The life and teachings of Diogenes of Sinope, the Greek philosopher who gave rise to classical Cynicism, deserve careful consideration because of their relevance to contemporary ethical issues. The task of reconstructing the philosopher's life, however, is exceedingly difficult, because in his case, more than in those of other ancient philosophers, we must deal not only with the scarcity of reliable sources and testimonies, but also with the mountains of anecdotal and fictional accounts that are responsible for the (...) creation of a veritable literary legend around the Cynic who once lived in a tub. This comprehensive study reconstructs his biography on the basis of classical and Arabic sources, identifies the main ideas and principles of his philosophy, and shows the application of his philosophical message for our contemporary world. It also includes an extensively annotated translation of Diogenes Laertius' Life of Diogenes of Sinope, which is our principal source of information about the philosopher. (shrink)

As the illustrious Roman scholars Varro and Cicero reflect on the ethical turn in Greek philosophy, they rightly focus on Socrates, observing that he was the first to draw philosophy down from the heavens, placing her in the cities of men, so that she might inquire about life and morality. In the generation that follows Socrates, however, Diogenes of Sinope will unleash philosophy’s ethical potential with vitality and humour. Whereas Socrates identifies as a gadfly, Diogenes is a (...) dog, and with him, ethics gains its bite. (shrink)

In this essay, I defend philosophical wandering not only as an approach to doing philosophy, but also as an important force to incite critical reflection in cultural life. I argue that philosophical wanderers have an embodied, errant praxis, supporting wisdom whenever they engage with others. For these philosophers reflection is not given in a series of systematic assertions, nor through phenomenological description, nor analytic dissection. Rather, reflective life is the force that enhances the performative element of philosophy as an exercise (...) in being obnoxious to bring people within a culture to particular kinds of critical awareness and action. I conclude by suggesting that this mode of philosophy has a correlate mode of truth, “incited reflectivism,” different from coherentism, foundationalism, warranted assertibility, and other theories that have been previously defended as the standard for “truth.”. (shrink)

Among the schools of philosophy in the Greco-Roman world, there was Stoicism, Epicureanism, Platonism, and Skepticism to name the most prominent and influential. There was however another "school" and that was known as Cynicism. The Cynics were not scholars or writers. Like a Jesus, or a Socrates, or a Buddha, they were oralists whose memorable utterances and actions were transmitted to posterity by admirers (and detractors). It is doubtful whether we can even justly call them philosophers, as they did not (...) organize themselves into a school or possess a set of systematic doctrines. Their mode of life was a philosophy of doing. The Cynics were, to put it in contemporary terms, lifestylists and performance artists. The most famous Cynic, Diogenes of Sinope, threw out his bowl, as one less thing he needed, when he saw a young boy drinking with his hands. He also comically, when Alexander the Great asked what he could do for him, replied "Get out of my sun" making clear the young conqueror had nothing to offer him. And yet the Cynics, as Mark Usher aims to show in this collection, did purvey some core values that distinguished them in their own time and recommends them to ours. Indeed, they speak with some urgency to our current predicaments involving climate change, socio-economic uncertainty, and psychic malaise. Their "less is more" approach to living anticipates our contemporary fashion for decluttering, minimalism, and simpler more natural ways of living. Like ancient Thoreaus, their disentanglement of our needs from our wants provides an object lesson in prioritizing truly human goods. The Cynics also exemplified the idea that subsistence lifestyles are sustainable lifestyles, and the principle behind their lived example gives the lie to the modern article of faith that economic development and growth are synonymous with quality of life. Finally, their embrace of cosmopolitanism-the Cynics coined the word-flies in the face of the resurgent nativism that threatens the stability of nations, including our own. The Cynics championed their positions on the grounds that each of them accorded with a state of affairs found in Nature. Their appeal to the example of non-human agents, animals in particular, is highly instructive as it validates the intrinsic worth of the non-human world more broadly, foreshadowing thereby a central tenet of modern environmental philosophy. Taken as a whole, this volume will aim to recover the Cynic ways of thinking and living and refurbish them and make them relevant for our modern, beleaguered world. (shrink)

Diogenes of Sinope, bilinen adıyla Diogenes ya da Sinoplu Diyojen’e yönelik yapılan bu çalışmada amacım, Dioegenes’in yaşamının, felsefi duruşunun ve benimsediği etik kuralların kapsamlı ve belgelenmiş bir şekilde sunulmasıdır. Diogenes’in hayatını ve öğretilerini güvenilir bir şekilde aktarmak aşırı derecede zordur, çünkü diğer antik filozoflardan ayrı olarak, onun yaşamına ilişkin güvenilir kaynaklar bulmak oldukça sınırlıdır. Ayrıca, fıçının içinde yaşayan bir Kinikli’ye yönelik ortaya konulmuş birçok kurmaca anekdot ile uğraşılması gerekmektedir. Güvenilir bilginin azlığı ve belgesiz atıfların yarattığı zorluklara (...) rağmen, yine de birçok kişinin hayalinde hayatta kalmayı başaran ünlü filozofun portresini ölümünden yirmi üç yüzyıl sonra yeniden inşa etmek mümkün gözükmektedir. Bu bağlamda, Diogenes’in yaşam tarzı ve felsefesine yönelik bilgiler verilecek, ardından temsil ettiği akım olan kinizmin temel öğretileri çeşitli kaynaklardan gösterilerek aktarılacaktır. Son olarak da, Diogenes’in Sinop kültürünün ve kültürel mirasımızın bir parçası olarak kabul edilmesinin mümkün olup olmadığı tartışılacaktır. (shrink)

Against the traditional reading of Cynic cosmopolitanism, this essay advances the thesis that Diogenes’ world citizenship is a positive claim supported by philosophical argument and philosophical example. Evidence in favor of this thesis is a new interpretation of Diogenes’ syllogistic argument concerning law (nomos) (D.L. 6.72). Important to the argument are an understanding of Diogenes’ philanthropic character and his moral imperative to ‘re-stamp the currency’. Whereas Socrates understands his care as attached specially to Athens, Diogenes’ philosophical (...) mission and form of care attach not to his native Sinope but to all humanity. An important result is that Diogenes’ Cynicism provides an ancient example of cosmopolitanism that is philanthropic, minimalistic, experimental, and utopian. (shrink)

This article offers an analysis of the role humor plays in the philosophy of Diogenes of Sinope. It argues that the Cynicism authored by Diogenes is a philosophy premised on a number of doctrines, and that among these doctrines humor holds the central place. The Cynical humor of Diogenes is characterized as more than just a feature of his personality or a method through which he communicates his real message, but as the actual state of mind (...) that he intends to impart to his students. (shrink)

For over eight hundred years, philosophers—men and women—who called themselves Cynics, literally "dogs" in their language, roamed the streets and byways of the Hellenistic world, teaching strange ideas and practicing a bizarre way of life. Among them, the most important and distinctive was Diogenes of Sinope, who became the archetype of Classical Cynicism. In this comprehensive, thoroughly researched, and engaging book, philosopher Luis E. Navia undertakes the task of reconstructing Diogenes' life and extracting from him lessons that (...) are valuable in our time. The book is divided into five chapters. Chapter 1 provides a biographical sketch of Diogenes constructed on the basis of ancient testimonies. In Chapter 2, the practice of Cynicism, as exemplified by Diogenes, is elucidated. This "war against the world," as Navia describes it, especially the rhetoric of Cynicism, was the primary medium used by the Cynics to convey their message. Chapter 3 clarifies the roots and basis of the Cynic metamorphosis, that is, the process by which Diogenes transformed himself into a dog. This process involves complex psychological, sociological, and philosophical factors, chief among which was Socrates' influence on Diogenes through the agency of Antisthenes. Chapter 4 reconstructs the philosophy of Diogenes by identifying twelve principles of his thought. In Chapter 5, the influence of Diogenes is discussed. Navia emphasizes the vast difference between Diogenes' ideas and style of life on the one hand and, on the other, what is nowadays called cynicism. The book provides abundant references to ancient testimonies and modern scholarship. It includes an extensively annotated translation of Diogenes Laertius's biography of Diogenes and a comprehensive bibliography. (shrink)

Cet article est une explication suivie et presque complète du chapitre III, 12 des Entretiens d’Épictète intitulé « Sur l’exercice » et en particulier de l’opposition qu’il propose entre les exercices des acrobates et ceux du philosophe. On analyse la discussion sous-jacente avec Diogène de Sinope et la critique de la dimension spectaculaire des exercices cyniques, à laquelle Epictète oppose un entraînement philosophique essentiellement privé et même invisible.

Ancient philosophers are often contrasted with contemporary philosophers because they view philosophy not as a profession, but a way of life. None did so more uncompromisingly, however, than Diogenes the Cynic, who chided even Socrates for occasionally wearing sandals and maintaining a small household. Diogenes's espousal of extreme poverty combined with a talent for exhibitionism and propensity for offense was taken by some to be merely childish and grounded in a desire for fame, but by others as an (...) ideal form of pure philosophical commitment. Beginning with his life as a banker's son in Sinope, this book traces the origins and effects of his exile and status as a foreigner in Athens and Corinth, his subsequent espousal of a life a poverty, and his development of a style of life that both he and others found comparable to a dog's in terms of its disregard for social norms and conventions. Much of Diogenes' practical philosophy took the form of his own distinctive bodily practices which were meant to reinforce Cynic freedom and self-sufficiency. By calling into question cultural conventions governing the body with respect to sexuality, athletics, clothing, hygiene, punishment, etc., his own dog-style life championed unrestrained free speech (parrhēsia), equality between the sexes, and a cosmopolitan view of the possibilities of a world rid of the evils caused by the pursuit of wealth, fame, and power. Throughout various historical periods, Diogenes has offered a fascinating alternative to conventional lives and served as a brave exemplar of absolute devotion to human freedom and equality. (shrink)

Antisthenes was famous in antiquity for his studies of Homer's poems, his affiliation with Gorgias and the sophistic movement, his pure Attic writing style, and his inspiration of Diogenes of Sinope, who founded the Cynic philosophical movement. Antisthenes stands at two of the greatest turning points in ancient intellectual history: from pre-Socraticism to Socraticism, and from classical Athens to the Hellenistic period. Antisthenes' works form the path to a better understanding of the intellectual culture of Athens that shaped (...) Plato and laid the foundations for Hellenistic philosophy and literature. Antisthenes of Athens keeps in mind the goals and polemics framing each philosophical and textual discussion. The volume considers the ancient traditions about Antisthenes' rejection of Plato's “Theory of Forms,” his assertion of the paradox, “It is impossible to gainsay,” and his denial that definition of essence is possible, as well as the plausible intentions of Antisthenes. In cases where these questions are not easily settled, and where modern interpretation has varied, Susan H. Prince identifies the roots of the disagreements. The goal and meaning of Antisthenes' other famous ancient paradox, “I would rather go mad than have pleasure,” is illuminated by comparison with other evidence showing that pleasure does have a place in his ideology. Evidence for his relationship to Diogenes of Sinope, and for his receptions by the Cynics, Stoics, Skeptics, Christians, and Neo-Pagans is examined for both its historical value and its distorting tendencies. (shrink)

This article restores the peculiar ethical-cultural cartography from the philosophical fragments of Ancient Greek Cynicism. Namely, the fragments of Anthistenes, Diogenes of Sinope, Crates, Dio Chrysostom as well as of the ancient historians of philosophy are mainly analyzed and interpreted. The methods of comparative analysis as well of rational resto-ration are applied in this article. The authors of the article concentrate on the main characteristics of the above mentioned cartography, that is, the contradiction between maps of nature and (...) civili-zation. The article comes to the conclusion that the basis of this contradiction is the concept of the main value as well as virtue in the above mentioned cynicism, namely, natural radical temperance. According to ancient cynics, this virtue is absolutely incompatible with pleasure-driven civilization, as the latter annihilates the former. Therefore, cynics interpreted the whole territory of the world known at that time as divided between maps of nature and civilization that never overlap or even intersect. Moreover, according to ancient cynics, the territory covered by maps of civilization is considerably smaller than that enframed by the maps of nature. Moreover, the areas of nature are continuously being diminished, as civilization resolutely goes ahead. In such a situation that threatens survival of human nature the only possible way out is a return to the natural value of radical temperance. After cynics, the only effective strategy of achieving that challenging goal is askesis as excercises of temperance dedicated both to body and spirit. The authors of the article also give a certain SWOT analysis of the above mentioned cartography in the context of contemporary society. According to them, such a cartography possesses both strong and weak points. The main weak point is the contradiction itself between maps of culture and civilization. As a matter of fact, civilization does not annihilate the possibility of natural temperance, whereas a human being, according to his/her nature, is a creator of culture and civilization. On the other hand, the main positive aspect is an emphasis on virtue of temperance, which is actual, significant and relevant in any epoch, culture and civilization, and which is pretty much forgotten nowadays. (shrink)

Initroduction : From the man of reason to the cynical insider -- Diogenes of Sinope and philosophy as a way of life -- Diogenes the cynic as "counsellor" and malcontent in early modern England -- From rude cynics to "cynical revilers" -- The cynic unveiled : innocence, disenchantment, and rationalization in Rousseau -- Edmund Burke and the counter-enlightenment attack on the "philosopher of vanity" -- Cynicism and dandyism -- Epilogue : How not to talk about cynicism : (...) a conclusion, and request for further discussion. (shrink)

Many fans of Diogenes of Sinope laud his parrhesia, free speech used for critique. However, Diogenes abused not only the powerful but also the socially marginalized. We argue that interpreters of Diogenes cannot explain away the undeniably troublesome things that Diogenes said about those at the margins. But we also argue that Diogenes ought nonetheless to be preserved. Some of his chreiai can be reminders of how to be courageous and fight for the downtrodden, (...) and others can serve as reminders of how easily those aspirations can be forgotten. We offer a variety of ways to interpret Diogenes, especially since the figure of Diogenes is an historical composite from centuries of sources. But we arrive at a position of loving antagonism toward Diogenes, loving Cynic commitments to autarkeia and against wealth and power, and disapproving when Cynics fell short of their commitments and critical aspirations. (shrink)

Several versions of Diogenes of Sinope’s death are reported in Book VI of the Lives and Opinions of Eminent Philosophers. The heirs of Diogenes have transmitted to posterity that of suicide by self-asphyxiation, a death they deem worthy of his philosophy. This study aims to identify the Cynic foundation of Diogenes’ suicide by reconstructing the Cynic outlook on voluntary death. Several fragments and testimonies show that the Cynics consider life and death indifferent: what matters above all (...) is to lead a good life. Suicide is only justified when the philosopher’s body suffers from extreme and lasting weakness. To reach and maintain his ideal of freedom, the Cynic must submit his body to a training that requires some physical strength. Therefore, as soon as he loses the capacity to practise the Cynic askesis because of the physical limitations brought on by old age or illness, the philosopher does not hesitate commit suicide. This justification is attested in the exhortations to suicide formulated by the Cynics and in the accounts of the self-inflicted deaths of Metrocles, Heracles, Demonax and Peregrinus. (shrink)

Abstrakt: Článok sa zaoberá tým, ako Dión z Prúsy pracuje s figúrou Diogena, respektíve ako prispôsobuje diogenovský kynizmus sociálnej a politickej realite svojej doby. Prvá časť načrtáva okolnosti, ktoré doviedli Dióna k rozhodnutiu, aby si obliekol kynický plášť. Ďalšia časť sa zaoberá tým, ako Dión vytvoril z Diogena príklad filosofického konania. Diónovo chápanie kynizmu sa prejavuje v jeho reinterpretácii príbehu o Diogenovi a Alexandrovi. Nakoniec sa článok zamýšľa nad otázkou, aké črty zdôrazňuje Dión vo svojom portréte Diogena a akú úlohu (...) prisudzuje kynizmu v období cisárskeho Ríma. Kľúčové slová: Dión z Prúsy, Diogenés zo Sinópy, kynizmus, Sókratés – sokratika. (shrink)

Abstrakt: Článok sa zaoberá tým, ako Dión z Prúsy pracuje s figúrou Diogena, respektíve ako prispôsobuje diogenovský kynizmus sociálnej a politickej realite svojej doby. Prvá časť načrtáva okolnosti, ktoré doviedli Dióna k rozhodnutiu, aby si obliekol kynický plášť. Ďalšia časť sa zaoberá tým, ako Dión vytvoril z Diogena príklad filosofického konania. Diónovo chápanie kynizmu sa prejavuje v jeho reinterpretácii príbehu o Diogenovi a Alexandrovi. Nakoniec sa článok zamýšľa nad otázkou, aké črty zdôrazňuje Dión vo svojom portréte Diogena a akú úlohu (...) prisudzuje kynizmu v období cisárskeho Ríma. Kľúčové slová: Dión z Prúsy, Diogenés zo Sinópy, kynizmus, Sókratés – sokratika. (shrink)

In a key passage for the understanding of Lucian’s work, the Fisherman 25– 27, the philosopher Diogenes of Sinope complains that Parrhesiades, a Lucianlike authorial figure, mocks philosophers not within the fixed boundaries of a carnivalesque festival, as Old Comedy used to do, and to which Lucian’s work is otherwise highly indebted, but by means of his constantly published writings. This statement is even more relevant, since the Fisherman belongs to a group of texts which show clear cross-references (...) to other writings within the corpus. By creating indirect authorial commentaries and intratextual references throughout his œuvre—a hidden biobibliography, as it were—, Lucian thus reinforces the idea of an organic literary work and the coherency of his corpus which is—notwithstanding its thematic variatio—well-publicized and far away from carnivalesque exceptionality. In this way, the aesthetics of perpetual transgression is in a unique way related to the construction of authorial self-referentiality in Lucian’s satires. (shrink)

When the Cynic philosopher, Diogenes of Sinope, coins the term ‘cosmopolitan,’ he invites an expansive understanding of the ethical and political commitments one should endeavor to challenge and uphold. Whereas the politics of the day privileged one’s status and role in the polis as foundational for rights, entitlements, duties, and allegiances, the cosmopolitan perspective highlights the arbitrary nature of political boundaries and benefits. This permits virtue, nature, and reason to supplant law and custom as the standards for judgment. (...) After grounding the invention of cosmopolitanism in its political and ethical context, this paper explores what is salient in the notion by attending to it in its own right and as a foil for a different kind of ethically driven political structure, here represented by Plato’s kallipolis. (shrink)

This paper offers an analysis of Epictetus, Discourses 3.12 « On Training ». To explain the objects, the functions and risks of philosophical exercises in Epictetus, I study his criticism of acrobatic exercises and of Diogenes’ practice of cynicism as a public performance, to which Epictetus opposes his notion of philosophical training as essentially private and even invisible.

When considering the value of friendship, most philosophers ignore the negatives. Most assume that humans need friends to flourish, and some argue that friendships can be good, no matter the risks entailed. This makes conversations about the value of friendship one-sided. Here, I argue that Cynics and Pessimists have an important view on friendship, despite it being ignored. They hold that: (a) friendship is unnecessary for flourishing, and (b) friendship presents ethical risks, especially to one’s own self-sufficiency. I defend these (...) views. Then I conclude with reflections on why Cynics and Pessimists actually make great friends. By helping people to focus on vulgar human nature and the flaws that humans have, they create an unpretentious basis for friendship. (shrink)

This overview attempts to explain how we can come to an account of Cynicism and what that account should look like. My account suggests that Cynics are identified by living like Diogenes of Sinope, and that Diogenes' way of life is characterized by distinctive twists on three Socratic commitments. The three Socratic commitments are that success in life depends on excellence of the soul; that this excellence and success are a special achievement, requiring hard work; and that (...) this work requires deprecating mainstream values such as wealth, fame, and ordinary political power. Diogenes' construal of success emphasizes freedom and independence, and his construal of excellence emphasizes endurance and self-mastery. On his account, the work required to achieve these is strikingly unintellectual but difficult, and the deprecation of ordinary values is especially extreme. A few interpretive puzzles about Cynicism are tackled along the way, including whether Cynicism really counts as philosophy and whether Cynics are anti-social. (shrink)

An inter-disciplinary enquiry concerning Europe, Europeans and Europeanity across time, based on proceedings of the 10th world congress of the International Society for the Study of European Ideas convened at the University of Malta. -/- Originally published in: Frendo, Henry (2010): The European Mind: Narrative and Identity : Proceedings of the X World Congress of the International Society for the Study of European Ideas, University of Malta, 24th-29th July 2006. International Society for the Study of European Ideas. Malta University Press.

Resumen Nuestro ensayo se centra en la condición filosófica de los cínicos antiguos, sobre todo en referencia a Diógenes de Sínope. De ellos queremos rescatar su ética y estética, su condición de asumir la filosofía como un estilo de vida y su permanente cuestionamiento a la moral establecida dentro de la polis griega. No menos importante es presentar el tema de su sexualidad, su postura filosófica ante el dolor humano y su ataque a los convencionalismos. Se consideraron médicos del alma, (...) permaneciendo como una escuela inclasificable a lo largo de la historia de la filosofía. Presentamos su concepción del cuido de sí en tanto un apartarse de los demás, es decir, estableciendo un cuido contra los demás, sin obviar al otro sino enfrentándolo a su ignorancia. En su momento fueron llamados revolucionarios de la ética por su actitud insobornable frente a sus principios de autonomía y autosuficiencia. Palabras clave: cinismo; sexualidad; sufrimiento; estilo de vida; estética. From Ancient Cynicism: Sexuality, Suffering and ProvocationOur essay focuses on the philosophical status of ancient cynics, above all regarding Diogenes of Sinope. From them we want to recover their ethics and aesthetics, their ability to assume philosophy as a way of life and their permanent questioning of the established moral within the Greek polis. Not less important is to present the topic of their sexuality, their philosophical stance towards human pain and their attack on conventions. They regarded themselves as physicians of the soul, remaining as an unclassifiable school throughout the history of philosophy. We introduce their conception of caring for oneself as a withdrawal from the others, that is to say, setting forth a care against others, without disregarding the other but confronting him with his ignorance. In their time they were called revolutionaries of ethics, because of their uncompromising attitude concerning their principles of autonomy and self-sufficiency. Keywords : Cynicism; Sexuality; Suffering; Lifestyle; Aesthetics. (shrink)

This chapter contains sections titled: From Antisthenes to the Cynics Antisthenes the Socratic Antisthenes on Language From Discourse to Ethics Becoming Wise Diogenes of Sinope, Defacer of the Currency.

In the Prologue to the third book of Gargantua, Francois Rabelais compares his own predicament to that of the philosopher Diogenes of Sinope during the seige of Cornith. “I held it not a little disgraceful”, he confides, “to be only an idle spectator of so many valorous, eloquent and warlike persons, who in the view and sight of all Europe act this notable interlude or tragi-comedy, and not exert myself and contribute thereunto this nothing, my all, which remained (...) for me to do”. (shrink)

Ancient cynicism was a moralistic school of ascetic and anti-materialistic gadflies and critics. Modern cynicism is generally understood as amoral, selfish, and manipulative. This article explores the change in meaning that led from one to the other, and what each kind of cynicism could mean for contemporary life. It is very unlikely that most people would ever adopt the values and ways of the ancient cynics, but there may still be something to be gained from the few who might engage (...) in this mode of life: possibly more environmentalism, and if nothing else, more humor in our lives. Modern cynicism may have little of positive value to contribute to life and politics, although at least it undermines the self-righteous moralists. In any case, it is worth understanding in order to cope with it. Along the way, we learn that since Diogenes of Sinope a wide variety of thinkers from Socrates, Machiavelli, and Spinoza through Rousseau and Nietzsche to Wittgenstein have been credited with cynicism. That suggests that it may be more important to our intellectual life than many of us realize. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 39.3 (2001) 459-460 [Access article in PDF] Reinhard Brandt. Philosophie in Bildern: Von Giorgione bis Magritte. Hamburg: Dumont, 2000. Pp. 470. Paper, NP. Reinhard Brandt, professor for Philosophiegeschichte, offers in his latest book a multi-faceted history of philosophy and art through his detailed interpretations of major paintings in the European tradition, beginning with Giorgione's "The Three Philosophers" and a young Raphael's "The Dream (...) of the Knight,"and stretching to René Magritte's "La condition humaine." In these paintings, as Brandt claims, different philosophical positions are expounded, which he then, in the role of interpreter, attempts to elucidate.In the introduction Brandt explains how this paradoxical phenomenon of philosophizing paintings can even exist. That one can find not only philosophical themes but well-wrought positions in such paintings, and, most importantly, not read these positions into them, is shown in more than thirty short essays, spanning from ancient Greek philosophy and literature, through the Renaissance and on to present-day Italian, French, Spanish, and German literature/philosophy. In almost every interpretation, Brandt critically reviews previous research, exposing and correcting some deeply rooted mistakes and constantly providing new impulses; in light of his philosophical-philological method, some major paintings in the European tradition are interpreted anew.His detailed analysis of Raphael's "The School of Athens" forces a persuasive revision of previous interpretations; the sitting figure in the foreground is not, as previously assumed, Heraclitus, but Democritus. On account of this carefully proven and convincing allotment, an unnoticed field of vision is discovered between the materialist and solid-state physicist Democritus, who with the gestus melancholicus is concentrating on a problem, and Plato, standing perpendicularly over him. Could this problem be the stone cube, on which the philosopher is leaning? From this conjecture we now have a bridge leading to Albrecht Dürer's engraving "Melancholia."Diego Velazquez's "Las Meninas" is interpreted anew on account of the surprising solution to the painting's puzzling construction. Brandt shows that the whole picture is viewed from the vantage point of the princess inside the painting, not of an observer outside it. The princess stands before a mirror and Velazquez paints everything exactly as the princess sees it. So the painting, which hangs in the Prado Museum, is the mirror image of a complete reflection of the Self; perhaps it is no coincidence that the painting belongs to the same historical period as Descartes' famous cogito ergo sum dictum. Or Jacques Louis David's "The Death of Socrates": although the painting has been correctly referred back to Plato's Phaidon, until now a Platonic ground position was falsely attributed to the painting. Brandt shows that the painting was conceived with Stoic philosophical positions in mind: death is portrayed as immanently present, coupled with the un-Socratic maxim mortem spernere. The virtuous stance that Socrates still shows on the threshold of death is decisive. And as an added bonus he includes his influential, previously published essay on the title-page emblem of Thomas Hobbes' Leviathan.Perhaps the greatest strength of this book is Brandt's technical know-how. He combines an encyclopedic knowledge of the European intellectual tradition with a [End Page 459] fluid, easy-to-read style, which not only instructs the reader, but entertains as well. At no time does this book approach mere philosophical pedantry; his treatment of some of the lesser known, albeit important, figures in the history of philosophy, e.g., Justus Lipsius and Diogenes of Sinope, is not a lesson in obscurity. The reader feels himself taken on a journey through a history of Western philosophy, always being provided with thought-provoking material. His style, however, is in no way used to mask the often shaky scholarship that has a tendency to go hand-in-hand with such interdisciplinary studies. In every essay Brandt exhausts all the sources; he works with razor-sharp exactness, proceeding with the meticulousness of an outstanding and seasoned scholar.A problem which always accompanies such books is the question: Cui bono? Are either the philosophers... (shrink)

This chapter discusses the ethical theories of Cynics and Stoics. Cynicism traces its origins to Diogenes of Sinope, the most colourful and outrageous of all such founders of philosophical movements. The core Cynic doctrines articulate the principles embodied in Diogenes' way of life. The central theme is that of following nature, understood as leading a life of extreme primitiveness or self-chosen bestiality. Stoicism offers an alternative to Aristotle, who has been the main Classical source of inspiration for (...) those evolving modern versions of virtue ethics. A striking feature of Stoic ethical theory lies in its combination of radical moral rigour or aspiration and a strongly naturalistic outlook. (shrink)

Book Reviews R. Bracht Branham and Marie-Odile Goulet-Caz6, editors. The Cynics: The Cynic Move- merit in Antiquity and Its Legacy. Berkeley: University of California Press, x996. Pp. ix + 456. Cloth, $55.oo. The ancient philosophical biographer, Diogenes Laertius, included the Cynics in his array of philosophical schools despite their loose organization and lack of fixed doc- trine. He begins Book Six of his Lives of the Philosophers with the Socratic Antisthenes, lavishes more than half the book on Diogenes (...) of Sinope, includes minor figures such as Monimus and Onesicritus, tells us most of what we know about Crates of Thebes, his wife Hipparchia and her brother Metrocles, and concludes with short entries on Menippus and Menedemus. This only takes Cynicism down to the third century B.C., a point which marks the beginning of a slight lull in its visibility. But as this comprehensive and.. (shrink)

La observación del cinismo antiguo como precursor filosófico del anarquismo ha sido abordada por un gran número de estudiosos y especialistas de ambos campos. El siguiente trabajo se propone aportar nuevos puntos de vista a la relación cinismo-anarquismo. Nuestro punto de partida es la figura del protocínico Diógenes de Sinope [412-402 /325-321], cuya heterodoxa filosofía, de la que no conservamos escritos, ha sido objeto de ambivalentes recepciones a lo largo de la historia. Veremos por qué ha sido reivindicado como (...) un miembro ilustre de la prehistoria del anarquismo y qué nuevas perspectivas podemos añadir a esos estudios. (shrink)

There are striking points of affinity between Hannah Arendt’s concept of a politico-moral variety of allusive thinking, and Stanley Cavell’s concept of aversive thinking characteristic of Emersonian Moral Perfectionism (EMP). Although both Arendt and Cavell’s EMP are pessimistic if not hostile to the suggestion of the redemption of a vibrant public sphere, their thought suggests possible moves toward a practical politico-moral philosophy—political philosophy as provocative moral practice recognizable in Socrates and Diogenes of Sinope. The paper teases out threads (...) of thought in Arendt and Cavell toward an account of a quasi-public perfectionist philosophical practice—call it moral friendship—supportive of political-moral judgment in response to social conditions of its repression. Moral friendship is ultimately the cultivation of moral taste that enables one to notice moral phenomena susceptible to one’s judgment whose failure to be noticed is an occasion for regret. (shrink)

이 논문은 안티스테네스의 윤리학적 단편들 안에 나타난 소크라테스적인 요소들의 특징을 살펴보고, 요소들 간의 상충되는 측면들을 해소해보려는 시도이다. 안티스테네스는 소크라테스의 제자이자 이른바 “소크라테스적 담론”의 저자들 가운데 한 사람으로 견유학파의 설립자로 알려진 디오게네스에게 영향을 준 인물이기도 하다. 그는 60여 편 이상의 작품을 남겼으나 두 편의 시범연설문을 제외하고 대부분 소실되고 단편들만이 남아있다. 그런데 그의 윤리학적 단편들 안에는 서로 상충되는 것처럼 보이는 주장들이 나타난다. 몇몇 단편들에서 그는 도덕적인 사람이 되기 위해서는 덕을 아는 것으로 충분하다고 주장함으로써 플라톤의 소크라테스와 같은 주지주의적 입장을 취한다. 반면에 다른 단편들에서는 (...) 덕을 얻기 위해서는 노고와 소크라테스적인 강인함이 필요하다고 주장함으로써, 크세노폰의 소크라테스처럼 덕의 비인지적인 요소들을 강조하는 듯이 보인다. 하지만 필자는 안티스테네스의 주요 개념들이 사용되는 맥락을 검토할 경우, 이러한 외견상의 불일치는 충분히 해소될 수 있다고 보며, 그의 덕이론은 의지적인 요소를 통해 활성화된 주지주의 윤리학으로 규정될 수 있음을 드러내 보이고자 한다. (shrink)

Focusing on Nietzsche’s madman parable from The Gay Science, this essay shows how the language/imagery of aphorism 125 draws on a Cynical critique ofmorality that has far-reaching consequences for understanding Nietzsche’s notions of nihilism, transvaluation of values, and amor fati. My claim is that the work ofDiogenes of Sinope will shape both the rhetorical structure and the philosophical thematics of The Gay Science. As the “Socrates gone mad,” Diogenes/the madman brings his lantern to the marketplace to seek a (...) God who has fled, the deus absconditus. Countering Christian-Platonic metaphysics with Diogenean satire, Nietzsche advocates the embrace of physis as the sphere of human creation and valuation. Against this Cynical background we can see how the madman parable’s announcement of God’s death has less to do with atheism or the argument about the existence of God than it does with the existential concerns of the human being. (shrink)

Focusing on Nietzsche’s madman parable from The Gay Science, this essay shows how the language/imagery of aphorism 125 draws on a Cynical critique ofmorality that has far-reaching consequences for understanding Nietzsche’s notions of nihilism, transvaluation of values, and amor fati. My claim is that the work ofDiogenes of Sinope will shape both the rhetorical structure and the philosophical thematics of The Gay Science. As the “Socrates gone mad,” Diogenes/the madman brings his lantern to the marketplace to seek a (...) God who has fled, the deus absconditus. Countering Christian-Platonic metaphysics with Diogenean satire, Nietzsche advocates the embrace of physis as the sphere of human creation and valuation. Against this Cynical background we can see how the madman parable’s announcement of God’s death has less to do with atheism or the argument about the existence of God than it does with the existential concerns of the human being. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Minor Socratics* PHILIP MERLAN OF MEN MORE OR LESS DECISIVELY influenced by Socrates, three--Antisthenes (c. 455-360), Aristippus of Cyrene (c. 435-356), and Eucleides of Megara (c. 450380 )--became founders of schools (or sects) often referred to as "minor Socratic schools." These schools are the Cynic, the Cyrenaic, and the Megaric, respectively. The names of the last two are self-explanatory. That of the first sounds somewhat like "dog (kytn)-like." By (...) some it is assumed to have been derived from the meeting place of Antisthenes with his followers, the gymnasium of Kynosarges; x others believe it to be contemptuously indicative of the dog-like life of the members of the sect (shamelessness, begging, barking, biting). 2 In this sense it was proudly and defiantly accepted by the members themselves, a What we know of the ethical teachings of the Megaric school amounts to hardly more than one sentence, in which the Good seems to have been identified with the One. 4 All we can say of this formula is that it, in some way, links the * Size (very limited), scope (ethical doctrines only), manner of presentation (for the general reader and rather dogmatic), etc., of this article were determined by the character of the Encyclopedia of Morals, in which it originally appeared. The present footnotes try to make up for some of the shortcomings unavoidable in this kind of article. [The Journal is grateful to Philosophical Library, Inc. for permission to reprint this article. The footnotes were subsequently added by Professor Merlan and appear here for the first time.] As the only collection of fragments of Cynics (Antisthenes, Diogenes, Crates, Monimus, Demonax, Oenomaus, Teles, Bion) is that contained in F. W. A. Mullach, Fragmenta philosophorum graecorum (Paris: 1865), vol. II, pp. 274-429, which is hard to obtain (the collection of fragments by A. W. Winekelmann, Antisthenis fragmenta [1842] even harder), I shall quote them directly from the sources. There was no need to do so with the Cyrenaics, as we have two recent collections of their fragments: G. Giannantoni, 1 Cirenaici (Florence, n.d.: [1958])--they will be quoted as G--and E. Mannebach, Aristippi et Cyrenaicorum fragmenta (K~51n-Leiden: 1961), which will be quoted as Ma. A generous selection of fragments of Megarians, Cynics and Cyrenaics in German translation with introduction and notes is contained in W. Nestle, Die Sokratiker (Jena: 1922), pp. 79-177. Our knowledge of Antisthenes would considerably be enriched if we could follow H. Kesters, who, in a number of publications (one of them: Plaidoyer d'un Socratique... [Louvain: 1959]) ascribes Themistius, Or. XXVI to Antisthenes. However, the ascription is doubtful. i I.e., Whitehound: D.L. VI 13. Elias, In Cat. (CAG XVIII/I, Berlin: 1908), p. Ill, 2-29. Busse has a fourfold explanation of the name, all connected with the word Kt~v. Cf. K. v. Fritz, Quellenuntersuchungen zu Leben und Philosophie des Diogenes von Sinope (Leipzig: 1926), pp. 47-49. D.L. VI 60. 55; Stob. vol. III, p. 462, 16 W.-H. Quotations from Stobaeus refer to: K. Wachsmuth, O. Hense, loannis Stobaei Anthologium, 5 vol. (Berlin: 1884-1902); they are by volume, page, and line of this edition. 4 Eus. PE XIV 17, 1; D.L. II 106 (~v x6 dtTu06v). [143] 144 HISTORY OF PHILOSOPHY Megarians to the Eleatic school 5 but also to some aspects of Plato's Philebus and his Laws, and also to the Epinomis, and, above all, to his lecture or course of lectures "The Good," the conclusion of which was that it is the One which is the Good. 6 And though we know that many Megarians were engaged in political activities,7 we do not know in what way, if any, that highly abstract ethical doctrine was linked to practice. It is entirely different with the other two schools, in which ethical theory is immediately applied to life and theoretical aspects of philosophy are often neglected or even absent. However, there is some doubt as to whether Antisthenes can actually be considered the fountainhead of Cynicism. He seems to have undergone the influence of Socrates late in his life, when he had already been active as a... (shrink)

"This rich compendium on the lives and doctrines of philosophers ranges over three centuries, from Thales to Epicurus (to whom the whole tenth book is devoted); 45 important figures are portrayed. Diogenes Laertius carefully compiled his information from hundreds of sources and enriches his accounts with numerous quotations. Diogenes Laertius lived probably in the earlier half of the 3rd century CE, his ancestry and birthplace being unknown. His history, in ten books, is divided unscientifically into two 'Successions' or (...) sections: 'Ionian' from Anaximander to Theophrastus and Chrysippus, including the Socratic schools; 'Italian' from Pythagoras to Epicurus, including the Eleatics and sceptics. It is a very valuable collection of quotations and facts." -- Publisher description. (shrink)

"The translation is based on the most authoritative edition of the Greek text. 'Lives of the Eminent Philosophers' is a crucial source for much of what we know about the origins of philosophy in ancient Greece. Accompanied by dozens of artworks and newly commissioned essays that shed light on Diogenes' context and influence, this new, complete translation provides a revealing glimpse into the philosophers of Plato's Academy, Aristotle's Lyceum, and Epicurus' Garden."--Provided by publisher.

In my paper, I shall provide a reading of Diogenes of Apollonia such that his understanding of the metaphysics of differentiation and of individual ensoulment may constitute an ingenious answer to the problems of his time. To this extent, I will argue that Diogenes' worldview solves the difficulties of Anaxagoras' metaphysics and successfully integrates mentality in a causally closed conception of nature. Finally, I will suggest that a Diogenes-inspired approach might be relevant to treat some pressing concerns (...) in the contemporary philosophy of mind – thus demonstrating how his production might offer some interesting solutions for the problems of our time too. (shrink)

In Aëtius 1.7.8 Mansfeld–Runia, Diogenes, Cleanthes and Oenopides are said to have maintained that the deity is the world-soul. However, the identity of the Diogenes whom the doxographer mentions here has long been a matter of scholarly dispute. In response to attempts to ascribe the doxa to Diogenes of Apollonia, this paper reassesses old arguments and proposes new considerations to argue that a fundamental aspect of Diogenes of Babylon's theology is at stake here.