dionysius to be making a parallel with the ceremony as decribed by Plutarch, but he may have had access to a common source about that ceremony, now lost. However, I would like to suggest that there is another well-known source which may have been the source of the Greek tradition referred to in Dionysius 2.30 that is connected to neither Plutarch nor marriage. (shrink)

The method of approach to detailed criticism of prose-writers and poets adopted by Dionysius is in a large measure comparative. The procedure of comparison is threefold: firstly, the bringing together of passages from authors to elicit points of resemblance or of difference between their styles secondly, the assumption of the existence of common critical standards for all works of art, whether literature, painting, or sculpture thirdly, the use of metaphor and simile to illustrate matters of criticism which need the (...) assistance of some visual or mental image to make clear the exact meaning of the point of criticism. The metaphorical vocabulary is the richer for the greater preoccupation of Dionysius with aesthetic appreciation than with philosophical analysis; and any seeming differences in technical vocabulary are compensated by the freedom with which his vocabulary in general draws on the Greek of his own and earlier times. The following list gives some of the more interesting metaphorical expressions used in the rhetorical works, with notes on their meaning and, in some cases, with illustrations of the use of the same or similar terms in other Greek critics and in the volumes of scholia. (shrink)

This paper offers a brief introduction and interpretation of recent research on cultural techniques in German media studies. The analysis considers three sites of conceptual dislocations that have shaped the development and legacy of media research often associated with theorist Friedrich Kittler: first, the displacement of 1980s and 1990s Kittlerian media theory towards a more praxeological style of analysis in the early 2000s; second, the philological background that allowed the antiquated German appellation for agricultural engineering, Kulturtechniken, to migrate into media (...) and cultural studies; and third, the role of these conceptual dislocations in enriching media-genealogical inquiries into topics such as life, biopolitics, and practice. (shrink)

This article situates the emergence of cybernetic concepts in postwar French thought within a longer history of struggles surrounding the technocratic reform of French universities, including Marcel Mauss’s failed efforts to establish a large-scale centre for social-scientific research with support from the Rockefeller Foundation, the intellectual and administrative endeavours of Claude Lévi-Strauss during the 1940s and 1950s, and the rise of communications research in connection with the Centre d’Études des Communications de Masse (CECMAS). Although semioticians and poststructuralists used cybernetic discourse (...) critically and ironically, I argue that their embrace of a ‘textocratic’ perspective – that is, a theory of power and epistemology as tied to technical inscription – sustained elements of the technocratic reasoning dating back to these 1920s efforts to reform French universities. (shrink)

Longinus' On the Sublime presents itself as a response to the work of the Augustan critic Caecilius of Caleacte. Recent attempts to reconstruct Longinus' intellectual context have largely ignored the works of Dionysius of Halicarnassus, Caecilius' contemporary colleague . This article investigates the concept of hupsos and its religious aspects in Longinus and Dionysius, and reveals a remarkable continuity between the discourse of both authors. Dionysius' works inform us about an Augustan debate on Plato and the (...) sublime, and thereby provide us with an important context for Longinus' treatise. (shrink)

World War II research into cryptography and computing produced methods, instruments and research communities that informed early research into artificial intelligence and semi-autonomous computing. Alan Turing and Claude Shannon in particular adapted this research into early theories and demonstrations of AI based on computers’ abilities to track, predict and compete with opponents. This formed a loosely bound collection of techniques, paradigms, and practices I call crypto-intelligence. Subsequent researchers such as Joseph Weizenbaum adapted crypto-intelligence but also reproduced aspects of its antagonistic (...) precepts. This was particularly true in the design and testing of chat bots. Here the ability to trick, fool, and deceive human and machine opponents was a premium, and practices of agent abuse were admired and rewarded. Recognizing the historical genesis of this particular variety of abuse can help researchers develop less antagonistic methodologies. (shrink)

World War II research into cryptography and computing produced methods, instruments and research communities that informed early research into artificial intelligence and semi-autonomous computing. Alan Turing and Claude Shannon in particular adapted this research into early theories and demonstrations of AI based on computers’ abilities to track, predict and compete with opponents. This formed a loosely bound collection of techniques, paradigms, and practices I call crypto-intelligence. Subsequent researchers such as Joseph Weizenbaum adapted crypto-intelligence but also reproduced aspects of its antagonistic (...) precepts. This was particularly true in the design and testing of chat bots. Here the ability to trick, fool, and deceive human and machine opponents was a premium, and practices of agent abuse were admired and rewarded. Recognizing the historical genesis of this particular variety of abuse can help researchers develop less antagonistic methodologies. (shrink)

World War II research into cryptography and computing produced methods, instruments and research communities that informed early research into artificial intelligence and semi-autonomous computing. Alan Turing and Claude Shannon in particular adapted this research into early theories and demonstrations of AI based on computers’ abilities to track, predict and compete with opponents. This formed a loosely bound collection of techniques, paradigms, and practices I call crypto-intelligence. Subsequent researchers such as Joseph Weizenbaum adapted crypto-intelligence but also reproduced aspects of its antagonistic (...) precepts. This was particularly true in the design and testing of chat bots. Here the ability to trick, fool, and deceive human and machine opponents was a premium, and practices of agent abuse were admired and rewarded. Recognizing the historical genesis of this particular variety of abuse can help researchers develop less antagonistic methodologies. (shrink)

As a young philosopher Gilbert Simondon identified technology as a site of obsession, anxiety, and misunderstanding within contemporary culture. “Culture,” he wrote, “has become a system of defense designed to safeguard man from technics” (Mode of Existence, 1). According to Simondon, technique and technology ubiquitously structured thought and practice, especially in the contemporary world, yet philosophical tradition relegated the technical to an obscure zone of conceptual neglect. Simondon took the intimacy and obscurity that surrounded our relation to the technical as (...) a clarion call to philosophy. Over the course of thirty-odd years of philosophizing, he examined the relation of the technical to the cultural .. (shrink)

This article discusses the concept of ἰδιώτης, often translated as ‘layman’, in Dionysius of Halicarnassus’ critical essays, where he places particular emphasis on validating the judgement of the ἰδιώτης in aesthetic evaluation. Dionysius’ focus on the impact and reception of art enables him to lay the groundwork for shifting the semantic meaning of ἰδιώτης from being in strict opposition to the artist/critic to a more fluid category, ranging from ‘unskilled’ listener and layman to a relatively experienced ‘amateur’. (...) By conceiving the change from ἰδιώτης to τεχνίτης in criticism as a more gradual process (rather than one of irreconcilable division), Dionysius shows the discipline of rhetoric and literary criticism to be a particularly relevant form of learning that speaks to the sensibilities of Imperial Rome. (shrink)

The aim of this paper is to show the influence of chronographical works on ancient literary criticism and philology in Rome between the end of the first century BC and the beginnings of the first century AD. In the first part, the development of chronographic tradition in Rome at the end of the Republic is briefly sketched (par. 1). The second part of the paper deals with the relevance of this kind of works for the literary analyses exposed in Cicero’s (...) Brutus (par. 2), in Velleius Paterculus’ history (par. 3) and in Dionysius of Halicarnassus’ treatise On Dinarchus (par. 4). (shrink)

Henry St. John, Viscount Bolingbroke, was the mastermind behind the Treaty of Utrecht in 1713 that ended the War of the Spanish Succession, and a lifelong rival of Britain’s first Prime Minister, Sir Robert Walpole. He is also known for his political use of history based on the saying of Dionysius of Halicarnassus: ‘history is a philosophy teaching by examples’. While much scholarly attention has been paid to Bolingbroke’s historical criticism of Walpole’s Whig oligarchy, his discussion of European (...) international history has been treated as a mere vindication of the Treaty of Utrecht, thus not meriting further investigation. This article reconstructs Bolingbroke’s writings on European politics as a history of British foreign policy. Arguing that his focus was on Britain’s role in maintaining the balance of power, this article demonstrates that, contrary to popular belief, Bolingbroke attacked the Hanoverian government not for its involvement in European politics per se but for its abandonment of the Old System of William III against France. Bolingbroke believed history was repeating itself. As the Stuarts had helped France achieve hegemony half a century ago, the Hanoverians enabled France to regain supremacy in their pursuit of private interests, re-disrupting the European balance of power. (shrink)

The article examines the inaugural encounter of the Greek theory of tyranny and the Roman institution of dictatorship. Although the twentieth century is credited for fusing the tyrant and the dictator into one figure/concept, I trace the origins of this conceptual synthesis in a much earlier historical period, that of the later Roman Republic and the early Principate, and in the writings of two Greek historians of Rome, Dionysius of Halicarnassus and Appian of Alexandria. In their histories, the (...) traditional interest in the relationship between the king and the tyrant is displaced by a new curiosity about the tyrant and the dictator. The two historians placed the two figures alongside one another and found them to be almost identical, blurring any previous empirical, analytical, or normative distinctions. In their Greco-Roman synthesis dictatorship is re-described as `temporary tyranny by consent' and the tyrant as a `permanent dictator.' Dictatorship, a venerated republican magistracy, the ultimate guardian of the Roman constitution, is for the first time radically reinterpreted and explicitly questioned. It meets its first critics. (shrink)

My title is deliberately provocative. What could be less humanitarian than the Melian Dialogue? For most readers of Thucydides it is the paradigm of imperial brutality, ranking with the braggadocio of Sennacherib's Rabshakeh in its insistence upon the coercive force of temporal power. The Melians are assured that the rule of law is not applicable to them. As the weaker party they can only accept the demands of the stronger and be content that they are not more extreme. Appeals to (...) moral or religious norms are quite irrelevant, for in their position the Melians simply cannot afford them—as little as Mr. Doolittle could afford middle-class morality. The message is a hard one, and it has elicited outrage over the centuries from the majority of scholars who tend to prefer the καλὰ ὀνόματα of propaganda to the harsh underlying realities of imperial expansion. Dionysius of Halicarnassus, writing shortly after a war to protect western values had resulted in a new world order, finds it inconceivable that Athenian generals could discount divinely-inspired hope and insist on the imperative of force or that the Melians, that tiny state, would prefer the nobler to the safer course. In this he is echoed by George Grote, writing in the expansionist days of the early nineteenth century: ‘a civilized conqueror is bound by received international morality to furnish some justification—a good plea, if he can—a false plea or a sham plea if he has not better’. Instead, says Grote, the Athenian envoy ‘disdains the conventional arts of civilized diplomacy’; and the inevitable conclusion for him, as it had been for Dionysius, is that the Dialogue is fundamentally bogus, a composition of Thucydides ‘to bring out the sentiments of a disdainful and confident conqueror in dramatic antithesis’. (shrink)

This is the text of II. 18.603–6, the final scene on the Shield of Achilles, as presented unanimously by our manuscript tradition, five Vulgate papyri from the first to the sixth century A.D., our scholia, and in a quotation in Dionysius of Halicarnassus.1 As is well-known, a much discussed and contentious textual problem raised by Wolf2 is lurking behind it. It is prompted by a passage in Athenaeus providing an additional line after which mentions an and his Discussions (...) of the controversial Iliad passage have concentrated on the authenticity of the information given by Athenaeus.3 This focus, I suggest, has been unduly narrow, and has led either to a neglect of other pieces of evidence or to a wrong assessment of their importance. I therefore propose to tackle the problem with a different strategy. Let us erase from our memories the very existence of Athenaeus' information for a while, and reconsider the passage in question accordingly. (shrink)

It is hardly necessary to recapitulate Rhys Roberts' cumulative and convincing proof that the treatise ‘On the Sublime’ was not written by Cassius Longinus, the tutor of Zenobia, but belongs to the early days of the Empire. Not the least convincing of the arguments for this date is the fact that the treatise is suggested by and put out as a substitute for the Περ ״ϒψоνς of Caecilius of Calacte, who according to Suidas taught rhetoric in Rome in the time (...) of Augustus. Now Caecilius was an intimate friend of Dionysius of Halicarnassus : they were both Atticists and fellow-workers in leading literary Romans back to the best models of Greek prose style. But Dionysius is no candidate for the authorship of the extant treatise, which is not one that he could have written. On the other hand he gives a plain indication by which to identify its writer, which Rhys Roberts mentioned but did not adopt. It is the object of this paper to put this identification seriously forward. (shrink)

This paper aims to suggest a new arrangement of Plato’s dialogues based on a different theory of the ontological as well as epistemological development of his philosophy. In this new arrangement, which proposes essential changes in the currently agreed upon chronology of the dialogues, Parmenides must be considered as criticizing an elementary theory of Forms and not the theory of so-called middle dialogues. Dated all as later than Parmenides, the so-called middle and late dialoguesare regarded as two consecutive endeavors to (...) resolve the problems drawn out in there; an effort in the theory of knowledge through Theaetetus, Meno and Phaedo and another in ontology through the second part of Parmenides, Sophist and Republic. -/- Key Words: Plato; chronology; development; ontology; epistemology -/- Introduction There are many determinative factors regarding the chronology of the dialogues about which our informationis terribly deficient. There is no certain evidence about the date of each of the dialogues, nor any reliable information about the beginning and ending time of Plato’s writing. The most determinative issue among all chronological matters, I am inclined to insist, is the question that if did Plato use to manipulate or, as Dionysius of Halicarnassus said (1808, 406), polish, comb and curl his previously written dialogues and, if so, to what extent? That there is almost no answer to this most crucial issue shows how far deficient, indefinite and inconclusive the chronological plans can be. The fact that we do not even have enough information to decide, in case of Socratic dialogues, to what extent they are reporting or reflecting the actual dialogues of historical Socrates, and to what extent they are Plato-made stories so that even now we have a schizophrenic character between Socrates and Plato, can be good evidence for this deficiency. There are, nevertheless, somemore certain informations that can be contributive in case of the arrangement of some dialogues. a) The only external evidence provided by Aristotle that Lawswas written after Republic (Politics, II, 6) which was repeated by others . b) Few internal evidences provided by references in dialogues themselves including: i) the cross references in the Sophist 217a and Politicus 257a and 258b which indicate the prior composition of Sophist; ii) Timaeus 27 which hints to Critias as its sequel; iii) Theaetetus 183e where Socrates says he met Parmenides when he was young which has been taken as a reference to Parmenides; iv) a similar reference to the discussion of young Socrates with Parmenides this time in Sophist 217c; v) Sophist 216a refers to a previous discussion which has been thought to be referring to Theaetetus, and vi) the Timaeus 17b-19b in which Socrates tries to summarize his previous dialogue about the structure of cities, and the kind of men these cities must bring up to become the best people and so on which, among the dialogues we have now, must refer to Republic. (shrink)

The myth of Hercules and Cacus is related by several Augustan writers: Vergil, Aeneid 8.185–275, Livy 1.7.3, Ovid, Fasti 1.543–86 and 5.643–52, Propertius 4.9.1–20, and Dionysius of Halicarnassus, Roman Antiquities 1.39. These accounts fall naturally into two classes, in which Cacus is represented respectively as a clever rascal and as a superhuman ogre. The former version is found in Livy and Dionysius, and the latter occurs first in Vergil, and then in Ovid and Propertius. Numerous shared details (...) go to show that Livy and Dionysius drew on a common source, and verbal similarities that have been demonstrated between Vergil and Livy evidently establish Vergil's dependence on this same source. It would therefore appear that the ogre-Cacus is Vergil's invention. Certainly there is no evidence for a pre-Vergilian Cacus characterized as an ogre. (shrink)

The present volume comprises thirteen of the papers delivered at RICAN 5, which was held in Rethymnon, Crete, on May 25-26,2009. The theme of the volume, ' The Construction of the Real and the Ideal in the Ancient Novel, ' allows the contributors the freedom to use their skills to examine the real and the ideal either individually or in conjunction or in interaction. The papers offer a wide and rich range of perspectives: a political reading of prose fiction in (...) Late Period Egypt ; the presence of robbers and murderers in ideal fiction ; the interaction between illusion and reality in novelistic ekphrasis ; divine loves as real precedents for human loves ; comical elements in Heliodorus' Aethiopika ;myths as paradigms for the inexperienced lovers in the Greek novels ; moral ideas in the Odyssey and the Greek novels in relation to moralizing interpretations of Homer ; the reality of the basic plot of Callirhoe in the light of historical events and Aristotle's Poetics ; the interaction between fictionality and reality in Daphnis and Chloe ; entrapment and insu fficient understanding of reality in the Satyrica ; fantasy, physical and ideal landscapes in Apuleius' Metamorphoses ; bridging the gap between Photis and Isis in Apuleius ; the gendered aesthetics of the Greek novels viewed through the lens of the mimetic theory of Dionysius of Halicarnassus. (shrink)

The word “encyclopedia” comes to us from the Greek or, more precisely, is the deformed transcription, through Latin, of a erase in which we recognize a word composed of two elements, enkyklios and paideia, found in Quintilian in the ancient editions of De institutione oratoria (I, 10, 1). The expression itself, enkyklios paideia, appears only later, in the Hellenistic Age, under Roman domination, beginning with Dionysius of Halicarnassus (around the first century B.C.), but the concept goes back to (...) the Eleatics, especially to Hippias of Elis who, if we can believe the account in Plato's Dialogues, taught this total knowledge, later known with the term enkyklopaideia. (shrink)

These essays treat a heterogeneous group of texts: alongside On the Sublime and How the young man should listen to poetry are an Attic comedy, a satyr play, a Plutarchan fragment, and the epitome of a lost work by Dionysius of Halicarnassus. It is a mixed bag, which is the point. Hunter offers "moments" in the history of criticism because we lack evidence to write a linear narrative . Given the lacunose record, he suggests the best way forward (...) is to lower the barrier separating "literary" from "critical" texts and to look for general patterns of similarity. Thereby he hopes to explain antiquity's predominantly "utilitarian" approach to literature, its "concern with what literature was for" . Although individual chapters show Hunter's characteristic inventiveness and wide range of reference, this reviewer found many of his claims overbroad. Indeed, the general approach recommended here seems less likely to enrich "our understanding of the ways in which the ancients sought to explain and use creative art" than to impede progress toward that worthy goal. (shrink)