The LEGO Movie provides more ways to think about the nature of autonomy and how others can either help or hinder one's development. At the beginning of The LEGO Movie, Emmet Brickowoski is an extreme case of someone who is not autonomous. Emmet is also contrasted with the Master Builders, who are autonomous, making decisions for themselves with confidence and gusto. When Emmet comes into his own as The Special, it is only with the help of others. Emmet (...) begins his development by convincing the Master Builders to follow his plan. Among them, only he has the capacity to really understand others' expectations in a way that will result in a successful plan to stop Lord Business's plot. Wyldstyle experiences a development similar to Emmet's. Her given name is Lucy, and she molds her personality to others' expectations. Wyldstyle's case examines what might be missing in the Master Builders. (shrink)

Playing with LEGO is naturally educational—it supports free play, imagination, and creativity. LEGO is forward‐thinking—it was one of the first toys to promote gender equality. LEGO advertises itself as a lifestyle choice whose values include being part of a team that educates people, that does the right thing, and that prides itself on its wholesomeness. This image is rather different from the reality of LEGO as a for‐profit company. The Greenpeace video undermines the entire ideology behind (...) the LEGO brand and everything it stands for. This chapter examines the relation between one's ideology and politics, on the one hand, and one's status as a consumer of LEGO toys, on the other. It also considers LEGO's long‐standing and problematic partnership with Shell. Shell, of course, is one of the world's largest and most profitable oil companies. The Greenpeace video hints at many possible criticisms of LEGO's relationship with Shell. (shrink)

LEGO tells about not just LEGO architecture but architecture generally: its objects, its aesthetic properties, and how people judge them. To illustrate how thinking about LEGO can help people with such matters, this chapter considers some scenarios. These scenarios illustrate two very different ways of thinking about architecture. On the one hand, people might think architectural objects (more commonly, "works of architecture"), like buildings, bridges, and aqueducts, have forms that stand on their own, and which thereby do (...) not depend on historical, environmental, or any other contexts. On the other hand, they might think that architectural objects are best understood (maybe only understood) if they have one or more kinds of contextual information. From a different angle, some might see formalism as a better fit with original LEGO world design than with real‐world architectural design. Proponents of formalism take note of what makes architectural objects distinctive. (shrink)

‘Fundamental’ is a prime example of what philosopher John Post called an “accordion word”: highly flexible and capable of expanding or contracting depending on context. Physicists and many cosmologists will view their domain as fundamental, and one will often see the expression ‘fundamental physics’ to describe an actual subject area—the idea being that such practitioners are dealing in ‘compositional ultimates’.

LEGO and Creativity -- LEGO, Ethics, and Rules -- LEGO and Identity -- LEGO, Consumption, and Culture -- LEGO, Metaphysics, and Math.

In this essay I discuss how I built a cognitive‐robotics lab using inexpensive LEGO® MINDSTORMS™ robot kits. The lab has provided pedagogical and research opportunities for a number of philosophy courses, and I briefly describe the results of those efforts. I also describe how one might build a similar lab. Philosophers need to be more directly involved in the field of robotics. There is much work to do in tidying up the philosophical debris left by the last wave of (...) robotics research, which the researchers have been unwilling or unable to do themselves. The major barriers to participation have been hardware costs and a lack of technical expertise among most philosophers. In recent years, though, these barriers have become less of a problem. At the end, I present some ideas about the kinds of experiments that such kits make possible and how to expand beyond the limitations of the basic LEGO® hardware. (shrink)

This chapter explores how LEGO compare to the metaphysics of the real, actual world—our universe. LEGO worlds and real worlds at least differ in how many there are: there are many LEGO worlds, but only one real world. According to David Lewis, there are worlds in which people were saved from entering the dark ages. There are worlds where they have a billion bricks at their disposal. But there are also worlds where LEGO has never been (...) invented. On Lewis's view, other worlds are just as real as the actual world. Lewis's plausible thesis of Humean supervenience need not be combined with his extravagant claim that there is a real world for any possible arrangement of the fundamental building blocks. A pervasive and obvious phenomenon of our world, is absent in a LEGO world. Things change—cars move, babies grow, coffee goes cold, leaves turn brown. (shrink)

In January 2014, seven‐year‐old Charlotte Benjamin wrote a letter to LEGO in which she described a lack of LEGO options for girls. Charlotte's letter has since gone viral. Many critics of the LEGO Friends theme have cited it in articles and blog posts about how this girls theme reinforces negative gender stereotypes. LEGO introduced the Friends theme in early 2012 explicitly as the "girls theme" to replace the unsuccessful LEGO Belville theme. Many fans of (...) class='Hi'>LEGO found the gender imbalance unfortunate, because, as studies indicate, playing with blocks, in particular in structural play, can significantly enhance spatial and mathematical skills. LEGO's solution was to create a theme in which purple and pink colors dominate the fictional place: Heartlake City. LEGO also introduced a new kind of figure: the mini‐doll. The mini‐doll is different from the traditional LEGO minifigures in being less blocky, more styled and taller; it is also a bit more feminine in appearance. (shrink)

Despite best efforts, every aspect of life is in a state of flux. To adapt is to survive. That is why we must learn to embrace the Buddhist philosophy of impermanence. The essence of impermanence is that reality is never stagnant but is dynamic throughout. The one‐by‐four blue brick with bow that was once associated with the roof of the LEGO Cinderella's Dream Carriage may now be unidentifiable. Skills evolve, experience accumulates, and every LEGO project raises the bar (...) for the next endeavor. When we dismantle it brick by brick, systematically examining each piece, we find that the self, like the Death Star, lacks any substantial permanent essence, that it is bereft of the sum of self. LEGO enthusiasts recognize the MOC (My Own Creation) as a LEGO creation that monks designed and built. Destruction of a mandala, like dismantling LEGO creations, demonstrates that beauty is only meant for this world for a short time. (shrink)

LEGO bricks have spread in popularity to include many adults among their fan base. LEGO bricks form one small arena in which culture is expressed. LEGO offers an example to understand a subtle and difficult cultural critique of society offered by Jean Baudrillard, an influential French philosopher whose works contribute to postmodern understandings of the world and people's place in it. This chapter describes Baudrillard's four stages that are a model of the way the world works. These (...) stages are as follows: reality representing basic bricks; conflict play and masking; sky‐fi and the absence of reality; and ApocaLEGO and self‐simulation. His four stages merely describe the process from reality producing the image to the image producing reality. The chapter deals with bricks that seem to effectively represent the real, but through subsequent developments the bricks have come to supplant the real. Baudrillard argues this happens throughout media‐saturated culture. (shrink)

LEGO and math are both about what one do with the objects. In LEGO, he/she can build sets following the instructions, or alternatively dump a whole bunch of LEGO on the floor and build whatever he/she like. In math, he/she have a similar freedom to create new things, solve problems, and play around. Geometry makes far greater use of pictures and diagrams than tends to be the case for other areas of mathematics. This chapter focuses on diagrammatic (...) proofs as a key case where proofs guide him/her through a series of actions. If one accepts the LEGO account of diagrammatic proofs then he/she has strongly sided with the geometers against Plato. The main principle of departure from Plato is to focus on mathematical activities. The same thought is meant to apply to LEGO: the particular bricks are only important insofar as they facilitate the things we can practically do with them. (shrink)

LEGO bricks have an enormous educational potential. The article analyzes the possibility of using the bricks in teaching philosophy. As a case in point, it describes the LEGO-LOGOS project, a method where the bricks have been successfully used in opening students to philosophical ideas. The project makes use of play (in this case with the LEGO bricks) to introduce students to philosophy and philosophizing. It tackles one of the biggest obstacles in teaching this subject, that is the (...) resistance of students to formulate and express their thoughts as the method allows for a free and creative expression of ideas and interpretations. The article describes the structure of the classes where the method is to be used and provides an analysis of educational and philosophical assumptions of LEGO-LOGOS also touching on the possibility of using the method as a tool in the school setting and beyond. (shrink)

Introduces the use of Lego Robots for use in research and teaching in philosophy. Potential uses include using the machines as pedagogical tools for teaching introductory ideas in cognitive robotics, philosophy of mind, and the philosophy of Artificial Intelligence. Describes the strength and potential pitfalls of introducing this technology to the classroom.

This paper discusses the politics of remembering and the representation of the Holocaust in Polish contemporary art referring to the Lego Concentration Camp by Zbigniew Libera. The paper presents the ways in which Libera’s work challenges the traditional ways of representing the Holocaust and how it engages with issues such as the relation between atrocity and aesthetics. The associations brought to this mode of representation by the notions of game and toys and whether theatricality and play are in dialogue (...) with or violate the historical experience of the Holocaust is also discussed. The paper investigates the specificity of the Polish context in the way the Holocaust is approached and the reactions these artistic attempts raise in the public. Do the unconventional and shocking representations help understand the Holocaust or do they create the opposite effect of misguided and trivialised reading of history? (shrink)

From the beginning in 1932, LEGO toys have expressed and were designed with an ethos grounded in simplicity, care, fun, and sustainability. The LEGO corporation's emphasis on openness parallels the philosopher Martin Heidegger's emphasis on openness, releasement, and working creatively within the structures and limitations of history and culture. When one play with LEGO toys, he/she eventually realize his/her creations can be taken apart or knocked down. Heidegger explains that these moments of destruction are opportunities for understanding. (...) For Heidegger, play is especially important because it reconnects them with the awe and wonder. The open structure of LEGO toys invites openness from creators. Other toys might create, require, and sustain different moods and modes of play. However, LEGO play reveals moods and desires in a unique way. LEGO play often extends over a sustained period of time, inviting play with the same bricks in diverse environments with different emotional settings. (shrink)

Although the prohibition of human cloning for reproductive purposes has been proclaimed internationally, embryo stem cell research is progressively considered as a positive field for future therapeutical developments. Implicitly cloning is then becoming a tool which allows the creation of new forms of life, including human life.

LEGO reminds that race—both in the world of LEGO minifigures and in the real world—is socially constructed and depends on context, customs, convention, and attitudes. When the modern version of the LEGO minifigure was introduced in 1978 its bright yellow color was a conscious choice, meant to be racially and ethnically neutral. Further, all the yellow‐skinned minifigures had the exact same printing on their faces—the "smiley"—obscuring any differences between minifigures. Any LEGO builds that contain flesh‐toned minifigures (...) (e.g. Kobe Bryant)represent characters that are white, Asian, black, native American, or any of a host of other racial identities, while LEGO builds that contain yellow minifigures represent characters that have no race. The introduction of flesh‐toned figures does not merely introduce race into the worlds of LEGO licensed sets, but the appearance of flesh‐colored minifigures also forces to re‐construe the older non‐licensed minifigures produced in the supposedly racially neutral yellow. (shrink)

A handbook with poster based on the newest LEGO(R) theme. A new, exciting LEGO(R) theme coming in 2013. It's unlike anything ever created before! This full-color handbook includes a poster as well as information about this incredible, adventure-filled world.

The farms in the LEGO Farm theme are immaculate. They feature sparkling clean tractors, pristine fences, and the complete absence of dirt. Whether it is on purpose, or a limitation based on the number of pieces that can be placed inside a box, LEGO Farm presents an agricultural utopia. The farms are smaller, less dependent on toxic inputs, and friendlier to animals than real‐life commercial farms. LEGO Farm often features animals that are clean and well fed. Some (...) animals even appear to be smiling, and that's appropriate considering that they are viewed as living creatures rather than commodities. With LEGO, kids and adults can imagine farms as they would ideally make them. The beauty of LEGO is that anyone can be a Master Builder, building their own MOCs. As a Master Farmer the possibilities for representing environmentally friendly agriculture are endless. (shrink)

One of the great virtues of LEGO is that it has the potential to make any one of us a Master Builder. In The LEGO Movie, Wyldstyle and Batman present a case study in the value of precision in language. If your basic two‐by‐four brick is the "uncarved block", LEGO makes "carved" ones too: cockpits, irregular minifig heads, all those cool bits. In the case of the LEGO brick, the less it's like a toy, the better (...) we can play with it. According to the Daoists, government is no different: the less it does, the better it works. One of the most telling differences between ancient Greek philosophy and ancient Chinese philosophy lies in their attitudes toward imprecision. LEGO Master Builders understand this. This is the Daoist model of government: commit yourself to the goal, be willing to be flexible, and voila, you've freed yourself of the tyranny of the instruction booklet. (shrink)

In Miniland USA, the nation itself takes on many of the characteristics of the fan developed theme (FDT): vignettes of LEGO bricks, thematically unified as "American", based on representations of locations throughout the United States. Frequently referred to as the "heart" of the LEGOLAND theme parks, Miniland is a section made up of scaled‐down versions of national landmarks and icons, artfully arranged around winding paths. Contemporary domestic tourism envisions the United States as several distinct geographic zones, differentiated by metropolitan (...) centers and regional characteristics (primarily climate, food, and dialect). Tourist guides and maps reinforce this configuration, highlighting roughly the same delineation of regions: The Northeast,Mid‐Atlantic, Southeast, Southwest, Midwest, and Pacific Northwest. Echoing this conception of the national itinerary, LEGOLAND California's Miniland USA contains miniature versions of six different American locations: New York City, Washington DC, "New England", New Orleans, Las Vegas, and California. (shrink)

This chapter discusses LEGO set #21103, the DeLorean Time Machine. It also explains whether the original Cuusoo DeLorean is the same model as, or numerically identical to, set #21103, even if they are not qualitatively identical. If they are the same model, that would explain why Team BTTF deserves creative credit. The chapter considers the question of why a creator deserves credit, including public recognition and royalties. John Locke maintained that property rights are natural rights. Some have extended Locke's (...) view to include intellectual property, including industrial design. The creator of a new design mixes her labor with materials, therefore acquiring a right to what she is produced. By mixing their labor with 403 LEGO bricks, the original Cuusoo designers, Sakuretsu and Masashi Togami, would acquire property rights to what they produce. (shrink)

Delving deeper into LEGO's products and marketing provides an important perspective on the development of the Research Institute set and LEGO's attempt to engage women in science. LEGO's own research shows that boys tend to build in a more linear fashion by replicating what is inside the box whereas girls prefer a more personal approach, to create their own story and to imagine themselves living inside the things they build. Sociologists have looked at every stage of children's (...) development, and found that parents treat babies differently as soon as the sex of the child is known. Language‐focused skills such as reading and writing are gendered feminine and thought of as girls' subjects, whereas science and physical education are considered masculine and treated as boys' subjects. Encouraging women to take up science and science‐related careers might not just be morally good, or good for women, but also important for the progress of science itself. (shrink)

In The LEGO Movie, Vitruvius's notion of the "The Special" introduces what will be a central motif for the film. As it turns out, the one who finds this "Piece of Resistance" is not quite the hero he was expected to be. Emmet Brickowoski, a construction worker, will find this "Piece of Resistance". Throughout the film, others suggest to Emmet both implicitly and explicitly that he brings nothing of value to any particular individual or to society, and that consequently (...) he himself has no value. If one interpret The LEGO Movie as being driven by Emmet's quest for discovering his value, the real philosophical turning point in the film is not when Emmet's double‐decker couch permits the Master Builders to escape from the sinking submarine and they realize that Emmet's ideas actually are useful. Rather, it is when Emmet realizes their approval is irrelevant to his value. (shrink)

This chapter first talks about LEGO modal epistemology. Modal epistemology has the two parts. Some of it is the study of how one knows that some things are contingent and others necessary. The other part of modal epistemology concerns how much one know about what is contingent and necessary. The chapter then talks about what went wrong with the imagination‐based story. Whatever the story about how one knows what he/she can build, it had better be one that factors in (...) his/her background knowledge, since that is what makes the imagination useful. With working knowledge of those little pieces, one can make judgments about what can and can not be done with them. Crucially, there are various ways to make those judgments. The chapter further focuses on a segment of the LEGO community that might seem a bit fussy: purists. (shrink)

This chapter discusses the versatile LEGO minifigure to introduce some major themes, questions, and problems tackled in the "philosophy of the human person". It begins with the question of just what parts are involved in making a human person. After that, the chapter considers the problems surrounding any individual's continued existence over time, and also discusses the philosophical view according to which the acts of decision‐making and imaginative creation are the very things. The cheerful yellow LEGO minifig presents (...) a wonderful tool for exploring the human person, who similarly appears unique within the complicated systems of reality. The issue of personal identity is as problematic as it is important for understanding our nature as human individuals in an ever‐changing world. The chapter further provides examples that focus on the problem of personal identity, particularly identity over time. (shrink)

The key to understanding what is problematic about The Man's behavior lies in considering his inflexible attitude toward following a particular kind of rule: the construction instructions accompanying his various LEGO sets. The Man treats the LEGO instructions he is following—which clearly have, at best, the status of conventional, rather than moral, rules—in a manner fitting only for moral requirements. To understand the severity of The Man's mistake, people need only contrast his attitude with that of Emmet Brickowoski (...) at the start of The LEGO Movie. Emmet is largely to be pitied rather than blamed for his inflexible rule‐following behavior. By contrast, there is no indication that The Man's rule‐following behavior is in any way aimed, even unsuccessfully, at attaining some genuine good. Rather, The Man follows the rules merely because they are, well, the rules. (shrink)

Part of the ingenious quality of LEGO is that it is a system of play, fundamentally based on interconnecting sets of parts and open‐endedness. Nowadays, themed and specialized LEGO playsets far outnumber the more free‐form building oriented sets we might see on store shelves. Everything from the themed LEGO Space and LEGO City to extensions of the imaginary franchise universes of Star Wars, Harry Potter, and The Simpsons suggest a kind of play experience where purely imagination‐driven (...) building becomes secondary to the kinds of storytelling and narrative play that LEGO playsets encourage. The different kinds of play—LEGO playset building compared to LEGO video game playing—can be thought of as ludus (more structured, goal‐oriented play) and paidia (exuberant, spontaneous free play). LEGO in many ways serves as a helpful analogy for how philosophical thinking can lead people toward new connections between their thoughts and ideas. LEGO and philosophy invite them to question the nature of play. (shrink)

This chapter first distinguishes between originality and creativity. True originality is rare, whether in art, science, or LEGO, because to be truly original means to have done something that no one has ever done before, and that no one could have anticipated. Most LEGO creations will not meet that condition, for with the exception of serious hobbyists who undertake massive builds, most players who make original creations are making creations that are commonplace. Painting or remolding or placing stickers (...) on the bricks counts against the spirit of LEGO creation. The chapter then discusses The LEGO Movie embodies the paradox that presents three conflicting models of creative LEGO play, illustrated by the Master Builders, Finn's father, and Emmet. The movie's creators were deliberately playing around with conflicting popular conceptions of creativity: creativity as madness, creativity as thinking outside the box, and creativity as vision. (shrink)

La crítica kantiana legó una doble herencia a la biología decimonónica: su noción de ciencia basada en el mecanicismo newtoniano configuró epistemológicamente la teoría de la evolución darwinista, mientras que su comprensión de los organismos se tradujo en una morfología teleológica. En este artículo planteamos dos cuestiones en torno la relación entre las ideas de Kant y Darwin: 1) si Kant habría considerado a Darwin el Newton de la biología, a lo que, con matices, respondemos afirmativamente; 2) si la física (...) newtoniana es hoy suficiente para naturalizar lo orgánico. Nuestra respuesta negativa se fundamenta en las ciencias de la autoorganización y la evo-devo, que permiten plantear la naturalización de la concepción kantiana de los organismos. (shrink)

This chapter aims to develop an argument in support of the basic mentality thesis. A “counting” argument is constructed in the chapter that poses a problem for the identity thesis. Then, the chapter extends the “counting” argument in a way that exposes a problem for the dependence (mind grounded in physical) thesis. The basic strategy of a counting argument is to show that there is a greater quantity of members of the one category than of some other. To illustrate, the (...) chapter considers the categories integers and reals. These categories both have infinitely many members. To further illustrate the categorical difference between the physical and nonphysical, it also considers building a Lego tower. The divide between physical and nonphysical properties involves much more than a mere difference with respect to complexity of psychological content. Next, the chapter justifies the basic mentality thesis by considering the main arguments for standard physicalism (reductive or nonreductive). (shrink)

In everyday joint activities, people coordinate with each other by means not only of linguistic signals, but also of material signals – signals in which they indicate things by deploying material objects, locations, or actions around them. Material signals fall into two main classes: directing-to and placing-for. In directing-to, people request addressees to direct their attention to objects, events, or themselves. In placing-for, people place objects, actions, or themselves in special sites for addressees to interpret. Both classes have many subtypes. (...) Features of material signals were examined in pairs of people who were videotaped as they assembled TV stands, built Lego models, planned furnishings for a house, played piano duets, or bought coffee at Starbucks. In these activities, the pointing and placements were often sustained, creating three phases of signals – initiation, maintenance, and termination – each with its own interpretation. (shrink)

Zjawisko autotranslacji czy autoprzekładu zawiera się w schemacie komunikacji dwujęzycznej przy udziale nowej instancji tłumacza = autora. Ważne staje się pytanie o inwariancję translatorską, tym bardziej że lego rodzaju przekładowi przypisuje się większą swobodę i częstszą tendencję do przetworzeń. Postulowana przez Christiane Nord lojalność tłumacza wobec tekstu wyjściowego oraz odbiorcy docelowego nabiera w tym kontekście innego wymiaru. Autoprzekład porusza się, podobnie jak przekład tradycyjny, na płaszczyźnie interlingwalnej, która niesie czasem większe ryzyko „melanżu” językowego w przypadku, jeśli autor poza tym, (...) że jest osobą bilingwalną, to jeszcze publikuje dwujęzycznie. Porównanie wersji paralelných T. Rittnera pokazuje przykładowe pomyłki interlingwalne, pojawiające się w tekstach autorskich. (shrink)

Collaborative interaction pervades everyday practices: work meetings, innovation and product design, education and arts. Previous studies have pointed to the central role of acknowledgement and acceptance for the success of joint action, by creating affiliation and signaling understanding. We argue that various forms of explicit miscommunication are just as critical to challenge, negotiate and integrate individual contributions in collaborative creative activities. Through qualitative microanalysis of spontaneous coordination in collective creative LEGO constructions, we individuate three interactional styles: inclusive, characterized by (...) acknowledgment and praise; instructional, characterized by self-repair; and integrative, characterized by widespread self- and other-repair. We investigate how different interaction styles leave distinct traces in the resulting LEGO models. The inclusive interaction style results in concatenations of individual contributions with little coherence and core narrative. The instructional style produces coherent, but individually driven models. Finally, the integrative style generates more innovative models, synthesizing individual contributions in shared narratives or schemas. (shrink)

Spatial experience in childhood is a factor in the development of spatial abilities. In this study, we assessed whether American and Faroese participants’ (N = 246, Mage = 19.31 years, 151 females) early spatial experience and adult spatial outcomes differed by gender and culture, and if early experience was related to adult performance and behavior. Participants completed retrospective reports on their childhood spatial experience, both large-scale (permitted childhood range size) and small-scale (Lego play). They also completed assessments of their (...) current large-scale spatial behavior (navigational strategy) and small-scale ability (mental rotation task, MRT). We replicated earlier results showing better MRT performance among males and more reliance by males on orientation navigational strategies, although males and females reported similar ranges as children. However, there were cross-cultural differences, with Faroese having larger childhood ranges, less reliance on route strategies, better MRT scores, and a smaller gender difference in MRT. Larger permitted childhood ranges were associated with reduced use of route strategies for navigation in adulthood, and greater Lego play in childhood predicted better MRT performance as adults. There was also some evidence supporting relationships across spatial scales, with more Lego play predicting an orientation style of navigation and larger childhood ranges predicting better performance on the MRT, although the latter was not independent of country. In sum, we observed an association in both cultures between large-scale childhood experience and large-scale behavior in adulthood, small-scale experience in childhood and adult small-scale performance, and some associations between experience and behavior across spatial scales. (shrink)

Collaborative interaction pervades many everyday practices: work meetings, innovation and product design, education and arts. Previous studies have pointed to the central role of acknowledgement and acceptance for the success of joint action, by creating affiliation and signaling understanding. We argue that various forms of explicit miscommunication are just as critical to challenge, negotiate and integrate individual contributions in collaborative creative activities. Through qualitative microanalysis of spontaneous coordination in collective creative LEGO constructions, we individuate three interactional styles: inclusive, characterized (...) by acknowledgment and praise; instructional, characterized by self-repair; and integrative, characterized by widespread self- and other-repair. We then investigate how different interaction styles leave distinct material traces in the resulting LEGO models. The inclusive interaction style generally results in concatenations of individual contributions with little coherence and core narrative. The instructional style produces coherent, but largely individually driven models. Finally, the integrative style generates more innovative models, synthesizing individual contributions in shared narratives or schemas. (shrink)

It has been found that children appreciate the limited substitutability of co-referential terms in opaque contexts a year or two after they pass false belief tasks (e.g. Apperly and Robinson, 1998, 2001, 2003). This paper aims to explain this delay. Three- to six-year-old children were tested with stories where a protagonist was either only partially informed or had a false belief about a particular object. Only a few children had problems predicting the protagonist’s action based on his partial knowledge, when (...) he was only partially informed about a property of the desired object (e.g. he knew that it was a Lego® block, but not that it was a red Lego® block). But many had problems making the correct action prediction when he was only partially informed about dual identities (e.g. he knew it was a dog, but not that it was also an eraser). About as many children made an incorrect action prediction for partial knowledge problems involving dual identity as answered higher-order belief questions incorrectly. In contrast many more children answered first-order false belief questions correctly, as many as correct action predictions when the protagonist was partially informed about a property of an object. The results support the claim that children have a specific problem with dual identity, rather than a broader problem representing partial knowledge. (shrink)

En este trabajo argumento de manera directa a favor de una tesis e indirectamente en contra de un lugar común en la exégesis del pirronismo. La tesis que defiendo es que el escepticismo y anti-intelectualismo intrínsecos al pirronismo constituyen un rechazo radical a lo que denomino el ideal socrático, un conjunto de tesis que dominó la reflexión filosófica en la Antigüedad. Para alcanzar este objetivo paso revista por los principales representantes de la tradición pirrónica, desde Pirrón hasta Sexto, para mostrar (...) la evolución del pirronismo desde una posición metafísica dogmática hasta una posición epistémica anti-dogmática y anti-intelectualista. En cada estadio analizo la manera en que cada uno de sus representantes rechazó el ideal socrático, lo que a su vez significó la introducción de varias tesis originales en la escena filosófica de la Antigüedad. Esto último sirve para argumentar, de manera indirecta, en contra de uno de los supuestos más extendidos en la exégesis del pirronismo, a saber, que éste fue un movimiento monolítico en el que todos sus participantes comulgaban con la postura pirrónica que nos legó el pirronismo tardío. (shrink)

We present and discuss various formalizations of Modal Logics in Logical Frameworks based on Type Theories. We consider both Hilbert- and Natural Deduction-style proof systems for representing both truth (local) and validity (global) consequence relations for various Modal Logics. We introduce several techniques for encoding the structural peculiarities of necessitation rules, in the typed -calculus metalanguage of the Logical Frameworks. These formalizations yield readily proof-editors for Modal Logics when implemented in Proof Development Environments, such as Coq or LEGO.

En este trabajo centrado en la Ética se resaltará la dimensión de alteridad de la esencia del ser humano y, por lo tanto, en el caso de Spinoza, de la noción de deseo. A partir de esta alteridad constitutiva, el modo dicotómico de pensar lo social y lo individual es reconsiderado mediante un deseo que, sin dejar de ser singular, es y persevera en relación con los demás. Con el fin de no reducir la noción de deseo a una de (...) sus expresiones, se distinguirá entre las diversas formas del deseo, en particular el anhelo, y el deseo-cupiditas. Asimismo se perfilará la noción de un deseo de razón en contraste con las figuras de la impotencia. Las vías abiertas conducen a la valoración de un pensador que nos legó una noción de deseo que implica simultáneamente afirmación y codependencia, insertándolo en debates éticos, políticos y psicológicos actuales. (shrink)