As the pagan classical world was subsumed into Christianity sexually hyperactive gods and goddesses transmuted into saints, their former statues that glorified the perfection of their bodies smashed into pieces and reimagined as austere two-dimensional icons to be worshipped by the new faithful. That dualistic and polemic narrative, where the soul’s purpose was to annihilate the body, survives today in the distinction between software and hardware, algorithms and robots, the former as the “ghosts” that animate the empty vessels, the “machines”. (...) But how does this narrative impact our cultural and social fantasies in the twenty-first century as we accelerate toward coexisting, uniting, or merging with intelligent artifacts? How does “humanness” blur when it is claimed by no-biological human-like entities too, or when humans augment their perception, consciousness and physical power through genetic engineering, drugs, or software and mechanical prostheses? Suppose we are destined to remake ourselves in the image of our ancient gods. Will it be through the embodiment of technologies in the physical reality, or through the complete disembodiment of our minds inside virtual worlds? (shrink)

It is divided into four sections covering science as a whole, the new technologies of the postmodern era, bio-medical discourses, and nature. A distinguished cast of contributors explores the central feminist concerns in each arena, through the central metaphors of monster, mother goddess and cyborg. They look at the consequences of gynogenesis, postmodern eco-buddhism in heathcare, sexual violence in cyberspace, the postmodernization of menopause, the dolphin as androgyne and feminist environmentalism.

On the Cave of the Nymphs, an allegorical exegesis of Homer’s description of the cave of the nymphs at Odyssey 13.102-112, a passage quoted in full at the beginning of the treatise after the briefest possible indication of the project on which Porphyry is embarking, has been generally given little attention in discussions of Neoplatonic philosophy, as it is deemed to be of little importance for establishing Porphyrian doctrine. However, the treatise contains significant philosophical thoughts on the relationship between the (...) soul and body, embodiment, demonology, and the concept of the salvation of the soul, which are compatible with his other works, especially _On Abstinence from Killing Animals_ and _Pathways to the Intelligible_. The concept of the salvation of the soul is found in Porphyry’s identification of the goddess Athena with _phronesis_, along with the olive tree, while Odysseus represents the soul descending into genesis, but will return back to his fatherland. In this context, this paper will explore the role and meaning of _phronesis_, namely the goddess Athena, in the process of the soul’s journey towards the intelligible realm and show the relevance of the Neoplatonic doctrine of virtues, particularly the cathartic virtues, in _Sententia_ 32 to Porphyry’s reading of Homer’s image of Odysseus under guidance of the goddess Athena. _Phronesis_ inspires the soul to incline towards the level of Intellect that is, away from damaging influences of the body to which the soul is enslaved and which confuses it with desires, passions, fears and illusory impressions, and prevents it from attaining the intelligible realm, whereas the body and its desires lead us to conflict and unjust behaviour in order to gain wealth, status, power, and pleasure. (shrink)

This article reports on the preliminary findings of a research project on the phenomenon of the blending of Christianity and Goddess Spirituality1, with particular reference to the beliefs and values of practitioners. The contours of a grassroots Christian Thealogy are sketched by drawing from the transcripts of over 100 interviews with women who self-identify as blending Christianity and Goddess Spirituality.

Purpose. The paper aims at examining the phenomenon of the rebirth of the Goddess in the contemporary world. The author has used the hermeneutic approach and cultural-historical method, as well as the anthropological integrative approach. Theoretical basis. The study is based on the ideas of Carol Christ, Margot Adler, Miriam Simos, and Jean Shinoda Bolen. Originality. The rebirth of the Goddess is not a deconstruction of the God. The face of the Goddess is one side of the (...) binary opposition "Goddess – God". Life on the earthly plane presupposes masculine and feminine dualism. However, these polarities are not mutually exclusive and mutually suppressive, but complementary to each other. The return of the Goddess to the throne and a profound appreciation of Femininity is a necessary step forward in establishing true equality and restoring lost harmony. As humanity returns to the Absolute that transcends duality, as divinity is revealed in feminine and masculine forms, and, finally, as humans get in touch with their true self, the two faces, feminine and masculine, will inevitably merge. Conclusions. Identifying herself with the images of the Goddesses, a woman develops self-awareness and self-acceptance that contribute greatly to her reintegration with a wider spiritual reality. The cult of the Goddess finds practical application in women’s lives. These are magical rituals, work with the archetypes, life-changing tours. Recognizing her right to the fullness of being, a woman overcomes rigid gender roles and stereotypes, ceases to be an object of manipulation and becomes the supreme arbiter of her own life. (shrink)

This paper examines some of the metaphysical concepts that are present within Goddess feminism at the beginning of the twenty-first century. It is asserted from the outset that Goddess feminism is not as incoherent as many of its critics claim; and it is also highly problematic for feminist thealogians to view conceptual precision and philosophical analysis as inevitably masculinist and invidious preoccupations. Three contemporary feminist thealogical concepts of deity are introduced: the Goddess as a personal, loving and (...) panentheistic deity, the Goddess as the impersonal, female and generative pantheistic body of nature, and the Goddess as a maternal space or receptacle of becoming. By reflecting on some of the different ways in which the Goddess may be understood to originate, organize and relate to the whole of nature, this paper identifies areas of coherence, contention and originality in Goddess feminism that are arguably in need of further philosophical study. (shrink)

RESUMEN En el contexto griego clásico, Demeter era venerada como diosa de la agricultura y protectora de la fertilidad. Asimismo, la relación entre esta deidad y su hija Koré-Perséfone representaba la fortaleza del vinculo maternal. Este artículo explora las dimensiones simbólicas de esta figura mitológica, poniendo de relieve sus conexiones con un modelo ético de maternidad asociado al cuidado y a la resistencia frente a las injusticias. Además, se aborda una lectura de este mito desde la perspectiva de la teoria (...) feminista contemporánea, mostrando su cercania con los planteamientos del ecofeminismo. ABSTRACT In the classical Greek context, Demeter was worshipped as a goddess of agriculture and a protector of fertility. Moreover, the relationship between this deity and her daughter Kore-Persephone represented the strength of the maternal bond. This article explores the symbolic dimensions of this mythological figure, highlighting its connections with an ethical model of motherhood related to care and resistance against injustices. In addition, this article approaches this myth from the perspective of contemporary feminist theory, showing its links with ecofeminism. (shrink)

Goddesses in Context: On Divine Powers, Roles, Relationships and Gender in Mesopotamian Textual and Visual Sources. By Julia M. Asher-Greve and Joan Goodnick Westenholz. Orbis Biblicus et Orientalis, vol. 259. Fribourg: Academic Press, 2013. Pp. xii + 454, illus. €106.

This book on the Tripurārahasya, a South Indian Sanskrit work which occupies a unique place in the Śākta literature, is a study of the Śrīvidyā and Śākta traditions in the context of South Indian intellectual history in the late middle ages. Associated with the religious tradition known as Śrīvidyā and devoted to the cult of the Goddess Tripurā, the text was probably composed between the 13th and the 16th century CE. The analysis of its narrative parts addresses questions about (...) the relationships between Tantric and Purāṇic goddesses. The discussion of its philosophical and theological teachings tackles problems related to the relationships between Sākta and Śaiva traditions. The stylistic devices adopted by the author(s) of the work deal uniquely with doctrinal and ritual elements of the Śrīvidyā through the medium of a literary and poetic language. This stylistic peculiarity distinguishes the Tripurārahasya from many other Tantric texts, characterized by a more technical language. The book is intended for researchers in the field of Asian Studies, Indology, Philosophical, Theological or Religious Studies, Hindu Studies, Tantric Studies and South Asian Religion and Philosophy, in particular those interested in Śākta and Śaiva philosophic-religious traditions. (shrink)

This article argues that the act of conceptualizing a female divine, whether by so-called low-brow Goddess Spiritualists or high-brow French philosophers, rather than being a mere spiritual exercise, has enormous political significance for feminisms. In particular, I demonstrate that Irigaray's concept of the sensible transcendental, by refiguring a god which is both male and female, transcendent and immanent, theorizes a potential dissolution of the binary logic which forms the basis of western philosophy. The second half of the article looks (...) at the complex role of the angel in Irigaray's theory of the divine in order to demonstrate that, as a result of having misinterpreted the angel's position, critics have failed to recognize the significance and relevance of Irigaray's sensible transcendental for feminist politics. (shrink)

The incredible story of the woman--actress, dancer, yogi, globetrotter--who brought yoga to America and to much of the rest of the western world. Born Eugenia Peterson in early 20th century Russia, Indra Devi was a rebel from earliest childhood. In the 1930s she fled to Berlin, and then--driven by her passion for yoga and a fascination with yogic philosophy (and Theosophy)--she journeyed to India, at a time when unaccompanied young European women were unheard of. In India she performed perhaps her (...) greatest feat--convincing even the most recalcitrant yogis, from Krishnamurti to Krishnamacharya, to reveal to her the secrets of their art. She would go on to share what she learned with men and women around the world--teaching Gloria Swanson and Greta Garbo in Hollywood, then moving to Mexico and later to Buenos Aires--helping to usher in the craze for yoga that continues unabated in the U.S. and throughout the world today. Written with vivid clarity, and describing the extraordinary spread and popularization of a philosophical movement, The Goddess Posebrings Indra Devi's little known but wholly remarkable story to life. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Buddhist Goddesses of India, and: Goddesses and the Divine Feminine: A Western Religious HistoryRita M. GrossBuddhist Goddesses of India. By Miranda Shaw. Princeton, NJ: Princeton University Press, 2006. 571 pp.Goddesses and the Divine Feminine: A Western Religious History. By Rosemary Radford Ruether. Berkeley: University of California Press, 2005. 381 pp.These two very large books should be of obvious interest to those concerned with Buddhist-Christian interactions and comparative studies. (...) They are also especially timely and important, given how much goddesses and the divine feminine have been [End Page 175] overlooked and ignored by those involved in Buddhist-Christian interchange and comparative studies as well as by serious scholars of both traditions.These books will function mainly as goldmines of information about goddesses in Buddhist and Western religions rather than as theoretical and theological analyses about what is at stake in the presence or absence of goddesses and imagery of the divine feminine in either tradition. As is well known, imagery of the divine feminine is longstanding and of considerable importance in Buddhist traditions, even though it was not part of the earliest layers of Buddhist traditions, whereas the divine feminine is largely absent in more recent Western traditions, even though it was common in the ancient Near East. Thus, these two traditions are mirror images of each other’s historical development concerning the divine feminine. It would be fascinating to explore this difference between the traditions. Because neither book is comparative in any way, such questions are not entertained in these books, but at least both books provide a great deal of information that others may use in future explorations of such similarities and differences between the traditions.Most of Miranda Shaw’s analytical comments are found in her brief, thirteen-page introduction. The rest of the book is mainly descriptive. Most of this discussion concerns her choice of the term “goddess” to refer to the many nonhuman, divine females found in Buddhist art and literature. She notes that, while mention of Goddesses is widespread and long-term in works on Buddhist art and history, Buddhist studies in general has not paid much attention to goddesses, and the same basic information has been repeated over and over, with few advances in interpreting and understanding these figures. I would agree with this assessment. She also notes, correctly, that Buddhist goddesses have received scant attention in the recent spate of Western scholarly investigations of goddesses and the divine feminine. Nevertheless, as Shaw points out, various kinds of divine females occupy every niche of the divine hierarchy in Indian and Buddhist cosmology. Indeed, it would be impossible to look at any book about Indian Buddhist art without noticing many voluptuous, highly attractive female figures as well as some more fearsome figures.Shaw justifies her use of the term “goddess” by noting that this is the literal translation of the term routinely used for female divine figures in Indian Buddhist sources. This justification is pointed at several other scholars who have written about Buddhist “goddesses” from a Buddhist point of view but who have avoided the term “goddess” for various reasons, but mainly because of the complexity and explosiveness of that term in Western contexts. The term has also been avoided by Western Buddhist scholars because of possible misunderstandings or confusion that could be caused by the use of such a theistic term in the context of non-theistic Buddhism. Nevertheless, Shaw is correct that the common translation of the terms used in Buddhist texts would be “goddess.” In her discussion of the term “goddess,” Shaw also justifies this English terminology by arguing that the “deities,” especially of Vajrayana Buddhism, are not merely symbols created by human beings or projections of human experiences but have another, transhuman reality. The metaphysics of “deities” or “goddesses” in Buddhism is, however, an extremely complex and subtle matter that cannot be adequately discussed in the few pages Shaw devotes to this issue. [End Page 176]In the rest of her introduction, Shaw details her main emphases in her book, “the origins, iconography, and religious roles of each goddess and discussion of her place in Buddhist history and practice” (p. 4). She tells... (shrink)

Melusine the Serpent Goddess in Myth and Literature examines how women were once worshipped as the life force, but later suppressed with the introduction of monotheism and a changing attitude regarding the sexes. It connects the literary conception of the Melusine story to myths and legends of the snake or dragon goddess, from ancient to contemporary times.

The emergence of conferences in the late nineteenth century significantly changed the ways in which the international scientific community functioned and experienced itself. In the early modern Republic of Letters, savants mainly related through print and correspondence, and apart from at local and later national levels, scholars rarely met. International conferences, by contrast, brought scientists together regularly, in the flesh and in great numbers. Their previously imagined community now became tangible. This paper examines how conferencing reshaped the collective of international (...) scientists by zooming in on the massive meetings of the International Congress of Applied Chemistry, 1893–1914. Drawing on Emile Durkheim's studies of religious gatherings it analyses the ritualization of routine conference practices, such as plenary ceremonies, toasts, ladies’ programmes and committee meetings. It looks at how roles were distributed as participants performed as hosts and guests, and in masculine and feminine and national and international identities. Importantly, it shows both how the sacralization of chemistry as a higher aim served to instil senses of dedication in order to organize labour and mitigate conflict, and how the self-perception of the international chemical community was based on contemporary understandings of parliament, democracy and representation. (shrink)

In India, God can be female. The goddesses of Hinduism and Buddhism represent the largest extant collection of living goddesses anywhere on the planet. Feminists in the West often draw upon South Asian goddesses as theological resources in the contemporary rediscovery of the Goddess. Yet, these goddesses are products of a male supremacist society. What is the impact of powerful female deities--their images, projections, textuality, and history--on the social standing and psychological health of women? Do they empower women, or (...) serve the interests of patriarchal culture? Is the Goddess a Feminist? looks at the goddesses of South Asia to address these questions directly. Not a book about a single goddess or even about a variety of South Asian goddesses, the volume raises questions about images of deities as symbols and the ways in which they function. Contributors discuss contemporary Indian women who have embraced goddesses as spiritually and socially liberating, as well as the seeming contradictions between the power of Indian goddesses and the lives of Indian women. They also explore such topics as the element of male desire in the embodiment of female deities, the question of who speaks for the goddesses, and the politics and theology of Western feminist use of Hindu and Buddhist goddesses as models for their feminist reflections. (shrink)

Isabel Paterson is the founding godmother of the libertarian movement, known best for her book The God of the Machine, which Ayn Rand credited for having done “for capitalism what the Bible did for Christianity.” Often overlooked is her twenty-five-year career as a literary columnist for the New York Herald Tribune. Culture and Liberty: Writings of Isabel Paterson, edited by Stephen Cox, presents a selection of those columns along with private letters and other essays. They are a treasure. Paterson’s critical (...) performances show us a systematic yet unpredictable mind at work—a model not only of the first but also of any future libertarian worthy of the name. (shrink)

This paper begins with three observations: 1) At what is generally believed to be its origin in ancient Greece, “Western” philosophy is not sharply distinguished from poetry, science, or theology; 2) At what is generally believed to be its origin, “Western” philosophy is not Western; it is born in a multicultural matrix consisting of African, Asian, Middle Eastern, and Southern European influences; 3) As philosophy comes to think of itself as “Western,” it separates itself from poetry, science, and the rest (...) of the world-particularly from its roots in Northern Africa.In the first three sections, I examine each observation in turn. In the fourth section, I take up the implications of “Western” philosophy’s alienation from its roots for the contemporary controversy surrounding multiculturalism. If the roots of “Western” philosophy are multicultural, I propose a “radical” philosophy that reclaims them in our own multicultural context. More specifically, I propose to ask a question posed here in its most brutal (but also most honest) form: does “Western” philosophy depend on the abandonment of its friends and the murder of the indigenous peoples it encounters? If yes, then it is necessary to ask whether (in Virgil’s terms) “piety” demands that the West march on in any case. Colonialism and neocolonialism join Aeneas in answering both questions affirmatively. If no, then it is possible to proceed with the kind of radical reclamation suggested above. (shrink)

ABSTRACT This article examines the resonance of Robert Owen’s ideas in the field of women’s rights with the view to determining the extent of their dissemination in transnational networks. The article focuses on the life and work of Anna Doyle Wheeler, which offers an important, though understudied, case for exploring early feminist circles, and, as she was a friend of Owen’s and one of his earliest supporters from the 1820s onwards, the impact of Owen’s ideas within these circles. The article (...) traces Wheeler’s discovery of Owen’s system and examines how Wheeler fused Owen’s co-operative ideals with calls for women’s emancipation. It analyses her famous Appeal of One Half of the Human Race (1825), a work that urged women to engage ardently in the battle for their political and civil rights, and to join in the establishment of co-operative communities. The article concludes by examining how Wheeler attempted to articulate and put into practice these political and co-operative principles through her involvement in the English, French and Irish co-operative movements, and through her association with Désirée Véret and the contributors to the Tribune des femmes. (shrink)

ABSTRACTThis article investigates Rancière’s understanding of the Heideggerean conception of art. It argues that Rancière is mistaken in categorizing Heidegger’s philosophy of art within the ethical regime of images, and further that his work corresponds with the central tenets of, and thus should be categorized within, the aesthetic regime of art. This is because art is understood as art, for Heidegger, when it instigates strife between world—the network of associations which constitute the horizons of a given population’s perceptual, conceptual and (...) motor possibilities—and earth—the necessarily resistant to explicit conscious acts and signification. Insofar as it is constituted by this dual relation, art puts forth a dialogically open space in which it paradoxically reinforces the boundaries of seeing, thinking and doing, yet remains heterogeneous to these modes, thereby preventing art from being reducible to the everyday. This paradoxical role, this articulation and reconfiguration that establishes a unified-character of the arts for Heidegger, performs a function that is best framed within the aesthetic redistribution-based transformative conception of art. This is because in both Heidegger and the aesthetic regime, the dialogically open space granted to art allows for cultural revolutions and paradigm shifts to take place in an indeterminable manner. (shrink)

The paper considers the differences between the various Tantric traditions of Kerala and presents observations that emerged from my field research on the so-called Śākta Tantra of Kerala. This tradition incorporates the ritualistic practices of Kashmirian Śaivism or, more precisely, it integrates Krama-Trika ritualism with the folk mythology of Kerala and Śrīvidyā theology. This study presents the hypothesis that the Śākta tradition of Kerala could have been influenced directly by proponents of Kashmirian Śaivism and indirectly by Śrīvidyā. The Tantric texts (...) of Kerala reveal that Śrīvidyā infiltrated many ritualistic traditions and was held in high esteem by practitioners and devotees. It was a claim of some Tantric practitioners of Kerala that authoritative Tantric treatises such as Śeṣasamuccaya and Mātṛsadbhāva may have been composed by Brahmins, who intended to incorporate the well-established and probably influential and socially attractive Śākteya cults into their own realm. Therefore, the paper attempts to show that Śrīvidyā is a link that unites Tantric traditions of modern Kerala. (shrink)

When God Becomes Goddess suggests that one way in which Americans may keep the traditional Western idea of God alive - paradoxically - is to embrace the Goddess of feminist theologies under the rubric of "enactment theology", Grigg demonstrates how these cutting edge theologies offer much more than critique of patriarchy; indeed, her gender aside, Grigg suggests that the Goddess may create an avenue through which the concept of God might be rescued from the pressing forces of (...) secularization. (shrink)

Pre-eminent among Tantric Goddess temples in India is Kamakhya, revered as the site where the generative organ of the Goddess is worshipped. The name of the Goddess, Kamakhya, indicates that she is at once the desired, the desiring and the granter of desires. This paper considers the ways that desire was implicated in a collaborative feminist-oriented pilgrimage made by six women scholars to the Kamakhya temple in Assam. It examines problems associated with cross-cultural desiring and describes how (...) these were addressed. The place of desire and the status of women in Tantric conceptions of the Goddess are explored along with implications for feminist appreciations of Goddesses and Tantra. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:“I would rather be a cyborg than a goddess”Becoming-Intersectional in Assemblage TheoryJasbir K. Puar“Grids happen” writes Brian Massumi, at a moment in Parables for the Virtual where one is tempted to be swept away by the endless affirmative becomings of movement, flux, and potential, as opposed to being pinned down by the retroactive positioning of identity (2002, 8). For the most part, Massumi has been less interested in (...) how grids happen than in asking how they can un-happen, or not happen. What the tension between the two purportedly opposing forces signals, at this junction of scholarly criticism, might be thought of as a dialogue between theories that deploy the subject as a primary analytic frame, and those that highlight the forces that make subject formation tenuous, if not impossible or even undesirable. I have seen this tension manifest acutely in my own work on intersectionality and assemblage theory. On the one hand I have been a staunch advocate of what is now commonly known as an intersectional approach: analyses that foreground the mutually co-constitutive forces of race, class, sex, gender, and nation. Numerous feminist thinkers consider intersectionality the dominant paradigm through which feminist theory has analyzed difference; Leslie McCall argues that intersectionality might be considered “the most important theoretical contribution that women’s studies, in conjunction with other fields, has made so far” (McCall 2005, 1771). Intersectional analysis is now a prevalent approach in queer theory.1 At the same time, encountering a poststructuralist fatigue with the now-predictable yet still [End Page 49] necessary demands for subject recognition, I also argued in my book, Terrorist Assemblages: Homonationalism in Queer Times, that intersectionality as an intellectual rubric and a tool for political intervention must be supplemented—if not complicated and reconceptualized—by a notion of assemblage. Following Massumi on the “retrospective ordering” of identities such as “gender, race, and sexual orientation” which “back-form their reality,” in Terrorist Assemblages I write, “[I]ntersectional identities and assemblages must remain as interlocutors in tension... intersectional identities are the byproducts of attempts to still and quell the perpetual motion of assemblages, to capture and reduce them, to harness their threatening mobility” (Puar 2007, 213). Subject positioning on a grid is never self-coinciding; positioning does not precede movement but rather it is induced by it; epistemological correctives cannot apprehend ontological becomings; the complexity of process is continually mistaken for a resultant product.2Since the publication of Terrorist Assemblages, in response to anxieties about my apparent prescription to leave intersectionality behind (as if one could), I have often been asked to elaborate on the political usages of assemblages and assemblage theory. A prominent concept in the work of Gilles Deleuze and Felix Guattari, assemblage seems to inspire doubt about its political “ applicability,” while intersectionality seems to hold fast as a successful tool for political and scholarly transformation. Part of the assumption at work in these queries is that representation, and its recognized subjects, is the dominant, primary, or most efficacious platform of political intervention, while a Deleuzian nonrepresentational, non-subject-oriented politics is deemed impossible. Perhaps these queries also reveal concerns about how they might be somehow incompatible or even oppositional, despite the fact that intersectionality and assemblage are not analogous in terms of content, utility, or deployment. As analytics, they may not be reconcilable. Yet they need not be oppositional but rather, I argue, frictional.In what follows, I offer some preliminary thoughts on the limits and possibilities of intersectionality and assemblage and what might be gained by thinking them through and with each other. What are the strengths of each in the realms of theory, political organizing, legal structures, and method? Through highlighting the convivial crossings of these two differentiated but not oppositional genealogies, I offer some thoughts on epistemological correctives in feminist knowledge production—which has been driven, sometimes single-mindedly, by the mandate of intersectional analysis—to see what kinds of futures are possible for feminist theorizing. I reread the formative concept that fueled the metaphoric invocation of intersectionality, specifically Kimberlé Crenshaw’s use of the traffic intersection, to show where intersectionality, as that which retroactively forms the grid and... (shrink)

When reading the Hebrew Bible, it is clear that the goddess Asherah is given a negative image. There are some fascinating probable misreadings, including one showing that she once might have had a more exalted role: in Deuteronomy 33:2 at the Lord’s right hand there was a ‘fiery law’, or was it ‘Asherah’? However, it appears that the Greek Septuagint preserves some additional references to Asherah which are surprisingly positive. In some of the places examined Asherah can confidently be (...) assumed to be underneath the Greek word for ‘grove’. Additionally, there are places where Asherah does not occur but the Greek translation gives us evidence that the word Asherah was there originally. Finally, two ‘goddess passages’ are shown to have significantly different emphases regarding Asherah when read in the Greek or other ancient translations.1. (shrink)