Social analysis of transplant organ demand often focuses on either small-scale (familial) tyrannies of the gift or large-scale (global) markets. Media accounts of the scandalous in transplant medicine stress the latter, a homogeneous model of flows of biovalue down gradients of economic and social capital. This article examines particular globalizations of tissue demand organized as much around claims of social similarity as gradients of social difference. To engage apparent ‘diasporic’ networks of organ purchase — Non-Resident Indians traveling to India and (...) Overseas Chinese to China — I elaborate a concept of bodily supplementarity. Supplementarity in this account is the ability of an individual or population to secure longevity through the mobilization or acquisition of the organic form of others. Diasporic tissue circuits are analyzed in the context of ‘experiments’ in supplementarity that proliferate with the transformation of the molecular conditions for supplementarity. The emergence of powerful immunosuppressants renders the scale of tissue recruitment flexible and contingent, and allows clinics to develop alternatives to brain death. These circuits emerge as situations that reorder the relation of the familial and the global in transplantation, in the service not only of migrant supplementarity but also efforts to reimagine the challenges of emigrant belonging within particular configurations of racialized life and its government. (shrink)

This article seeks to correct some widespread misunderstandings of Derrida's thought, mostly amongst philosophers working in the mainstream analytic line of descent. I put the case – with reference to Of Grammatology along with other writings of his earlier period – that Derrida has made important contributions to philosophy of language and logic, especially with regard to issues of modality, tense, and the scope and limits of classical (bivalent) reasoning. Moreover I contend, again contra the received analytic view, that his (...) texts themselves bear witness to the highest standards of conceptual and logico-semantic precision. That there are now some signs – albeit hesitant and belated – of their coming to recognise these virtues of Derrida's work is welcome evidence that philosophers in that 'other', analytical tradition are beginning to move beyond the old outlook of mistrust or downright hostility toward their typecast 'continental' counterparts. (shrink)

We presented a contextual statistical model of the probabilistic description of physical reality. Here contexts (complexes of physical conditions) are considered as basic elements of reality. There is discussed the relation with QM. We propose a realistic analogue of Bohr’s principle of complementarity. In the opposite to the Bohr’s principle, our principle has no direct relation with mutual exclusivity for observables. To distinguish our principle from the Bohr’s principle and to give better characterization, we change the terminology and speak about (...) supplementarity, instead of complementarity. Supplementarity is based on the interference of probabilities. It has quantitative expression trough a coefficient which can be easily calculated from experimental statistical data. We need not appeal to the Hilbert space formalism and noncommutativity of operators representing observables. Moreover, in our model there exists pairs of supplementary observables which cannot be represented in the complex Hilbert space. There are discussed applications of the principle of supplementarity outside quantum physics. (shrink)

The term ‘gesture’ is often used for an action capable of conveying a meaning and, in this sense, it is related to the question of the origin of language. In this paper I rather focus on a concept of ‘gesture’ intended as the «supplement of an act», produced by an historical and cultural process and representative of a «pure mediality». Such a different notion of gesture should not to be confused with a form of expression considered as an end in (...) itself. In this perspective, I will try to think the artistic gesture not as bearer of meaning but as what is ‘beared’, i.e., as the non-communicative rest of previous acts of communication. (shrink)

The evermore explicit technicization of the world, together with the immeasurable nature of the political and ethical questions that it poses, explicitly defy the syntheses of human imagination and invention. In response to this challenge, how can philosophy, in its relation of nonrelation with politics, help in orienting present and future negotiation with the processes of complexification that this technicization implies? The article argues that one important way to do this is to think and develop our understanding of technicity from (...) out of metaphysics, its destructions and deconstructions. The argument proceeds from the aporia of knowledge in Plato's Meno, situates continental philosophical thought's various articulations of the ‘other’ of metaphysics in relation to the problematic of this aporia and claims that certain understandings of this alterity can be further articulated in terms of technical supplementarity. Working between the concept of ‘arche‐writing’ in the thought of Jacques Derrida and that of ‘epiphylogenesis’ in that of Bernard Stiegler, the article then develops this supplementarity in terms of a play between originary technicity and its historical differentiations, one that both holds to the articulation of alterity in recent continental philosophy and develops it further in terms of its relation to historical determination. This relation, posited through a thinking of technicity, permits, finally, the ‘development’ of an ethics of giving time with which negotiation with processes of complexification can be undertaken in the name of justice. An ethical relation to these processes thereby emerges through the very excess of the human. (shrink)

Niklas Luhmann and Jacques Derrida start with a common assumption in their analyses of the law and the economy - the foundational paradox of social institutions. But then autopoiesis and deconstruction move into opposite directions. Luhmann pursues the question of how de-paradoxification constructs the immanence of social institutions and builds a world of autopoietic social systems. By contrast, Derrida's thought aims at the transcendence of social institutions through their re-paradoxification. However, there is a hidden supplementarity of autopoiesis and deconstruction (...) which makes it worthwhile to relate the theories to each other. Derrida's distinction of writing/speech is necessarily blind toward Luhmann's distinction of consciousness/communication, but is, at the same time, continuously provoked by it. On another level, the opposite happens. Luhmann's autopoiesis is permanently irritated by Derrida's différance but is at the same time unable to conceptualize it. This complementary blindness of their distinctions directrices is a permanent source of mutual irritation which requires a reformulation of the social and of the possibility of justice. (shrink)

Many of Derrida's formative texts from 1967 about writing, the trace, supplementarity, death, and différance feature striking liminal references to the figure of the mother and are implicitly haunted by the question of birth. In a pivotal passage of De la grammatologie, Derrida links the very futurity of deconstruction to the emergence of ‘a reading discipline to be born’. In this essay, I show that through his readings of the ‘birth of language’ in Lévi-Strauss and Rousseau, Derrida implicitly invites (...) us to relate the inscription of this ‘discipline of reading yet to be born’ to a deconstructive writing of birth that still remains to be read. Birth, as it emerges through this re-reading of the 1967 texts, can neither be conceived as a fixed moment of past plenitude nor contained by a natural, human figure. Instead, it is an exorbitantly exorbitant supplement that is temporally dislocated, iterative, and fissured with non-being. (shrink)

While the initial reception of Alfred Hitchcock's Vertigo was unspectacular, it made its presence felt in a host of other films – from Chris Marker's Sans Soleil, to Brian De Palma's Obsession, and David Lynch's Mulholland Dr.. What seemed to have eluded the critics at the time is that Vertigo is a film about being haunted: by illusive images, turbulent emotions, motion and memory, the sound and feeling of falling into the past, into a nightmare. But it is also a (...) shrewdly reflexive film that haunts filmmakers, critics, and artists alike, raising fundamental questions about the ontology of moving images and the regime of fascination that churns them out. Douglas Gordon's Feature Film, D.N. Rodowick's The Wanderers, and Lynn Hershman's VertiGhost are contemporary examples of how the appropriation and contemplation of some the film's most iconic motifs, themes and strategies ask us to rethink the relation of fetishism to fabulation, and supplementarity to dissimulation and social engineering. Feature Film, The Wanderers, and VertiGhost are supplementary works, but like the original film they are about duplicity, doppelgänger, and dissimulation. What interests us is how they challenge the authority over, or even proximity to, that which returns in the form of the supplement. And ultimately, attaching themselves to the chain of forgers and forgeries, these supplementary works take their place in the vertiginous sequence of substitutions the film established: a neat allegory for a reign of the digital ghosting that Hitchcock could never have anticipated. (shrink)

The introduction and appendices to Habermas's texts reveal, both explicitly and implicitly, some inner contestations within his social theory. Habermas attempts to ground critical theory in a philosophical anthropology based upon quasi-transcendental cognitive interests and an ideal speech situation involving a consensus theory of truth. Unlike other expositors of dialectical theory, Habermas fails to address systematically the notion of supplementarity. Thus the dichotomous typologies of his analysis appear frozen within the existing ideological framework and some are in conflict with (...) the emancipatory aspect of his theory. Habermas must clarify the overlapping character of his categories and recognize the logic of harmony implicit within his analyses in order to make his theory compatible with his criticism. (shrink)

Mise en abyme is a term from literary theory denoting a work that doubles itself within itself, for example a story placed within a story or a play within a play. Proliferating in experimental fiction in midcentury France, this technique had a strong impact on contemporary literary theory, but also, as this book project argues, on post-Heideggerian and post-structuralist philosophy. The Little Crystalline Seed focuses on how three of these thinkers invoke the concept of mise en abyme in order to (...) establish ontologies that deviate from that of Heidegger. Iddo Dickmann demonstrates how the concept served in modeling Derrida's logic of supplementarity, Blanchot's philosophy of "ambiguity" and mechanism of Désouvrement, and Deleuze's philosophy of difference, time and repetition. Exploring the interpretative and generative potential of the mise en abyme for continental thought, Dickmann illustrates points of resonance between various philosophical topics such as aesthetics, ethics, time, logic, mirroring, play, and signification. (shrink)

This study provides data for a behavioral paradigm to resolve the free will issue in psychological terms. As predicted, college students selecting among many alternative responses consistently selected according to experimental set, environmental conditions, past experiences and other unknown factors. These explained and unexplained causal factors supplement one another and make varying relative contributions to different behaviors - the Principle of Behavioral Supplementarity. The more psychologically remote the causal factors, the greater proportion of unexplained ones relative to explained ones (...) - the Principle of Remote Antecedence. Both the causal categories can be conceptualized in the incompatible terms of reductionism or intentionality, depending upon the dissociated belief state of the observer - the Principle of Behavioral Complementarity. Ordinarily, on utilitarian grounds, behaviors with psychologically contiguous antecedents are best conceptualized in a reductionistic belief state, and behaviors with remote antecedents are best conceptualized in an intentional belief state. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 42.2 (2004) 234-235 [Access article in PDF] Leonard Lawlor. Derrida and Husserl: The Basic Problem of Phenomenology. Bloomington: Indiana University Press, 2002. Pp. xii + 286. Paper, $19.95. Ever since Derrida began producing his interpretive critical studies on the giant figures of Husserl and Heidegger, a book of the kind Lawlor offers has been needed. Framing his study by drawing directly from Derrida's (...) texts themselves, Lawlor takes up in detail Derrida's interpretation and critique of Husserl's phenomenology to show how he moves beyond the framework he identifies as Husserl's in developing his "deconstruction."In the course of a study thus primarily internal to Derrida's texts, Lawlor provides one of the greatest strengths of the book, his fine treatment of the way the work of French thinkers subsequent to Husserl helped Derrida develop the distinctive enterprise of "deconstruction": specifically, Jean Cavaillès, Tran-Duc-Thao (ch. 4, parts 1-2), Jean Hyppolyte (ch. 5, part 1), and Emmanuel Levinas (chs. 6-8). Determinative prior to that, however, is the influence Lawlor shows stemming from Eugen Fink's published writings (chapter 1). Impressive as well throughout (though his "internalist" restriction also shows serious faults—mentioned later) is the exegetical subtlety Lawlor exercises upon Derrida's writings, those concentrating on Husserl from 1953 to 1967, together with one on Lévinas ("Violence et métaphysique," 1964/1967) and three later ones no longer dealing with Husserl (principally "Les fins de l'homme," 1972, De l'esprit, 1987, on Heidegger, and "Spectres de Marx," 1993). It is a choice of texts that is eminently justifiable, even if the necessary inclusion of the latter introduces a dimension that needs to be contrasted more incisively with the way the Husserl-centered material is focused.Lawlor is excellent in showing a shift in interpretive focus and character taking place as Derrida moves from his treatment of Husserl in Le problème de la genèse dans la philosophie de Husserl (1953-54) through his "Introduction" to Husserl's Origine de la géométrie (1962) to La voix et le phénomène (1967) (chs. 4-6). Derrida's interpretive critique of Husserl thus begins with the primacy of the problem of "genesis," of "origin," then moves in transition through the second book (via the notable interlude on Lévinas, ch. 6) to the decisive break from Husserl in the third (ch. 7). With this last, La voix et le phénomène, Lawlor writes, "[t]he problem of the sign has come to replace, for Derrida, the problem of genesis" (166). Here instead of the transcendental power of origination being the intuition-effecting subjectivity of Husserl's Ideas I, a double replacement occurs by which a) "the voice" becomes for Derrida the "ultra-transcendental," and b) its constitutive dynamic, "temporality," is cast as a movement of pure "auto-affection" in a process called "archi-writing," unceasingly generating a supply of element upon element in a "supplement"-driven articulation of meaning (192-97)—in sum, différance as co-incident "differentiation" and "deferral" (196-205). This is the burden of the section (chs. 6 and 7) entitled "The End of Phenomenology and Ontology," closing a debate between Husserl—"phenomenology"—and Heidegger—"ontology." With this the new, post-phenomenological, post-ontological effort begins, the era in which Derrida's philosophic work, now after the definitive "deconstruction of metaphysics," gradually moves ethico-political issues into the foreground, though "[d]ifférance and supplementarity" continue as basic concepts (211-12). Here no foundational grounding underlies clarifications in the region of meaning and value, or rather a "non-foundation" subtends any gaining of insight, radically qualifying its claims. One's efforts deploy in ever-renewed consideration of issues guided by something "deeper than being," by a "non-foundational," "non-ontological" "aporia" "experienced" in deconstructive ultimacy as "the unheard-of question" (234).About all this, some reservations have to be raised. First of all, it is quite clear that in fact the question of "genesis" remains; the whole... (shrink)

This Ph.D. thesis is, in large part, a deepening of my M. A. dissertation, entitled: "Différance Beyond Phenomenological Reduction (Epoché)?" - an edited version of which was published in The Warwick Journal of Philosophy, Vol. 2, Issue 2, 1989. The M. A. dissertation explores the development of the various phases of the movement of epoché in Edmund Husserl's phenomenology and its relevance for Jacques Derrida's project of deconstruction. The analyses not only attend to the need for an effective propaedeutic to (...) an understanding of phenomenology as method, they also serve to demystify the logics of Derridean non-teleological strategy by explaining the sense of such a manoeuvre - as a kind of maieutic response to the Husserlian project - which operates within the horizon of a radical epoché. According to this orientation, Derrida's deconstruction of phenomenology is permitted to open itself up to a phenomenology of deconstruction. This doctoral thesis develops these analyses and utilizes a form of critique that points the way to the possibility of a phenomenological-deconstruction of the limits of Derrida's project of deconstruction through the themes of epoché, play, dialogue, spacing, and temporalization. In order to trace the resources from which he draws throughout the early development of deconstruction, this study confines itself to a discussion on the texts published between 1962 and 1968. This subjection of deconstruction to a historical de-sedimentation of its motivational, methodological, theoretical, and strategic moments, involves a certain kind of transformational return to the spacing between phenomenology and deconstruction that urgently puts into question the alleged supercession of phenomenology by deconstruction. The expression of such a 'beyond' is already deeply sedimented in contemporary deconstructive writing to the point at which it is now rarely even noticed, let alone thematized and brought into question. This conviction (regarding the transgression of phenomenology by deconstruction) traces itself out in the form of an attitude to reading which is, in fact and in principle, counter to D6rrida's own call for care. The meaning and limits of the very terms, transgression, beyond, supercession, etc., must be continually subjected to deconstruction. The notions of play, dissemination and supplementarity - with the concomitant sense of transformational repetition that defines them - do not function as a mere excuse for lack of scholarly rigour. Deconstruction is a movement of critical return, which must insert itself (with a sense of irony) within the margins and intersections of that which gives itself up to this practice of textual unbuilding. The strategy of play encourages the structural matrix of that with which it is engaged to turn in upon itself, exposing its limits and fissures in a kind of textual analogue to a psychoanalysis. To be sure, this does involve a certain kind of violence -a violation of the ( system's' own sense of propriety (what is proper [propre] and closest to itself) -but in no sense is this an anarchical celebration of pure destruction. We speak rather of irony, parody, satire, metaphor, double-reading and other tactical devices, which permit a reorganization of the deconstructed's (textual analysand's) self-relation and the possibility of playful speculation. Such play demands care and vigilance in regard to the appropriation of the logics of the system with which it is in a relation of negotiation. In order to play well, one must learn the game-rules. (shrink)

A long and persistent consideration of Heidegger's involvement with Nazism can be found in the work of the French philosopher Philippe Lacoue-Labarthe . Starting from a re-evaluation of mimesis as a productive relationship between technè and physis, Lacoue-Labarthe detects in mimesis an original supplementarity, forgotten by metaphysics. According to Lacoue-Labarthe, Heidegger respects this supplementarity bothin Sein und Zeit and in 'The Origin of the Work of Art' , whereas Heidegger's Rectorial Address of 1933 represents a retroversion into metaphysics. (...) In this article, I argue that Lacoue-Labarthe's diagnosis is correct, where he proves that Heidegger's Address is dominated by 'onto-typology', i.e. a desire to have the Gestalt of the German people presented. However, first of all I show that also — what I call — 'onto-physiology' is important in Heidegger's metaphysical thinking in the Address. Second, I show that not all of the Address is a repetition of western metaphysics: notably Heidegger's treatment of knowledge cannot be taken to be metaphysical. A final question is whether Heidegger's involvement with Nazism coincides with his falling back into metaphysics. In fact, Lacoue-Labarthe gives cause for believing this is not the case and that Heidegger's Nazism is to be found just as much in his retreat from metaphysics. (shrink)

This paper is concerned with the representation in academic journal articles and textbooks of an organisation theory. In the case of Burns’ and Stalker’s book The Management of Innovation (1961,1966), summaries of the text by other scholars have arguably differed from the original authors and among themselves in their emphases. Similar points have been made about representations of other theorists such as Kurt Lewin and, perhaps most famously, Adam Smith. They all raise issues about the meanings of texts and where (...) such meanings lie: with the author, the reader, the text itself or perhaps some combination of these. They also raise questions about whether texts can be shown to have definitive meanings; and if not, whether there are any criteria for adjudicating on the validity of varied interpretations. Representations by textbook writers are analysed and questions about the meaning of texts raised by ‘structuralist’ and ‘deconstructionist’ writers examined. Their writings beg certain questions about textual representations. Perhaps the most extreme of these views is Barthes’ concept of the ‘death of the author’. Like Barthes, Derrida argues, for the reasons mentioned above, that there is no underlying, final decipherable meaning in a text, but gives more credence to the role of the author, accepting the validity of the author’s consciousness and intentions as one of the sources of meaning in texts. There are also other sources: the situatedness and historical context of the text and the text itself. Derrida’s concept of ‘différance’ requires the reader to engage in an analysis of the text which offers limitless possibilities for interpretation and a renunciation of the certainty of truth, because the meaning of a text may extend beyond the limits of our knowledge at any one time. His notion of the ‘logic of supplementarity’ is a further means to analyse texts, as it also disprivileges obvious or overt meanings in texts by overturning hierarchy in oppositions and questioning univocal definitions of meaning. Questions inspired by these and other writers give rise to an exploration of who is speaking in the text; which subject matter is represented as central and which as marginal; binary oppositions within the text and intertextual connections. The paper then begins the more ambitious task of answering the broader question as to whether it can be shown that there are more and less ‘representative’ or ‘stronger’ interpretations of a text. (shrink)

This paper draws on the deconstruction(ist) toolbox and specifically on the textual unweaving tactics of supplementarity, exemplarity, and parergonality, with a view to critically assessing institutional (UNESCO’s) and ordinary tourists’ claims to authenticity as regards artifacts and sites of ‘cultural heritage’. Through the ‘destru[k]tion’ of claims to ‘originality’ and ‘myths of origin’, that function as preservatives for canning such artifacts and sites, the cultural arche-writing that forces signifiers to piously bow before a limited string of ‘transcendental signifieds’ is brought (...) to full view. The stench of the aeons is thus forced to evaporate through a post-transcendentalist opening towards originary myths’ original doubles. (shrink)

Although much headway has been made since the Derridean notion of the ‘general text’ was recuperated by eco-critics to imbue the philosophy of life with deconstructive rigor, the recent publication of Jacques Derrida’s Life Death seminar provides an opportunity for a renewed engagement. Parallel to his sustained elaboration of a non-dialectical reckoning with life (death) were a series of developments in the study of thermodynamic complex systems that similarly sought to demystify the pervasive vitalism within the life sciences. Derrida’s grammatological (...) interrogation of the life/death dialectic takes the ‘textualization’ of genetic life as a starting point for articulating a logic of supplementarity that reorients our position in relation to our lived environments. ‘Writing’, however, cannot help but invoke the archive along with all its destructive impulses (Destruktionstrieb). If the archive invokes the law of the house (oikos), then the archive perhaps names the archive of the archive, which Derrida was all too aware of as the site for the annihilation of memory and the release of pure loss. A grammatological reading of this entropic textuality would thus consider how the irreducibility of absolute destruction might nevertheless offer a path ‘toward the incalculability of another thought of life.’. (shrink)

This article explores the pedagogical significance of non-static and hybrid utopian readings and writings by focusing on Margaret Cavendish's educationally-philosophically neglected female utopia The Description of a New World, Called the Blazing World. It questions the exaggerated, inflated and exclusivist emphasis on the pedagogical benefits of homologous spatial signifiers of entry into utopia and return to home and draws examples of utopian passages across genres, texts, minds and worlds from the writing of Cavendish. Such passages can be read as performative (...) ways of hybridising and reinventing both the utopian topos and the traveller's identity. New space is thus opened for learning as imitation and re-writing rather than as a return to, or manifestation of, an original self. Finally, new performative means for fashioning pedagogical authorship, nurturing the other's learning, and fashioning intellectual growth are promoted. Such means comprise mutuality of pedagogical initiatives, improvisation through imitation and supplementarity of cooperative writing. (shrink)

This article inquires into a paradoxical position held by the concept of ‘nature’ in Derrida's thought. While a pivotal part of his project of deconstruction is devoted to a critique of the metaphysical privileging of nature over its others (technics, culture, and so on), the same project also aims at dismantling the hierarchical binary opposition of man/animal. Insofar as the term ‘animal’ or ‘animality’ to a large extent overlaps with nature, these two strands of his thought appear to stand in (...) a significant tension with each other. I explore this conceptual tension by re-examining Derrida's early critique of the notion of nature – specifically in his reading of Rousseau – in conjunction with his later engagement with the question of animality. As my reading shows, deviating from his early approach, his later work indicates the way in which animal others (and, by extension, all living and non-living others) are indeed constituted by supplementarity and yet, in their irreplaceable singularity, exceed the very structure of supplementarity. This opens up a new way of conceiving nature, no longer as originary presence nor simply as an effect of supplementary play, but in terms of the aporetic relation between supplementarity and what may be termed ‘the unsupplementable’. (shrink)

This article revolves around the debate surrounding the lack of a coherent definition for corporate social responsibility (CSR). I make use of Jacques Derrida’s theorizing on contested meaning to argue that CSR’s ambiguity is actually necessary in light of its functional role as a “supplement” to corporate profit-seeking. As a discourse that refuses to conclusively resolve the tension between profit-seeking and prosociality, CSR expresses an important critical perspective which demands that firms act responsibly, while retaining the overall corporate frame of (...) shareholder supremacy. CSR does this by ambivalently affirming both profit-seeking and prosociality, a necessary contradiction. Attempts to reduce CSR’s ambiguity can thus only succeed by undermining its viability as a normative discourse that captures how certain elements of society understand how firms should act. The analysis suggests that greater scholarly attention is needed with regard to the material discursive environments within which discourses such as CSR are deployed. A discursive approach to research could thus benefit future practitioners, who have to act according to fluid standards of responsibility that cannot be authoritatively defined, but which can be better understood than they are at present. (shrink)

This chapter contains sections titled: Introduction The Topics of Deconstruction: An Overview The Deconstruction of Structuralism The Deconstruction of Phenomenology Supplementarity in the Deconstruction of Rousseau The Deconstruction of Heidegger Deconstructive Remarks about Hegel The Deconstruction of Khōra Responding to Deconstructions Radical Meaning Holism: Rorty and Derrida Deconstruction and Questions of Ethics: Hospitality, Justice, and Friendship.

Spearheaded by Beck and the ‘world risk society’ thesis, contemporary commentators in search of evidence of political renewal ‘from below’ have discerned a convergence of environmental and cosmopolitan sensibilities. But through its foregrounding of the destabilization of matter by new technologies, this ‘environmental cosmopolitanism’ tends to reenact the conventional binary of passive nature and dynamic culture. It is suggested that this expresses a metropolitan detachment from the everyday experience of working with flows of matter and life. Drawing on the pivotal (...) role of bioinvasion in the European colonization of the temperate periphery, an alternative perspective on ecological globalization is presented which takes account of the ‘weedy opportunism’ and inherent mobility of biological life. In this way, ‘globalization from below’ takes on the meaning of an opening of culture to the ‘unsettling’ influence of biological and geological histories that manifest themselves at global scales. (shrink)

Spearheaded by Beck and the ‘world risk society’ thesis, contemporary commentators in search of evidence of political renewal ‘from below’ have discerned a convergence of environmental and cosmopolitan sensibilities. But through its foregrounding of the destabilization of matter by new technologies, this ‘environmental cosmopolitanism’ tends to reenact the conventional binary of passive nature and dynamic culture. It is suggested that this expresses a metropolitan detachment from the everyday experience of working with flows of matter and life. Drawing on the pivotal (...) role of bioinvasion in the European colonization of the temperate periphery, an alternative perspective on ecological globalization is presented which takes account of the ‘weedy opportunism’ and inherent mobility of biological life. In this way, ‘globalization from below’ takes on the meaning of an opening of culture to the ‘unsettling’ influence of biological and geological histories that manifest themselves at global scales. (shrink)