This article traces Aimé Césaire’s engagement with Marxism through the concept of alienation, which is central to the Marxist-Hegelian tradition. The idea of restoring human creative powers, which take on an alien character under particular historical conditions, deeply shaped Césaire’s analysis of French colonial assimilation, which compelled the Black colonized subjects to identify with French bourgeois culture instead of taking revolutionary action against capitalism. Situating Césaire within the intellectual milieu of interwar Paris, this piece draws out (...) his links with the Marxist intellectual group called the Philosophies, which first published Marx’s 1844 Manuscripts in France in 1929, and with Alexandre Kojѐve’s Marxian reading of Hegel. The concern with alienation would persist in Césaire’s later writings in the 1950s and the 1960s, where the concept is engaged through a theory of culture, defined as the creative life of a collectivity. This theory supplies the conceptual basis for Césaire’s idea of “tropical Marxism,” which he discusses during his trip to Cuba in 1968. Tropical Marxism emphasized the necessity for colonized peoples to integrate Marxism creatively to the particular conditions of their societies and opposed any alien top-down impositions of the doctrine by European communists. By situating Césaire in a Marxist-Hegelian intellectual genealogy, we glean a crucial component of his thinking, going beyond his affiliation with surrealism and his experience with the French Communist Party. We also come to see alienation as a rich concept belonging to the tradition of anticolonial political theorizing. (shrink)

Our reasons for avoiding death are manifold, encompassing among others, motives that are personal, political, and historical. Still, are there ways that we might use words to overcome these common everyday aversions to death and the dead through another modality of language, that of poetry for example? Can the poetic word get us to acknowledge the particulars of death despite the various reasons we have to disavow it? Might we use language not simply grasp death abstractly but instead to realize (...) what death means in its awful particularity? These questions are prompted by Aimé Césaire’s poerty and his prose, and by his elegy for Emmett Till in particular. Through his writings and his political work, one of Césaire’s key aims was to get people to acknowledge what they would prefer to avoid. Césaire’s work, both his poetry and prose, urges readers to see the things they would prefer not to see and to show us how language stakes us to the world in all its terrifying awfulness and wondrous splendor, despite our desperate attempts to avoid this realization. This essay is divided into two parts. The first part looks at how this problem of alienation and the need to acknowle this alienation motivates Césaire’s writing more generally, focusing on the ten years between 1945 and 1955. In order to consider how alienation and acknowledgement work in this celebrated text, I consider related works and their contexts from the period from 1950-1956, including his famous letter of resignation from the French Communist Party. This sets the stage for the reading of Césaire’s Ferraments provided in the second section. The second part examines how and why Césaire sought acknowledgement for Emmett Till’s brutal murder through his poetry, focusing specifically on his poem “…On the State of the Union” from his 1960 collection Ferraments. (shrink)

In 1968, Aimé Césaire travelled to Cuba to participate in the Havana Cultural Congress, a mass international meeting where delegates discussed the place of culture in the struggle against imperialism, neo-colonialism, and underdevelopment. Among the likes of C.L.R. James, Nicolás Guillén, René Depestre, Michel Leiris, and Daniel Guérin, it was in Havana that the Martinican politician undertook the until-now untranslated interview with Sonia Aratán for the Casa de las Américas revue and delivered his Cultural Congress conference paper – (...) previously believed by Césaire scholars to be lost. Both texts shed light on Césaire’s little-known views on Fidel Castro, the Cuban Revolution and Marxism in the context of late-1960s tricontinentalism. By reconstructing Césaire’s exchanges with Cuban writers before and during the Congress, we propose a consideration of the role of Cuba in Césaire’s political thought as a tragic possibility, combining the catastrophe of Caribbean history with the uncertain potential of new social forms. (shrink)

What does “life” mean in the protest slogan “Black Lives Matter”? This article draws on a close reading of Aimé Césaire’s Cahier d’un retour au pays natal to offer an answer to this question. In his poem, Césaire carefully examines the ways racial and colonial domination distort life. He identi????ies various false accounts of life complicit in domination, and he points toward an alternative. The article com-pares Césaire’s alternative to accounts of life put forward by Gilles (...) Deleuze and Michel Henry, suggesting that Césaire pushes his cri-tique in a similar direction, but goes further. (shrink)

This essay asks why, historically, the politics of postcolonial theory require of poetry that it be anchored in the concrete material conditions of a specific population. What are the parameters of analysis that have been established by overtly committed works? What obligations to contextualize does a poem like Aimé Césaire's Cahier d'un retour au pays natal impose? Conversely, what pressures does the Cahier place on content-oriented postcolonial approaches? Through a careful examination of the Cahier and the specific political (...) valence it would have acquired when written, I seek to understand poetry's relationship to postcolonial theory as it has developed over time. (shrink)

This text addresses the problems of tragedy, invention and the colonized body in the writings of the martinican thinkers Aimé Césaire and Frantz Fanon. To do this, at first we stop at the link that exists between the tragedy of the experiences of the black bodies alluded to in the writings of the aforementioned authors with the controls and reifications of colonial modernity. In a second moment, we discuss the invention of poetic image in Césaire's Notebook of (...) a Return to Native Land and how the agency of a body of its own excels out from it through a critical rewriting of the Atlantic Triangle. Next, in a third section, we reflect on Fanon's lived experience in his work Black skin, white masks in order to trace his tragic, self-destructive nature, and his inventive power. Finally, it is concluded that Césaire and Fanon make the invention a possibility of constructing another historical imagination of the body outside of the racial orders of colonial modernity. (shrink)

El artículo intenta establecer las configuraciones que asume el humanismo crítico en la escritura de Aimé Césaire en la encrucijada de la diferencia colonial, entendida desde una perspectiva decolonial, y a partir de una noción de espectralidad que deriva y se diferencia de las perspectivas derrideanas. Así entonces, se destaca el hecho de que la escritura de Césaire produce una fuerte impugnación de los procesos de la representación colonial y abre el campo de la experiencia política y (...) cultural signada por la heterogeneidad. The article tries to establish the settings that the critical humanism assumes in Aimé Césaire´s writing at the crossroads of the colonial difference, which is understood from a decolonial perspective, and from a notion of spectrality which derives and differs from the Derridean perspective. So then, the article remarks the fact that Césaire´s writing produces a strong challenge to the processes of colonial representation and it opens the field of political and cultural experience marked by heterogeneity. (shrink)

The Negritude Movement provides readers with not only an intellectual history of the Negritude Movement but also its prehistory and its posthistory.

Aimé Césaire’s Discourse on Colonialism is central to the project of decoloniality. It is a critical reflection on the European civilization project that gives expression to the disenchantment with European modernity that began to be felt in many places after the Second World War. This essay describes the overcoming of Cartesian reason through the “decolonial gift,” which makes possible an opening toward transmodernity, an alternate response or pathway in view of the declining geo-political and epistemological significance of Europe (...) and the United States. (shrink)

The essay explicates Aimé Césaire’s contribution to the discipline of African philosophy, which ironically, is unknown to many scholars within African philosophy, especially in Anglophone Africa. In his Return to my Native Land, Césaire introduced two new concepts: “négritude” and “return”. These would later turn out to be crucial to the discourse on African identity and African philosophy. In his Discourse on Colonialism, Césaire raised two very closely related objections against Placide Tempels’ Bantu Philosophy. His first (...) dissatisfaction was that Tempels merely followed Lévy-Bruhl and his adherents by proposing another point of view in support of the misguided theory of the prelogical. Secondly, in so doing, his aim was nothing more than to make a presentation of an argument insupport of European imperialism and colonialism. His Discourse on Colonialism, therefore, set the ground for later criticisms that were levelled against ethnophilosophy as an approach to African philosophy. Keywords: Négritude, Return, Thingification, Ethnophilosophy, Philosophic sagacity. (shrink)

This paper sets out to put Kenneth Burke’s thought on language as representative of symbolic action into conversation with Aimé Césaire’s epic poem, Cahier d’un retour au pays natal. The paper is divided into three main sections that set the stage for Burke and Césaire’s work to converse. The first section lays out an overview of Kenneth Burke’s thought on language paying particular attention to his definition of man, understanding of symbolism and symbolic action, and thoughts on (...) poetry and poetics. The second section provides a working history of African philosophy, the Négritude movement, Césaire as a philosopher, politician, and poet, and provides an overview of main themes and intentions present in Cahier. The third section works to put Burke and Césaire into conversation by using Burke’s understanding of symbolic action and his notion of order and identification to examine key passages from Césaire’s Cahier. The paper works to present an informative and textured engagement between the work of Kenneth Burke and Aimé Césaire. (shrink)

Euzhan Palcy’s film A Dry White Season, set in apartheid South Africa, portrays a resistance not intended to lead to victimhood, yet leads to the death of the Afrikaans protagonist, Benjamin Du Toit. The narrative follows Ben as they are educated about Black South Africans’ suffering under apartheid, their growing activism and simultaneous increasing victimization beside that of their Black friends. I first examine how early political critics of the film thought it stressed the victimization of the white character at (...) the expense of that of the Black characters. Next, I interpret the film by considering how Palcy’s aims, the influence of their compatriot Aimé Césaire’s anticolonial views, and the details of the film’s structure, illuminate the film’s philosophical insights into victimization and resistance. I show how the film’s representation of Ben’s secondary victimization and witnessing highlights the victimization of apartheid. (shrink)

This study is concerned with the placement of the secondary stress in Tiberian Biblical Aramaic. The challenging aspect of this placement is that, contrary to universal typology, both long-voweled CVVC, CVV and short-voweled CV syllables are stressed whereas short-voweled CVC syllables are not. This apparently abnormal distribution is rationalized by arguing that CV syllables became CVV due to a secondary lengthening of the short vowel. I claim that this lengthening is a late development and likely corresponds to the late orthographical (...) practice of regularly marking the secondary stress on open syllables. A similar lengthening in Eastern Syriac offers support for this interpretation. Finally, the common origin of Biblical Hebrew and Biblical Aramaic secondary stresses is briefly discussed. (shrink)

L'expérimentation de nouvelles formes de communication politique conduit souvent à regarder l'interner comme un lieu de parole et de dialogue. Mais les médias informatisés sont aussi, et avant tout, un lieu où se définissent les objets et les postures politiques. En particulier, la volonté de mettre à disposition les éléments d'un débat possible tourne souvent à la mise en visibilité, moins de la parole, que de sa possibilité. Car cette thématique de la parole libérée dissimule la réalité d'un ensemble de (...) formes écrites et documentaires, arrière-plan de la discussion qui va jusqu'à se substituer à elle.Experimenting with new forms of communication often leads to watching the intern as a place of speech and dialogue. But the media are also computerized and, above all, a place to define the objects and political posturing. In particular, the desire to provide the elements of a possible debate often turns to set visibility, less speech than of its possibility. For this theme speech released conceals the reality of a set of written forms and documentary background to the discussion that will take its place. (shrink)

Félicité Robert de La Mennais serait-il le précurseur de Karl Marx? Voici la question originale que pose ici Aimé Richardt à propos d'une personnalité complexe, qui va consacrer sa vie à la défense des pauvres, des humbles, des ouvriers. Celui qui avait tout d'abord défendu avec ferveur l'autorité spirituelle absolue du pape dans son Essai sur l'indifférence en matière de religion, va, en quelques années, changer radicalement. Avec Montalembert et Lacordaire, il fonde le journal L'Avenir, lieu d'expression d'un christianisme (...) libéral en gestation. Par leurs articles et leurs prises de position tranchées, ils s'attirent les foudres de Rome et du pouvoir. Condamnés par le pape Grégoire XVI, les trois hommes se séparent. Les premiers se soumettent, mais Lamennais, dans une dérive inéluctable, se révolte et rompt avec l'Eglise catholique. Il publie alors un ouvrage qui fera date : Paroles d'un croyant. Ce livre connaît un succès immédiat, en appelant à la révolte contre l'injustice au nom de l'Evangile. Il contient en germe, plus de trente ans avant Le Capital, la plupart des idées qui y seront développées. Après des aventures politiques contrastées et décevantes - député de gauche à l'Assemblée nationale de 1848 -, Lamennais meurt dans la pauvreté, à Paris, hors de l'Eglise. Replongeant dans les écrits et la correspondance de Lamennais, Aimé Richardt le suit pas à pas dans ses combats et ses révoltes, jusqu'à la fosse commune du Père-Lachaise, où fut déposé son corps le 1er mars 1854. (shrink)

Estonia is a democratic, parliamentary republic with a health care system that is built on the principle of compulsory, solidarity-based insurance and the all-round availability of services of private service providers. Estonia has specific biobank legislation as well as oversight via data protection laws. Its population-based biobank, the Estonian Genome Center, established in 2001, is one of the largest biobanks in Europe, and its database may be used only for scientific research, public health research, and statistics. The EGCUT can issue (...) data to a third party, but only in coded form. This comprehensive database of genotypic, phenotypic, health, and genealogical information represents about 5% of Estonia's adult population, and is the largest cohort ever gathered in Estonia. Government approval is required for international data sharing, and sharing can be further limited by the requirement of ethics approval and permission from Estonian government. (shrink)

My lecture is concerned with a presentation of the method of Deleuzian thought, which - I would like to contend - well represent the change that has taken place in postmodernist thought. Deleuze is unique in calling himself a "classical metaphysicist," i.e. a restorer of classical thought, albeit via the screen - thought which has managed to survive and overcome the obstacle of modernity. The Deleuzian unification of pre-modern thought and modernist critique with Nietzsche's theory of eternal repetition gives rise (...) to a method, whose utter meaning is an attempt to provide thinkers with sharp tools for successfully opposing later capitalism and globalization, something that stands at the very heart of Deleuzian metaphysics. This opposition, which in effect is also a new doctrine of moral aesthetics, lies at the core of this present lecture. I would like to present the special combative nature of Deleuzian thought, and through him to present a different radical angle of the post-modern paradigm. (shrink)