This paper focuses on the fact that AI is predominantly portrayed as white—in colour, ethnicity, or both. We first illustrate the prevalent Whiteness of real and imagined intelligent machines in four categories: humanoid robots, chatbots and virtual assistants, stock images of AI, and portrayals of AI in film and television. We then offer three interpretations of the Whiteness of AI, drawing on critical race theory, particularly the idea of the White racial frame. First, we examine the extent to which this (...) Whiteness might simply reflect the predominantly White milieus from which these artefacts arise. Second, we argue that to imagine machines that are intelligent, professional, or powerful is to imagine White machines because the White racial frame ascribes these attributes predominantly to White people. Third, we argue that AI racialised as White allows for a full erasure of people of colour from the White utopian imaginary. Finally, we examine potential consequences of the racialisation of AI, arguing it could exacerbate bias and misdirect concern. (shrink)

This interdisciplinary study takes a real-life look at evil deeds and evil nature, from the Global Financial Crisis to the Rwanda Genocide and beyond. The authors share their personal and poignant views on evil.

A brief history of affective responses to AI.

The philosophical investigation of consciousness has a long-standing history in both Indian and Western thought. The conceptual models and analyses that have emerged in one cultural framework may be profitably reviewed in the light of another. In this context, a study of the notion of consciousness in the transcendental phenomenology of Edmund Husserl is not only important as a focus on a remarkable achievement in the context of Western thought, but is also useful for an appreciation of the concern with (...) this question in the Indian philosophical tradition, and especially in the tradition of Advaita Vedānta of Ādi Śamkara. The starting point for this paper is the belief that phenomenology has a recognizably common face for both these traditions. This paper investigates the possibility of a parallel notion of consciousness in the transcendental phenomenology of Husserl and the Advaita Vedānta of Śamkara, with particular emphasis on Husserl’s ‘Transcendental I’ and Śamkara’s ‘Witness Consciousness’ (Sākshi Caitanya). In the process, it explores the phenomenological relevance of the concept of consciousness in Indian philosophy, with special reference to the concept of pure consciousness as one of the essential criteria for any sound theory of knowledge. It more importantly highlights the Advaitic understanding of pure consciousness as one of the major contributions to the field of comparative philosophy that forms a vantage point for cross-cultural comparison. While pointing to significant differences in their respective approaches to understanding the nature of consciousness, the exploration finally unveils the common thesis for both Śamkara and Husserl that ‘pure consciousness’ is essentially foundational, evidencing and absolute for any epistemic act. (shrink)

This commentary is a response to ‘More than Skin Deep’ by Shelley M. Park, and a development of our own 2020 paper ‘The Whiteness of AI’. We aim to explain how representations of AI can be varied in one sense, whilst not being diverse. We argue that Whiteness’s claim to universal humanity permits a broad range of roles to White humans and White-presenting machines, whilst assigning a much narrower range of stereotypical roles to people of colour. Because the attributes of (...) AI in the popular imagination, such as intelligence, power and passing as human, are associated by the White racial frame with Whiteness, AI is cast predominantly as White. Following Sparrow, we suggest this presents a dilemma for those creating or representing AI. We discuss three possible solutions: avoiding anthropomorphisation, explicitly critiquing racial role-typing, and representing powerful AI as non-White. (shrink)

Treatise on the fundamentals of Sankhya philosophy with commentary.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Yashastilaka by Somadeva, composed in ce 959, is a Jaina religious romance written in Sanskrit prose and verse. It is notable as an encyclopaedic record of literary, socio-political, religious and philosophical data that throws light on the cultural history of the Deccan in early medieval India. This volume presents a critical study of the work, providing a comprehensive picture of the life and thought of the time of Somadeva. It begins with a discussion on Somadeva and his age and gives (...) a synopsis of Yashastilaka. it examines the Yashastilaka as a prose and a religious romance, a socio-political record and as an anthology of Sanskrit verse. The book discusses various philosophical doctrines in Indian thought. With many detailed references and footnotes, it reveals the Yashastilaka as a work that expounds the cardinal teachings of Jainism. It throws light on Jaina dogmatics, religious poetry, moral and religious stories, and myths and legends in the process of examining the work. The volume also has supplementary notes incorporating the results of studies on Somadeva's relations with the Vemulavada Calukyas and the locality in which he wrote his masterpiece. (shrink)

В монографии дано теоретическое обоснование концепции свободы и права в трудах выдающегося философа И. Канта. Показана значимость наследия И. Канта для дальнейшего развития теоретической мысли в области юридической науки и действующего законодательства.

Powracając do estetyki kantowskiej autorka przygląda się wypowiedziom Kanta i stara się prześledzić możliwe pożytki płynące z wprowadzonego przez niego pojęcia „idei estetycznych”. Zasugerowane zostały także możliwe związki pomiędzy tą [źródłową] ideą a koncepcjami estetyki Rogera Scrutona raz Robina G. Collingwooda i odpowiednio ich pomysłami dotyczącymi doświadczenia wyobrażeniowego (Collingwood) oraz rozumienia i poznania za pomocą wyobraźni (Scruton).

На основе детальной реконструкции идей Канта в книге прослеживается генезис трансцендентальной телеологии, возможность соединения в единое целое теоретической и практической функции разума и дается полное проблемное описание концептуального аппарата.

The author rejects the opinion that Kant’s views on mathematics lend in any interesting sense support to constructivism, understood as the thesis that the truth conditions of mathematical propositions consist in the existence of their constructive proofs or in the possibility of proving them constructively. Kant’s insistence on the role of intuitive construction in mathematics is here interpreted as a thesis concerning mathematical concepts, not mathematical objects, and therefore not in any sense implying that the objects of mathematical cognition cannot (...) be interpreted classically. (shrink)

"Time. Perception. Imagination. Phenomenological Studies on the Question of Time by Augustine, Kant and Husserl". (rus), SPb, 2013. Summary: The monograph is devoted to the key elements of the philosophy of time which determine the necessity of historicism in the analysis of subjectivity. The main idea which defined the composition and design of this work is to trace how the Kantian definition of time as the “form of inner sense” is revealed in Husserl’s phenomenology. The original intention was to understand (...) all three components of this definition. Firstly, what is the inner form, in terms of phenomenology, what are the principles of its constitution and how one can talk about the property of formation? Secondly, what is the meaning of the term "inner" in philosophy, where the division into internal and external has always been a formality, not affecting the essence of things? And finally, what sort of “sensibility” is assumed in transcendental science, bound to become the basis of understanding the history and culture. Presumably, these three Kantian concepts constituted the original plan to analyze the nature of cognitive capabilities of the subject, claiming the gnoseological stage on which the philosophy of time is unfolded. In other words, this work deals with the historical and philosophical analysis of the phenomenological principles by which the concept of time as developed in the twentieth century emerged in the framework of phenomenology. The analyze of the structure of the subject assumes that time, perception and imagination combine in a special type of inner synthesis, which may not be relevant to certain aspects of the method but maintain the basis for a kind of anthropology of time, in continuation of the traditional “inner” contemplation. I consider the inner structure of time with the account of philosophy of St. Augustine, who in many respects not only anticipated the conclusions of phenomenology, but also in his reflections encompassed deeper layers of inner experience. The first chapter is devoted to the doctrine of St. Augustine, in which the theory of time is analyzed in conjunction with the doctrine of “inner word”, specifics of memory representations and notion of inner sense. Additionally, I consider St. Augustine’s reflections about numbers that constitute the basis of aesthetic perception of music (De Musica). Thus, the philosophy of St. Augustine already covers the whole spectrum of anthropology of time, including the question of relation between time and eternity, which remains practically unexplored in phenomenology and serves as the proof of that in interactions between philosophy and theology the tradition remains important. The second chapter of this study is devoted to analysis of the transcendental aesthetic of Kant, which includes all the methodological possibilities of considering the category of time as a formal condition for any experience, consequentially serving as a foundation for further logical development by Husserl, which includes the critical disengagement of the founder of phenomenology from Kant's transcendentalism. Particular attention is paid to the origin of the concept of inner sense, as well as possible interpretations of the function of imagination, which as a transcendental ability remains the most interesting type of synthesis. Handwritten fragments of Kant’s works are also of interest to the character of the imagery as considered in detail by Husserl. Chapter three discusses the phenomenology of inner time consciousness, represented in those important aspects, without which it is impossible to speak about the internal structure of temporal experience - the subjectivity of time, retention, "living present", and the character of synthesis. Particular attention is paid to Husserl's polemics with those representatives of psychological branch in the studies of consciousness, whose ideas greatly influenced the very motivation for creating the method. Apart from the well-known criticism of Brentano, the third chapter highlights the rarely analyzed psychological ideas that motivated the choice of Husserl’s terminology - the "Präsenzzeit” by W. Stern, the "psychological analysis" by A. Meinong, and the “fusion” (Verschmelzung) by K. Stumpf. Chapter four deals with the need to analyze the specifics of image as an element of consciousness and imagery as such, which includes a system of objectified acts. Thus is revealed the very nature of synthetic connections in the acts of consciousness, as well as the presumably imaginative character of the constitution of temporal form. (shrink)

The purpose of this article is to present the views of the Russian philosopher Leonard Alexandrovich Kalinnikov on Kant’s philosophy. This article demonstrates one of the important aspects thinks Kaliningrad resident, namely the rules interpretation system of Kant. The article consists of three parts, the first presents a brief biography of the Russian thinker, the second presents ten rules, without which the thoughts of Kalinnikov can not do any decent system researcher Kant, the third contains conclusions. This reception is based (...) on an earlier esoteric-teleological assumption about the whole system. Kant’s System, according to Kalinnikov, must be reconstructed and presented on the basis of three Critiques, which organically contain internal rules for their interpretation. As a final of the nine principles of interpretation, Kalinnikov proposes one universal principle of the unity of the world. This principle consists in the monistic reading of the question about human, which is intended to encapsulate the system in its entirety as a world of phenomena, things-in-themselves, and their human mediator. (shrink)